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Drawing upon Robin Dahlberg's own experiences as a junior lawyer at a large corporate law firm, "Billable Hours in 6-Minute Increments" explores the obstacles facing women in the corporate workplace. With a sense of the absurd that Dahlberg only discovered in hindsight, she examines how women lawyers respond to the sexism, pressure to conform, tedium and stress that defined her daily life at the law firm and that continue to define the corporate work environment today.

A photobook on the North Korea with a surrealistic fine art take on the country while raising some important questions on freedom and daily lives of its people

Olde Kensington, a small neighborhood just north of Center City Philadelphia, was predominantly a post-industrial area when I moved in, yet ominous signs of imminent change seemed to indicate that the fate of the place rested in other hands.Muddling my way through the unfamiliar streets on foot, the city seemed to push and pull me in this direction or that one, like it was leading me somewhere. Sometimes I resisted, others I followed, but I never caught a glimpse of my secret guide, who insisted on remaining shrouded in the empty spaces of the city.As a record of these ambulations, this work limns the tension between the extant and the imminent, the intervalic experience of living in a city in flux, and a complicated relationship to place.

Fauxliage documents the proliferation of disguised cell phone towers in the American West. By attempting to conceal an unsightly yet essential technology of the modern world, our landscapes now contain a quirky mosaic of masquerading palms, evergreens, flagpoles, crosses, and cacti. Technology is modifying our environment with idiosyncratic results. The often-whimsical tower disguises belie the equipment''s covert ability to collect valuable personal data.

"Home Fires, Volume I: The Past" is a personal look into the bare bones of Winter in San Joaquin Valley, compounded by the skeletal effects of an epic drought, underpinned by memory and the ghosts of childhood lost.

A photographer becomes a mother and photographs her children for 30 years with a 1950's Kodak Brownie Hawkeye Camera and color film. Carole Glauber's dream-like photographs in "Personal History" deal with themes of love, of raising children, of travel, and of family.

"Evanescent Cities" explores obliquely the development of Northern Brooklyn and Long Island City, Queens and will be of interest to scholars, architects, urbanists, writers, photo book collectors and artists.

An inside view of the changing world of the traveling circus, carnival and sideshow.

Increasing the visability of under-represented girl skateboarders, these portraits are captured on location with the photographic historical process, wet plate collodion using a portable darkroom and 8x10 view camera.

Family Resemblance is a multi-year photo project that documents people young and old, who are genetically related, and bear a strong resemblance to one another.

China is poised to become the world's largest film market, fed by an expansive state-supported movie and television industry. These photographs document the many larger-than-life outdoor film sets and the tourist industry that has developed around them

n Little Romances I photograph prints of my photographs and they become a physical object; my object. I surround them with elements from my garden or other personal items not to evoke nostalgia or sentimentality but to deepen my physical connection/claim to these images and distance them from the viewer. The object-image becomes obscured, repurposed, diverted, so that its original intent remains safe from viewing and at the same time it explores a new narrative.

Fatherland shifts the celebrated perception of Peru's landscape and offers a counter narrative, exposing viewers to the scars born from decades of a relentless epidemic of hate on the LGBTQ community.

ROME 1970s provides a view of life during a time when Italy moved from an in- nocent "dolce vita" existence to a more hardened reality. Featuring portraits and urban views from Rome and its surrounds, this eye-opening collection of black and white photographs tells the story of how modern-day Italy came to be. ROME 1970s will be exhibited at Robert Klein Gallery, Boston in Spring 2019.

And Here We Are examines the current condition of our rapidly changing landscape, the sixth extinction and the fragile places where man and nature collide.

The composite, textured landscapes in the series A Sense of Place are a re-creation of places and scenes from an estranged homeland.

Moon Shine features photographs from Appalachia's Cumberland Plateau. This work is inspired by the musical traditions native to this soil. From this point of inquiry, a lyrical portrait of place emerges.

We Were There documents ten years of Austin's music scene through photographs of ecstatic fans. Book includes a never-before-released vinyl record by The Black Angels!

Recovered Memory: New York and Paris 1960-1980 is a meditation on time and place: before the internet and 24/7 news; when one could visit the Eiffel Tower without seeing police and automatic weapons, when a ride on the New York subway cost 15 cents, when the smell of fresh-baked baguettes wafted over nearly every Parisian neighborhood, and when the Coney Island parachute ride still thrilled thousands. Van Riper's striking black and white photographs spanning twenty years, coupled with his eloquent texts, capture the 20th-century romance and grit of New York more than a half century ago, and Paris, some forty years ago. It was a time when the pace of life was slower and somehow less threatening, people talked to each other instead of texting on their iPhones, and you literally had to stop and smell the coffee.