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Examines the relationship between the (counter)terrorism narrative and unemployed protest movements in post-revolutionary Tunisia
An important resource for educators who desire to use literary texts in cultivating vocational exploration among students or in scholarship on vocation.
Showcasing current research and contemporary debate in the field of screen history and audience studies, Researching Historical Screen Audiences draws upon a wide variety of previously untapped sources - including photographs, maps, Mass Observation reports, diaries, fan letters, cinema records and original oral testimonies- to explore the challenges and pleasures of conducting research in this field. Containing twelve new essays from an international group of leading and emerging scholars, the book explores and assesses the current status and shape of the field of historical audience research, showcasing new research which foregrounds the transnational and multi-cultural dimensions of past cinemagoing, the roles played by management personnel and marketing campaigns, and the currently under-explored area of the past reception of home video. Kate Egan is Senior Lecturer in Film and Media at Northumbria University, UK Martin Ian Smith is an independent researcher from Durham, UK. He has a PhD in Film Studies from Northumbria University Jamie Terrill is a Research Associate at Lancaster University, UK
Uncovers alternative ways of seeing the environment from the Romantic period.
Reassesses Scottish textual practice in the context of the natural and post-natural landscapes
Offers the first study of toxic masculinity in the context of ancient Greece and Rome
Examines Olive Schreiner's writing, networks and legacies in new global, historical and contemporary contexts
Provides new and original analysis on how Lebanese francophone women authors wrote about the Lebanese civil war
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