Bøker utgitt av Duke University Press

Kate Crehan applies Antonio Gramsci's concepts of subalternity, intellectuals, and common sense to offer new ways to understand the many forms that structural inequality can take and the relationships between the experience of inequality, exploitation, and oppression as well as the construction of political narratives.

In this thorough social and political history Anne Eller breaks with dominant narratives of the history of the Dominican Republic and its relationship with Haiti by tracing the complicated history of its independence between 1822 and 1865, showing how the Dominican Republic's political roots are deeply entwined with Haiti's.

In Musicians in Transit Matthew B. Karush examines the careers of seven major twentieth-century Argentine popular musicians in the transnational context to show how their engagement with foreign genres, ideologies, and audiences helped them create innovative new music and shape new Argentine cultural and national identities.

Now Peru is Mine is the account of the life of Manuel Llamojha Mitma, one of Peru's most creative and inspiring indigenous political activists. His compelling life story covers nearly eight decades, providing a window into many key developments in Peru's tumultuous twentieth-century history and political mobilization in Cold War Latin America.

Moving away from a simplified food politics that is largely land based, Elspeth Probyn looks at food politics from an ocean-centric perspective by tracing the global movement of several marine species to explore the complex and entangled relationship between humans and fish.

In this sweeping social history Dorceta E. Taylor examines the emergence and rise of the multi-faceted conservation movement from the mid-nineteenth to the early twentieth century, showing how race, class, and gender influenced its every aspect.

Tania Lewis, Fran Martin, and Wanning Sun analyze the complex social and cultural significance of lifestyle television programming in China, India, Taiwan, and Singapore, showing how it adds insight into late Asian modernity, media cultures, and broad shifts in the nature of private life, identity, citizenship, and social engagement.

In Life and Death on the New York Dance Floor Tim Lawrence examines the city's party, dance, music, and art culture between 1980 and 1983, tracing the rise, apex, and fall of this inventive, vibrant, and tumultuous scene.

Lisa Messeri traces how planetary scientists-whether working in the Utah desert, a Chilean observatory, or the labs of MIT-transform celestial bodies into places in order to understand the universe as densely inhabited by planets, in turn telling us more about Earth, ourselves, and our place in the cosmos.

Ranjan Ghosh and J. Hillis Miller-two thinkers from different continents, cultures, training, and critical perspectives-debate and reflect upon what literature is, can be, and do in variety of contexts ranging from Victorian literature and Chinese literary criticism to Sanskrit Poetics and Continental philosophy.

The eminent critic, historian, and former member of the Art & Language collective Terry Smith explores the artistic, philosophical, political, and geographical dimensions of conceptual art and conceptualism while offering a theory of contemporary art.

With an adventurous writing style, Anand Pandian explores the transformative potential of cinema, following Tamil films from the spark of artistic impulse through their production, marketing, and reception to show how cinema recasts the ordinary experience of everyday life.

In Spill poet, independent scholar, and activist Alexis Pauline Gumbs presents a commanding collection of poetry inspired by Black feminist literary critic Hortense Spillers depicting scenes of fugitive Black women and girls seeking freedom from gendered violence and racism.

In Collecting, Ordering, Governing a diverse team of international scholars explore the relationships between anthropological fieldwork, museum collecting and display, and practices of social governance of metropolitan, settler, and colonized populations in the early twentieth-century in Australia, Britain, France, New Zealand, and the United States.

In Fungible Life Aihwa Ong traces the revolutionary scientific developments in Asia by investigating how biomedical centers in Biopolis, Singapore and China mobilize ethnicized "Asian" bodies and health data for genomic research.

Unavailable until now, these eight lectures delivered by Stuart Hall in 1983 at the University of Illinois introduced North American audiences to the intellectual history of British cultural studies while simultaneously presenting Hall's original engagements with the theoretical positions that contributed to the formation of cultural studies.

Lorgia Garcia-Pena constructs the genealogy of dominicanidad, using it as a category to understand how official narratives have racialized Dominican bodies as a way to sustain the nation's borders. Examining artistic and literary representations of Dominican history, she examines how marginalized Dominicans have contested official narratives to avoid exclusion.

Offering a new theory of queer world cinema, Karl Schoonover and Rosalind Galt explore how it intersects with shifting ideals of global politics and cinema aesthetics to demonstrate its potential to disturb dominant modes of world making and to forge spaces of queer belonging.

George Ciccariello-Maher brings the work of Georges Sorel, Frantz Fanon, and Enrique Dussel together with contemporary Venezuelan politics to formulate a decolonized dialectics that is suited to the struggle against the legacies of slavery and colonialism while also breaking the impasse between dialectics and postcolonial theory.

Natasha Lightfoot tells the story of how Antigua's newly freed black working people struggled to realize freedom, prior to and in the decades following their emancipation in 1834. Their continued efforts in the face of oppression complicate common definitions of freedom and narratives about newly freed slaves in the Caribbean.

Using a theoretical framework built on Lacan and Foucault, Licia Fiol-Matta traces the careers of four iconic female Puerto Rican singers to explore how their voices, performance style, physical appearance, and subject matter of their songs challenged social and cultural norms.

Taking disability theory out of a Western context, Eunjung Kim questions the assumptions that treating disabilities with cure represents a universal good by examining the manifestations of violence that accompany medical and nonmedical cures in twentieth- and early twenty-first-century Korea.

Sean Cubitt offers a large scale rethinking of theories of mediation by describing the ecological footprint of media. He investigates the energy, material, and space needed to create, operate, and dispose of electronic devices, and shows how changing how we use media is the only solution to planetary devastation.

Drawing on memoir, history, and theory, Eli Clare complicates the understanding of cure, seeing it as an ideology that serves contradictory purposes-from saving lives to social control-while critiquing cure rhetoric and the drive to cure disabled people through an insistence of the value of disability.

In The Revolution Has Come Robyn C. Spencer traces the Black Panther Party's organizational evolution in Oakland, California, examining how its internal politics along with external forces such as COINTELPRO shaped the Party's efforts at fostering self-determination in Oakland's black communities.

Alexander Laban Hinton offers a detailed analysis of a former Khmer Rouge security center commandant who was convicted for overseeing the interrogation, torture, and execution of nearly 20,000 Cambodians. Interested in how someone becomes an executioner, Hinton provides numerous ways to consider justice, genocide, memory, truth, and humanity.

Microgroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music, as well as painting, design, dance, and poetry.

Karin Amimoto Ingersoll uses her concept of seascape epistemology to articulate an indigenous Hawaiian way of knowing founded on a sensorial, intellectual, and embodied literacy of the ocean that can provide the means for generating an alternative indigenous politics and ethics.

Kath Weston addresses the emergence of a new animism in the context of food, energy, water, and climate to trace how new intimacies between humans, animals, and the environment are emerging as people attempt to understand how the high-tech ecologically damaged world they have made is remaking them.

Finding biopolitics unable to adequately reveal the mechanisms of power that govern contemporary life, Elizabeth A. Povinelli offers "geontopower" as a new theory of power that operates through the regulation of clear distinctions between life and nonlife.