Bøker utgitt av Duke University Press

Lynn Stephen examines the writing of Elena Poniatowska, showing how it shaped Mexican political discourse and provides a unique way of understanding contemporary Mexican history, politics, and culture.

Xine Yao explores the racial and sexual politics of unfeeling-affects such as coldness, insensitivity and sexual frigidity that are not recognized as feeling-as a means of survival and refusal for people of color and queer people in nineteenth-century America.

Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to the United States' nuclear weapons testing on their homeland, showing how Marshallese singing practices make heard the harmful effects of US nuclear violence.

Laura A. Ogden considers a wide range of people, animal, and objects together as a way to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina.

Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television also known as hallyu-from a transnational and transcultural perspective.

Drawing on literature along with the visual and performing arts, Anthony B. Pinn theorizes religion as a technology for interrogating human experiences understanding the ways in which things are always involved in processes of exchange and interplay.

Tani Barlow outlines the stakes of what she calls "the event of women" in China-the discovery of the truth that women are the reproductive equivalent of men, revealing how historical universals are effected in places where truth claims are not usually sought.

In African Motors, Joshua Grace examines how everyday Tanzanian drivers, mechanics, and passengers reconstituted the automobile into a uniquely African form between the late 1800s to the early 2000s.

Matthew H. Brown explores the connections between Nigeria's booming film industry, state television, and colonial legacies that together involve spectators in global capitalism while denying them its privileges.

Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future.

Nahum Dimitri Chandler examines W. E. B. Du Bois's early thought and its continued relevance, demonstrating that Dub Bois must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.

Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture, showing how African visual media such as film, photography, and sculpture deliver a unique perspective on the socio-ecological costs of media production.

Melinda Hinkson follows the experiences of Nungarrayi, a Warlpiri woman from the central Australian desert, as she struggles to establish a new life for herself in the city of Adelaide.

Drawing on historical and ethnographic research on tuberculosis in India, Bharat Jayram Venkat explores what it means to be cured and what it means for a cure to be partial, temporary, or selectively effective.

Writings on Media collects Stuart Hall's most important work on the media, reaffirming reaffirms his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.

In Toward Camden, Mercy Romero writes a complex and vibrant story about the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up.

Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world.

Shaoling Ma examines late Qing China's political upheavals and modernizing energies through the problem of the dynamics between new media technologies such as the telegraph the discursive representations of them.

Nicole M. Guidotti-Hernandez challenges the stereotypes of machismo with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border.

The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry.

The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout Latin America and the illicit economy's entanglement with local communities.

The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry.

In thirteen sharp essays, the contributors to Decay attend to the processes and experiences of symbolic and material forms of decay in a variety of sociopolitical contexts across the globe.

The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout Latin America and the illicit economy's entanglement with local communities.

In thirteen sharp essays, the contributors to Decay attend to the processes and experiences of symbolic and material forms of decay in a variety of sociopolitical contexts across the globe.

Monica Huerta draws on her experiences growing up in her family's Mexican restaurants and her life as an academic to sketch out habits of living that allow us to consider what it means to live with history as we are caught up in it and how those histories bear on our capacities to make sense of our lives.

Hatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut, showing how images can be used to consolidate or destabilize regimes of power.

Transnational Feminist Itineraries demonstrates the key contributions of transnational feminist theory and practice to analyzing and contesting authoritarian nationalism and the extension of global corporate power.

Cultural theorist and poet Joshua Clover examines Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner," charting its place in rock & roll history and American culture.