Bøker utgitt av Drawn and Quarterly

A STORY OF LOVE AND LOSS INSCRIBED IN PHOTOGRAPHS, POSTCARDS, LETTERS, AND BEDSIDE SKETCHESIn this collection of letters, drawings, and photos, Anders Nilsen chronicles a six-year relationship and the illness that brought it to an end. Don''t Go Where I Can''t Follow is an eloquent appreciation of the time the author shared with his fiancée, Cheryl Weaver. The story is told using artifacts of the couple''s life together, including early love notes, simple and poetic postcards, tales of their travels in written and comics form, journal entries, and drawings done in the hospital in her final days. It concludes with a beautifully rendered account of Weaver''s memorial that Glen David Gold, writing in the Los Angeles Times, called "16 panels of beauty and grace." Don''t Go Where I Can''t Follow is a deeply personal romance, and a universal reminder of our mortality and the significance of the relationships we build. Originally published as a limited edition in 2006, this collection includes a new afterword written by Nilsen.

"Designed with Mr. Spiegelman's help, [Co-Mix] has the tall, narrow proportions of Raw...its images form a chronological sampling of Mr. Spiegelman's extraordinary imagination, including his precocious early work, underground comics, preparatory notes and sketches for Maus, indelible covers for The New Yorker, lithographic efforts and much else."-New York TimesIn an art career that now spans six decades, Art Spiegelman has been a groundbreaking and influential figure with a global impact. His Pulitzer Prize-winning holocaust memoir Maus established the graphic novel as a legitimate form and inspired countless cartoonists while his shorter works have enormously expanded the expressive range of comics. Co-Mix: A Retrospective of Comics, Graphics, and Scraps is a comprehensive career overview of the output of this legendary cartoonist, showing for the first time the full range of a half-century of relentless experimentation. Starting from Spiegelman's earliest self-published comics and lavishly reproducing graphics from a host of publications both obscure and famous, Co-Mix provides a guided tour of an artist who has continually reinvented not just comics but also made a mark in book and magazine design, bubble gum cards, lithography, modern dance, and most recently stained glass. By showing all facets of Spiegelman's career, the book demonstrates how he has persistently cross-pollinated the worlds of comics, commercial design, and fine arts. Essays by acclaimed film critic J. Hoberman and MoMA curator and Dean of the Yale University School of Art Robert Storr bookend Co-Mix, offering eloquent meditations on an artist whose work has been genre-defining.

Abidjan's favorite daughter returns in the 7th volume of writer Marguerite Abouet's beloved seriesLong-time creative team Marguerite Abouet and Clément Oubrerie make a stunning comeback after a lengthy twelve-year hiatus. The seventh installment in the Aya series takes us all back to Yop City-home to the hustle and bustle of the Ivory Coast.As Solibra's newest intern, clear-eyed college student Aya finds an unexpected adversary in the beer giant's brand-new head of HR. Her friend Moussa, heir apparent to the company's CEO Mr. Sissoko vies for his father's attention while struggling to tone down his tendency to party. After being outed, Albert must find a new place to stay and grapples with the realities of insufficient student housing. His old flame Inno discovers first-hand how difficult life can be for undocumented migrants in France. Back at home, Bintou navigates the ups and downs of newfound soap opera stardom. All the while, Didier just wants to take Aya out to dinner-if she can ever find the time.Now translated from the French by Edwige Dro, Aya and all her friends greet the bigger, bolder world of the 80s in true Abidjan style, delighting fans both old and new with vibrant but too often unseen depictions of middle-class life in Africa.

The first English translation of Mizuki''s best-loved workNonNonBa is the definitive work by acclaimed Gekiga-ka Shigeru Mizuki, a poetic memoir detailing his interest in yokai (spirit monsters). Mizuki''s childhood experiences with yokai influenced the course of his life and oeuvre; he is now known as the forefather of yokai manga. His spring 2011 book, Onward Towards Our Noble Deaths, was featured on PRI''s The World, where Marco Werman scored a coveted interview with one of the most famous visual artists working in Japan today.Within the pages of NonNonBa, Mizuki explores the legacy left him by his childhood explorations of the spirit world, explorations encouraged by his grandmother, a grumpy old woman named NonNonBa. NonNonBa is a touching work about childhood and growing up, as well as a fascinating portrayal of Japan in a moment of transition. NonNonBa was the first manga to win the Angoulême Prize for Best Album. Much like its namesake, NonNonBa is at once funny and nostalgic, grounded in a sociohistorical context and floating in the world of the supernatural.Translated from the Japanese by Jocelyne Allen.

Told through the perspectives of a silent observer, a one-armed companion guides the reader through a post-apocalyptic world with a zombie-infested landscape.

A new author in D+Q''s acclaimed gekiga lineIn this collection of hauntingly elliptical short stories, Oji Suzuki explores memory, relationships, and loss with a loose narrative style, filling each tale with a sense of unfulfilled longing. He plumbs the dissolute depths of human psychology, literally bathing his characters in expansive shadows that paradoxically reveal as much as they obscure. A young man catches a cold after being soaked in the rain and is tended to by his grandmother. He drifts, dreaming of a train trip with an older brother he doesn''t have. A traveling salesman comes across a boy lying in the middle of the road and stops to have a cigarette and tell a story that sifts through memories of faces and places before settling back on the boy and pretending to not look at the stars. A young woman walks along the river with her bicycle and a friend who is nothing more than a disembodied headΓÇödiscussing past times together, memories they have of each other.Although he touches on many of the same themes as his contemporaries in the field of postwar alternative mangaΓÇöYoshihiro Tsuge (L''Homme Sans Talent) and Seiichi Hayashi (Red Coloured Elegy)ΓÇöSuzuki uses an ever shifting narrative approach and dashes of surrealist humor to distinguish his work from that of his peers.

The Moomins picnic with their ancestors, a pair of pirates, and, best of all, Mymble.

Make Me a Woman offers charming vignettes about being young, Jewish, and single It''s easy to understand why Vanessa Davis has taken the comics industry by storm and is poised to do the same with the world at largeΓÇöher comics are pure chutzpah, gorgeously illustrated in watercolors. No story is too painful to tellΓÇölike how much she enjoyed fat camp. Nor too off-limitsΓÇölike her critique of R. Crumb. Nor too personalΓÇölike her stories of growing up Jewish in Florida. Using her sweet but biting wit, Davis effortlessly carves out a wholly original and refreshing niche in two well-worn territories: autobio comics and the Jewish identity. Davis draws strips from her daily diary, centering on her youth, mother, relationships with men, and eventually her longtime boyfriend. Her intimacy, self-deprecation, and candor have deservedly earned her many accolades and awards. Her deft comedic touch, lush color, and immediacy will set Davis apart not only as one of the premier cartoonists, but as one of the leading humorists for her generation, too.

Palookaville #20 is the first volume of the seminal comic book series to be published in book form. The expansion into hardcover from pamphlet is a parallel that illustrates Seth''s growth into an award-winning cartoonist, book designer, hobbyist, editor, essayist, and installation artist. Seth''s first autobiographical comics since Palookaville #2 and #3 will be featured in #20. Drawing in his loose sketchbook style, similar to his book Wimbledon Green, Seth details his trip to a book festival and his awkward struggle to overcome isolation and communicate with the people around him. Seth continues the serialization of his acclaimed Clyde Fans story line, about which The New York Times Book Review aptly noted, "Seth truly believes in his waresΓÇöthe little meanings of regular lives." This is, perhaps, nowhere more apparent than in the cartoonist''s ongoing three-dimensional rendering of his fictional Dominion City, most recently featured in his book George Sprott. Using sketches, photographs, and an essay, the cartoonist explains why the need to conceptualize the fictional city in sculptures was a natural extension from comics storytelling, and how if he had his way, it would have stayed in his basement forever.

The final volume in the series drawn by Tove Jansson Moomin Book Five: The Complete Tove Jansson Comic Strip features the final strips drawn by Tove Jansson and written by her brother Lars for the London Evening News, before Lars took over both the art and the writing. The first "Moomin Winter" returns with more unwanted guests than in Book One, especially the curious and secret-spilling Nibling, sending the Moomin household into a tizzy of secrecy and closed doors. In "Moomin Under Sail," theMoomins find themselves without a new adventure until Too-Ticky's compass gives them the idea to build a boat and head to sea. Finally, we meet the Fuddler in "Fuddler's Courtship."Mymble captures poor Fuddler's heart, and his bumbling drives her straight into the arms of Dr.Hatter, the local psychiatrist. Delightfully quirky, the Moomin family does not fare well under the gaze of someone trained in correcting odd behavior.

The creative-drawing companion to the acclaimed and bestselling What It IsLynda Barry single-handedly created a literary genre all her own, the graphic memoir/how-to, otherwise known as the bestselling, the acclaimed, but most important, the adored and the inspirational What It Is. The R. R. Donnelley and Eisner Award-winning book posed, explored, and answered the question: "Do you wish you could write?" Now with Picture This, Barry asks: "Do you wish you could draw?" It features the return of Barry's most beloved character, Marlys, and introduces a new one, the Near-sighted Monkey. Like What It Is, Picture This is an inspirational, take-home extension of Barry's traveling, continually sold-out, and sought-after workshop, "Writing the Unthinkable."

'Scrapbook' presents a comprehensive collection of the work of Adrian Tomine, ranging from the strips originally published in Tower Records' 'Pulse' magazine to his illustration and design work.