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Introduces the concept of "neighborhood technologies" as a model for intermediate, or meso-level, research into the links between local agents and neighborhood relations. This book have assembled a group of contributors who are either natural scientists with an interest in interdisciplinary research or tech-savvy humanists.

Bringing together a renowned international group of contributors, this book explores the problems in the study of vision and cognition: to make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image.

Alberto Giacometti's 1934 Cube stands apart as a Swiss artist, the abstract sculptural work that otherwise had as its objective the exploration of reality. Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, this book presents fans and collectors of Giacometti's art with an approach to transitional work.

Explores the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation.

Looking at the production and reception of replicas and multiples before the nineteenth century, this book shows what happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not identical?

Siegfried Kracauer was one of the foremost representatives of the Frankfurt School of critical theory. This book brings together Kracauer's essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after the eminent emigre's exile to America.

Siegfried Kracauer was one of the foremost representatives of the Frankfurt School of critical theory. This book brings together Kracauer's essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after the eminent emigre's exile to America.

Affect, or the process by which emotions come to be embodied, is a burgeoning area of interest in both the humanities and the sciences. This book features leading scholars who explore the temporal aspects of affect through the perspectives of philosophy, music, film, media, and art, as well as technology and neurology.

Founded in 1904, Frankfurt's Weltkulturen Museum houses a remarkable collection of ethnographic artifacts from Asia, Africa, Oceania, and the Americas. This book raises questions about the relationship between the museum's educational and scientific aims and global trade.