Bøker utgitt av ETT Imprint

In Crocodile Land is principally the story of travels by lugger through northern waters and into slimy creeks where the huge crocodiles abound. The author took part in many hunting expeditions and enlightens us on the various methods adopted for catching these fearsome creatures. The party had more than a little success, to the great glee of the blackfellows who accompanied them.We journey next into the country of the buffaloes. Here on sunlit clearings through thickets of pandanus palms the buffaloes were to be found in hundreds... There is plenty of risk in hunting the buffalo... Once the shooting starts, the horse must continue his gallop, faster than the buffaloes and alongside them, keeping them going. One stumble and the end is near for horse and rider. - Western Mail, Perth 1946Although it has the thrill of crocodile shooting and trapping as its central theme, the book also affords a sympathetic and fascinating study of the aborigines and their tribal customs, slants on the dangerous sport of buffalo hunting, and vivid pen pictures of Wyndham, Darwin and other far northern towns. - Adelaide Advertiser, 1946Introduced by Tony McKenna

In 1932, Ion Idriess was one of those who set out from tiny port of Derby with the ending of the Wet season, moving through the rugger Kimberleys towards the developing goldfield of Tennant's Creek. This is the story of his wanderings in the 1930s and what he heard and saw along the way; at a time when wireless and air and motor transport were rapidly changing life in the North and North-west: but when the age of pioneers, of heroic journeys, terrifying loneliness, and violent death, had not yet passed away.Back in print after 60 years.

A rollicking ride through the early days of Australian Motorsport set in 1900-1918 in Perth, Melbourne, Brisbane and the Gold Coast, the true story of bitter rivalry between two Brisbane car importers/dealers: E.G.Eager Son and Canada Cycle and Motor (CCM). There are four main characters: Fred Z. Eager, Alec Fraser Jewell, E.G.Eager and CCM managing director A.V.Dodwell.The paths of speedsters Fred Eager and Alec Jewell collide on Christmas Day, 1916, on Southport Beach at the first attempt to set an Australian land speed record.Whitey in the premier motorsport event of hill climbs so they decided to stage an event of their own, bespoke for Studebaker. This race would nullify Fred Eagers driving skills and suit the big-engined Studey: A straight line speed contest against the clock on the firm low-tide sand of Southport (Surfers Paradise) beach. Only one of them could win ... Or could they?

Lowell Tarling recorded Martin Sharp's life, and his effect on his friends, over twenty years. Now two volumes in one, in advance of the film of these books - GHOST TRAIN...Sharp: The Road to Abraxas - Part One, 1942-1979Sharper: Bringing It All Back Home - Part Two, 1980-2013'Like the Ancient Mariner, it's also a ghastly tale. I could understand the events at Luna Park a bit. I was trying to understand them and then suddenly there was this poetic language working to say: this is a crucifixion, Golgotha, death by fire. And then it starts to fit into Apocalyptic vision. It was Abraxas if you like - the dark face and the light face. To look upon Abraxas is blindness. To know it is sickness. To worship it is death. To fear it is wisdom. To assist it not is redemption. I don't know what it means. I've never been able to work it out. You get a Pop Art Parallel. It was the Year of the Child, the place of Golgotha, the Place of the Skull, and the Ghost Train. You then get these events that are caused by plotting, not caring for kids, carelessness, living a human life - the way of the world.' - Martin Sharp, 4 March 1984

Paul Wenz was born in France in 1869, lived in Australia, and wrote stories dealing mainly with his Australian experiences for the French. He wrote ten books from 'Nanima', his homestead in Forbes, New South Wales, including two collections of short stories and four Australian novels. He also translated Jack London and Joseph Conrad, both who came to visit him in Australia.Diary of a New Chum and Other Lost Stories contains many stories never before published in English, and includes correspondence with authors such as Andre Gide, Miles Franklin and Christopher Brennan. Always the very essence of the Australia of Wenz's period, Diary of a New Chum and Other Lost Stories sparkles with irony and psychological insight and represents Paul Wenz at his powerful best.

American-born Gus Pierce arrived in Australia in 1860 and promptly deserted, swimming ashore at Port Phillip. He worked as a photographer for Batchelders and painted scenery for the Lyceum theatre before hunting for snakes with Joe Shires - the inventor of a snake-bite cure. He compiled a strip map of the Murray River from Albury to Goolwa, by navigating it in a canoe with an Aboriginal dancer and a tracker in 1863, eventually skippering several steamboats along the Murray between 1868 and 1876.In 1869 in Echuca he began painting historical panoramas and toured scenes, with musical accompaniment to Wagga Wagga, and a further series showing at his Hill End Tent Theatre in 1872 in a musical recue with William Gill, who went on to write the first Broadway musical. His Mirror of Australia panoramas were toured to Geelong and Castlemaine - where he added the male impersonator, Ellen Tremayne in 1881. Impresario, navigator, photographer and artist of Austral scenes - here is his confounded life with his own illustrations.

These simple sketches and photographs of Territory life centre around the young Aboriginal girl Bett-Bett (Dolly Bonson) and her dog Sue; as she appears from the Never-Never, stays awhile, learns a little, laughs a lot, wonders much, and finally returns to the bush again.This early tale of life in the Northern Territory was first published in 1905, and was followed up bby the classic We of the Never-Never, the author's memoir of life with her family on Elsey Station.

Throughout all the game of war, in every Age, there has been no task so fascinating, so alive with thrills, as that of the scout. Against an enemy army he plays a lone hand as does the sniper. But the scout's job is not to hide and kill, his is to press forward and see, but never be seen. And - he must return.Ion Idriess's Australian guerrilla manual presents a rare insight into one of the most vital functions of small-unit combat intelligence - scouting. Despite great technical achievements in modern military science, the small-unit commander must still rely heavily on the eyes, ears and stealth of his scouts. Details obscure techniques often overlooked in most U.S. Army and Marine scouting texts.The sixth book of the Australian Guerrilla series, The Scout, by Ion Idriess is now available. It is packed with knowledge and bush lore, and gives to any soldier who studies it most of the data necessary for the job of scouting. With the rest of the series it provides a small compact little work that, carried in the haversack, is a means of learning as you go. - Hobart Mercury, 1943.

Abdul the Sniper was the pride of the Turkish Army. They named his rifle 'The Mother of Death'. Because, so declared the Ottoman Guard, 'her breech gave birth to bullets which destroy the lives of men'... Idriess was a trooper with the Light Horse at Gallipoli, all the way to Beersheba, and his diary was published as The Desert Column. Drawing on his military experience, this is one of six manuals written for soldiers and civilians in 1942, when invasion by the Japanese seemed imminent. This volume includes the full story of the duel between Australian sniper Billy Sing and his opposite number, Abdul the Terrible in the trenches at Gallipoli. A believer in guerrilla warfare in the open spaces of Australia, Mr. Idriess seeks, by thrilling narrative and advice, to teach young men and people of the back country how to use the rifle to the best advantage. To be a guerrilla one has to be a good rifleman - a sniper - acting independently of other troops, clever at camouflage, with keen ears, and with eyes that are observant and sharp. - Newcastle Herald

'To attack and ambush, to snipe and raid is the job of the Australian Guerrilla. By rifle and grenade, by machine-gun and mortar to kill them, harry them, trap them, grant them not one moment's peace day or night. Break their hearts! Smash their outposts, blow up their tanks, bomb their communications, burn their airfields. To be a hawk by day and a shadow by night, to be a killer by day or night is the sworn job of the Australian Guerrilla on his native soil.' These Australian guerrilla manuals were written by Ion Idriess at the time of imminent invasion by the Japanese. Following the massive bomb attack on Darwin in early 1942, Idriess wrote six manuals in one year to help aid the local militia, based on his extensive experience in guerrilla tactics in World War 1. As the Japanese continued to raid Sydney Harbour, Newcastle, Broome and Toowoomba, Idriess offered his knowledge on the art of warfare to Australians at home.

Idriess was a trooper with the Light Horse at Gallipoli, all the way to Beersheba, and his diary was published as The Desert Column. Drawing on his military experience, this is one of six manuals written for soldiers and civilians in 1942, when invasion by the Japanese seemed imminent. Here Mr Idriess gives in illustrative detail the technique of guerrilla warfare under Australian conditions. As will be seen by the subject headings, every phase is dealt with. Here is the complete vade-mecum for the guerrilla fighter, a forceful, vivid book that teaches how, in Australia, he may play a part as vital as that played by the Russian guerrilla in aiding his army.

In the dark of river bends, in the slow meander of deceit, in the closed still autumn mist, Freddy and Joyce with poles in hand, propel the craft into the stream.The parrot chirps, he chews a nut then begins to chew upon the mast.The squawking parrot knows it all, the secret keeper of this land, of wine and river, war and love, and dreams men brought to river bank; alas they tried to build them. Part family saga, part love story, told over three generations by an undeliable parrot, a most marvellous tale.

The first and best biography of the great Troubadour with artwork by Martin Sharp.Throughout his lifetime, Tiny Tim was a repository of recorded music stemming from the early days of vaudeville to the latest chart favourites. But despite all these influences he remained a true original perfecting his performances as an outreach of his personality. True, he had some strange traits, but they did not impede on his enthusiastic kindness to people he loved, to the musicians he accompanied, and to the many listeners he met. In the age of celebrity, he functioned as the complete entertainer. Lowell Tarling has provided Tiny with a living biography and given us a definitive incentive to re-listen to his recording and re-visit his numerous You Tube postings. You get the feeling that somewhere Tiny is standing on his tiptoes, strumming his ukulele, blowing kisses and saying, 'God bless you all!' - Hal Stein, (Tiny's cousin and close friend) April 2013

I felt certain there must be gold in those hills, Jack', wrote a prospector to Ion Idriess, 'but I know very little about the game.' And so Jack Idriess wrote Prospecting for Gold in 1931. This is the 20th edition and known throughout Australia as the classic self-help manual for would-be prospectors. 'This book is written to help the new hand who ventures into the bush seeking gold... The towny prospector, with this book as a guide, will soon master methods of prospecting and the working of his find.' In an easy conversational tone, the author of Lasseter's Last Ride and Flynn of the Inland sets many a hopeful prospector on the road to discovering gold.

In 1936, the celebrated American author Zane Grey arrived in the sleepy New South Wales town of Bermagui, with the express reason of angling for the world's largest fish - Marlin, sharks and Swordfish. Here is his little classic of the chase.Four miles out I sighted a long sickle fin cutting through a swell. Did I yell, Marlin!? I certainly did. An instant later Peter sighted another farther out, and this tail fin belonged to a large fish. I could not tell whether or not it indicated a black marlin. It stood up three feet or more, and that much would make a tail spread of over six feet. These marlin were riding the swells and they were moving fast. The tails would come up out of the top of a swell and cut the water at more than a ten-knot speed. Then they would vanish. It is always necessary to run the boat in the right direction to head the fish off. The Avalon is fast - she can do eighteen knots when opened up - but we could not catch up with the big fellow.

From life in small New South Wales country towns to the glitter of Sydney, this memoir explores life in a changing Australia, from age 7 to 17. Especially written and recorded for ABC radio, this book evokes an innocent Australia through a quietly comic delivery, where we witness again holidays in quiet seaside villages, the days when newspapers were king, Decimal Currency Day was a big thing and Beatles haircuts were all the rage. When teenagers were inspired by pop music to a fresh idealism, protest and groovy gear. When man walked on the moon. A journey through the drama and excitement of an Australia now known only by memory. This is the first publication of Growing Up in the 60s as broadcast on ABC's Nightlife several times, and on many ABC regional stations including Broken Hill, Wagga Wagga, Camberra, Upper Hunter, Tamworth and Darwin. If you remember UV lights, if you loved Easy Rider, if you still know the words to Norwegian Wood and once had a poster of Che Guevara on your bedroom wall - in other words, if you grew up in Australia in the 1960s - you will get a lot of fun with Tom Thompson's book. It is funny and astute and wonderfully nostalgic.- Jane Cadzow, The Australian

Harry Tremayne, a policeman, goes to an isolated valley in the remote Murchison region of Western Australia to find his brother - who vanished a month earlier while investigating the murder of a police detective. Do the gold smugglers at Breakaway House hold the answers to the mystery? First published as a serial in the Perth Daily News in 1932, the real setting for the book is Mt Magnet, about 150k north of Perth, deep in gold country. 'It is somewhat less intense and less effective than the books in the Bony series, but it is successful as an early effort of Upfield's treatment of the Australian outback.' - Ray Browne, The Spirit of Australia

This new Idriess book tells of stirring episodes in the pursuit, of lawbreakers in the primitive lands. Every chapter is authentic. Patrols through the Kimberleys, the wild Fitzmaurice River country, the nor'-west of Western Australia, the Northern Territory, and Central Australia; each incident recorded from the lips of the pursuers and pursued whether white, black, or brown. Here are given for the first time the romantic stories of Nemarluk and Minmara, Tuckiar and Mepara, Chugulla, Tiger, Moodoprish, Natchelma - Aboriginal leaders so much lately before the public eye. Here, too, will be found details of the spearing of Constable McColl, the ambushing of Hemming's patrol, the killing of the Japanese of the luggers' Ouida, The Myrtle, Olga and The Raff, the spearing of Stephens and Cook, of Tetlow, Nichols, Renouf, Traynor and Fagan. The inner story of the most intriguing murder in the rugged fastnesses of northern South Australia, the big mail robbery on the little Centralian railway...The book contains remarkable stories of the methods of aboriginal trackers, given exactly as they worked on each case. Nothing like these tracking chapters has ever been attempted in book form before. - Port Macquarie News, 1935