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Dr. Andrea O' Reilly is internationally recognized as the founder of Motherhood Studies (2006) and its subfield Maternal Theory (2007), and creator of the concept of Matricentric Feminism, a feminism for and about mothers (2016) and Matricritics, a literary theory and practice for a reading of mother-focused texts (2021). With this collection O' Reilly continues the conversation on the meaning and nature of motherhood initiated by Adrienne Rich in Of Woman Born close to fifty years ago. In In (M)other Words, O' Reilly shares 25 of her chapters and articles published between 2009-2024 to examine the oppressive and empowering dimensions of mothering and to explore motherhood as institution, experience, subjectivity, and empowerment. The collection considers the central themes and theories of motherhood studies including normative motherhood, feminist mothering, maternal regret, matricentric pedagogy, young mothers, academic motherhood, matricentric feminism, matricritics, motherhood and feminism, the motherhood memoir, the twenty-first-century motherhood movement, mothers and daughters, mothers and sons, pandemic mothering, and the motherline.

This collection explores the concept of the Missing Mother from two inter-related standpoints: the mother as absent in society and the mother as absent in a woman's selfhood. The first perspective considers why and how the mother/mothering is disregarded, discounted, or dismissed in art, literature, culture, policy, and law while the second perspective explores why and how a woman has marginalized, lost, forgotten, forfeited, or abandoned her individual maternal identity. Whether it is society that erases the maternal or a woman who forsakes it, the aim of this collection is to consider the why, how, what, who, and where of the mechanics of missing mother in both society and self. This collection considers reasons for this disavowal and disappearance of the maternal and shows how mothers can and do resist to recover and reclaim the maternal in society and self. Overall, this collection seeks to uncover and reveal the mother so marginalized and maligned in and by patriarchal culture and to show how women may find the missing mother in society and self and achieve empowerment in doing so.

Today's schools are meant to be all things to all people, but can they be? Schools are responsible for socialization, skills development and knowledge acquisition which take place within an institution serving disparate student populations. Unfortunately, school success is not experienced by all students, especially those for whom chaotic home lives are overwhelming. Schools should provide an important safe haven for students, offering advocacy and wraparound care. Fictionalized to protect the identities of those involved, the narratives between these pages shine a spotlight on the vulnerability of youth, and in particular, young people living in heart-breaking circumstances. Upholding the work that takes place in schools and embracing those support systems which are shared between school and community is crucial to enacting lasting and positive change. Drawn from the life experiences of a career educator, this collection seeks to highlight a broad range of needs while also reinforcing the way forward through school-community partnerships.

Matricentric feminism seeks to make motherhood the business of feminism by positioning mothers' needs and concerns as the starting point for a theory and politic on and for the empowerment of women as mothers. Based on the conviction that mothering is a verb, it understands that becoming and being a mother is not limited to biological mothers or cisgender women but rather to anyone who does the work of mothering as a central part of their life. The Mother Wave, the first-ever book on the topic, compellingly explores how mothers need a matricentric mode of feminism organized from and for their particular identity and work as mothers, and because mothers remain disempowered despite sixty years of feminism. The anthology makes visible the power of matricentric feminism as it is theorized, enacted, and represented to realize and achieve the subversive potential of mothers and their contributions to feminist theory and activism. Contributors share the impact and influence of matricentric feminism on families and children, culture, art/literature, education, public policy, social media, and workplace practices through personal reflections, scholarly essays, memoir, creative non-fiction

Written by a Queer woman of North African and Middle Eastern descent, Human(e) takes a radically non-pathology-based approach to grief and loss. In this intimate and reflective auto-ethnographic book, Bensoussan asserts that grief is a biological imperative; a life-sustaining necessity that is vital to our survival. Human(e) explores how our species has been living with, and metabolizing loss, well before there were licensed professionals and accredited institutions. Bensoussan examines the inadequacy of the idea that grief is normal, as grief goes well beyond the Western-colonial binary of normal and abnormal. Grief is human, and to grieve is to be human. Rachelle seamlessly and beautifully weaves together her vast professional expertise on grief with her own personal lived experiences of loss. Human(e) is a must read for anyone learning to live without.

NATIONAL INDIE EXCELLENCE AWARD WINNER, 2024 Audrey Meyerwitz wants to fall in love and have a family. But for this queer 30-something insomniac who's struggled with Generalized Anxiety Disorder since childhood, it's a goal that's far from simple. When best friend Jessica, a recovering alcoholic, helps introvert Audrey with a profile on SheLovesHer, Audrey takes that scary first step toward her lifelong dream. Through online dating, immigrating to Canada, and having a baby with Down Syndrome, she struggles and grows. But when Audrey unearths a secret about her mother, everything about her identity as a mother, a daughter, and a person with mental illness ruptures. How do we create closeness from roots of deep alienation? With humor, honesty, and complexity, Audrey learns that healthy love means accepting gains and losses, taking off the blinders of fantasy, and embracing the messiness that defines human families.

Give and Take: Motherhood and Creative Practice explores the diverse ways contemporary artists navigate the unique tensions of motherhood in all its varied stages. Becoming a mother is a life-changing event that can give mothers greater perspective, drive, and inspiration for making art. But motherhood also takes time and energy from pursuing creative work. This fundamental challenge, this give and take, is explored through this book as it forefronts the art and lives of dancers, playwrights, musicians, visual artists, and creative writers. The book contains thirty-three first person narratives from practicing artists along with written analyses that place these artists' essays within the broader context of arts writing and scholarship about motherhood. The concluding section of the book includes overarching thoughts about how artist mothers can move forward despite structural inequality and cultural bias and includes a resource guide for practical support.

Care(ful) Relationships between Mothers and the Caregivers They Hire offers an interdisciplinary and international approach to the complex issues of carework, primarily focusing on childcare. The diverse collection of authors center their examinations of care by interrogating how class, race, and gender interplay to create inequity and potential. The work shared in Care(ful) Relationships draws from various disciplines, including sociology, anthropology, media studies, literary and dramatic analysis, history, and women's studies while also addressing carework as it is depicted in ages past and contemporary culture. The collection not only seeks to challenge misconceptions and inequity but also examine how the unique personal relationships that form in the labor of care can yield prosocial change.

The COVID-19 pandemic disrupted the global world but impacted women with children and careers disproportionately. The social, familial, and professional strains of this crisis birthed with it the opportunity to reflect on the values, expectations, lifestyle, and priorities that have defined motherhood. This book uplifts the shared consciousness of motherhood; the common veil that transcends time, region, and boundary. Part contemporary anthology, part historical narrative, and fully nestled in the tenets of psychological science, this book spotlights the awakenings of 33 mothers of varied ages, ethnicities, family compositions, and professional backgrounds in the United States as they renegotiated motherhood and career. Each reflection offers a window into the heart of a career mother, capturing the kaleidoscope of her struggles, vulnerabilities, and hopes, while empowering her insights. The reflections are bound together by themes that cut across lived maternal experiences, bringing to light a powerful creed for a life re-imagined- one that propels mothers forward in all of their roles.

When her daughter died in November, 2013, she was a parent in search of consolation and looking for similarities to her situation. She began to read the obituary column of her local newspaper and although the author of A Death in the Family: Stories Obits Tell read extensively about death of an adult child, she found obituaries the most comforting and kept returning to them. Day after day, she became obsessed and discovered that obituaries were a specific genre in themselves. This book, written within the tradition of social history, follows a decade of obituaries from the point of view of one author and notices the gradual changes in content, context, and style. In clear and precise writing, Donna McCart Sharkey explores and finds the extraordinary within the captivating life stories - the brief biographies and at times, autobiographies - of the newly dead.

This graphic memoir looks at intergenerational experiences of domestic and gender-based violence through a maternal gaze. The book's 13 chapters document a mother's attempts to reconcile violent incidents through visual representation, psychically reordering them in the context of her changing temporal body. The unexpected return of trauma memories captured in mixed media reveals an intricate balance between remembering and forgetting. Snippets of memory collide on the page, illustrating in bold graphics and fragmented text how maternal bodies react to claim or reject the stories memory brings. At question is how violence interacts with mental health, addiction, disability, gender, and language, and where or if accountability for transgressions exists except in the author's mind. While pushing the boundaries of ethical storytelling, this research-creation text explores trauma memory in a textured overlay of images and text. The textured hand-made paper cradles a constant search for identity, opening up the body surgically and metaphorically while pieces are changed, damaged, and removed. Violent acts entrenched in the social fabrics of domestic life disrupt mothering practices rendered in circular frames to symbolize mothers? resilience and their life-giving wombs.

"During the pandemic, the focus has been on how education and social interaction with peers were integral to children's functioning. However, very little regard was given to another very important question- how do our children feel about the pandemic and how do they process this experience? Why is it assumed that cognitive functioning and social interaction are the most significant areas of child development? What emotional factors are at play? Are the children alright? How are their families coping and does this have an impact on the children? What I hope to achieve by compiling this edited collection is to bring awareness to the child's perspective, within the family unit, in addition to addressing other contributing factors that had an impact on their coping mechanisms. This collection will hopefully inform whether the choices, that were made and should be made related to children, have been sound ones and perhaps should be re-examined as a result of this book's findings, conclusions and speculations."--

A central aim of motherhood studies is to examine and theorize normative motherhood. Where does it come from? What are its defining features and demands? How does it work as a regulatory discourse and practice across differences of age, class, race, ability, sexuality, and region? What is the impact of normative motherhood on women's lives? What does an intersectional analysis of normative motherhood reveal? How is normative motherhood reflected and enacted in public policy, workplace practices, family arrangements and so on? How is normative motherhood represented and resisted in literature, art, photography, and film? How do or may women resist normative motherhood? This collection explores these questions of normative motherhood under three interrelated topics: Regulations, Representations, and Reclamations.

Donna McCart Sharkey and Arleen Pare , sisters and writers, have co-edited an anthology Don' t Tell: Family Secrets, about what may be hidden in families. For each individual, even in the same family, what is secret and what is not, may be different. In Don' t Tell: Family Secrets, fifty-nine writers tell their stories in either prose or poetry, of their own family secrets. So often, mothers bear the burden, stand over time as the keepers of these secrets, trying to keep families intact. Spanning continents, cultures, wars, belief systems, and the private lives of families, the secrets in this book range from over one hundred years ago to the present and include stories – some serious, others quirky, some resolved, and still others that remain a mystery.

This book brings critical, scholarly attention to the systematic positioning and subjective experiences of mothers involved in child protection processes in "e; risk"e; -based child protection systems (Parton, Thorpe and Wattam; Connolley; Swift and Callahan). While mothers are typically the primary focus of child protection prevention and investigations (Azzopardi et al.; Fallon et al.; Swift and Callahan), their gendered experiences, challenges and triumphs are seldom given space in the academic literature, practice and/or public spaces to be seen or heard. Chapters in this volume build on existing literature to illustrate the structural positioning and/or lived experiences of mothers who come into contact with child protection for a variety of reasons: substance (ab)use, positive HIV status, child injury, fetal alcohol syndrome, colonial assessment methodologies, young age, incarceration, childbirth, and intimate partner violence. This book offers three unique contributions to existing literature on mothering in child protection. First, it creates space for mothers involved in child protection to have their voices heard. Second, it acknowledges the centrality of mothers' subjective experience in keeping children safe. Finally, it challenges dominant, often dehumanizing narratives of mothers in involved in child protection through providing a more nuanced understanding of their lives. Ultimately this anthology calls for a fundamental rethinking of how mothers involved in child protection proceedings are conceptualized in child protection research, policy and practice. It is recommended that mothers voices must be central to humanely reforming child protection systems.

"An Artist and a Mother is a book of visual artworks and essays that speak to the diverse ways artists balance creative life with the demands of mothering. It includes thirty seven essays describing the work of thirty-nine international artists and an art collective, as well as a resource guide with books, journals, magazines, organizations, and other resources. This book seeks to highlight the growing body of artist mothers who are making visually and conceptually interesting artwork not just despite their status as mothers, but often because of the inspiration and challenges that come with motherhood."--

How can Enid move forward when her marriage, as well as the world she has known, simultaneously fall apart? In the midst of the COVID 19 pandemic, Enid Alger Kimble, protagonist of Bromwich's first novel, Not Your Penance, seeks to reconcile with her past, and finds, through ruin, rebirth. Having returned to Canada and to work as a lawyer, Enid leaves her surgeon husband, Dr. Arthur Kimble. Trying to find healing and a purpose beyond the roles of wife and mother about which she has felt so ambivalent, Enid travels physically and metaphorically through the ruins of her marriage, the ruins of Classical Greece in the Aegean, and finally the remnants of her own prairie childhood. Enid undertakes a long overdue homecoming to accept the Blackfoot Nation's offer of COVID 19 vaccinations, as she journeys into single parenting her five children. As far flung and diverse as the first novel in the series is claustrophobic and tense, Ruin offers fresh perspectives on law, midlife, mothering and divorce. It is a windswept, hope-filled story of reconciliation and redemption through the COVID 19 pandemic, midlife, law, and divorce

"Women are having children later in life, out of choice and also aided by improved reproductive technologies. Women are also more educated than at any other time in history, with the last generation seeing women's professional careers not as unusual, but as the norm for university educated women. This generation of tertiary educated mothers has grown up with a clear articulation of feminism, although shifts in the intra-household gendered division of labour have been more limited than hoped for. These mothers represent a generational shift in modern times and constitute a significant new demographic that cannot be ignored. For high achieving university educated women with vocational positions of authority and respect, the emotional and psychological shift entailed in dealing with the myriad demands of a child and often mundane aspects of motherhood can be overwhelming. These women are used to managing complex and highly technical issues in the workplace, yet none of these skills prepare them for motherhood which requires patience, a need to let go of control and for some a staggering conflict of personal identities and roles. Coming to terms with this new identity requires a rethinking of who they are as an individual in a society which offers few role models who have come forward being honest on the personal side of their struggle. The media does not often reflect their experience or reality as a mother, and in many cases, they have demonized them for "wanting it all" and being selfish. Society does not recognize the stresses and anxiety faced by this high achieving demographic of women. A great deal of productivity is lost from the workforce from the skills and expertise of these high women who are grappling with unfair burdens, discrimination and societal judgments, and most of all their internal identity crises. This is a major issue and needs to be considered by policy makers, academics, employers and mother's themselves who have little space to analyze their context and share their experience in a feminist economic and personal political framework. This book is a collection of auto-ethnography narratives that provide personal stories and struggles from professional, tertiary educated women who are termed "late mothers." The narratives illustrate their on-the-ground lived experiences and the impact motherhood has on them and those around them, as well as within the workplace and wider society. The mothers in this book include Indigenous women, LGBTIQA+, women with disabilities and those mothering children with disabilities, (im)migrant and expatriate women."--

This interdisciplinary anthology explores a wide range of intersecting issues contributing to and arising from gun violence. Millions of people are hurt and killed by gun violence globally, and the traumatic realities of these events are navigated by individuals and communities widely. In this context, gun violence fundamentally threatens social functioning in significant ways, and profoundly test the resilience of families. The resulting transformations carry social, political, legal and economic implications for mothering, family dynamics, and community engagement. This collaborative volume brings together diverse perspectives intended to deconstruct perceptions, realities, risks and impacts of gun violence, as seen by researchers, educators, community advocates, public health/health care experts, criminologists, social workers, field-based practitioners, and victims/survivors of gun violence. The distinct and broad range of contributions in this volume critically unpacks representations, stress and trauma, resilience, advocacy/activism, policymaking, family functioning, social justice and equity, governmentality and the criminal justice system, public health/health care, and community programs/interventions. Ultimately, the work is a unique contribution to the literature in which there is a lack of wide academic consideration of gun violence and a demonstrably unsatisfactory political response stretching back decades.

Moving Meals and Migrating Mothers: Culinary cultures, diasporic dishes and familial foodways explores the complex interplay between the important global issues of food, families and migration. We have an introduction and twelve additional chapters which we have organised into three parts: Part I Moving Meals, Markets and Migrant Mothers

Today, more and more grandmothers around the world are taking on varied responsibilities and many roles, sometimes concurrently. Consequently, grandmothers continue to play, as in the past, an influential role not only in the lives of their grandchildren, but also in our communities and in society more broadly.

Motherhood is one of those roles that assumes an almost-outsized cultural importance in the significance we force it to bear. It becomes both the source of and the repository for all kinds of cultural fears. Its ubiquity perhaps makes it this perfect foil. After all, while not everyone will become a mother, everyone has a mother.

This interdisciplinary anthology contributes to the contemporary dialogues about motherhood/mothering drawing attention to the experiences of motherhood/mothering both within medical practice as physicians as well as highlight motherhood/mothering experiences of medicine, examining both mothers as patients themselves and with their children