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A literary memoir about a writer's coming of age in Gravesend, Brooklyn in the 1960s and 1970s; working with the homeless mentally ill in the Lower East Side in the 1980s; and expatriation to Paris in the 1990s. Includes a frontispiece illustration by Picasso's model and muse, Sylvette David, an Introduction by Robert Roper, and an Afterword by Christopher Sawyer-Laucanno.

This never-before-published three-act play about the JFK assassination was originally copyrighted in 1968 by Stanley J. Marks, author of the groundbreaking "Murder Most Foul! The Conspiracy That Murdered President Kennedy" (1967). A fearless author who was blacklisted by HUAC, Marks published about twenty books on politics and religion, one of which received accolades from Arnold Toynbee and Herbert Marcuse. His first book, The Bear That Walks Like a Man, a bestseller reviewed in over thirty newspapers, received praise from FDR's former ambassador to Poland. In 1973 the JFK Library contacted Marks with a request to purchase Murder Most Foul!, his first nonfiction book on the JFK case. And in 1979 the House of Representatives Select Subcommittee on Assassinations cited five of Marks' titles in its report.

In 1938 Jack Kahane's Obelisk Press published Beadle's last novel, Dark Refuge: an unrecognized modern masterpiece that quickly fell into obscurity despite its literary merit and lyrical beauty. It contains thinly disguised portraits of Modigliani, Max Jacob, Beatrice Hastings, Natalie Clifford Barney, Léopold Zborowski, and various other figures who haunted the Parisian demimonde of this period.

In the early years of the twentieth century, a retired legal clerk in Montmartre named Léon Angély collected Picassos, Modiglianis, and Utrillos before any of these artists were well known. And he purchased many of these creations after his failing vision left him almost completely blind. Legend has it that Léon was assisted by a young girl who served as his "eyes," and based on her description of the work he would make his selections.This homage to the 'blind man who was crazy for color' uncovers previously unknown information about this important yet largely forgotten figure who inspired one of Picasso's most powerful engravings, featuring a 'Blind Minotaur' being led by a little girl. The book is illustrated with original artwork by Picasso's model and muse, Sylvette David, who posed for the painter when she was only nineteen years old, in 1954. Now eighty-seven, Sylvette credits Picasso with inspiring her to devote her life to painting. Her work is frequently exhibited in Europe, and in 2021 she was invited to lecture at the Musée Picasso is Paris.Includes 16 black-and-white and 25 color illustrations.

A selection of 101 poems by Rob Couteau. Over 40 of these poems were published in 15 different print and online journals between 1985 and 2020. "The new work might be quite dark, a recognition of the loss that time inevitably entails, yet he also pursued moments of high beauty ... There is a deep tenderness in these words, mingled with the sadness of age. If one goes back to the early poems one can find the tenderness there, too, as it is in his work as a case manager for the poor and homeless. There is much to admire in Couteau's oeuvre, but this tenderness stands out among so many things that make reading his work clearly an important experience." - Poet, critic, and literary historian Ed Foster, founder of Talisman House, Publishers, and Talisman: A Journal of Contemporary Poetry and Poetics. from his Introduction to Selected Poems.

Stanley Marks--considered to be one of the most prescient, visionary researchers on the JFK assassination-described this work as "A nonfiction manual for the American of common sense, the agents of the FBI, CIA, Secret Service, the ABC, CBS, and NBC commentators, and newspaper columnists, interested in learning the deceit, deception, and duplicity practiced by the upholders of 'basic principles of justice,' the 'Warren Commission.'" Back in print now for the first time since 1969, it also includes commentaries on "the Clay Shaw trial in New Orleans, Sirhan Sirhan in Los Angeles, and Earl Ray in Memphis." While Marks' first book on the assassination, Murder Most Foul!, remains his most seminal work as well the most avant-garde in terms of stylistic approach, its format of over nine-hundred rapidly changing "questions and answers" can be a bit jarring. Although all of his books on the assassination contain fascinating, insightful observations, some consider Two Days of Infamy to be his most well-written work on the subject, due largely to its smooth narrative flow and literary presentation. The text expands upon many of the points first raised a year and a half earlier in Murder Most Foul!, as well as introducing fresh ideas and perspectives to the case. In this March 1969 text he was already using the term "conspirators" when referring to the assassins of JFK, RFK, and MLK, and he states unequivocally: "All three were murdered as the end result of three interrelated conspiracies," adding: "History has shown that an invisible coup d'état occurred when President Kennedy was murdered." In 1972, after the author Joachim Joesten learned of Stanley's work, he credited him with being one of the first American researchers who dared to use the word "coup" in this context: "To my knowledge, nobody but Jim Garrison and an obscure West Coast writer named Stanley J. Marks has ever endorsed before my unswerving contention that the murder of John F. Kennedy was nothing short of a camouflaged coup d'état." The renowned JFK scholar James DiEugenio recently referred to Marks as a "forgotten hero" and "buried gem." So much of where we are today is foreshadowed in the writing of Stan Marks: in particular, the fueling of racism and xenophobia, the attempted erosion of civil rights, and the empowerment of the oligarchy and its principal tool of control, the police state. Speaking directly to the readers of a future generation, in Two Days, he writes: "The balance of this small volume now attempts to enter the "dark world" that is slowly, oh, so slowly, being lit, although full light may take until the year 2038-if the "basic principles of American justice" have the strength to remain as principles guiding this long-suffering nation."

Collected Couteau features an anthology the author's early writings and publications. It contains the only complete, unabridged versions of interviews with Ray Bradbury and Last Exit to Brooklyn author Hubert Selby. The 188-page trade-sized paperback also features an unabridged interview with Paul Bowles's biographer Christopher Sawyer-Lauçanno, in which the latter discusses Paul Bowles, Allen Ginsberg, William Burroughs, Louis-Ferdinand Céline, and the Beats. The collection includes an essay on Walt Whitman and numerous book reviews, including essays on Tea in the Harem, by Mehdi Charef; The Demon and The Room, by Hubert Selby; Libra, by Don DeLillo; Love in the Time of Cholera, by Gabriel Garcia Marquez; The Mustache, by Emmanuel Carrère; A Literate Passion: The Letters of Anais Nin and Henry Miller, and a review of Allen Ginsberg's 1990 photography show in Paris. It also contains an in-depth review of Carl Jung: Wounded Healer of the Soul, by Claire Dunne; and Jung, My Mother and I. The Analytic Diaries of Catherine Rush Cabot, by Jane Cabot Reid.

Literary essays on Marion Morehouse, Hubert Selby, Henry Miller, and Jack Kerouac; interviews with Albert Hofmann (about LSD), Michael Korda (about T.E. Lawrence and Ulysses S. Grant), Jeffrey Jackson (about the Paris flood of 1910), Robert Roper (about Walt Whitman and Nabokov's Lolita, Justin Kaplan (about Mark Twain and Walt Whitman's Leaves of Grass), Christopher Sawyer-Lauçanno (about E.E. Cummings), James Dempsey (about Scofield Thayer).