Bøker utgitt av Enchanted Lion

Written with style and heart by Wolverton Hill and illustrated with whimsical art by Laura Carlin, this love letter to Edward Lear brings him wonderfully to life for young readers. Edward Lear popularized the limerick as we know it and invented the modern literary genre of nonsense, made famous by Lewis Carroll. But did you know that as a teenager, he was a natural history artist on par with John J. Audubon? He has a memorial in Poets' Corner in Westminster Abbey, placing him among the UK's most important authors. Yet even still, Lear seems underappreciated. This picture-book biography will change all of that. Not only does it tell of what Lear did, it also shows who he was by conflating the naturalistic and nonsense, as Lear himself did, and by daring to be both fanciful and playful, for the facts of a life alone can never give you the full picture of a person. Lear liked children and children liked Lear, for they shared an innate sense of play and silliness, as well as a tolerance for the absurd and unusual. As Lear understood so well, it's not just fun to be silly, but a sense of play is foundational to a resilient life. And of course, nonsense as practiced by Lear was a sharp weapon of satire against rigid Victorian conformity. Whether in his keenly observed work as a natural history painter or in his nonsense verse, Lear animated the world through a deep sense of empathy, and it is in this way that author and illustrator Hill and Carlin deliver Lear to us. Rich backmatter includes some Lear poems and paintings, a chronology, and notes from the author and illustrator.

Beautiful illustrations from an internationally recognized fine artist make this fun, ecologically-minded book about a bus-driving, tree-loving leopard a standout! When Miss Leoparda isn’t sleeping in her beloved tree home, she drives the bus, taking her animal friends around town on their animal business. Every day, all of the bus’s seats are taken . . . until the day something amazing and new appears: a little car that speeds off into the distance, leaving clouds of smoke in its wake. Intrigued, the bus’s passengers each get a car of their own, one by one, until the day that Miss Leoparda is the only one left on the bus. But more and more cars on the road mean more and more traffic jams, more and more arguments, and fewer and fewer trees—as trees, it seems, are just getting in the way of the jammed-up travelers. Will Miss Leoparda be able to nourish a new awareness and help her community return to their senses? With humor, insight, and gorgeous art, this is a picture book about the importance of the natural world and the value of community, to read again and again.

From Gianni Rodari, the father of modern Italian children’s literature, comes a pithy, humorous tale about life and death, health and wealth . . . and bandits and balloons! A refreshed translation from Batchelder Award–winner Antony Shugaar, illustrated with all-new art from Roman Muradov “Gianni Rodari gave free rein to his imagination, with inspired panache and gleeful lightness. At the same time, he had a precise and meticulous love for detail, for rich and exact language, and so all of his inventions are set in a very concrete world with real form and action.” —Italo Calvino Baron Lamberto is very old, very rich, and very sick. He lives in a villa on a private island in the middle of Lake Orta, tended to by his trusty butler, Anselmo, who keeps track of the baron’s 24 maladies, 24 banks, and endless eccentricities. After a mysterious trip to Egypt, the baron hires six people to take up residence in the attic of his villa. Their only task? To repeat his name, “Lamberto, Lamberto, Lamberto,” throughout the day. Why? It’s anyone’s guess, but—wonder of wonders—Baron Lamberto does appear to be getting better and better, little by little, day by day. But trouble looms when Lamberto’s nefarious nephew Ottavio enters the scene, scheming up a way to get his hands on the baron’s fortune. And things go from bad to worse when a band of 24 bandits (all named Lamberto, too, by the way) lays siege to the baron’s villa and attempt to hold him for ransom. In typical Rodarian fashion, Lamberto, Lamberto, Lamberto is a thoroughly enjoyable, deeply thought-provoking read. While it playfully skewers the absurdities of the rich, the bureaucracy, the media, and more, it also encourages readers to liberate their imaginations, to expect the unexpected, and to embrace the kind of possibilities that normally only happen in fairy tales.

From award-winning author Matthew Burgess and debut illustrator Sirin Thada, a picture book biography of music icon Prince, from childhood to superstardom, that crackles with electricity and soul Prince is remembered as one of the greatest musicians and performers of all time. But before he achieved global superstardom, he was a child growing up in Minneapolis, with a universe of music inside him. From his first forays into writing songs with his school friends to his unprecedented three-album record deal at 19, and his surprise hit film Purple Rain to performing at the Super Bowl, Prince was never afraid to blaze his own trail—creating something entirely new, entirely free, and entirely PRINCE that would shape music and culture and resonate with audiences for generations to come.

A gentle, probing picture book from award-winning author Kyo Maclear and celebrated illustrator Katty Maurey about the special relationship between a grandfather and his grandson, and the many traces, memories, and even ghosts with which we live There’s a ghost in Grandpa’s garden. It leaves tracks by the path where there was once a cool, dark stream. It makes mischief by knocking over flowerpots. And sometimes, it leaves behind a gift perfect for a curious boy in the form of little treasures from times gone by. The boy who is the narrator of this picture book loves spending time with his grandpa in the garden, enjoying the natural world, listening to memories of how things used to be, and making up stories about the friendly ghost. With Grandpa as his loving guide, the boy learns to look closely at the garden and marvel at its mysteries, to uncover the layers of history that make up this special place, and also to fashion new things from all that he has found.

From award-winning author Martine Murray (dubbed Australia’s Kate DiCamillo) and painter Anna Read comes a timeless and timely tale about the monstrousness of envy, and every creature’s—even a monster’s—need for love It starts with a whisper in your ear. A prickly feeling that something isn’t quite right. And it builds until a sneaky, possessive thought wriggles into your mind, and an insidious want burrows into your heart. Before you know it, you’re discontent, convinced that you’re owed more than what you’ve got. This is the work of the Wanting Monster. One day, the Wanting Monster arrives in a small village, but no one notices him, despite his antics. Feeling snubbed, he starts sowing discontent and envy of one’s neighbor. So infectious is the wanting and greed awakened by the Wanting Monster that even the stars are plucked, one by one, from the sky. Covetousness and distrust reign. Will the village people ever return to their senses? Will they ever learn that it’s the monster of wanting that’s been poisoning their minds? The Wanting Monster almost triumphs . . . fortunately, he is finally seen for what he is, and this recognition unleashes the purifying force of collective lamentation and a coming together to reroot and rebuild.

"What starts as a series of "thank yous" addressed to common objects that inhabit our daily lives gradually builds into a fantastic journey across landscapes, seasons, and inner discoveries."--

An intrepid girl discovers the value of the tangled, knotty side of life in this story from Astrid Lindgren Memorial Award winner Isol inspired by a Palestinian shawl.

A timid ten-year-old boy meets Johnny, a gruff islander who will change his life, in this heartwarming middle-grade novel about finding yourself and your place in the world.

The Lion and the Bird is a sensitive, beautiful, and utterly charming fable about generosity, kindness and true friendship.

The first in a wonderfully imaginative series about two girls that is marked by revealing and lyrical small details.

In his first wordless picture book, Olivier Tallec shows the pointlessness of war through his smart, comic, emotionally astute illustrations.