Bøker utgitt av Dominique Levy Gallery

New York-based artist Joel Shapiro (born 1941) has explored the possibilities of sculptural form, as well as the interplay of color and mass, throughout his 45-year career. This catalog brings together Shapiro's early wood reliefs, created between 1978 and 1980, with his recent site-specific installation practice, exploring the ways in which both bodies of work create expansive, joyful moments of discovery and play. Published in conjunction with Dominique Lévy's exhibition of the artist's work, Joel Shapiro features the first full catalog of the wood reliefs, as well as new texts by Phyllida Barlow, David Raskin, and Olivier Renaud-Clément, poems by Peter Cole and Ange Mlinko, and a comprehensive chronology written in collaboration with the artist's studio.

Sotto Voce maps the historical progression of the abstract white relief from the 1930s to the 1970s. It includes works by Jean Arp, Ben Nicholson, Lucio Fontana, Piero Manzoni, Sergio Camargo, Enrico Castellani, Henri Laurens, Fausto Melotti, Günther Uecker, Luis Tomasello and Mira Schendel.

Audible Presence explores the time-based procedures employed by three influential 20th-century artists: Italian Lucio Fontana, French Yves Klein and American Cy Twombly. With historical texts, photographs and ephemera, it relates their work to music, sound and silence.

In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist's first use of color and a turning point in his career. This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the '70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia, whose research concentrates on modern abstraction and its socioeconomic implications, this is a handsome tribute to one of Richter's most groundbreaking bodies of work.