Bøker utgitt av EDINBURGH UNIVERSITY PRESS

'Gustav Landauer implored anarchists to resist translation and learn how to 'think and feel' unfamiliar languages. Gioli and Kallin do just that. Their beautiful, illuminating and inspiring collection turns an obscured history into a future-gazing meditation on domination and libertarian intervention, teaching us how to think 'about' and 'for' anarchism and collapse that distinction.' Ruth Kinna, Loughborough University 'This book marks a pivotal moment in the history of anarchism - an international gathering held in Venice, Italy in 1984 - that gave birth to a critical (hitherto unpublished) anthology compiled by activists associated with the Italian journal Volontà. Charting new avenues for anarchy's realization, the anthology addresses prescient issues such as liberatory power, patriarchy, ecological transformation, state repression, and "utopian" economics. Giovanna Gioli and Hamish Kallin have combined the original anthology with additional articles from A/Rivista Anarchica and other sources, culminating with a retrospective history of Volontà. Interweaving history, theory, and practice, Thinking as Anarchists is an extraordinary achievement.' Allan Antliff, Director of the University of Victoria's Anarchist Archive In the symbolic year of 1984, thousands of anarchists from all over the world gathered in Venice to explore the future of their shared ideal. This collection brings together a series of influential papers from that moment, centred around the Italian anarchist journal Volontà and the international circle connected to it. Initially published from the early 1980s to the late 1990s, most of these papers have never appeared in English before. Together, they form a treasure trove of anti-authoritarian thinking on issues as diverse as authority, the state, utopia, freedom, patriarchy and how we might envisage an anarchist approach to economics. Remarkably far-ranging in their points of reference, these interventions are truly interdisciplinary seeking to reinvigorate the intellectual heart of the anarchist ideal. This book is essential for historians of anarchism and an engaging intervention for all those who theorise for a radically better world. Key features:  The newly translated and fully annotated text allows readers unfamiliar with the context or political background to engage with these arguments for the first time.  The introduction situates these papers in their political and historical context and considers the experience of the journal Volontà in relation to emergent forms of autonomous Marxism, the 'new' anarchism and poststructuralism.  Features a wealth of vibrant photographs and visual materials, providing a glimpse into the striking richness and creativity of anarchist aesthetics at the time.  Turns the debate to the future where in an era of ecological catastrophe and resurgent fascism, it is more vital than ever that activists and academics see the importance of thinking as anarchists. Giovanna Gioli is a Senior Lecturer in Human Geography at Bath Spa University. Hamish Kallin is a Lecturer in Human Geography at the University of Edinburgh.

The first scholarly edition of The Memoirs of Sherlock Holmes including a detailed introduction, an essay on the text, a textual apparatus and explanatory notes. Arthur Conan Doyle's The Memoirs of Sherlock Holmes was first published by George Newnes, Ltd in December 1893. The first edition featured eleven short stories which had all appeared in the Strand Magazine over the preceding twelve months. The sequence of stories culminated in the apparent death of Sherlock Holmes in 'The Final Problem'. The Memoirs contained some of the most well-regarded and dramatic of the early Holmes stories, but also served as a compelling document of Conan Doyle's struggle to balance the commercial demands of modern authorship with his own literary aspirations. This scholarly edition offers students and researchers a detailed resource with which to understand the volume's composition, publishing history and reception. Jonathan Cranfield is Senior Lecturer in English Literature and Cultural History at Liverpool John Moores University. He is the author of Twentieth-Century Victorian: Arthur Conan Doyle and the Strand Magazine, 1891-1930 (EUP, 2016), co-editor of Fan Phenomena: Sherlock Holmes (2013) and has published various peer-reviewed articles on late-Victorian periodical culture, popular fiction and early cinema.

The definitive text of Allan Ramsay's poems, presenting his uncollected works chronologically for the first time, with comprehensive explanatory notes Allan Ramsay was central to all aspects of Scottish literary culture in the eighteenth century, working simultaneously in editing, playwriting, theatre management, song collecting and bookselling, as well as founding and directing Britain's first circulating library. It was, however, his own original work as a poet which had a transformative influence on the way in which Scottish literature would develop in the ensuing decades and, indeed, centuries. Emerging as a published author in the early 1710s, Ramsay built a remarkably prominent profile as a poet of the Scots language whose work appealed to a diverse range of readers, allowing him to produce prestigious subscribers' editions of his poems in 1721 and 1728 and to continue as a poet until his death in 1758. This definitive and ground-breaking 2 volume edition of Ramsay's poems reflects the fifty-year career of an influential cultural and literary innovator, which will open new avenues for research. Rhona Brown is Senior Lecturer in Eighteenth-Century Scottish Literature and the Periodical Press at the University of Glasgow. Her research specialism is in eighteenth-century Scots language poetry and the history of the periodical press in Scotland, as well as in eighteenth-century club culture and sociability. Brown is author of Robert Fergusson and the Scottish Periodical Press (2012), and co-editor of Before Blackwood's: Scottish Journalism in the Age of Enlightenment (2015).

Reconceptualises instability in relation to cyberspace

The first comprehensive scholarly volume on Kim Ki-young and his films in English

Examines the integration and reform of Islamic studies in universities across Germany, the UK, Turkey, Poland and Belgium

Traces authors' attitudes toward US economic expansionism through their fictional allusions to internationally-traded commodities Offering an interdisciplinary study of references to internationally-traded commodities in US fiction, Consuming Empire assembles an integrated geopolitical analysis of Americans' material, gendered and aesthetic experiences of empire at the turn of the twentieth century. Examining allusions to contested goods like cochineal, cotton, oranges, fur, gold, pearls, porcelain and wheat, Consuming Empire reveals a linked global imagination among authors who were often directly or indirectly critical of US imperial ambitions. Furthermore, Consuming Empire considers the commodification of art itself, interpreting writers' allusions to paintings, sculptures and artists as self-aware acknowledgements of their own complicity in global capitalism. As Consuming Empire demonstrates, literary texts have long trained consumers to imagine their relationship to the world through the things they own. Heather Wayne is a teacher of English and independent scholar living in Massachusetts. Her research focuses on nineteenth-century US literature, material culture, feminism, visual culture, empire and global history.

Examines the impact of the changing geopolitical environment on a range of governance issues in North Africa

Bringing together scholars working across Chinese Studies, Japanese Studies, English Studies and French Studies, this book presents new perspectives on instances of failed intercultural encounters by theorizing epistemologies of failure.

The first complete edition of Peter's Letters to his Kinsfolk published since its original appearance in 1819, including the original illustrations, along with extensive new annotation and full editorial apparatus. In Peter's Letters to his Kinsfolk (1819) the young John Gibson Lockhart (under the guise of a visiting Welsh physician) portrayed and analysed the society of Regency Glasgow and Edinburgh in terms of German nationalist and Romantic criticism. Focusing on the networks of the law, the church, universities, fine art, antiquarianism, literature, theatre and periodical culture, he provided a series of brilliant, sometimes serious and sometimes satirical, portraits of the most notable characters of the day and the institutions they represented. His text is accompanied by a series of portrait engravings and vignettes of significant moments in his tour. The present edition provides the first complete text of this widely-allusive work published since 1819, together with a substantial Introduction, Notes and full editorial apparatus, including a detailed index and an essay on the contemporary illustrations. Peter Garside is Professorial Fellow at the University of Edinburgh. He has served on the Boards of the Edinburgh Edition of the Waverley Novels and Stirling / South Carolina Research Edition of the Collected Works of James Hogg and has published a variety of volumes for these scholarly editions. Gillian Hughes is an independent scholar. She works as an advisory editor for the Edinburgh Edition of Walter Scott's Poetry and for the New Edinburgh Edition of the Works of Robert Louis Stevenson. She has published critical editions of works by each of these writers and a biography of James Hogg (2007).