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A portrait of flourishing desire in a body ever-changingAs she examines her life experience and traumas with great care, Delporte faces the questions about gender and sexuality that both haunt and entice her. Deeply informed by her personal relationships as much as queer art and theory, Portrait of a Body is both a joyous and at times hard meditation on embodiment-a journey to be reunited with the self in an attempt to heal pain and live more authentically.Delporte's idyllic colored pencil drawings contrast with the near urgency that structures her confessional memoir. Each page is laden with revelation and enveloped in organic, natural shapes-rocks, flowers, intertwined bodies, women's hair blowing in the wind-captured with devotion. The vitality of these forms interspersed with Delporte's flowing handwriting hold space for her vivid and affecting observations.Skillfully translated by Helge Dascher and Karen Houle, Portrait of a Body provokes us to remain open to the lessons our bodies have on offer.

Black, weird, awkward and proud of it. Welcome to the club!Tired of feeling like you don't belong? Join the club. It's called the Section. You'd think a spot to chill, chat, and find community would be much easier to come by for nerdy, queer punks. But when four longtime, bookish BFFs-Lika, Amor, Lala, and Tony-can't find what they need, they take matters into their own hands and create a space where they can be a hundred percent who they are: Black, queer, and weird.The group puts a call out for all awkward Black folks to come on down to the community center to connect. But low attendance and IRL run-ins with trolls of all kinds only rock everybody with anxiety. As our protagonists start to question the merits of their vision, a lifetime of insecurities-about not being good enough or Black enough-bubbles to the surface. Will they find a way to turn it around in time for their radical brainchild, the Blackward Zine Fest?Lawrence Lindell's characters pop from the page in playful Technicolor. From mental health to romance, micro-and macro-aggressions to joy, our crew tackles everything life throws at them in this heartwarming tale about building a place to belong and the power of community.

Continuing Drawn & Quarterly's John Stanley archival series, Melvin Monster Volume Two is about the oddball monster boy who just wants to be good, go to school, and do as he is told. A satirical and funny sendup of the monster craze of the 1960s, Melvin Monster is a classic kids comic of the Silver Age. Stanley's reputation as a great storyteller and visual comedian is richly deserved - few golden or silver-age comics stand the test of time the way these comics do. As with all volumes in the John Stanley Library (Nancy, Thirteen Going on Eighteen), covers and interiors are designed by the award-winning cartoonist Seth, who is the designer of the bestselling Peanuts archival collection.

An intimate, unforgettable, and exquisite collection, Pallookaville 24 is an essential for your Seth library.Palookaville 24 marks the long-awaited return of Seth's beloved series, which offers readers an invitation into the world and varied artistic practice of the iconic cartoonist.Beginning with Seth's serialized adolescent autobiography, Nothing Lasts, we enter the fleeting summers of his late teen years, specifically focusing on his summer jobs-a stint as a gofer at the Ministry of Natural Resources and his experiences as a bellboy, dishwasher, and cook at a local inn. A memoir ruminating on memory and place and the people who pass through his life, this chapter of Nothing Lasts closes with a seminal event in Seth's young life.An intriguing visual feast, The Apology of Albert Batch is the culmination of ten years of collaboration between the director Luc Chamberlane and Seth-a short film documenting Seth's venture into puppetry. An extensive photo essay detailing the making of the film accompanies a DVD.And lastly, Seth presents, warts and all, an exercise from his sketchbook. A simple activity: Select five names from a list and produce five stories to go with them. Drawn loosely with poster paint and ink, the work is spontaneous, showing a different side of the master artist. Palookaville 24 showcases Seth's artwork alongside his continually evolving artistic practice with unique elegance.

A slow-motion drive-by view of a collapsing universe meant to sit in the palm of your hand.How fast can you go in a buggy drawn by the flap of a butterfly's wings? How do you measure the speed of waking from a dream? Such abstract inquiries into the unrelenting absurdity of contemporary life make up this omnibus of meditative vignettes from one of mainland China's most prolific and recognizable-yet anonymous-new underground cartoonists of the current generation.Every story in 20 km/h toes the line between pun and poetry, and lands somewhere just short of a zen koan: Come back to it as often as you like, it will never read quite the same way twice. A nondescript figure awakes from an assembly line of identically fashioned companions and boards a rowboat destined for the unknown. A man holds the key to sleep in his hand and uses it to disappear into his mattress. The moon is plucked from the sky and fed into a vending machine for a can of soda.Woshibai's minimalist renderings are a startlingly delightful cocktail of existential dread and silent slapstick that arrest the mind's eye with equal parts humor and grace.

A vibrant tableau of small-town life as seen through the eyes of a woman returning home from Paris.Juliette boards a train from Paris and comes back to her hometown hoping for a low-key visit with family and old friends. What she finds is anything but. Her sister, a caregiver and mother of two, is carrying on an elaborate affair with a man from a costume shop. Her parents, separated, are now estranged. Father is sure he's developing Alzheimer's, though it's more likely that he's simply getting old. Mother, on the other hand, revels in the second act of her life as a free woman, an artist with a show at their local gallery to prove it. Slowly, Juliette finds herself entangled with the unlikely Georges, a dyspeptic alcoholic who is stuck in his life. These divergent paths inevitably cross against a gloriously painted backdrop of eccentric small-town living.Camille Jourdy's beautiful watercolor pages provide an unfeigned mileu for the subtle dramedy at hand in Juliette. All too real human emotions, bittersweet and relatable in their rawness, come together to form a poetic realism.

A hilarious slice of twentysomething life in the twenty-first centuryWelcome to the Girl Juice House, home of only the hottest gang in town. Benji Nate's stylish and rambunctious sense of humor lovingly takes digs at the young and tragically hip-reserved and introspective Nana, comically hypersexual Bunny, fledgling U-tuber Tula, and Designated Mom(TM) Sadie-as they navigate life, love, and the pursuit of a good time. Girl Juice flaunts the gloriously messy and hilariously self-indulgent day-to-day hijinks of four young women doing the most. Watch them bicker over making rent and come up with creative solutions for getting there! Cringe as they attend an adult prom! Split your sides as they try their hand at camping! Cower as they confront their mommy issues, and cheer as they battle inner demons that feed off attention-seeking behavior! Nate's colorful attention to detail and gift balancing for graphic hyperbole with subtle comedy are a deep, much-needed breath of fresh air. With front-facing cameras ever at the ready, Girl Juice is a snappy reminder that the time of your life is always just a text away.

A Filipino-American take on Depression-era noir featuring mistaken identities, speakeasies, and lost love.The year is 1929 and Bobot is just another migrant worker in rural California. Or rather, a migrant worker with a law degree from the Philippines reduced to manual labor in America. Bobot, like so many other young Filipinos, finds himself bunking in the fields, picking fruit by day. When his cousin writes claiming to have spotted his estranged wife in nearby San Francisco, he swipes a co-worker's favorite nightclub suit and heads to the big city to find her. What follows is classic noir with seedy dives, mouthy pool sharks, and obsession.Rina Ayuyang indulges her passion for old Hollywood and elaborate movie musicals while exploring her immigrant roots in a playful and mysterious drama, creating something she never saw but always had hoped for-a classic tale about people who looked just like her. The Man in the McIntosh Suit is a gripping, romantic, and psychological exploration of a fledgling community chasing the American dream in an unwelcoming society heightened by racial hostility and the bubbling undercurrent of the coming Great Depression.

A deep dive into a contentious and dramatic period in Canadian history-the rise of a militant separatist group whose effects still reverberate today.It started in 1963, when a dozen mailboxes in a wealthy Montreal neighborhood were blown to bits by handmade bombs. By the following year, a guerrilla army camp was set up deep in the woods, with would-be soldiers training for armed revolt. Then, in 1966, two high-school students dropped off bombs at factories, causing fatalities. What was behind these concerted, often bungled acts of terrorism, and how did they last for nearly eight years?In Are You Willing to Die for the Cause?, Quebec-born cartoonist Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a movement that, while now defunct, still holds a tight grip on the hearts and minds of Quebec citizenry and Canadian politics. There are no initials more volatile in Quebec history than FLQ-the Front de libération du Québec (or, in English, the Quebec Liberation Front). The original goal of this socialist movement was to fight for workers' rights of the French majority who found their rights trampled on by English bosses. The goal became ridding the province of its English oppression by means of violent revolution.Using dozens of obscure and long-forgotten sources, Oliveros skillfully weaves a comics oral history where the activists, employers, politicians, and secretaries piece together the sequence of events. At times humorous, other times dramatic, and always informative, Are You Willing to Die for the Cause? shines a light on just how little it takes to organize dissent and who people trust to overthrow the government.

The wife of Japan's most lauded manga-ka documents a year in their lives with her own artistry.In 1981, Fujiwara Maki began a picture diary about daily life with her son and husband, the legendary manga author Tsuge Yoshiharu. Publishing was not her original intention. "I wanted to record our family's daily life while our son, Shosuke, was small. But as 8mm cameras were too expensive and we were poor, I decided on the picture diary format instead. I figured Shosuke would enjoy reading it when he got older."Drawn in a simple, personable style, and covering the same years fictionalized in Tsuge's final masterpiece The Man Without Talent, Fujiwara's journal focuses on the joys of daily life amidst the stresses of childrearing, housekeeping, and managing a depressed husband. A touching and inspiring testimony of one Japanese woman's resilience, My Picture Diary is also an important glimpse of the enigma that is Tsuge. Fujiwara's diary is unsparing. It provides a stark picture of the gender divide in their household: Tsuge sleeps until noon and does practically nothing. He never compliments her cooking, and dictates how money is spent. Not once is he shown drawing. And yet Fujiwara remains surprisingly empathetic toward her mercurial husband.Translated by Ryan Holmberg, this edition sheds light on Fujiwara's life, her own career in art, writing, and underground theater, and her extensive influence upon her husband's celebrated manga.

The book that brought pre-eminent Manga-ka Shigeru Mizuki to the English-speaking world.

The final, Eisner Award-winning chapter of a legendary cartoonist s history of Japan.

A sweeping yet intimate portrait of World War II s legacy in Japan.

The satirical saga of three artists seeking recognition. But there can be only one Artist.

Maybonne Mullen is "e;riding on a bummer"e; according to her little sister, Marlys. As much as teenage Maybonne prays and tries she just can't connect to the magic of living. How can she when there's so much upheaval at home and school, not to mention the world at large? And yet Marlys always seems able to tap into it. In It's So Magic, the Mullen family dynamics are in flux. Uncle John makes a brief return to town to the delight of the girls. Freddy is finally reunited with his sisters. Marlys falls in love for the first time. And after they finally settle into a routine at their grandmother's, the Mullen siblings' find out that their mother might be ready to take them back in. With war in the background and precarious parental support, the siblings long for peace, finding it in the small things like grocery-store turkey-drawing contests and fishing trips. Narrated by Maybonne, Marlys, and Freddy, It's So Magic captures Lynda Barry's unparalleled ability to depict the magic of youth experiencing firsts in a world that contains as much humor as it does hardship.

A rip-roaring journey through the highs and lows of tour lifeWelcome aboard the tour van of Major Threat-Brooklyn's finest rock band yet to catch a break-as they traverse the US of A on a last-ditch summer festival tour. On drums we've got "band dad" Ed, the stoic drummer who keeps bumping into tech bro coworkers that he can't quite relate to. On bass, there's Paul, a man of mostly mystery, who drinks hard and yet manages to glide through life, intelligible to no one except energy-drink-guzzling Marco, the baby of the band and newest replacement lead singer. And of course there's the gentle and serene Lilith, a weed-lollipop-sucking, stuffed-animal-backpack-wearing guitarist healing from heartbreak. There's sex, drugs, and rock 'n' roll, sure, but there are also tender moments as the motley crew take turns behind the wheel, compiling lists of the hottest hunks and best guitar riffs to pass the miles. From tour fashion to breakdowns-mechanical and emotional-Leslie Stein holds no bars in this incredibly funny and heartfelt love letter meets parody of life on the road.Her first full-length fiction, Brooklyn's Last Secret expertly showcases Stein's trademark cocktail of charm, wit, and whimsey, leaving readers decidedly affected by their time spent in her world.

Harvey Knight's Odyssey is the latest book in Nick's deepening catalog of jocular miserySolarism is a religion that acknowledges there is a balance of light and dark in the Universe. But while Solarists believe it is possible to achieve a state of Pure Light by exposing themselves to the rays of the sun (or tanning beds on cloudy days), the Forces of Dark conspire against them and send hooded Shadow Men to eliminate the Light. Subsequently, Solarists must kill these Shadow Men. It's the only way. When a thief infiltrates the sacred chambers of the Solarists, Assistant-to-the-Master Harvey Knight must test the strength of his beliefs in order to restore order. Or maybe he's plotting to overthrow the leader and make the religion his own. Either way, it's an odyssey. Nick Maandag has been making bone-dry hilarious comics for years, exploring the ridiculousness of human vanity and beliefs. He approaches each comic with the understanding that we are all desperate to be seen and find the most outrageous ways to make that happen. Few cartoonists elicit belly laughs the way Maandag does.

A seasoned cartoonist of epic proportions, Brandon-Croft carves out space for Black women's perspectives in her nationally syndicated stripFew Black cartoonists have entered national syndication, and before Barbara Brandon-Croft, none of them were women. From 1989 to 2005, she brought Black women's perspectives to an international audience with her trailblazing comic strip Where I'm Coming From.From diets to day care to debt to dreaded encounters with everyday racism, no issue is off-limits. This remarkable and unapologetically funny career retrospective holds a mirror up to the ways society has changed and all the ways it hasn't. The magic in Where I'm Coming From is its ability to present an honest image of Black life without sacrificing Black joy, bolstered by unexpected one-liners eliciting much-needed laughter. As the daughter of the mid-century cartoonist Brumsic Brandon Jr.-the creator of Luther, the second nationally syndicated strip to feature a Black lead-Brandon-Croft learned from the best. With supplementary writing by the author and her peers alongside throwback ephemera, this long-overdue collection situates Brandon-Croft as an inimitable cartoonist, humorist, and social commentator, securing her place in the comics canon and allowing her work to inspire new readers at a time when it is most needed.

The most critically acclaimed comic of the Japanese countercultureNejishiki unveils the most iconic scenes from Yoshiharu Tsuge's highly respected body of work alongside his most beloved stories. A cornerstone of Japan's legendary 1960s counterculture that galvanized avant-garde manga and comics criticism, the title story follows an injured young man as he wanders through a village of strangers in search of emotional and physical release. Other stories in this collection follow a series of weary travelers who while away sultry nights and face menacing doppelgängers. Even banal activities like afternoon strolls uncover unsavory impulses. The emotionally and erotically charged imagery collected in this third volume remains as shocking and vivid today as it did upon its debut fifty years ago. Tsuge's stories push boundaries, abruptly crossing the threshold of conventional storytelling. Unassuming protagonists venture further into eerie symbolism against a shadowy, perceptibly dreamlike landscape easily mistaken for the real world. The angst that pervades postwar Japanese society threatens to devour his characters and their pastoral sensibilities as each protagonist's wanderlust turns surreal.

A laugh out loud funny parable for the digital ageThere once was a lady who was very creepy. She moved about the world in seemingly normal ways, except for one tremendously bizarre tic. First she sought out kids transfixed by their screens, staring blindly and blank-faced at nearly any device, and then she would snatch something precious from them.In this picture book for grown-ups, sibling duo Keiler Roberts and Lee Sensenbrenner render a compelling-and downright creepy-modern fable about kids who are hooked on their digital devices. Creepy is the contemporary answer to the shocking tales of the Brothers Grimm and bedtime moral stories like the boy who cried wolf or the princess and the pea: in it, Roberts and Sensenbrenner provide a shrewd and comical commentary on the increasing digitization of childhood. Known for her award-winning autobiographical comics, Roberts's signature deadpan humor is on full display in these vibrantly painted pages.It's safe to say that no one tackles the peril of screen time as vividly or absurdly as this pair.

A crisis of faith follows a mother and daughter in this beautifully rendered, harrowing WWII memoirWith the heartrending We Are on Our Own, Miriam Katin recounts the story of her escape from German-occupied Hungary as a child, led by her determined mother. The two fled Budapest near the end of WWII and at the age of sixty-three Katin enshrined her memory in these extraordinary pages, originally published in hardcover more than fifteen years ago.In 1944, Miriam is a toddler beloved by her dog Rexy, but when her mother is forced to give up their "Jewish dog" to the German authorities, Miriam's world begins to unravel. The two flee to the countryside after faking their deaths and traversing lands blanketed with snow. Miriam's fragmented childhood memories of forests, chocolate, strange men, and the noise of war are reconstituted in this beautifully told epic journey where the innocence of a child is set against unthinkable violence.Another crisis, one of faith, haunts the severed family on their path. Struggling to reunite with Miriam's father who has been conscripted to the Hungarian army, mother and daughter contemplate God, wondering how He could allow such destruction. Poetic words of the Torah combine with images of war as Miriam examines the theological dilemma both victims as well as survivors of the Shoah. When Miriam and her mother hide with a winemaker, they soothe their nerves with the tonic, reciting "God is red. God is in the glass." God, they understand, is in the very human will to survive, and in that pursuit of survival, we are truly on our own.