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Bringing together rigorous, original scholarship from over 60 contributors around the globe, this reference volume examines Turkey's evolution from the early days of the Republic to the present time, offering a critical portrait of a vibrant country at crossroads.

Presents Shakespeare's theatre as a powerful forum for shaping our capacity for virtue

The first book-length investigation of the history of pre-chapter epigraphs in the English novel

Analyses the cultural exchange of two important and highly entangled European film nations of the silent era

Ten chapters from five continents (Asia, Australia, Europe, Latin America, Africa) provide a global perspective on current anti-feminism and anti-gender discourses

Examines the film practice of the Chilean-French filmmaker and artist Alejandro Jodorowsky

Taking off from Hegel's invocation of philosophy as a painting of 'grey on grey', this collection of essays explores the rich scope of possibilities implicated by the colour and concept of grey.

Examines the star persona of Argentine actor Ricardo Dar n

Examines the work of Turkish director, Nuri Bilge Ceylan

Reveals the importance of social networks and identities to defining Highland Scots' engagements with Empire and its lasting legacies This is a book about the social in Highland entanglements with Empire - the networks, relationships and identities that made it possible for Highland Scots to access the Empire and its benefits. It explores - from a range of perspectives - the impact that these Scots had, as sojourners and settlers, on the different places they encountered. It is also a book about the present-day legacies of their engagements with Empire, and of the ongoing process of forging social and cultural identities with Highland roots. The book represents a significant contribution to our understanding of the role of Highland Scots, influenced by their culture and language, in creating the Empire and its legacies. It advances knowledge of just how diverse the impacts of Highland Scots were on forging landscapes and lifescapes across the Atlantic, and how their exposure to the colonial world influenced and reshaped their Diasporic identities. While the British Empire was a collaboration of diverse interests, this book will shed light on one important interest: the Highland one. Key features  Individual chapters that suit individual specialisms, while still being accessible to readers from other disciplines/professions  Important (re)considerations of understudied perspectives and areas of scholarship, presenting new histories of under-studied social groups or situations and new insight on social networks and entanglements as a key aspect of Empire  International material to allow comparison and contextualisation and broaden readerships S. Karly Kehoe is Professor of History and Canada Research Chair in Atlantic Canada Communities at Saint Mary's University in Nova Scotia. Her work concentrates on Scottish and Irish Catholic settlement and colonisation in the north Atlantic. Chris Dalglish is a Director of Inherit, the Institute for Heritage and Sustainable Human Development, which is part of a UK-based charity, the York Archaeological Trust. Annie Tindley is Professor of British and Irish Rural History at Newcastle University and Head of the School of History, Classics and Archaeology. Her work interrogates land issues in the modern period including ownership, management and reform.

The Feminist Library Series Editors: Jackie Jones, Alison Light & Gill Plain Brings together the pioneering work of leading feminist cultural and literary critics for a new generation of readers. Alison Light - Inside History: From Popular Fiction to Life-Writing A collection of thought-provoking essays spanning thirty-five years of Alison Light's work. Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women's relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres. The volume offers a lively, wide-ranging way into feminist debates, touching on a number of major authors from Alice Walker to Virginia Woolf, on genre fiction, and on the writing of memoir and biography. Chronologically arranged, the essays and short 'think-pieces' chart Alison Light's own intellectual formation as a critic and writer within a wider collective politics. This is explored and contextualised in an autobiographical introduction. Alison Light is a writer and Honorary Professor in the Department of English, University College London; she is also an Honorary Professor at Edinburgh University and a non-stipendiary Senior Research Fellow in English and History at Pembroke College Oxford. She is the author of a number of books, including Common People: The History of an English Family (Penguin 2014), which was shortlisted for the Baillie Gifford prize, and her most recent, A Radical Romance, which won the 2020 PEN Ackerley prize for memoir. She writes regularly for the London Review of Books.

Farīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Matthias Wittmann is a researcher on media (especially film), curator, and writer. He was Research Associate and Chief Assistant at the Seminar for Media Studies (University of Basel) and Visiting Professor in Vienna. He has just finished a book about the Octopus (Die Gesellschaft des Tentakels, 2021) and is currently writing a book on Martyrographies in Iranian Cinema. Ute Holl is Professor for Media Aesthetics at the Seminar for Media Studies, University of Basel

Renews our understanding of Shakespeare through an interdisciplinary focus on hospitality In this critical analysis, Sophie E. Battell examines hospitality in Shakespeare's plays. By drawing on literary theory, modern philosophy and anthropology, as well as early modern scientific and religious texts, the book advances our understanding of Shakespeare as a dramatist concerned with the ethical questions at stake in encounters between guests and hosts of various kinds. The close readings and scholarly interventions presented here reconceive Shakespeare's plays in terms of a poetics of hospitality while arguing for an expansive, far-reaching vision of what it means to be open to the world and welcoming of others. Moving from the levels of subjectivity, the body and the senses to architecture, economics, legal discourse and the natural environment, On the Threshold not only makes important contributions to Shakespeare studies but forges new connections between Renaissance literary scholarship and contemporary debates on the politics of migrants and refugees. Sophie E. Battell is Senior Lecturer in English Literature at the University of Zurich.

'Gardner and Potter have produced a fascinating collection of essays on epic screen productions that defines the epic genre outside its traditional parameters and covers a wide variety of shows across different decades from the 1980s to 2021.' Antony Augoustakis, Department of the Classics, University of Illinois Examines representations of ancient epic and epic conventions in film and television How do epic tropes shape representations of the ancient world and determine contemporary understandings of historical events? What features of ancient epic persistently emerge in science fiction and fantasy narratives adapted to the screen, and why? How does the different scope of televisual versus cinematic media impact the representation of conventions derived from ancient epic? The international range of contributors to this volume respond to these questions by looking for features of epic outside the traditional realm of Greco-Roman antiquity, including historical films and series, fantasy, science fiction and documentary. By identifying epic conventions on the large and small screen, as well as within a range of speculative fictions in fantastical and futuristic settings, they consider the function of such conventions within their twenty-first-century production contexts. Amanda Potter is a Visiting Fellow at the Open University. Hunter Gardner is Professor of Classics and Comparative Literature at the University of South Carolina. Cover image: Game of Thrones (HBO) Season 5, 2015 Episode: The Dance of Dragons Airdate: June 7, 2015 Shown: Emilia Clarke (c) HBO/Photofest Cover design: Stuart Dalziel [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-7374-3 Barcode

'The Politics of Muslim Identities brings together nine case studies from across Asia. The discussions in each chapter together illustrate the contested diversity of Islam as it is understood and practiced by Muslims, and contributes to a growing and much-needed literature which emphasises the need for historicised and anti-essentialist understandings of Islam.' Syed Farid Alatas, Professor of Sociology, National University of Singapore Explores the intersection between Islam and politics in contemporary, Southeast Asia, South Asia and China Approaching religious identity with an emphasis on agency and contestation, this book offers a multi-disciplinary perspective on the development of Muslim identities in Asia and examines the contingent politics that influence how Muslims constitute themselves as modern subjects. Through 9 country-based case studies, the book analyses how Muslims articulate their religious identity vis-à-vis the state and society in which they live and how their position relates to specific social and political contexts. The contributors survey the contemporary ways in which religious affiliation sparks a politics of difference in contexts where Islamic practices, beliefs and aspirations are contested, as well as where Muslims are framed as the 'Other'. Key Features - Gives a comparative view of Asia's diverse Muslim identities, looking at the complexity of identity politics and the instrumentalisation of religious difference that create social divides - Situates the contemporary contestations of identity and belonging amid new waves of Islamic revivalism, ethnic nationalism and political repression - Includes 9 country-based case studies: Singapore, Malaysia, Pakistan, Indonesia, Bangladesh, Philippines, India, Myanmar and China - Features contributions from experts in political science, anthropology, Islamic studies, sociology including: Irfan Ahmad, Syed Imad Alatas, Nazry Bahrawi, Syafiq Hasyim, Imrul Islam, Nazneen Mohsina, Matthew J. Nelson, Nathan Gilbert Quimpo and Joanne Smith Finley Iulia Lumina is an independent researcher who specialised in the comparative study of Islam at the School of Oriental and African Studies (SOAS), University of London. Cover image: Indonesia, Jakarta (c) Afrijal Dahrin / EyeEm / Getty Images Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-6683-7 Barcode

The first English-language book to cover Danish cinema from the 1890s to the present day, this wide-ranging collection places well-known auteurs such as Carl Th. Dreyer, Lars von Trier and Susanne Bier in their cultural context, and introduces a number of genres and themes that are less familiar to international audiences, including film stars of the silent era, children's film, folk comedies, porn film, trends in documentary and Greenlandic cinema. With twenty-two chapters, all of them specially commissioned for this volume, A History of Danish Cinema explores the role of screen representations and film policy in shaping Denmark's cultural identity, but also emphasises just how internationally mobile Danish films and filmmakers have always been -- showcasing this small nation's extraordinary contribution to world cinema. C. Claire Thomson is Associate Professor of Scandinavian Film at UCL and the author of Short Films from a Small Nation: Danish Informational Cinema 1935-1965 (EUP, 2018) Isak Thorsen is the author of Nordisk Films Kompagni 1906-1924: The Rise and Fall of the Polar Bear (John Libbey, 2017) Pei-Sze Chow is Assistant Professor of Media and Culture at the University of Amsterdam and the author of Transnational Screen Culture in Scandinavia: Mediating Regional Space and Identity in the Øresund Region (Palgrave, forthcoming)

'Binge-watching' has become an umbrella term for a number of analytical questions in contemporary television studies, serving to describe the structure, marketing and publication model of Netflix and other streaming platforms. Because the term describes a range of different ideas linked to streaming television programming, research on binge-watching can bring together a number of different and related questions. This edited collection explores binge-watching and its role in contemporary television from the perspectives of fan studies, audience research, transnational television studies and narratology. This breadth of scope makes it possible to explore a broad variety of meanings and functions of the term and concept in contemporary television studies. Mareike Jenner is a Senior Lecturer in Media Studies at Anglia Ruskin University

[Front cover flap copy] In Lawrie Todd (1830; rev. ed. 1832), John Galt paints an optimistic portrait of Scottish emigration to North America. Designed as a fictional autobiography, the novel charts the fortunes of its protagonist from his departure from Scotland - to avoid being tried for treason over his French Revolutionary sympathies - to his rise to prosperity as a shopkeeper in New York City and imaginary towns near Rochester. This edition of the novel provides a contextual introduction, explanatory notes, and maps that connect Todd's life story with boom times in New York and with Galt's own efforts at social entrepreneurship in Canada as well as with debates over emigration and political reforms in Britain. It sheds light on Galt's methods of characterisation, including his use of Scots and 'Yankee' speech habits and adaptation of real-life models, and on his popularity with readers in his own time.

Ground-breaking new essays comparing Shakespeare and Montaigne Shakespeare and Montaigne share a grounded, genial sense of the lived reality of human experience, as well as a surprising depth of engagement with history, literature and philosophy. With celebrated subtlety and incisive humour, both authors investigate abiding questions of epistemology, psychology, theology, ethics, politics and aesthetics. In this collection, distinguished contributors consider these influential, much-beloved figures in light of each other. The English playwright and the French essayist, each in his own fashion, reflect on and evaluate the Renaissance, the Reformation and the rise of new modern perspectives many of us now might readily recognise as our own. Lars Engle is Chapman Professor of English at the University of Tulsa, Patrick Gray is Associate Professor of English Studies and Director of Liberal Arts at Durham University and William M. Hamlin is Professor of English at Washington State University and Bornander Distinguished Professor in the WSU Honors College

The first scholarly edition of Arthur Conan Doyle's controversial collection of medical stories from the height of his initial fame in 1894 Arthur Conan Doyle trained in medicine at Edinburgh University in the 1870s and then spent eight years as a General Practitioner in Southsea, before deciding to become a professional author in 1890. The stories collected in Round the Red Lamp are gathered from his medical training and incidents in his life as a provincial GP. Some of the stories are daring - dealing explicitly with child birth, sexually transmitted diseases and malpractice. Some are sentimental or comic vignettes. Some are Gothic horrors. On publication the shades of dark and light bewildered some of his readers and the medical realism outraged others. Round the Red Lamp is a vital collection in understanding Conan Doyle's shift of profession from medic to author. [Bio]Roger Luckhurst is Geoffrey Tillotson Professor of Nineteenth Century Studies at Birkbeck College, University of London. He is the author of many books on science fiction and the Gothic, and specialises in the late nineteenth century.

The first volume devoted to Derek Walcott's lifelong engagement with the visual arts Walcott's lifelong concern with painting and painters deeply inflected his aesthetics and politics. Walcott's interventions on the relationship between Caribbean and colonial history have been thoroughly scrutinised, but arguably he was also keen to address and (re)write an art history of which, paraphrasing a line from Omeros, the Caribbean 'too' was/is 'capable'. Contextualising and putting in conversation Walcott's published and unpublished writing, drawings and paintings with specific artists from the Caribbean, Europe, South and North America, Derek Walcott's Painters recalibrates and sharpens our understanding of Walcott's articulation of his own politics and poetics, and of the Caribbean's contributions to Atlantic and global culture. Maria Cristina Fumagalli is Professor in Literature at the University of Essex. Her publications include On the Edge: Writing the Border between Haiti and the Dominican Republic (2015; 2018), Caribbean Perspectives on Modernity: Returning Medusa's Gaze (2009) and The Flight of the Vernacular: Seamus Heaney, Derek Walcott and the Impress of Dante (2001).