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The Arrival'No mistake, it was a real wilderness - nothing but trees, "goannas", dead timber, and bears; and the nearest house - Dwyer's - was three miles away.'The Way it Was'Dave's only pair of pants were pretty well worn off him; Joe hadn't a decent coat for Sunday; Dad himself wore a pair of boots with soles tied on with wire; and Mother fell sick.'The Folks Round Here'The snake's head passed behind the looking-glass. Jack drew nearer, clenching his fists and gesticulating. As he did he came full before the looking-glass and saw, perhaps for the first time in his life, his own image. An unearthly howl came from him. "Me father!" he shouted, and bolted form the house.'Stories that immortalised the Rudds and their efforts to farm their Queensland selection. Generous in laughs, full of the bathos and absurdity of life, this is the full restored edition of On Our Selection as it was written.

Paul Wenz was born in France in 1869, lived in Australia, and wrote stories dealing mainly with his Australian experiences for the French. He wrote ten books from 'Nanima', his homestead in Forbes, New South Wales, including two collections of short stories and four Australian novels. He also translated Jack London and Joseph Conrad, both who came to visit him in Australia.Diary of a New Chum and Other Lost Stories contains many stories never before published in English, and includes correspondence with authors such as Andre Gide, Miles Franklin and Christopher Brennan. Always the very essence of the Australia of Wenz's period, Diary of a New Chum and Other Lost Stories sparkles with irony and psychological insight and represents Paul Wenz at his powerful best.

The World is Round is a lively novel, which tells the story of Jean, a lovely and likeable young Sydney woman with literary aspirations. First published in 1896, the vitality and immediacy of this Australian classic are as startling and attractive as the insouciant charm and exuberance of the heroine's personality. Pointed satirical portraits of society evenings are painted compassionately, with gentle humour but unerring perspicacity. This tragicomic novel is witty, vibrant, and ultimately a powerful drama of a woman's path to self-knowledge.This edition of The World is Round is introduced by the novelist and travel writer Nancy Phelan.

A man's Dreaming merged with the Dreamtime. Everything in life, whether tangible or intangible, had been influenced by the people of the Dreamtime: the creators of the world and those who lived in the beginning. Therefore, everything that he saw, did, felt, and experienced was to some degree sacred. The landscape in which an Aboriginal lived was shaped in the form he could observe because the Dreamtime people made it so. Countless features had a Dreamtime explanation: the exploits of Dreamtime heroes and villains had influenced the shape of rocks, the colours of the earth, the windings of a watercourse. Such features were tangible memorials of his tribe's creative ancestors and mainstays of its emotional life.I saw my role as a white man. painting in the white man's style, and painting for white people and trying to bridge this gap between the two cultures in a way that just might give back to the Aborigines some of the dignity and some of the respect that I don't think they deserved to lose in the first place. - Ainslie Roberts, Beyond the Dreamtime film.

These simple sketches and photographs of Territory life centre around the young Aboriginal girl Bett-Bett (Dolly Bonson) and her dog Sue; as she appears from the Never-Never, stays awhile, learns a little, laughs a lot, wonders much, and finally returns to the bush again.This early tale of life in the Northern Territory was first published in 1905, and was followed up bby the classic We of the Never-Never, the author's memoir of life with her family on Elsey Station.

Set during the Gold Rush days, The Promised Land concludes Mudrooroo's fantastical voyage through the history of Australia around the time of its colonisation by the British. This is satire at its most cutting, and entertaining. Sir George Augustus returns to the Great South Land with his young wife, Lady Lucy, intending to establish a mission to educate and 'Christianise' the native people. When he hears that gold has been found on the land, his missionary zeal increases. Accompanied by the mysterious white woman, Amelia Fraser, and a troop of native police, he sets out on an expedition to the diggings. As Sir George journeys into what he hopes is a golden future, his past begins to creep up on him, and those he thought were dead return to confront him. The final book in the Master of the Ghost Dreaming series.

'To attack and ambush, to snipe and raid is the job of the Australian Guerrilla. By rifle and grenade, by machine-gun and mortar to kill them, harry them, trap them, grant them not one moment's peace day or night. Break their hearts! Smash their outposts, blow up their tanks, bomb their communications, burn their airfields. To be a hawk by day and a shadow by night, to be a killer by day or night is the sworn job of the Australian Guerrilla on his native soil.' These Australian guerrilla manuals were written by Ion Idriess at the time of imminent invasion by the Japanese. Following the massive bomb attack on Darwin in early 1942, Idriess wrote six manuals in one year to help aid the local militia, based on his extensive experience in guerrilla tactics in World War 1. As the Japanese continued to raid Sydney Harbour, Newcastle, Broome and Toowoomba, Idriess offered his knowledge on the art of warfare to Australians at home.

Abdul the Sniper was the pride of the Turkish Army. They named his rifle 'The Mother of Death'. Because, so declared the Ottoman Guard, 'her breech gave birth to bullets which destroy the lives of men'... Idriess was a trooper with the Light Horse at Gallipoli, all the way to Beersheba, and his diary was published as The Desert Column. Drawing on his military experience, this is one of six manuals written for soldiers and civilians in 1942, when invasion by the Japanese seemed imminent. This volume includes the full story of the duel between Australian sniper Billy Sing and his opposite number, Abdul the Terrible in the trenches at Gallipoli. A believer in guerrilla warfare in the open spaces of Australia, Mr. Idriess seeks, by thrilling narrative and advice, to teach young men and people of the back country how to use the rifle to the best advantage. To be a guerrilla one has to be a good rifleman - a sniper - acting independently of other troops, clever at camouflage, with keen ears, and with eyes that are observant and sharp. - Newcastle Herald