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Deep in the heart of the Texas mess, writer and journalist E. R. Bills rages against perilous asininity and crippling ignorance with fierce aplomb and relentless aim. Frightening and sometimes funny, Bills' Letters from Texas, 2021-2023 is a critical, thought-provoking read for anyone who is interested in the state of Texas.
Just your average boy meets girl, world goes insane, girl saves boy--but boy loses girl . . . and boy becomes a machination of vengeance, love story. "While there has been an indulgence of post-apocalyptic works in recent years, Nia delivers a breath of fresh air to the genre by addressing race-relations in the Lone Star State. Like the best work of Richard Matheson or Ray Bradbury, Nia uses the genre's conventions to address serious issues in ways that realism cannot." -Texas Books in Review
A succubus has an epiphany. A monster has an itch he can't scratch. A simple man has a revelation about life after death. A young woman refuses to bite her tongue under the weight of overbearing patriarchy. Tytus Berry's fiction has been compared to that of Richard Matheson, Ray Bradbury, Theodore Sturgeon and Stephen King. This slim volume features a collection of irreverent stories that explore timeless questions, nightmarish visions and haunting portents.
In the bizarro, comic book version of the Lone Star State, Red numbskulls run things, and "Captain Texas"--Greg Abbott--is their current leader. He inspires no one, but, for a smarmy, vacuous climber, he's hell on wheels. And Abbott follows on the heels of Rick Perry and George W. Bush. Together they comprise a successive triumvirate of blind ambition and mindless greed. They loaded the wrong wagons from the beginning, and we'll be paying for their lies and general ineptitude for a long time to come.
An exotic fortune cookie-maker hangs up her rolling pin to spare customers the horrifying truth. A dying man comes to terms with the Halloween inside to survive. A woman finds Ambrose Bierce’s diary and resolves to break its curse by making her death the final entry. A long-dead lynching victim returns to punish the men responsible for his grotesque execution. The stories in E. R. Bills’ first turn at horror fiction showcase an unsettling new voice in the genre.
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