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A richly illustrated, substantial documentation of the AIA Award-winning architectural firmThis is the definitive publication on New York design firm Architecture Research Office (ARO).When it was established, ARO represented a new breed of firm--one of the first to be defined by its purpose rather than by a last name or an eponymous acronym. Architecture. Research. Office. documents the firm's ethos and culture that has quietly shifted the architectural field's outlook on how to practice. For the first time, this book meticulously compiles ARO's diverse body of work, spanning cultural and educational institutions, public and commercial buildings, and residences.Over 30 of its most significant projects are presented alongside seven principles that guide its practice. Writer and curator Brooke Hodge's introduction describes ARO's philosophy and culture, while a conversation with partners Stephen Cassell, Kim Yao and Adam Yarinsky offers perspectives on the challenges and opportunities of leading a firm committed to continuous learning. Architecture. Research. Office. provides an extensive set of precedents to inspire others--including other designers and the next generation of architects--to address the social and environmental challenges of our time.Founded in 1993, ARO is one of the country's most sought-after architecture studios and the 2020 recipient of the prestigious American Institute of Architects (AIA) Firm Award--the highest honor given to any architecture practice--as well as the AIA New York State Firm of the Year Award and the Smithsonian Cooper-Hewitt National Design Award for Architecture. Notable projects include the renewed Rothko Chapel and Campus, the boathouse in Brooklyn Bridge Park and the world's largest LGBTQ+ synagogue, Congregation Beit Simchat Torah.

Portrayals of James Baldwin and others in his circle highlight the iconic writer's activismThe American writer and activist James Baldwin (1924-87) considered himself a "witness" as he challenged perspectives on America and its history through his work. He was often recognized for speaking out against injustice when other like-minded artists, collaborators and organizers were overshadowed or silenced. By bringing together artworks that feature James Baldwin alongside portraits of other key figures who had an impact on his life, This Morning, This Evening, So Soon situates Baldwin among a pantheon of culture bearers who were instrumental in shaping his life and legacy, particularly in relationship to his advocacy for gay rights. The book accompanies an exhibition at the National Portrait Gallery in Washington, DC, curated by the National Portrait Gallery's Director of Curatorial Affairs, Rhea L. Combs, in consultation with Pulitzer Prize-winning author Hilton Als. Well-known portraits by Beauford Delaney and Bernard Gotfryd are shown alongside paintings, photographs and films representing key figures in Baldwin's circle. By viewing Baldwin in this context of community, readers will come to understand how Baldwin's sexuality and faith, artistic curiosities and notions of masculinity--coupled with his involvement in the civil rights movement--helped shape his writing and long-lasting legacy.The book relies on portraiture to explore the interwoven lives of Baldwin, Lorraine Hansberry (writer and activist), Barbara Jordan (lawyer, educator and politician), Bayard Rustin (leader in social movements), Lyle Ashton Harris (artist), Essex Hemphill (poet and activist), Marlon Riggs (filmmaker, poet and activist) and Nina Simone (singer-songwriter, pianist and activist), among others.Artists include: Richard Avedon, Glenn Ligon, Donald Moffett, Beauford Delaney, Bernard Gotfryd, Faith Ringgold, Lorna Simpson, Jack Whitten.

Catalog of an exhibition held at the Contemporary Art Gallery, Vancouver, BC, September 23, 2022-January 8, 2023; the Remai Modern, Saskatoon, SK, September 23, 2022-January 8, 2023; the Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY, February 18-July 16, 2023; and the Gund at Kenyon College, Gambier, OH, August 19-December 10, 2023.

Medalla's first major retrospective draws from his archive of kinetic art designs and works on paper to outline his transformative impact on the 20th-century avant-gardeThis comprehensive survey of drawings and works on paper by the late Filipino artist David Medalla (1942-2020) explores his prolific career from the mid-1950s to the late 2010s. The book tracks and contextualizes Medalla's pioneering involvement in artistic movements--from kinetic art to performance and participatory art--while providing insight into more intimate forms of exchange between contemporaries and friends to underscore the interpersonal narratives that often tend to evade art history. In anticipation of a major retrospective exhibition of Medalla's art at the Hammer Museum, this volume charts the artist's persistent presence that has sometimes been omitted from the histories of art movements in which he played a significant role. This publication showcases Medalla as an influential figure in 20th-century international art by revealing a more intimate perspective that parallels the life he pursued through political action, public performances and exhibitions.

Surrealism and Us: Caribbean and African Diasporic Artists since 1940 shines new light on the history of Surrealism, bringing together more than 80 works from the 1940s to the present that convey how Caribbean and Black artists sparked and expanded on the avant-garde movement. Inspired by a historical moment of creative ferment in the Caribbean, when figures like Suzanne Câesaire and Wifredo Lam found common cause with refugee Surrealists around the political and aesthetic possibilities of the marvelous, this exhibition catalogue shows how these vital transatlantic exchanges have resonated through art history and shaped artists today--back cover.

To accompany the exhibition, the Buffalo AKG and DelMonico Books will publish the most comprehensive catalog yet dedicated to Stanley Whitney's pioneering fifty-year career. The book's essays contextualize Whitney's best-known gridded paintings from the past two decades alongside an historical assessment of his practice; the interconnected development of his works on paper; Whitney's relationship with the written word; and the influences on his practice from art history, poetry, music, quilting, and more.

MacArthur Fellows including Jeffrey Gibson, Kara Walker and more collaborate with and create art in Chicago's urban spacesThis publication examines the development and reception of Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40 (TCC), a citywide project in Chicago that included the work of 29 artists installed at 19 venues throughout the city. The volume commemorates the widely discussed exhibition, which sought to underscore art's power to catalyze change and to unleash the imagination on pressing social challenges, including environmental justice, public health crises, economic inequality and others.Art in Pursuit of Common Cause seeks to document the ideas, roadblocks, rewards and questions that were raised during the planning, exhibitions and aftermath of the citywide exhibition. An attempt has been made to include content rarely seen in the traditional exhibition catalog, to analyze and amplify the voices of actual visitors and to place the project's learnings in the context of the shifting ground of museum practice.

"Her language for exploring [history] is at once serious and exuberant." -Siddhartha Mitter, New York TimesOver the last 15 years, Firelei Báez has created artwork that delves into the historical narratives of the Atlantic Basin. She draws on the disciplines of anthropology, geography, folklore, fantasy, science fiction and social history to unsettle categories of race, gender and nationality in her paintings, drawings and installations. Her exuberant paintings feature finely wrought, complex and layered uses of pattern, motifs and saturated hues. Primarily centering women of color, her works incorporate regal fashion styles and decorative elements as well as defiant gazes in order to assert their authority.In advance of her North American traveling solo exhibition, this lushly illustrated book offers audiences an opportunity to gain a holistic understanding of Báez's complex body of work, cementing her as one of today's most important artists. Partly inspired by artists' sketchbooks, the monograph includes full-spread reproductions of the artist's preparatory sketches alongside annotations, source images and close-up details of her artworks. Numerous scholars contribute thoughtful, reverent texts, weighing in on Báez's indelible mark on the contemporary art landscape.The Dominican Republic-born artist Firelei Báez (born 1981) reworks visual references drawn from diasporic histories in order to imagine new possibilities for the future, overlaying figuration, symbolic imagery and abstract gesture onto large-scale reproductions of found maps and documents. She then populates these representations with hybrid forms composed of folkloric and literary references, textile patterns and plant life.

A landmark publication featuring 60 career-spanning photographs by Ellsworth Kelly, one of the most revered artists of the past 100 yearsMarking the first museum exhibition devoted solely to the photographs of Ellsworth Kelly, this beautifully designed volume features each photograph in the Santa Barbara Museum of Art's illuminating presentation of this lesser-known aspect of Kelly's art. From the late 1940s on, Kelly created an era-defining body of abstract art based on many kinds of visual phenomena he perceived around him. Largely made for himself, Kelly's photographs record these discoveries in tightly-composed images of nature and architecture that often reverberate with striking sunlight and shadow.Similar as they may appear, Kelly did not base his paintings, sculpture and works on paper on his photographs. The camera for Kelly was yet one more artistic tool he used to brilliantly transcribe his lived surroundings into an art that, however abstract, always resonated with his subjective experiences of actual, everyday worlds.Kelly's rich sensory fascination with such worlds, from shadows on a beachside staircase to the curve of a snowy hillside, courses throughout this handsome book. To those familiar with or new to the artist, these photographs offer a vividly direct chance to see Ellsworth Kelly's eye and mind at work unlike any other genre in which this groundbreaking artist ever worked.Born in Newburgh, New York, Ellsworth Kelly (1923-2015) served in France in World War II's Ghost Army, graduated from the School of the Museum of Fine Arts Boston and returned to France from 1948-54. Over the next seven decades, back in New York City and then upstate, Kelly produced an uncompromising body of art that set new standards for the possibilities of abstract art in the 20th century. His work has been the subject of numerous retrospectives the world over and is represented in virtually every major national and international museum.

A much-needed reexamination of one of the earliest exponents of Abstract ExpressionismThis ambitious catalog spans the seven-decade career of the American Abstract Expressionist painter James Brooks (1906-92), providing an overdue reappraisal of this artist who boldly disrupted any tendency toward repeated formulas. After discarding the Social Realist style of his early career, Brooks pioneered the use of staining, dilution and accidental deterioration of canvases.Boasting an eight-page gatefold and a detailed chronology and bibliography, this fully illustrated catalog features a generous sampling of Brooks' ever-evolving oeuvre: murals for the procurement division of the Treasury Department in the 1930s; paintings created in the Middle East during his military service as a combat artist for the War Department's Art Advisory Committee in the 1940s; early lithographs and paintings influenced by the Southwestern regionalism of his formative Dallas years; abstract expressionist works of the 1950s; and his later colorful abstractions that presaged some of the art of today.

New sculptures and installations that critically examine the formal, social and linguistic roles of live modelsOver the past three decades, Iranian-born, German-based artist Nairy Baghramian (born 1971) has created sculptures and installations that upend expected modes of presentation and challenge the architectural, social, political and historical contexts that inform them.The new works featured in this publication explore the provisional body as the site of trauma--drawing inspiration from the tradition of the "modèle vivant," the French term for a live model in an art class. In her "ambivalently abstract" works, the artist takes unconventional approaches to materials associated with sculptural traditions of casting, including aluminum, lead, steel and wax. In conversation with sculptures from the Nasher's permanent collection by Louise Bourgeois, Henri Matisse, Pablo Picasso and others, Baghramian's works offer new ways to think about representations of bodies and the unseen labor of models, as well as the linguistic play afforded by different meanings of the word "model" and its linguistic relatives, such as "modulate" and "modify."

The story of the creation of an astonishing house that renews and reinvigorates the spirit of the avant-garde in the HamptonsArchitecture critic Paul Goldberger tells the story of an extraordinary house on the Atlantic Double Dunes in East Hampton--Blue Dream, the result of a remarkable collaboration between collectors Julie Reyes Taubman and Robert Taubman, architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, who sought to renew the legacy of modernist architecture and art in the Hamptons.Goldberger offers insight into the complex process by which an architectural idea generated a work that stands as the most striking addition of our time to the roster of architecturally ambitious modernist houses on Long Island. As he notes, "There are relatively few books devoted to the architecture of a single house, but what is clear if you read any of them is that they are stories about clients as much as about architects." So it is with Blue Dream. The Taubmans were inspired by the avant-garde spirit of artists and architects who settled and worked in the Hamptons and set out to create a house like no other, a house whose complex curving forms could only be built using the composite material used to make fighter jets.Iwan Baan's photographic portfolio documents Blue Dream across four seasons. Goldberger's text is illustrated with images of earlier modernist houses that inspired the project, as well as documentation of the design process involved in the making of Blue Dream itself.Paul Goldberger (born 1950), whom the Huffington Post has called "the leading figure in architecture criticism," is a contributing editor at Vanity Fair magazine. Goldberger began his career at the New York Times in 1972 and was appointed architecture critic at the paper in 1973, working alongside Ada Louise Huxtable until 1982. In 1984, he was awarded the Pulitzer Prize for Distinguished Criticism, the highest award in journalism. As architecture critic for the New Yorker (1997-2011), he wrote the magazine's celebrated "Sky Line" column. After serving as dean of the Parsons School of Design from 2004 to 2006, Goldberger was named the Joseph Urban Professor of Design at the New School. He is the author of Why Architecture Matters (2023), Building Art: The Life and Work of Frank Gehry (2015), Building Up and Tearing Down: Reflections on the Age of Architecture (2009), Beyond the Dunes: A Portrait of the Hamptons, with photographer Jake Rajs (2018) and Houses of the Hamptons (1986), among other publications.

"This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories"--

A lavishly illustrated tour of the methods, process and sources behind the iconic pop artworks of KAWSAmerican artist KAWS is one of the most famous living contemporary artists today. Renowned for his iconic visual language and larger-than-life sculptures, the artist draws on beloved pop culture icons to create a new and recognizable cast of characters of his own. The broad appeal of KAWS' style has made his artwork accessible to collectors, museum visitors and the general public alike, and has led to collaborations with coveted global brands and immense commercial success.KAWS: FAMILY, organized by the Art Gallery of Ontario, Toronto, marks the artist's Canadian institutional exhibition debut with an array of his drawings, paintings, sculptures and selected products. The catalog features over 60 works from the past two decades, including installation photography; essays by Julian Cox, AGO Deputy Director and Chief Curator; and an interview with KAWS by Jim Shedden, AGO Curator of Special Projects and Director of Publishing. Together, this material provides new insights into KAWS' influences and creative process as well as the impact his work has made across the spheres of fine art, pop culture, product design and fashion.A graffiti artist since adolescence, Brian Donnelly (born 1974), known professionally by his moniker KAWS, received his BFA in illustration from New York's School of Visual Arts in 1996. He has collaborated with brands such as Supreme, Nike and Comme des Garcons, and his work can be found in the collections of the High Museum of Art in Atlanta, the Modern Art Museum of Fort Worth, the Brooklyn Museum and the Museum of Contemporary Art in Los Angeles. KAWS lives and works in Brooklyn, New York.

The spirit of feasting in Islamic lands as seen in art and material cultureThis catalog represents the first occasion that the burgeoning knowledge of food culture in this period has been employed to inform our understanding of Islamic art. Dining with the Sultan offers a pan-Islamic reach, spanning the 8th through 19th centuries and including some 200 works of art representing a rich variety of mediums. Across its 400 pages, and through an abundance of color plates and new scholarship, the publication introduces audiences to Islamic art and culture with objects of undisputed quality and appeal. Viewed through the universal lens of fine dining, this transformative selection of materials emphasizes our shared humanity rather than our singular histories.

Evelyn Hofer was a highly innovative photographer whose prolific career spanned five decades. Despite her extraordinary output, she was underrecognized during her lifetime and was notably referred to by New York Times art critic Hilton Kramer as "the most famous unknown photographer in America." She made her greatest impact through a series of photobooks, published throughout the 1960s, devoted to European and American cities, including Florence, London, New York, Washington and Dublin, and a book focused on the country of Spain. Comprising more than 100 photographs in both black and white and color, Eyes on the City accompanies the artist's first major museum exhibition in the United States in over 50 years and is organized around her photobooks. The photographs feature landscapes and architectural views combined with portraiture, conveying the unique character and personality of these urban capitals during a period of intense structural, social and economic transformations after World War II. Exhibition: High Museum of Art, Atlanta, USA (03/24-08/13/2023)/ Nelson-Atkins Museum of Art, Kansas City, USA (09/16/2023-02/11/2024).

This volume anthologizes the textual contributions from the Hammer exhibition titled Lifes. These texts formed the starting point from which choreographers and composers, theater directors and dramaturgs, and performance, video and installation artists contributed to the overall project. The publication documents the exhibition's fostering of interdisciplinary conversation toward a "total work of art." In addition to scholarly contextual essays by Shannon Jackson, Aram Moshayedi and Greg Tate, the book includes texts commissioned for the exhibition and publication by philosopher and ecologist Fahim Amir; writer and director Asher Hartman; artist and poet Rindon Johnson; and novelist and poet Adania Shibli. An oral history compiled and edited by Nicholas Barlow documents the many conversations among contributors; and illustrations by artist Olivia Mole are interspersed throughout.Exhibition: Hammer Museum, LA, USA (13.02-08.05.2022).

How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovations--with works by the Lumiere brothers, Mélies, Chéret and moreCity of Cinema traces film's evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema's relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nation's culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world.Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Gerome--all of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé.At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium.

"Published on the occasion of the exhibition Women Painting Women, curated by Andrea Karnes and organized by the Modern Art Museum of fort Worth, on view May 15 to September 25, 2022"--Copyright page.