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This is the first (main) book in a series of books based on the music of David Harley. This one is based on the album 'Tears of Morning', which comprises songs and settings of poetry with a sometimes tenuous connection to Shropshire and the Welsh Marches. One such connection is that several (not all) of the poetry settings are from Housman's 'A Shropshire Lad'. The book contains a wealth of commentary information on the historical, traditional, musical and/or biographical background to the songs and poems.An updated version of the album called "So Sound You Sleep - More Tears of Morning" features many more tracks in order to reflect the content of the book. Another collection of musical settings to verse by other poets will appear in due course.
My uncle Eddie Parker, though he worked in engineering for most of his life, was a talented amateur artist with a keen interest in Shropshire history. After his death, his daughter Eve and I agreed to publish a book featuring his drawings of old Shrewsbury buildings, with historical background and some photographs, where appropriate, of the same sites as they are today. The main difference between this edition and the first edition is that the photographs are now in colour.This is very different to my previous technical books. The historical span of the topics covered ranges from Saxon times to the 21st century, with the dramatis personae including saints and kings, poets and playwrights, patriots and rebels. The settings ranging from medievel churches to battlefields, from pubs to castles, from abbeys to museums, from Bronze Age circles to fairs and markets. It even includes short diversions into etymology and blockchain technology.
This is a short textbook on an alternative technique for stringing and tuning a guitar to get a very bright, treble-y sound that can be used to create some very unusual effects. It may at least interest some of the people who've asked me questions about Nashville stringing/tuning when I've used it in performance. It includes information on more-or-less related tunings, and the factors that need to be taken into account when considering setting up an electric or acoustic Nashville-strung guitar. It also includes links to a number of sample sound files illustrating the technique and ways in which it can be used to emulate other instruments.
In the early 80s I contributed much of the songs and music (and some other bits and pieces) to a revue called Nice, if you can get it directed by Maggie Ford, which was centred on the world of work. Some of that material appeared more recently on the album Hands of the Craftsman. That album formed the basis of this book: however, it includes much supplementary material. This includes not only historical and anecdotal material, but material that wasn't included in the revue, and other material that wasn't originally intended for the revue, but fits the topic. Some of this material has never been published previously in any form.
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