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The first systematic, critical and comparative assessment of new authoritarian practices in the MENA region This collection examines new authoritarian practices that 16 MENA countries have developed in the aftermath of major uprisings across the region. These span new forms of digital surveillance, new protest policing practices, new forms of control over the judiciary, civil society and media, through to new security and communication laws and state of emergencies. The book also emphasises continuities with past authoritarian practices such as intimidation, imprisonment, torture, extrajudicial killing and ill treatment of dissidents, as well as other practices to suppress dissents and control activists, opposition parties, the judiciary and the media. By focusing on micro-practices of repression, New Authoritarian Practices in the Middle East and North Africa balances macro-structural explanations of authoritarian persistence alongside widespread social discontent and opposition. Key Features - Identifies the continuities and discontinuities in the practice of authoritarianism in the MENA region - Promotes a comparative approach when analysing new forms of authoritarian control in 16 countries: Algeria, Bahrain, Egypt, Jordan, Libya, Iran, Iraq, Israel/Palestine, Morocco, Qatar, Saudi Arabia, Sudan, Tunisia, Turkey, United Arab Emirates and Yemen - Brings together contributions from 18 academics specialising in different countries of the region Özgün E. Topak and Merouan Mekouar are both Associate Professors in the Department of Social Science at York University, Canada. Francesco Cavatorta is Professor of Political Science and Director of the Centre Interdisciplinaire de Recherche sur l'Afrique et le Moyen Orient (CIRAM) at Laval University, Canada.
Provides an in-depth study of Hong Kong directors' participation in Chinese 'main-melody' blockbusters in the 2010s.
Presents a comparative analysis of land issues and impact of reform across the British and Irish Isles, in Ireland, Scotland and Wales This book interrogates land issues and reform across the British and Irish Isles from c.1800 to 2021, with a particular focus on the period c.1830s-c.1940s. It builds on a rich body of work employing comparative approaches towards the 'Land Question' and the history of landed estates, drawing together fresh and original case studies which contextualise the historiographies of Ireland, England, Scotland and Wales. The contributors draw out similarities but also highlight the distinctive nature of land issues and reform programmes across the four nations of the British and Irish Isles. Key themes and issues discussed in the chapters include estate management and relationships between landowner and tenant; land reform agendas; legislative programmes and their impacts; landowner perspectives; and comparisons and contrasts between the experience of reform in the UK. Shaun Evans is Director of the Institute for the Study of Welsh Estates (ISWE) at Bangor University. Tony Mc Carthy is Visiting Fellow of the School of History, Classics and Archaeology at Newcastle University. Annie Tindley is Professor of British and Irish Rural History at Newcastle University.
Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world's most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical conversation around Martel's work by integrating analyses of her features with the less frequently studied short films and her other artistic projects. This volume's fresh, holistic approach to Martel's career includes contributions from scholars in Latin America, Europe and the United States, and ends with a new interview with Martel herself. Edited by Natalia Christofoletti Barrenha is an independent film researcher and programmer specialising in Latin American cinema. She is the author of Espaços em conflito. Ensaios sobre a cidade no cinema argentino contemporâneo (2019) and A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina (2014. Translation into Spanish: 2020). Julia Kratje is a researcher at Argentina's National Council of Scientific and Technical Research (CONICET), and teaches at the Universidad de Buenos Aires. She is the author of Al margen del tiempo. Deseos, ritmos y atmósferas en el cine argentino (2019) and editor of El asombro y la audacia. El cine de María Luisa Bemberg (2020), among others. Paul R. Merchant is Senior Lecturer in Latin American Film and Visual Culture at the University of Bristol. He is the author of Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015 (2022) and the co-editor of Latin American Culture and the Limits of the Human (2020).
The first anthology to bring together Anglophone transatlantic writing across the period of the long nineteenth century This anthology provides a single, convenient volume of diverse primary texts supporting the teaching and research field of Anglophone Transatlantic literatures and print culture. Focusing on ongoing and shared concerns and social practices across the long nineteenth century, the book's thematically-organised sections mark major Transatlantic social movements of that era as expressed, negotiated, and recorded through literary production. The anthology offers a range of tools and texts for innovative thinking, teaching, and exploration. Headnotes provide guidance on how individual selections arose from social and historical contexts. Annotations create student-friendly identification of key terms or allusions. Key Features: - Includes a diverse range of Anglophone primary texts from across the Atlantic basin - Presents textual headnotes to contextualise the primary material - Provides ten introductions to guide students through the different thematic sections of the Anthology - Offers diverse approaches for use as a core text in classroom teaching - Allows students to navigate their way through a wide range of writing from both familiar and less well-known authors Linda K. Hughes is Addie Levy Professor of Literature at TCU. Sarah R. Robbins is Lorraine Sherley Professor of Literature at TCU. Andrew Taylor is Senior Lecturer in English Literature at the University of Edinburgh. Adam Nemmers is an Assistant Professor of English at Lamar University in Beaumont, Texas. Heidi Hakimi-Hood is Associate Director of International Student Services and the Intensive English Language Institute at Midwestern State University in Wichita Falls, Texas.
Remaps the state of Scottish writing in the contemporary moment, embracing its uncertainty and the need to reconsider the field's founding assumptions and exclusions A provisional re-mapping of Scotland's post-devolution literary culture, these fifteen essays explore how literature, theatre and visual art have both shaped and reflected the 'new Scotland' promised by parliamentary devolution. Chapters explore leading figures such as Alasdair Gray, David Greig, Kathleen Jamie and Jackie Kay, while also paying particular attention to women's writing by Kate Atkinson, A. L. Kennedy, Denise Mina, Ali Smith, Louise Welsh, and writers of colour such as Bashabi Fraser, Annie George, Tendai Huchu, Chin Li and Raman Mundair. Tracing continuities with 1990s debates alongside 'edges of the new' visible since Indyref 2014, these critics offer an in-depth study of Scotland's vibrant literary production in the period of devolution, viewed both within and beyond the frame of national representation. Marie-Odile Pittin-Hedon is a Professor of Scottish Literature at Aix-Marseille University (AMU). Camille Manfredi is a Professor of Scottish Literature at the University of Western Brittany (UBO). Scott Hames is a Senior Lecturer at the University of Stirling, where he led the MLitt programme in Scottish Literature.
Cutting across a swath of recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of a recent grouping of popular films that are rapidly changing what it means to make or to see a 'French' film today.
This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema.
This is a comprehensive study of the surviving monuments of the Qarakhanids an important yet little-known medieval dynasty that ruled much of Central Asia between the late 10th and early 13th centuries.
This volume brings together three short novels that reveal the diversity of Galt's creative abilities. They cast light on significant phases of Galt's career as a writer and reveal his versatility in experimenting with themes, genres and styles.
Considers the technological, economic and aesthetic histories of the early British video industry as part of the broader global film industry.
Modernism and Time Machines places the fascination with time in canonical works of twentieth-century literature and art side-by-side with the rise of time-travel narratives and alternate histories in popular culture.
The first translation into English of Mother Homer is Dead, written in the immediate aftermath of the death of the Cixous's mother in the 103rd year of her life.
Through a series of rigorous encounters with key critical figures, this monograph argues that modern thought is, in a double sense, the thought of pain. It offers a systematic account of the modern European tradition's relationship to the question of pain and suffering, and new interpretation of "ethics" and "evil".
In this edition of Boswell's "Life of Johnson", Marshall Waingrow offers a fresh reading of Boswell's work. He charts the changes made during composition and at the proof stage, and corrects and explains the printer's misreadings and author's errors which crept into the final edition.
Explores the social, cultural, legal and religious changes in modern Oman This book provides multiple perspectives on the modern history of Oman during the reign of Sultan Qaboos (1970-2020). It examines the theme of rebirth: of the connections between the past and the future pursued by Sultan Qaboos and his government in fields as diverse as health, religion, law, economy, heritage and diplomacy. Not overlooking the many challenges faced during Sultan Qaboos' reign - and still faced by Oman - the contributors engage various theories and perspectives about the country's remarkable economic, religious, educational and cultural transformations. Key Features - Examines the role of Sultan Qaboos and the transformations that took place in Oman during his 50-year reign - Delves into new research on an understudied part of the world and the Middle East - Explores important themes of transformation and preservation, modernisation and continuity across heritage and culture; religion and law; literature, health and education; economics and development; policy, society and diplomacy Allen James Fromherz is Professor of History at Georgia State University and Director of the Middle East Studies Centre. Abdulrahman al-Salimi is an Omani scholar.
Examines representations of ancient epic and epic conventions in film and television.
Examines the bicycle as a literary device and a cultural phenomenon at the turn of the century in Britain and France This book engages with the long-overlooked bicycle as a crucial literary and cultural object. In a selection of turn-of-the-century fiction, travel writing and non-fiction, cycling is revealed to be a favoured literary device, allowing writers to structure their narratives in new ways or depict a fresh sensory and aesthetic experience. Moreover, this study reveals that from its earliest days, the bicycle played a compelling counter-cultural role, proposing an alternative modernity that directly challenged bourgeois, patriarchal, capitalist society. From blurring gender and class divisions, to offering a more empowering interaction with the machine and allowing an embodied and social experience of space, the bicycle pointed a human-powered route to progress amidst increasingly mechanised visions of the future. Una Brogan is an independent researcher and translator and received her PhD at Université Paris 7-Diderot.
Explores advances in the fields of language documentation, language change and historical linguistics, focusing on lesser known and endangered languages Professor Lyle Campbell has had a long and distinguished career and his extensive work on the languages of Mesoamerica have inspired research and researchers. In this volume, contributors come together to present new data, analyses and theoretical perspectives on how understanding language change raises questions for language documentation, description and even revitalization. Coverage ranges from the linguistic isolates Basque and Mapundungun to large families such as Tupian and Austronesian and spans a range of theoretical issues including ongoing language change, etymological opacity, word order, alignment systems and grammatical relations, language contact, onomastics and the study of pre-history. The book shows that linguistic fieldwork, when carried out and used appropriately, allows for a more consistent understanding of language change, and for a better understanding of the ethnographic record. It also explores the junctures between language change, linguistic diversity and other related fields that draw on primary linguistic fieldwork. Key features: - 13 chapters presenting case studies of research in the fields of historical linguistics, typology, language description and documentation - Broad geographical and theoretical scope, focusing especially on lesser known and endangered languages - Brings together original research by well-established scholars in linguistics including Robert Blust, Amy Dahlstrom, Ives Goddard, Alice Harris and Raina Heaton Thiago Costa Chacon is Assistant Professor of Linguistics at the Universidade de Brasília Nala H. Lee is Assistant Professor of Linguistics at the National University of Singapore Wilson de Lima Silva is Assistant Professor of Linguistics at the University of Arizona
A new and innovative examination of the conduct of Roman long-distance trade in its social and legal context Bringing together specialists in ancient history, archaeology and Roman law, this book provides new perspectives on long-distance trade in the Roman world. Recent archaeological work has shown that maritime trade across the Mediterranean intensified greatly at the same time as the Roman state was extending its power overseas. This book explores aspects of this development and its relationship with changes in the legal and institutional apparatus that supported maritime commerce. It analyses the socio-legal framework within which maritime trade was conducted, and in doing so presents a new understanding of the role played by legal and social institutions in the economy of the Roman world. Chapters cover: Roman maritime trade, the influence of commercial considerations on navigational decision making, Roman legal responses to the threat of piracy, the conduct of Roman maritime trade from a socio-legal perspective, the role of written documentation in the transport process, maritime finance and the insights provided by the juristic interpretation of contracts of carriage-by-sea into aspects of Roman private law. Peter Candy is a Fellow in Roman Law and European Legal History at the University of Edinburgh. Emilia Mataix Ferrándiz is a Postdoctoral Researcher at the University of Helsinki, Finland, and Research Fellow at the Käte Hamburger Kollegium in Münster, Germany.
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