Bøker utgitt av Duke University Press

J. Lorand Matory casts an Afro-Atlantic eye on European social theory to show how Marx's and Freud's conceptions of the fetish illuminate and misrepresent the nature of Africa's gods while demonstrating that Afro-Atlantic gods have their own social logic that is no less rational than European social theories.

Exiles within Exiles is a biography of the Brazilian revolutionary and social activist Herbert Daniel, whose life and political commitment shaped contemporary debates about social justice, gay rights, and HIV/AIDS.

Jian Neo Chen examines how contemporary trans of color artists are tracking and resisting their displacement and social marginalization through new forms of cultural expression, performance, and activism.

Imani Perry recenters patriarchy to contemporary discussions of feminism through a social and literary analysis of cultural artifacts-ranging from nineteenth-century slavery court cases and historical vignettes to literature and contemporary art-from the Enlightenment to the present.

The first volume of the landmark two-volume collection of Stuart Hall's most important and influential essays, Foundations of Cultural Studies focuses on the first half of Hall's career, when he wrestled with questions of culture, class, representation, and politics.

Kimberly Chong offers a rich ethnographic account of how a global management consultantcy translates and implements the logic of financialization in contemporary China.

Melissa Gregg explores the obsession with using productivity as the primary measure of most workers' sense of value and success in the workplace, showing how it isolates workers from each other while erasing their collective efforts to define work limits.

W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955-1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism.

In a bold challenge to conventional understandings of Hawai'i's admission as a U.S. state. Dean Saranillio tracks the disparate stories different groups tell about Hawaiian statehood by returning to historical flashpoints ranging from the turn of the century until shortly after 1959.

Tobias Rees proposes an understanding of anthropology as a philosophically and poetically oriented and fieldwork-based investigation into the human and human thought rather than a study of culture or society in which anthropology is synonymous with ethnography and fieldwork.

Providing a history of experimental methods and frameworks in anthropology from the 1920s to the present, Michael M. J. Fischer draws on his real world, multi-causal, multi-scale, and multi-locale research to rebuild theory for the twenty-first century.

Allan deSouza examines the popular terminology through which art is discussed, valued, and taught, showing how pedagogical language and practices within art schools can adapt to a politicized and rapidly changing world, as well as to the demands of contemporary art within a global industry.

Black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with TV as a child in the Boston suburbs to examine how televisual representations of African Americans-ranging from I Love Lucy to How to Get Away with Murder-have changed over the last sixty years.

Dai Jinhua interrogates history, memory, and the future of China as a global economic power in relation to its Cold War past to show how the recent erasure of the country's socialist history signifies socialism's failure and forecloses the imagining of a future beyond that of globalized capitalism.

This collaborative ethnography of Italian-Chinese fashion ventures offers a new methodology for understanding transnational capitalism in a global era.

Encompassing a career spanning six decades, Is It Still Good to Ya? sums up the career of legendary rock critic and longtime Village Voice stalwart Robert Christgau, whose album and concert reviews, essays, and reflections on his career tackle the whole of pop music, from Louis Armstrong to M.I.A..

Gayatri Gopinath traces the interrelation of affect, aesthetics, and diaspora through an exploration of a wide range of contemporary queer visual cultural forms by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza.

Examining singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as vocal synthesis technology, Nina Sun Eidsheim traces the ways in which the voice and its qualities are socially produced and how listeners assign a series of racialized and gendered set of assumptions to a singing voice.

Reina Lewis analyzes Muslim modest clothing as fashion and shows how young Muslim women (with a focus on Britain, North America, and Turkey) are part of an emergent transnational youth subculture who use fashion to negotiate religion, identity, ethnicity, and mainstream consumer culture.

Fabiana Li examines the politics surrounding the rapid growth of mining in the Peruvian Andes, arguing that anti-mining protests are not only about mining's negative environmental impacts, but about the legitimization of contested forms of knowledge.

Chronicles the life and work of the Trinidadian intellectual and writer C L R James during his first extended stay in Britain, from 1932 to 1938. This book reveals the radicalizing effect of this critical period on James' intellectual and political trajectory.

Tony Allen is the autobiography of legendary Nigerian drummer Tony Allen, the rhythmic engine of Fela Kuti's Afrobeat.

Revisiting the rhetoric about and from within the women's liberation movement of the 1960s and 1970s, Victoria Hesford argues that contemporary accounts of the movement obscure its diversity.

Surveying histories of Korea written during the twentieth century, Henry H. Em examines how the project of national sovereignty shaped the work of Korean historians and their representations of the country's past.

David Grubbs explores the ephemeral nature of improvised music in Now that the audience is assembled, a prose poem that in its depiction of a fictional musical performance challenges common understandings of how and where music is composed, performed, and experienced.

A Primer for Teaching Environmental History is a guide for college and high school teachers who are teaching environmental history for the first time, for experienced teachers who want to reinvigorate their courses, for those who are training future teachers to prepare their own syllabi, and for teachers who want to incorporate environmental history into their world history courses.

Jessica Johnson draws on a decade of fieldwork at Pastor Mark Driscoll's Mars Hill Church in Seattle to show how congregants became entangled in a process of religious conviction through which they embodied Driscoll's teaching on gender and sexuality in ways that supported the church's growth.

Drawing on over 300 prosecutions of sex acts in colonial New Spain between 1530 and 1821, Zeb Tortorici shows how courts used the concept "against nature" to try those accused of sodomy, bestiality, and other sex acts, thereby demonstrating how the archive influences understandings of bodies, desires, and social categories.

Libby Adler offers a comprehensive critique of the mainstream LGBT legal agenda in the United States, showing how LGBT equal rights discourse drives legal advocates toward a narrow array of reform objectives that do little to help the lives of the most marginalized members of the LGBT community.