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*Voice-driven literary nonfiction, similar to the reportageand literary journalism of John Jeremiah Sullivan (Pulphead), Leslie Jamison (The Empathy Exams;Make It Scream, Make It Burn), Luís Alberto Urrea (The Devil'sHighway; Across the Wire), Eula Biss (Notes from No Man'sLand), Brian Phillips (Impossible Owls), Tom Bissell (Magic Hours), and Ian Frazier (Travels in Siberia)*A compilation of humorous, accessible essays thatprovide entry points to difficult and timely subjects—poverty, gun violence, racism,and addiction—interspersed with lighter pieces on, among other things, Elvistribute artist festivals*Author's work has appeared in The Atlantic, Foreign Affairs, the Christian Science Monitor, and Guernica*Regular contributor to Pacific Standard*Regional author tour, centered on the Twin Cities *Mass Galley Mailing*Major Awards Push*Author promotion at the Heartland Fall Forum, theTwin Cities Book Festival, and the Midwest Independent BooksellersAssociation conference*Excerpts in Literary Hub, Discovery Magazine, andHazlitt*Interviews and targeted features prior topublication, including coverage by the Baltimore Sun, Legal Nomads, MichiganPublic Radio, Minnesota Public Radio, Chicago Public Radio*Egalleys available on Edelweiss

Anchored by a wooden ring, an award-winning poet explores her life through the lens of three intertwined elements: the story of a mentally ill aunt in an abusive marriage; a high-school romance with a boy who eventually dies of a heroin overdose; and an extramarital affair characterized by an otherworldly connection.

Winner of the Dzanc Diverse Voices PrizeLA SYRENA. For me home is in the water. When I go to the sea I want to swim forever and never look back. But I know I would die and the earth needs me on shore. My home is Syria and Syria for me is like the sea. I want nothing more than to jump in and swim around forever. In Syria I am declared wanted, like so many of us displaced lunar divas. The longing I feel is the deepest kind. It could crack the whole earth open. I am a Lumerian from Ancient Sumeria, a southern space creature in a northern world, LA SYRNENA, zhe is my destiny. In this collection, each poem flows like water on the page. The author weaves in stories ¿ mantras ¿ revolutionary messages ¿ the movement of arabic letters ¿ the memory of Sumerian cuneiform. This book is a hybrid creature between poem-story-form that crosses genres like it crosses dimensions. In this work, you are the mermaid. You are the forever migrant, a traveler between the oceanic and the extraterrestrial, across continents and planets. You are a time traveler, and you speak many languages. You are LA SYRENA, conjuring your own space to feel free.

Winner of the Dzanc Prize for FictionA work of brilliant and innovative historical fiction, Asylum delves into the disturbing and seductive relationship between a young hysteric named Augustine and renowned nineteenth-century French neurologist J.M. Charcot. As Charcot risks his career to investigate the controversial disease of hysteria, Augustine struggles to make him acknowledge their interdependence and shared desires¿until a new lover, M., drives them all to the brink of fracture.Drawing upon the medical photography, hypnotic states, and ¿grand demonstrations¿ that accompanied Charcot¿s research, Asylum traces the deterioration of the dynamic between doctor and patient as they transform from mutually entranced creators to jealous and spurned paramours, to fierce rivals, and finally to bitter enemies. Told in lyrical, feverish, and sometimes delirious prose, Nina Shope delivers a captivating narrative at the crossroads of Mary Shelley and Donna Tartt.

Winner of the 2020 Dzanc Short Story Collection PrizeIn Water and Blood, the nameless narrator, a survivor of abuse, tries on other women's stories like she is trying on their clothes. There is the nun who learns to swim decades after witnessing her biological sister's drowning in the Ohio River. The rape victim whose deathbed statement is interwoven with the imagined voice of the rapist. The young girl who is sent to stay with her alcoholic grandfather while her parents care for a sick child. Out of scraps of reclaimed history and imagined memories, the narrator creates a garment of women's stories for herself-overlapping the seams between fact and fiction, doing what women do: cleaning and restitching the wounds of trauma, making a life with the things that are left over after everyone else has taken what they need.

A brilliant novel-in-stories from award-winning author Robert LopezIn an uncanny, distorted version of New York City, a man rides the subway through the chaos of an ordinary commute. He may have a gun in his pocket. He may be looking for someone¿a woman named Esperanza.Between stops, we shuttle back and forth through time and see a man who stands in traffic, the same man seizing and shuddering on a sidewalk, an institution where the man is housed with other undesirables (or troublemakers?), a neighborhood where all the residents have forgotten their names. Over everything looms the specter of a nameless menace, a pervasive sense that something¿more than just a ride¿is coming to an end. With Robert Lopez¿s signature innovation, A Better Class of People delivers a network of stories interconnected and careening like subway tunnels through the realities of modern America: immigration, gun violence, police brutality, sexual harassment, climate change, and the point of fracture at which we find ourselves, where reality and perception are indistinguishable.

"e;Olsen's fascinating experiment achieves heft by the accumulation of personal and collective loss, which makes the nightmarish coda feel eerily plausible. Together, the elegant and heartbreaking set pieces prompt deep reflection on the connections between minds and bodies, and on where both are ultimately headed."e; -Publishers Weekly (starred)Skin Elegies uses the metaphor of mind-upload technologies to explore questions about the relationship of the cellular brain to the bytes-entity to which it gives rise; memory and our connection to the idea of pastness; refugeeism (geographical, somatic, temporal, aesthetic); and where the human might end and something else begin.At the center stands an American couple who have fled their increasingly repressive country, now under the authoritarian rule of the Reformation Government, by transferring to a quantum computer housed in North Africa. The novel's structure mimics a constellation of firing neurons-a sparking collage of many tiny narraticules flickering through the brain of one of the refugees as it is digitized. Those narraticules comprise nine larger stories over the course of the novel: the Fukushima disaster; the day the Internet was turned on; the final hours of the Battle of Berlin; John Lennon's murder; an assisted suicide in Switzerland; the Columbine massacre; a woman killed by a domestic abuser; a Syrian boy making his way to Berlin; and the Challenger disaster.With his characteristic brilliance and unrivaled uniqueness, Lance Olsen delivers an innovative, speculative, literary novel in the key of Margaret Atwood, Stanislaw Lem, and J.G. Ballard.

"e;Ebullient ... Daitch finds stimulating connections and writes with sharp irony and joy. This offers delights on every page."e; -Publishers WeeklyAward-winning author Susan Daitch returns with Siege of Comedians, a novel in triptych told through interconnected narrative threads pulled taut by linked crimes.In the first piece, an American forensic sculptor, reconstructing the faces of three victims receives a midnight, visit from a man who threatens her life unless she alters the faces she's almost completed. The twists and turns of the mystery lead her to a new life, working with forensic archeologists at a site near the Prater amusement park in Vienna. In the second section, an accent coach discovers that the man implicated in the death of his girlfriend in 1970s Buenos Aires was once a censor and Assistant Minister of Propaganda in Vienna during World War II. When bodies start turning up under the former Propaganda offices, some date from the war period-but others are much older, their origins going back to the Ottoman siege of Vienna. In the final arc, in the aftermath of the last battle between the Austrians and the Turks, a local businesswoman finds three displaced women from Istanbul-former wives of the sultan-wandering in Vienna and gives them shelter in her brothel, located on the site of the future Ministry of Propaganda.Connected across time by intersecting crimes and themes of language, cultural assimilation, and nationalist conflicts, Siege of Comedians, part political thriller, part comic noir, reflects on aspects of the current refugee crisis, human trafficking, and identity.

A long-ago kidnaping case all but abandoned resurfaces, yet its memory of lives put aside almost screens itself with a population of new life. Neighborhoods of New York, of Brooklyn Heights, a larger uncertain and disturbing America of the 1960s, this fable of a man¿s obsession revisits people as clues while at the center, with deceptive scope, his temporarily estranged wife¿s voice gathers and regathers what it is that he and she and their child have curiously going for them. All these unfolding circles of understanding in a mixed language distinctly American, by turns satirical, lyrical, eccentric, even a solvent at times simplifying the prevailingly urban as bucolic. A city pastoral Joseph McElroy called his second novel when it first appeared in 1969; now, a half century later, we may experience in Hind¿s Kidnap a society reaching outward almost like a planet at risk, persons who would be dekidnaped to become ends in themselves, fiction as prophecy.

In the Event of Contact chronicles characters profoundly affected by physical connection, or its lack. Among them, a scrappy teen vies to be the next Sherlock Holmes; an immigrant daughter must defend her decision to remain childless; a guilt-ridden woman is haunted by the disappearance of her childhood friend; a cantankerous crossing guard celebrates getting run over by a truck; an embattled priest with dementia determines to perform a heroic, redemptive act, if he can only remember how; and a young girl navigates crippling aversion to touch, even from her sisters. Amidst backgrounds of trespass and absence, the indelible characters of In the Event of Contact seek renewed belief in themselves, recovery, and humanity.

With Death and So Forth, esteemed writer and editor Gordon Lish returns with a new book of scintillating short fiction. With his trademark precision, wit, and wiliness, Lish writes outside the margins and around the edges of the death, loss, and the fractiousness and fragmentation of language. Death and So Forth collects a number of Lish's acclaimed stories and introduces eight new fictions, including a tribute to Denis Johnson and so many others lost in the course of a long life. Brilliant and sharp-eyed, this is a treasure for fans of Gordon Lish, new and lifelong.

Winner of the 2019 Dzanc Prize for FictionSet in small-town West Virginia in the twilight of the eighties, Call It Horses tells the story of three women-niece, aunt, and stowaway-and an improbable road trip. Frankie is an orphan (or a reluctant wife). Mave is an autodidact (or the town pariah). Nan is an artist (or the town whore). Each separately haunted, Frankie, Mave, and Nan-with a hound in tow-set out in an Oldsmobile Royale for Abiqui and the desert of Georgia O'Keeffe, seeking an escape from everything they've known. Frankie records the journey in letters to her aunt Mave's dead lover, a linguist named Ruth, sketching out her troubled life and her complicated relationship with Mave, who became her guardian when Frankie was orphaned at sixteen. Slowly, one letter at a time, Frankie exposes the ruins of herself and her fellow passengers: things that chase them, that died too soon, that never lived. With lush prose and brutal empathy, Frankie tells Ruth-and herself-the story of liminality experienced by a woman standing just outside of motherhood, fulfillment, and love.

A hypnotic, brutal, and unstoppable coming-of-age story echoing from within the aftershocks set off by the American Indian boarding schools of generations past, fanned by the flames of nearly fifteen years of service in the Armed Forces, exposing a series of inescapable prisons and the invisible scars of attempted erasure. When he learns his father is dying, David Tromblay ponders what will become of the monster's legacy and picks up a pen to set the story straight. In sharp and unflinching prose, he recounts his childhood bouncing between his father, who wrestles with anger, alcoholism, and a traumatic brain injury; his grandmother, who survived Indian boarding schools but mistook the corporal punishment she endured for proper child-rearing; and his mother, a part-time waitress, dancer, and locksmith, who hides from David's father in church basements and the folded-down back seat of her car until winter forces her to abandon her son on his grandmother's doorstep. For twelve years, he is beaten, burned, humiliated, locked in closets, lied to, molested, seen and not heard, until his talent for brutal violence meets and exceeds his father's, granting him an escape. Years later, David confronts the compounded traumas of his childhood, searching for the domino that fell and forced his family into the cycle of brutality and denial of their own identity.

A relationship ends in the space between [ ]. Abe Lincoln and Edgar Allan Poe Two stroll the river in the afterlife, debating a second death. Two boys navigate jazz, baseball, and growing up in the second between the pitch and the swing. And a man from Living Dangerously sets off across the ocean on a pile of lobster traps, seeking the truth of the smoke on the wind. With If You [ ], author Colin Fleming breaks the unwritten rule of the short story collection. In over thirty different styles, Fleming delivers a punk rock triple album in book form‿compositions that display a dizzying range of fearless artistry, from horror to hyper-experimental to a story disguised as a grocery list. Together, these pieces resonate with unexpected chords, exploring the breadth of human experience and affirming that that narrative is everywhere, if we are able and willing to see it.

Astounding and impressionistic, My Red Heaven imagines the intersection of historic figures - artists, actors, physicists, and autocrats - on a single day in Berlin, 1927.