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[headline]Articulates life writing's complex engagement with the nineteenth-century literary market Life Writing and the Nineteenth-Century Literary Market begins from the premise that nineteenth-century life writing circulated in a market, in material and discursive forms determined substantially by the desires of publishers, readers, editors, printers, booksellers and the many other craftsmen and tradesmen who collaborated in transforming first-person narrative into a commodified thing. Studies of nineteenth-century life writing have typically focused on the major autobiographers, or on the formation of 'genre', or on the ways in which different class, gender, race and other affiliations shaped particular kinds of exemplary subjectivities. The aim of this collection, on the other hand, is to focus on life writing in terms of profits and sales, contracts and copyright, printing and illustration - to treat life writing, through particular case studies and through attentive analysis of print and material cultures, as one commodity among many in the vast, complicated literary market of nineteenth-century England. [bio]Sean Grass is Professor of English at the Rochester Institute of Technology, where he specialises in Victorian literature and culture, the book market, the Victorian novel, life writing and the works of Charles Dickens. He has published three monographs: The Commodification of Identity in Victorian Narrative: Autobiography, Sensation, and the Literary Marketplace (2019); Charles Dickens's Our Mutual Friend: A Publishing History (2014); and The Self in the Cell: Narrating the Victorian Prisoner (2004).

Re-evaluates the Athenian Reconciliation Agreement of 403 BCE, its historical causes and its legal legacy The Athenian Reconciliation of 403 BCE was the pinnacle of amnesty agreements in Greek antiquity. It guaranteed lasting peace in a political community torn apart by civil conflict, because it recognised that for society to cohere, vindictive action over crimes which predated the exchange of oaths was legally inadmissible. This study analyses the historical circumstances which led to the fall of democracy at Athens in 404, the civil conflict which followed under the Thirty Tyrants and the restoration of democracy and the rule of law in 403. It analyses afresh the Reconciliation Agreement in the light of New Institutionalist perspectives, showing that the resurrection of democracy was guaranteed by the rule of law and by the strict application of the agreement in the democratic law courts. It offers fresh readings of the clauses of the Agreement and the legal trials which followed in its wake and shows that the Athenian example was the paradigm not only for amnesties in the ancient world but for those since the seventeenth century. Christopher Joyce is Head of Classics at the Haberdashers' Boys' School. He holds a BA from Oxford University, an MA from the University of California, Berkeley and a PhD in Classics from Durham University. Since completing his doctorate on Philochorus of Athens, he has published widely in the field, including articles and a volume chapter on the Athenian Reconciliation Agreement.

A pioneering collection studying religion as a wider determinant of health in Britain This landmark volume presents the lived experience of British Muslims with regard to health inequalities, access to health services and involvement in health promotion initiatives. Exploring religion, ethnicity, racism, social class and deprivation, it examines how British Muslims interact with the UK health care system and the subsequent marginalisation in accessing benefits from those systems. The authors expose the unequal distribution of health benefits among British Muslims and explore how this has come to the fore during the COVID-19 pandemic. Using reflexive, interpretive, critical and evidence-based data-driven scenarios from across the UK, the book identifies loopholes in the health care system affecting high-risk groups. In doing so, it analyses why and how British Muslims live with the worst health outcomes when compared with all deprived social groups and ethnicities in the country. Key Features - Highlights the role of religion in exacerbating health inequalities, along with ethnicity, racism, social class and deprivation - Investigates contemporary health inequalities among second- and third-generation British Muslims, with a particular focus on disadvantaged children - Captures a wide range of health issues that British Muslims live with, such as: structural discrimination; COVID-19; mental health; consanguinity; genetic predispositions; dementia; domestic violence; end of life care; absentee fathers; and migration - Critically appraises current health practices and methods and offers practical guidelines on how to involve British Muslims in health promotion initiatives - Includes a foreword by Professor Aziz Sheikh OBE, Chair of Primary Care Research and Development, University of Edinburgh Sufyan Abid Dogra is Principal Research Fellow at Bradford Institute for Health Research, specialising in the anthropology of modern Britain.

Studies translation into and among the Ottoman Empire's many languages A vigorous translation scene across the 19th-century Ottoman Empire - government and private, official and amateur, acknowledged and anonymous - saw many texts from European languages rewritten into the multiple tongues that Ottoman subjects spoke, read and wrote. Just as lively, however, was translation among Ottoman languages, and between those and the languages of neighbours to the east. The proliferation and circulation of texts in translation and adaptation leads us to ask: What is an 'Ottoman language'? Following on from Booth's earlier volume, Migrating Texts: Circulating Translations around the Ottoman Mediterranean, this volume challenges earlier scholarship that has highlighted translation and adaptation from European languages to the neglect of alternative translations, re-centring translation as an Ottoman 'hub'. Through 8 collaboratively written case studies, stretching linguistically and geographically from Bengal to London, Istanbul to Paris, Andalusia to Bosnia, it peers over the shoulders of working translators to ask how they creatively transported texts between as well as beyond Ottoman languages. In doing so, it also ponders broader issues of cultural transfer and culture production in the Ottoman Empire, its European and Arabophone territories and south Asia in a period of emerging nationalist ferment. Marilyn Booth is Khalid bin Abdallah Al Saud Professor for the Study of the Contemporary Arab World, University of Oxford. Claire Savina is an independent author, translator and researcher. She pursued Arabic Studies and Comparative Literature at the Sorbonne and was research associate at the University of Oxford.

Reflects the extraordinary scope and topicality of Lukács and Frankfurt School thought This book examines the heritage of critical theory from the Hungarian Marxist philosopher Georg Lukács through the early Frankfurt School up to current issues of authoritarian politics and democratisation. Interweaving discussion of art and literature, utopian thought, and the dialectics of high art and mass culture, it offers unique perspectives on an interconnected group of left-wing intellectuals who sought to understand and resist their society's systemic impoverishment of thought and experience. Starting from Lukács's reflections on art, utopia, and historical action, it progresses to the Frankfurt School philosopher Theodor W. Adorno's analyses of music, media, avant-garde and kitsch. It concludes with discussions of erotic utopia, authoritarianism, postsocialism and organised deceit in show trials - topics for which the legacy of Lukács and Frankfurt School critical theory continue to be relevant today. Tyrus Miller is Professor of Art History and English at University of California, Irvine. His publications include Modernism and the Frankfurt School (Edinburgh University Press, 2014) and Late Modernism: Politics, Fiction, and the Arts Between the World Wars (1999).

[Headline]Argues that Victorian literature uses traces of a lingering past to theorise time as non-progressive and discontinuous For decades, the dominant view in Victorian studies has been that the period's economic, political and intellectual developments led to a broad sense that time was defined by continuous improvement - and that this master-narrative of progress was evident across Victorian writings. McAdams challenges this thesis by considering how the irregular life-cycles of individuals and objects undermine Victorian progress. Unfashionable waistcoats, aging courtesans and remembered conversations in Victorian literature instead reveal numerous alternative conceptions of time theorised against the emerging dominance of a progress narrative. Temporality and Progress in Victorian Literature uncovers the heterogenous shapes of time imagined by Victorian literature - regress, cyclicality, stasis and rupture. These shapes are not simply progress's others, but rather constituent elements of progress's theorisation. [bio]Ruth M. McAdams is a Senior Teaching Professor in the English Department at Skidmore College, USA. Her research examines questions of temporality and history in Victorian fiction and life-writing. Her articles have appeared in Victorian Studies, Victorian Literature and Culture, Nineteenth-Century Contexts and Pedagogy.

[headline]Offers the first full-length study of Cicely Saunder's idea of 'total pain', providing a fresh perspective on the ambiguous place of narrative in healthcare Introduced in 1964, Cicely Saunders' term 'total pain' has come to epitomise the holistic ethos of hospice and palliative care. It communicates how a dying person's pain can be a whole overwhelming experience, not only physical but also psychological, social and spiritual. 'Total pain' clearly summarises Saunders' whole-person, multidisciplinary outlook but is it a phenomenon, an intervention framework, a care approach - or something else? This book disregards the idea that Saunders' phrase has one coherent meaning and instead explores the multiple interpretations now current in contemporary professional discourse. Using close readings of Saunders' extensive publications, as well as archival evidence and Saunders' own personal library, Wood situates the current usage of 'total pain' in wider histories of clinical holism, questions its similarity to later ideas of narrative medicine and explores how it might express the ambiguities of bearing witness to pain and vulnerability when someone is dying. [bio]Joe Wood is an Affiliate Researcher at King's College London. He has worked in the English department at King's and as part of the Glasgow End of Life Studies Group at the University of Glasgow. His work on Cicely Saunders and narrative at the end of life has led to collaborative work with St Christopher's Hospice and the Royal College of Nursing.

Sets out an innovative agenda for approaching literary critique While connecting to the 'post-critique' debate, this study draws on Italian Theory to provide an alternative critical method in literary studies, including the ethical underpinnings of critique. It proposes that critique is an attitude and stance towards others and a set of dispositions toward the object of study, such as indocility, receptiveness, openness to transformation, awareness of relationality, attention to language, attunement to the body, distance, displacement, externality and wonder. It deals with the link between modernism and theory as an important object of intellectual history and it elaborates on the potential of feminism and psychoanalysis to open up affirmative resources in language. Drawing on archival materials, the book includes sustained readings of Benjamin, Butler, Foucault, Jameson, Dimock, Esposito, Saussure, Virno, Hélène Cixous, Lacan, as well as T. S. Eliot, James Joyce, Clarice Lispector, the Digital Book Project by Airan Kang and the photography of George Platt Lynes. Mena Mitrano is Associate Professor of American literature and language in the Department of Linguistics and Comparative Cultural Studies at Ca' Foscari University of Venice. She is the author of Gertrude Stein: Woman Without Qualities (2005) and In the Archive of Longing: Susan Sontag's Critical Modernism (Edinburgh University Press 2016).

Examines state-middle class reciprocities in the making, persistence and failure of the Egyptian social contract The Egyptian Social Contract explores the intricacies of the relationship between the state and its citizens, from the establishment of the semi-independent Egyptian nation in 1922 until the 2011 Uprising. The book studies how and why a social contract that had been reformed in the aftermath of World War II became the core of state-citizen relations under President Nasser. It further explores the long and tortuous search for a new social contract in Egypt since the 1970s. Relli Shechter looks at how this social contract channelled socioeconomic development over time, creating an Egyptian middle-class society. Shechter probes a political economy in which class vision and interests in development intertwined with the rise and entrenchment of authoritarianism. The perseverance of this social contract has mostly inhibited socioeconomic and political reforms, or the making of a new social contract, in Egypt. Such reforms would have challenged Egypt's ruling elite, and no less so its middle-class society. Key Features  Foregrounds the social history of state-citizen relations  Explores the intricacies of both the formal and informal layers of Egypt's social contract, as well as the gaps between the two  Investigates how the Egyptian social contract interacted with changing global trends in socioeconomic development and governance  Employs public discourse, legislation and the analysis of institutional capacity and state allocation in an innovative, interdisciplinary study of the social contract  Provides a rich context for our understanding of the contemporary search for a new social contract in Egypt and the Middle East Relli Shechter is an Associate Professor and Chair in the Department of Middle East Studies at Ben-Gurion University of the Negev, Israel.

New scholarship on Katherine Mansfield's The Garden Party and Other Stories together with creative work inspired by Mansfield The last collection of short stories published in her lifetime, The Garden Party and Other Stories would solidify Katherine Mansfield's place as the most prominent modernist short story writer of her generation. Early reviewers of the collection commented on the similarities it shared with her previous collection, Bliss and Other Stories; however, while contemporary reviews were mixed, many emphasised the psychological power of her stories, praising how she was able to bring her characters to life in a way simple action could not. While it contains some of Mansfield's most sophisticated and well-loved stories, several of the stories in The Garden Party initially appeared in the Sphere, and thus were often dismissed as inferior. Mansfield herself felt some of these stories fell short of her desired effect, though recent scholarship has revealed their greater complexity. The essays in this volume, by both seasoned and newer Mansfield scholars, work to continue this conversation. The collection also includes Mansfield-inspired short fiction, two translations of memorial poems dedicated to Mansfield by Chinese and French contemporaries with accompanying notes, and a recently rediscovered book review by Mansfield. In addition, Sydney Janet Kaplan provides a reflection on her personal meeting with Christopher Isherwood, a writer heavily influenced by the life and work of Mansfield. The Editors Gerri Kimber is a Visiting Professor in the Department of English at the University of Northampton, UK Todd Martin is Professor of English at Huntington University and is President of the Katherine Mansfield Society

Studies the making and unmaking of the Ottoman Empire's Kurdish nobility This book is a study of the rise and fall of Kurdish nobility in the Ottoman Empire from the 16th to the 19th centuries. Focusing on one noble family based in Palu, a fortressed town in Kurdistan, the book provides the first systematic, longue durée analysis of the Kurdish hereditary nobility in the Ottoman Empire. The author offers a fresh perspective on what enabled the Kurdish nobility to survive for so long; the dynamics of Ottoman-Kurdish relations on the ground; the processes that brought the privileged status of the Kurdish nobles to an end; and the consequences of the destruction of the Kurdish nobility. The abolishment of the Kurdish begs' hereditary privileges and the confiscation of their lands triggered a 5 decade-long conflict between begs, Armenian financiers, Armenian and Muslim sharecroppers and the Ottoman state over the fertile lands of Palu. The Kurdish Nobility in the Ottoman Empire examines the escalation of the intercommunal conflict in Palu within the context of the changing careers - and diminishing wealth and authority - of the Palu begs and the growing hostility between them and the district's Armenian population. Nilay Özok-Gündoğan is an Assistant Professor in the Department of History at Florida State University.

Explores the resistance of a marginalised female migrant workforce through the intersection of space, economics and labour

Examines the rich corpus of early medieval Persian mystical literature

Explores the intersection of biopolitics and the animal question, pushing the debate in new directions The two issues around which this collection revolves is that it is impossible to address biopolitics without taking the animal question into account, and that the animal question inherently concerns the politics of life beyond species barriers. Although biopolitical theories are necessarily structured around animal metaphors, they predominantly refer to human corporeality. On the other hand, the animal question is typically treated as an ethical issue, that is, a question of how human beings, the dominant species, ought to learn how to live peaceably with and respect other forms of life. This collection of essays by leading scholars in the fields of biopolitics and animal studies problematises, reconceptualises, and redefines these categories in order to realise the full potential of the biopolitical framework of analysis in the context of animal studies and praxis. Felice Cimatti is Professor of Philosophy of Language at the University of Calabria, Italy. Carlo Salzani is Research Fellow in the Department of Philosophy of the University of Innsbruck, Austria, Guest Scholar at the Messerli Research Institute of Vienna, Austria, and faculty member of the Paris Institute for Critical Thinking (PICT).

Reconstructs Deleuze's methodology in its interdisciplinary context

Offers the first book-length study of Norwegian horror cinema

Screen Acting, proposes a cognitive model for analysing the creative practices of western film and television actors, from auditions through to their performances on set. Leberg argues that film and television acting is a practice of soliciting a range of simultaneous and complimentary empathetic connections with their characters, their fellow actors, and their anticipated audiences. Interviews with star actors and professional day-players alike are placed in dialogue with modern cognitive and phenomenological research from film, theatre, television, and literary studies to present a critical vision of acting that speaks from the actor outwards towards their audiences. The final performance may be what the audience sees but, for the actor, the performance is simply the endpoint of a long process of training, preparation, imagination, and creative experimentation. Dan Leberg is a Lecturer in Media Studies and Journalism at the University of Groningen, and in Film Studies at Amsterdam University College. Prior to his graduate studies, Leberg worked as a professional classical theatre and film actor for almost 25 years. Alongside his studies, he worked as the Programming Coordinator of the Cinema Politica Network, the world's largest exhibitor of political documentary cinema. His research focuses on cognition in screen media, motion capture performance, and Shakespeare on film and television.