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Explores over 30 feature films from the formative years of Egyptian cinema (1919-52) to contest the contradiction between Islam and innovation.

[headline]Examines the connection between historical and speculative fiction to offer a new form of literary-genre fiction that registers the upheavals of the early twenty-first century Utopian Pasts and Futures in the Contemporary American Novel highlights the emergence of a literary mode, speculative historism, over the past two decades in US literature. Discussing novels by Ken Kalfus, Joyce Carol Oates and Colson Whitehead, among others, it provides detailed critical readings of key writers of the early twenty-first century and integrates questions of critical method, genre, form, and literary theory, all of which have some urgency today. Addressing itself to the question of how to read this mode through a form of utopian hermeneutics, this study explores the formal constitution, narrative choices, and place in the wider literary market of a mode that Lanzendörfer argues is constitutively important for understanding American literature's struggle with the possibility of imagining hopeful futures. [bio]Tim Lanzendörfer is Heisenberg Research Associate Professor for Literary Theory, Literary Studies and Literary Studies Education at Goethe University, Frankfurt, Germany. His previous publications include Books of the Dead (2018) and The Professionalization of the American Magazine (2013), which won the Research Society for American Periodicals Book Prize in 2015. He is also editor of the Routledge Companion to the British and North American Literary Magazine (2021) and co-editor of Medial Afterlives of H. P. Lovecraft (with Max Dreysse Passos de Carvalho, 2023) and of The Novel as Network (with Corinna Norrick-Rühl, 2020).

[headline]Develops a literary-philosophical account of 'conversation' that reframes core concerns in contemporary ethics, democratic politics, and literary criticism The ideal of 'conversation' recurs in modern thought as a symbol and practice central to ethics, democratic politics and thinking itself. Interweaving readings of fiction and philosophy in a 'conversational' style inspired by Stanley Cavell, Fiction, Philosophy, and the Ideal of Conversation clarifies this lofty yet vague ideal, while developing a revitalizing model for interdisciplinary literary studies. It argues that conversation is key to exemplary responses to sceptical doubt in ordinary language and political philosophy - where scepticism threatens ethics and democratic politics - and in works of British fiction spanning from Jane Austen through Ali Smith. It shows that, for these writers, conversation can shift attention from metaphysical doubts regarding our capacity to know 'reality' and other people, to ethical, democratic and aesthetic action. The book moreover proposes - and models - 'conversational criticism' as a framework linking literary studies to broader political and ethical commitments, while remaining responsive to aesthetic form. [bio]Erin Elizabeth Greer is Assistant Professor of Literature at the University of Texas at Dallas, USA. She teaches and writes about modern and contemporary British and Anglophone literature, ordinary language philosophy, political philosophy, feminist theory, and critical new media studies.

Explores the increasingly intimate relationship between China and wireless technology, taking the wave as a central concept In the twenty-first century city, wireless waves constitute an imperceptible, immersive, all-encompassing environment. Nowhere is this more so than in China, where a hyperdense network of mobile media has restructured daily life. Anna Greenspan re-imagines the relationship between China and wirelessness by synthesizing contemporary media theory with modern Chinese thought. It focuses specifically on the work of three critical figures: Tan Sitong 譚嗣同 (1865-1898), Xiong Shili 熊十力 (1885-1968) and Mou Zongsan 牟宗三 (1909-1995). Anna Greenspan is Assistant Professor of Global Contemporary Media at NYU Shanghai.

Studies cross-cultural exchanges across the Mediterranean using new interdisciplinary methodologies

Provides a systematic theoretical account of food animals under capitalism In the twentieth century, capitalist animal agriculture emerged with a twofold mission: to ruthlessly exploit animals for their labour time and enlarge human food supplies. The results of this process are clear. Animal sourced foods have expanded exponentially. And simultaneously, hundreds of billions of animals confront humans and machines in brutal, antagonistic relations shaped by domination and resistance. Building on Karl Marx's value theory, Dinesh Joseph Wadiwel argues that factory farms and industrial fisheries are not merely an example of unchecked human supremacism. Nor a result of the victory of market forces. But a combination of both. In Animals and Capital Wadiwel untangles this contemporary handshake between hierarchical anthropocentrism and capitalism. Dinesh Joseph Wadiwel is Associate Professor of Socio-Legal Studies and Human Rights at the University of Sydney.

Explores the major political, social, economic, religious and cultural changes impacting what was once the most important region of the Roman world.

The Intensive-Image in Deleuze's Film-Philosophy takes an important category from Deleuze's philosophy--the notion of intensity--and explores its background in the context of philosophical ideas about cinematic intensity, the philosophy of difference, and thermodynamics. Escobar argues that the notion of intensity has the potential to change the way in which we think about Deleuze¿s classification of films as signifying two separate periods, the classical period of the movement-image and the modern period of the time-image, by bringing them together and overcoming the separation that Deleuze's film taxonomy creates. This book also discusses ways in which the intensive-image varies and differentiates itself from other images and the role it plays in contemporary cinema. Cristóbal Escobar is a Lecturer in Screen Studies at the University of Melbourne, Film Programmer at FIDOCS and Co-Founder of the Screening Ideas program.

[Headline]A new scholarly edition of a bold yet overlooked Victorian text that blends the genres of memoir, travelogue, ethnography and the realist novel This critical edition of George Borrow's Lavengro: The Scholar, The Gypsy, The Priest (1851) brings a renewed focus to a formally inventive and original text for scholars of the nineteenth-century autobiographical novel and travelogue. This scholarly work reflects and develops research that anchors Borrow's energetically eccentric vision in a range of notable contexts. Radford's introduction gives readers unfamiliar with the formidably prolific Borrow an opportunity to discover more about this author's career at home and abroad, his stylistic innovations and how Lavengro evokes a 'wild England' that became crucial for admirers in the next century such as D. H. Lawrence, Ford Madox Ford and Virginia Woolf. [Bio]Andrew Radford is Senior Lecturer in Critical Studies at the University of Glasgow. His publications include British Experimental Women's Fiction, 1945-1975 (co-edited with Hannah Van Hove, 2021) and The Occult Imagination in Britain 1875-1947 (co-edited with Christine Ferguson, 2018).

Reconsidering the ancient world through the lens of New Materialism From archaeological sites to papyri and manuscripts, we experience the ancient world through its material remains. This materiality may be tangible: from vases to votive offerings and statues to spearheads. It might be the text as object or the object in the text. The New Materialisms have transformed the way we conceive of the material world - but how and to what extent - might they be applied to ancient cultures? Books in this series will showcase the potential applications of New Materialism within Classics, giving us a new way to look at ancient texts, ancient objects and ancient world-views.

[headline]Interprets Hemingway's fiction through the philosophical lens of Giorgio Agamben Marcos Antonio Norris implements Giorgio Agamben's notion of 'secularized theism' to resolve a critical disagreement among Hemingway scholars who have portrayed the writer as either a Roman Catholic or a secular existentialist. He argues that Hemingway is, properly speaking, neither a secularist nor a theist, but a 'secularised theist', whose 'religion' is practiced through sovereign decision making, which, in its most extreme form, includes the act of killing. This book resolves an important debate in Hemingway studies and uncovers fundamental similarities between theism and atheism, building upon the theoretical undertaking first introduced by Agamben and the Existentialists (EUP, 2021). Bringing Ernest Hemingway, Jean-Paul Sartre and Giorgio Agamben into close conversation, the author reconceptualises existentialism, issues a posthumanist critique of moral authoritarianism and advances an original interpretation of Hemingway as a secularised theist. [bio]Marcos Antonio Norris teaches at the School of Writing, Literature, and Film at Oregon State University. His research examines the intersections among existentialism, the continental philosophy of religion and 20th century literature, cinema, and television. He is the co-editor of Agamben and the Existentialists (2021) and the author of more than a dozen peer-reviewed articles.

Moves away from offering a single methodology or approach to social justice teaching, providing practical models for academics to follow

Provides an unusual history of an important institution promoting Islamic scholarship in Britain, The Gibb Memorial Trust

This book brings a dynamic approach to Turkish politics by showing how political struggles operate via narratives and how ideas, institutions and narratives interact.

The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea examines the growth of art film exhibition, consumption, and cinephilia during 1985-1997. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. In this historical study, Jackson analyses the cultural, political, social, and economic developments of the post-1985 period that generated an increased interest in European art film. He considers the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. Based on the previously unheard voices of audiences who participated in the cinephilia, Jackson's work is a history of Korean cinema and an investigation of the impact of this cultural renewal period on the industry. Andrew David Jackson is an Associate Professor, Convenor of Korean Studies and Director of the Monash University Korean Studies Research Hub at Monash University, Melbourne.

[headline]Provides a comprehensive survey of twentieth-century prison writing from around the world Tracking the evolutionary arc of prison writing across the twentieth century in an international and comparative framework, this study proposes an integrated account of the major shifts and movements in this relatively neglected genre of autobiography. Dwelling on works - memoirs, novellas, poems - by actual detainees, Julian Murphet offers a close stylistic analysis of twelve important texts to show how prison writing moved away from the confessional and self-scrutinising modes of an earlier tradition, to espouse openly political sentiments and solidarities. Looking at works by Oscar Wilde, Rosa Luxemburg, Ezra Pound, Primo Levi, Bobby Sands, Angela Davis, Ngũgĩ wa Thiong'o and Behrouz Boochani, among others, the book shows how themes such as the annihilation of experience, dehumanisation, sensory deprivation, brutality and numbing routine are woven into distinctive textual artefacts that give evidence of an abiding human resilience in the face of raw state power. [bio]Julian Murphet is Jury Professor of English Language and Literature at the University of Adelaide, Australia. He is the author of Literature and Race in Los Angeles (2001), Multimedia Modernism (2009), Faulkner's Media Romance (2017), Todd Solondz (2019) and Modern Character: 1888-1905 (2023).

Focusing on the partisan's perspective, the book explores how and why some party organisations reconcile the most contradictory democratic imperatives while others fail to uphold basic principles.

Working across a range of formats, from video art and gallery installations to independent cinema, Hollywood and the BBC, Steve McQueen's prodigious output has been marked by formal ambition and political urgency. ReFocus: The Films of Steve McQueen interrogates the director's body of work, its political, aesthetic and institutional dimensions, and the interfaces between them. It offers critical insights into McQueen's engagements with race, gender, the body, love and pain, and his abiding self-reflexive interest in the potential of multiple audio-visual forms. The first director to win both the Turner Prize and an Oscar for best picture, McQueen is probably the most important working British filmmaker. This vital collection explores the controversies as well as the achievements in McQueen's stellar career to date. Thomas Austin is Professor of Film Studies at the University of Sussex, UK.

With a career spanning over three decades, French filmmaker Claire Denis has demonstrated not only a remarkable longevity in a notoriously fickle industry, but a continuing fascination with the possibilities of film as form, art, and language. ReFocus: The Films of Claire Denis is a timely look at an artist at the height of her powers with an impressive oeuvre which is reinterpreted in light of new works, including High Life and Both Sides of the Blade. Comprised of 13 original chapters from world leading Denis scholars and early career researchers, this collection includes an accessible introduction for those new to Denis studies, with an overview of thematic interests, and a brief survey of the most salient and influential trends in Denis scholarship. Peter Sloane is Senior Lecturer and Programme Director in English at the University of Buckingham, UK.

Identifies and contextualises a new work within the Animal Apocalypse, dated to the dawn of the First Jewish Revolt.

[headline]Offers a literary and cultural critique of the concept of true feeling, using affect theory to analyze post-war realist literatures Is emotional truth a damaging literary and cultural ideal? The Artifice of Affect proposes that valuing affective authenticity risks creating a homogenised self, encouraged to comply only with accepted moral beliefs. Similarly, when emotional truth is the primary value of literature, literary texts too often become agents of conformity. Nowhere is this risk explored more fully than in a range of American realist texts from the Cold War to the end of the twentieth century. The works of writers such as James Baldwin, Saul Bellow, John Cheever, Kathleen Collins, Paula Fox, Ralph Ellison and Richard Yates formulate trenchant critiques of true feeling's aesthetic and social imperatives. The arguments at the heart of this book aim to re-frame emotional processes as visceral constructions, which should not be held to the standards of static ideals of accuracy, legitimacy or veracity. [bio]Nicholas Manning is Professor of American Literature at Université Grenoble Alpes and a fellow of the Institut universitaire de France.

A provocative study of the intersection of Spinoza and Marx that shows how their respective philosophies engage overlapping questions and problems Spinoza and Marx would seem to be two very opposed philosophers. Spinoza was interested in contemplating eternal truths of nature while Marx was interested in the history of capital. Franck Fischbach suggests that by reading the two together we may better understand both history and nature, as well as ourselves, making possible a new understanding of human nature. Rather than see history and nature as opposed, history is nothing but the constant transformation of nature. Central to this transformation is a new understanding of alienation not as loss of the self in a world of objects, but as loss of objects in a world that disconnects us from nature and social relations, leaving us isolated as a subject. The isolated individual, the kingdom within a kingdom, as Spinoza put it, is not the condition of our liberation but the basis of our subjection. Franck Fischbach is Professor of the History of German Philosophy at the Sorbonne (University of Paris 1). He is the author of Après la production. Travail, nature et capital (Vrin, 2019), La privation de monde. Temps, espace et capital (Vrin, 2011) and L'être et l'acte. Enquête sur les fondements de l'ontologie moderne de l'agir, (Vrin, 2002) Jason Read is Professor of Philosophy at the University of Southern Maine, USA.

This book offers new historical, legal and literary explorations of a status held by uncountable formerly enslaved persons in the Roman Empire: Junian Latinity.It is the first book in any language to provide comprehensive multi-disciplinary study of this status. Divided in two parts, the book sets the scene with six chapters that discuss the legal innovations that created Junian Latinity, as well as the historical contexts in which the status was conceived and in which it developed - from the late republican period to the early medieval world. Four chapters in the second book part offer then new research on key Latin literary texts to provide fresh insights into the role of Junian Latinity in Roman imperial society. The book makes a strong case for the centrality of Junian Latinity in the Roman Empire and the importance of its modern study.

The seventh volume in EUP's highly acclaimed Atlas of Global Christianity, which takes the analysis of worldwide Christianity to a deeper level of detail.

Women in East Asian Cinema brings together new and emerging work to highlight and explore the understudied contributions of women to the films and creative industries of East Asia. It foregrounds the importance of re-historicising women's creative labour in film, not just as actors on screen, but as voices who have steered the production, circulation and consumption of these films across global contexts. Over three sections, it provides perspectives on gender representation in East and South-East Asian cinema; new explorations of women's labour contributions as directors, screenwriters, and editors; and considerations of the contemporary circulation processes through which such work reaches global audiences. By re-centring women's film histories within the broader history of cinema and interrogating the geo-political boundaries of what might constitute 'East Asia' in the process, this volume makes a robust intervention into studies of East Asian cinema and women in film. Felicia Chan is Senior Lecturer in Screen Studies at the University of Manchester Fraser Elliott is Lecturer of Film, Exhibition and Curation at the University of Edinburgh Andy Willis is Professor of Film Studies at the University of Salford

The first book to comprehensively address Don DeLillo's deep and lasting engagement with the arts across the entirety of his writing career