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Politics, Philosophy, and Humor at the Byzantine Court is the first translation into English of eight works by Theodore II Laskaris, a thirteenth-century ruler of the Empire of Nicaea. It includes a satire of his tutor, his oration on friendship and politics, and philosophical works and musings such as a treatise filled with Socratic irony.

Sacralizing Violence in Byzantium is the first book to examine the complex and shifting perceptions of premodern Christians toward violence and war through the lens of hymnography, with a profound transformation in the early seventh century. Demacopoulos reveals how Byzantine culture dramatized, authorized, and even celebrated violence.

The changing faces of Maya rulership and their foundational ties to symbolic material objects, architecture, ancestral beings, deities, and written monuments are fully explored in Faces of Rulership in the Maya Region. This volume brings Maya history and archaeology into the current conversation about rulership in premodern times.

Dumbarton Oaks Papers is one of the world's preeminent journals in the field of Byzantine Studies. Volume 78 includes articles on authors like Agathias, Theophanes of Nicaea, and Gemistos Pletho; subjects like Byzantine medicine, the concept of "just war," and early canonical collections; and more.

Though Venice emerged as a leading Mediterranean power in the Trecento, the city faced a series of crises during a brief but cataclysmic period coinciding with Andrea Dandolo's dogeship (1343-1354): earthquakes, disease, fierce military conflicts, and dramatic political and institutional tensions had the republic on edge. It was nevertheless precisely at this time that the government sponsored the ambitious and sumptuous artistic campaigns in San Marco that are at the heart of this book: a reliquary-chapel, a new baptistery, and a folding altarpiece, all masterpieces crafted with unparalleled technical skill, blending Byzantine and Italianate visual forms. Far from being mere artistic commissions, these works were affirmative political interventions that interrogated the meaning of community, authority, and (shared) political leadership at a time when those notions were unsettled. Looking beyond established concepts of triumph and imperialism, Facing Crisis situates the artistic interactions between Byzantium and Venice into ongoing processes of state formation and attests to the power of images to inform--and transform--political imaginations in troubled times. This study thus offers new insights into how medieval communities across the Mediterranean understood and responded to uncertainty through the visual, and, in doing so, probes the value of "crisis" as a methodological framework.

In Spearthrower Owl, David Stuart examines written evidence of the Teotihuacan ruler, focusing on his involvement in Maya affairs and his militaristic legacy. This study is essential for understanding debates about Teotihuacan¿Maya relations, proposing a new historical dimension within Teotihuacan¿s archaeology.

Land Back highlights the ways Indigenous peoples and anti-colonial co-resistors understand land relations for political resurgence and freedom across the Americas. Contributors place Indigenous practices of freedom within Indigenous laws, cosmologies, and diplomacies, while demonstrating how Indigeneity is shaped across colonial borders.

In the late eleventh century, Ethiopian masons hewed great cruciform churches out of mountains in the eastern highlands of Tigray. Bastions of the Cross, the first study devoted to the subject, examines these cruciform churches in East Africa and connects them to the great millennial revival of early Byzantine church architecture.

Published annually, the journal Dumbarton Oaks Papers was founded in 1941 for the publication of articles relating to Byzantine civilization. Volume 77 includes articles on Byzantine insects, wine production and consumption in Anatolia, the Huqoq elephant mosaic, and more.

Ernst Kris¿s The Rustic Style is a pioneering inquiry into the relationship between art and nature in early modern decorative arts and garden design that attempts to define the character of late sixteenth-century naturalism. In this lavishly illustrated edition, the work is made available in English for the first time.

Reconsidering the Chavín Phenomenon in the Twenty-First Century builds upon a surge of archaeological research over the last twenty years at Chavín de Huántar, bringing together the work of scholars researching the UNESCO World Heritage Site and offering a cohesive vision of the Chavín Phenomenon at both the local and interregional level.

Histories of racial segregation and its impacts have been the focus of urban research for over a century, and yet the role of space, place, and land in these narratives has been largely overlooked. With a focus on the Americas, the essays in this volume move across time and space to ask questions about place-making and community building.

A companion to the first-ever English translation of Nigel of Canterbury¿s Miracles of the Virgin, published alongside the Latin in the Dumbarton Oaks Medieval Library. This supplement offers an extensive commentary to facilitate appreciation of the Miracles as poetry by a medieval writer deeply imbued in the long tradition of Latin literature.

Bouttios and Late Antique Antioch assembles back together from clues and pieces a book that had disappeared from our library of Greek and Roman works. It shows how people in the distant past thought about their own history and how they discussed political and social issues across a seemingly insurmountable divide in a period of existential crisis.

Dumbarton Oaks Papers, 76 includes articles relating to Byzantine civilization on the law under Alexios I, politics under Manuel I, the economies of the major Mediterranean islands, the literature of Niketas Choniates, the trial of John bar ¿Abdun, and more.

Garden as Art illuminates the stewardship of the Dumbarton Oaks Gardens, one of the most beautiful gardens on earth. Essays consider its archival significance and its influence on landscape architecture. New photographs by Sahar Coston-Hardy and archival images invite contemplation of the art of garden design and how gardens evolve as works of art.

Waves of Influence brings fresh attention to connections among regions often seen as isolated from one another. Drawing upon recent models of globalization alongside methods such as computer simulation and iconographic analysis, authors present individual case studies to demonstrate how each region participated in its own distinct network.

Landscapes for Sport explores the intersection of place, body cultures, and politics. With a focus on outdoor spaces designed and used for exercise and sports since the early modern period, this volume uncovers the relevance and meanings of the overlooked landscapes that often constitute significant areas of open space in and outside our cities.

The Diagram as Paradigm explores medieval diagrams in Byzantium, the Islamicate world, and the Latin West. Case studies consider the theoretical dimensions of diagramming in historical disciplines ranging from philosophy to cosmology. Four introductory essays provide overviews of diagrammatic traditions of the regions explored in this volume.

Making the East Latin analyzes the literary and rhetorical techniques of varied sources, revealing the ways Crusader settlers responded to their new environment while maintaining ties with their homelands and produced a hybrid Latin literature that soon emerged as an indispensable part of the literary history of both the Near East and of Europe.

This new edition of the Plant Book for Dumbarton Oaks joins Farrand¿s text explaining the reasoning behind her plan for each garden with Kavalier¿s commentary that provides context for changes that have affected new plant choices for the gardens. New and historical photography show the gardens in their current beauty and as they were conceived.

The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship. By tracing Byzantium¿s impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals.

Francesco Ignazio Lazzari¿s reconstruction of the lost villa ¿in Tuscis¿ adds a unique document to the history of Italian gardens. Published with an English translation, this manuscript is framed by the scholarly contributions of Anatole Tchikine and Pierre de la Ruffinière du Prey, and offers essential context for understanding Lazzari¿s work.