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Farid Belkahia (1934-2014), considered to be one of the founders of contemporary art in Morocco, invested from the 1960s on, in artistic research into multiple forms of expression and a process of fundamental research into new modes of accessing modernity. For over sixty years, he ploughed an artistic furrow punctuated by changes in direction, challenges and audacious renewals. Advocating complete creative freedom in perpetual reconquest, he built an opus in resonance with his natural and cultural environment. This collection of essays is the result of an initiative by the Fondation Farid Belkahia, created by Rajae Benchemsi, the artist's wife, in order to perpetuate his work and his memory. It brings together the contributions of the participants in the international symposium which was held in Marrakesh, Morocco, in 2016 to mark the inauguration of the foundation and of its museum. As an opportunity to gather different ways of looking at and exchanging opinions around Farid Belkahia and his work, this volume proves that as an artist he has now found his rightful place in the new account of modernity that remains to be written.

The complete guide of the extraordinary collections of the Louvre Abu Dhabi, the new-born universal museum by the French, Pritzker Prize winning architect Jean Nouvel. Like the museum, born on the Arabic peninsula but turned towards the entire world, Louvre Abu Dhabi publications will highlight masterpieces of many civilisations. This ensemble of books will showcase Louvre Abu Dhabi, a museum that will play an important role in the artistic discoveries, education and exchanges between peoples. As a unique reinterpretation of art history, these texts explore the mutual artistic influences that exist between cultures and throughout centuries. Louvre Abu Dhabi has been conceived as a "museum city" or Arabic "medina", inspired by the world and for the world. It will be the first Arabic museum of a universal vocation, located in the Saadiyat Cultural District, conceived as a bridge to the future with the purpose of linking knowledge and civilisations. Designed as a global art history handbook across the museum's collections, The Guide will take the reader through a cross-cultural journey through the entire museum, gallery by gallery. The museum will be a place of dialogue between cultures and civilizations and it will offer a transversal vision of art history, spanning from the first villages to the first great powers, from civilisations and empires to universal religions, from Asian trade routes to the Mediterranean and the Atlantic, from cosmographies to modern art, modernity and the global scene.