Bøker utgitt av Faber & Faber

Nothing is more inviting to disclose your secrets than to be told by others of their own ... London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. That summer, Braun courts a woman, attends classical concerts, buys bacon, dances the twist.

By the celebrated author of The Pear Affair and The Secret Starling - Patch finds adventure on every deck of the 'floating palace' she accidentally stows away on.

'Whatever Uglow writes about she makes absolutely fascinating.' DIANA ATHILLThe story of Sybil Andews and Cyril Power, two artists who changed each other in an age of experiment and turmoil.'In all her books, she makes us feel the life behind the facts.' GUARDIAN'Wonderfully sharp and sympathetic . . . Uglow is a perfect biographer.' CRAIG BROWN, MAIL ON SUNDAYIn 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts, streamlined, full of movement and brilliant colour, summing up the hectic interwar years. Yet at the same time they looked back, to medieval myths and early music, to country ways disappearing from sight.Cyril & Sybil traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of Futurists, Surrealists and pioneering abstraction, but also of the buzz of the new, of machines and speed, shops and sport and dance, shining against the threat of depression and looming shadows of war.

The rediscovered classic: an unforgettable memoir by a trailblazing black woman in post-war London, introduced by Bernardine Evaristo ('I dare anyone to read it and not come away shocked, moved and entertained')Benjamin Zephaniah: 'A must-read. Her life makes you laugh. Her life makes you cry. Get to know her.'Jacqueline Wilson: 'A superb but shocking memoir ... Imaginative, resilient and inspiring.'Christie Watson: 'A beautiful memoir of one woman's strength and dignity against the odds.'Steve McQueen: 'Gilroy blazed a path that empowered generations of Black British educators.'David Lammy: 'This empowering tale of courage, resistance, and triumph is a breath of fresh air.'Diana Evans: 'Important, enlightening and very entertaining, full of real-life drama ... Inspirational.'Paul Mendez: 'Written with a novelist's ear and sense of atmosphere ... A vital and unique testament.'Jeffrey Boakye: 'A landmark. Warm and wise ... Life lessons we can all learn from.'Alex Wheatle: 'A pioneer in many fields and wonderful example for all of us ... Essential reading.'Denied teaching jobs due to the colour bar. Working in an office amidst the East End's bombsites. Serving as a lady's maid to an Empire-loving aristocrat. Raising two children in suburbia. Becoming one of the first black headteachers in Britain.In 1952, Beryl Gilroy moved from British Guiana to London. Her new life wasn't what she expected - but her belief in education resulted in a revolutionary career. Black Teacher, her memoir, is a rediscovered classic: not only a rare insight into the Windrush generation, but a testament to how her dignity, ambition and spirit transcended her era.**WATERSTONES PICK: JULY'S BEST BOOKS**Reader Reviews:'Incredibly important ... Such an interesting read, and I am so glad that it is being republished.''Wonderful and insightful. I really, thoroughly enjoyed reading this book.''Eye-opening ... A powerful reminder of how far we have come ... Beautifully written ... I wish everyone could have a teacher like Beryl!''Really lovely, and a surprisingly quick read ... I wish I could have met her.''A great piece of history [with] so much relevance even today as it touches upon issues of race, education and female empowerment.''Excellent [on] what it was really like for the Windrush Generation... Highly recommended.'

The Occupation had a hangover, but still the Occupation went to work. Tokyo, July 1949, President Shimoyama, Head of the National Railways of Japan, goes missing just a day after serving notice of 30,000 job losses.

At home, classes include Poached Egg and How to Dig a Winter Grave, and her Grandma is a lively - if exasperating - teacher. Swiv isn't the only member of her family who has been fighting.

From 'The Everyday Housewife' to 'The Cougar', 'Tricks' to 'Snowflake Time', Laura Lippman's sharp and acerbic stories explore the contemporary world and the female experience through the prism of classic crime, where the stakes are always deadly.And in the collection's longest piece, the novella 'Just One More', she follows the trajectory of a married couple who, tired of re-watching 'Columbo' re-runs during lockdown, decide to join the same dating app:'Why would we do something like that?''As an experiment. And a diversion. We would both join, then see if the service matches us. Just for grins...'

*A New Statesman Book of the Year*'A taut, subtle, postmodern literary thriller.' SUNDAY TIMES'A remarkable debut; an accomplished and intricately plotted story.'-JON McGREGOR'A Lonely Man is a delicate snare of a novel.'-BRANDON TAYLOR'A thrilling, unnerving novel. a page-turner with exacting syntax and emotional heft.'-CATHERINE LACEY'Impressively deft. A Lonely Man is a tense and taut work.'-BENJAMIN MYERSWhen two men meet in a bookshop in Berlin they begin an uneasy friendship. Patrick has a sensational story to tell, one that Robert decides to take for himself. A twist on the cat-and-mouse narrative, A Lonely Man is about the search for identity and the elastic nature of truth. As the two men's association hurtles towards tragedy, Robert is forced to confront whether actual events are the only things that give a story life, and if some stories are too dangerous to tell.'Gripping.' FINANCIAL TIMES'A classy page-turner.' MAIL ON SUNDAY

The timeless and compelling "word-music" of one of Britain's oldest cultural treasures is captured in this new bilingual edition. The Gododdin charts the rise and fall of 363 warriors in the battle of Catraeth, around the year AD 600. The men of the Brittonic kingdom of Gododdin rose to unite the Welsh and the Picts against the Angles, only to meet a devastating fate. Composed by the poet Aneirin, the poem was originally orally transmitted as a sung elegy, passed down for seven centuries before being written down in early Welsh by two medieval scribes. It is composed of one hundred laments to the named characters who fell, and follows a sophisticated alliterative poetics. Former National Poet of Wales Gillian Clarke animates this historical epic with a modern musicality, making it live in the language of today and underscoring that, in a world still beset by the misery of war, Aneirin's lamentation is not done.

His struggle to resolve this crisis, without fracturing his marriage or compromising his comfortable way of life, is explored in original and unsettling ways. Florian Zeller's raw and mysterious play, translated by Christopher Hampton, premieres at Hampstead Theatre, London, in February 2022.

In letters addressed to their friends, to members of their family - both biological and chosen - and to fellow storytellers, Akwaeke describes the shape of a life lived in overlapping realities.

Don't disturb the dead. On the idyllic coast of San Sebastian, Spain, Dublin pathologist Quirke is struggling to relax - despite the beaches, the cafes and the company of his disarmingly lovely wife.

Music can carry the stories of history like a message in a bottle.Lord Kitchener, Neneh Cherry, Smiley Culture, Stormzy . . . Groundbreaking musicians whose songs have changed the world. But how? This exhilarating playlist tracks some of the key shifts in modern British history, and explores the emotional impact of 28 songs and the artists who performed them.This book redefines British history, the Empire and postcolonialism, and will invite you to think again about the narratives and key moments in history that you have been taught up to now.Thrilling, urgent, entertaining and thought-provoking, this beautifully illustrated companion to modern black music is a revelation and a delight.

The first novel by the acclaimed author of Mothers - a deft, delicate inquisition of identity and ambition, and a daring act of fiction.

The first poem in Gottfried Benn's first book, Morgue (1912) - written in an hour, published in a week, and notorious ever after, or so the poet claimed - with its scandalous closing image of an aster sewn into a corpse by a playful medical student, set him on his celebrated path. And indeed, mortality, flowers, and powerful aesthetic collisions typify much of Benn's subsequent work. Over decades, as he suffered the vicissitudes of an often hostile fate - the death of his mother from untreated cancer; the death of his first wife Edith in 1922; his brief but disastrous attempt to ingratiate himself with the Nazis in 1933, followed by their persecution of him; the suicide of his second wife Herta in 1945, afraid she would fall into the hands of the Russians - the harsh, sometimes callous voice of the poems relented, softened, and mellowed. The later Benn - from which Impromptus is chiefly drawn, many of the poems translated into English for the first time - is deeply affecting: the routines and sorrows and meditations of an intelligent, pessimistic, and experienced man. Written in what T. S. Eliot called the 'third voice' of poetry, the low un-upholstered monologue of the poet talking to himself, these poems are slender ribbons of speech on the naked edge of song and silence. With this new collection of poems selected and translated by Michael Hofmann, Gottfired Benn, at long last, promises to attain in English the presence and importance that he so richly deserves.

Stories that are full of hope and courage brimming with positivity as an antidote to the at times challenging world we live in. >>With stories from: Ann Jungman, Emma Carroll, Kate Saunders, Kieran Larwood, Claire Barker, Natasha Farrant, Pip Jones, Martyn Ford, Lou Kuenzler, Ingrid Persaud, Lucy Farfort, Reba Khatun, Aisha Bushby, Ayesha Braganza, Rashmi Sirdeshpande, Michael Mann and Hannah Lee.

The third volume of William Golding's Sea TrilogyA decrepit warship sails on the last stretch of its voyage to Sydney Cove. It has been blown off course and battered by wind, storm and ice. Little but rope holds the disintegrating hull together. And after a risky operation to reset its foremast, an unseen fire begins to smoulder below decks.

The second volume of William Golding's Sea TrilogyIn a wilderness of heat, stillness and sea mists, a ball is held on a ship becalmed halfway to Australia. In this surreal, f,te-like atmosphere the passengers dance and flirt, while beneath them thickets of weed like green hair spread over the hull. The sequel to Rites of Passage, Close Quarters, the second volume in Golding's acclaimed sea trilogy, is imbued with his extraordinary sense of menace. Half-mad with fear, with drink, with love and opium, everyone on this leaky, unsound hulk is 'going to pieces'. And in a nightmarish climax the very planks seem to twist themselves alive as the ship begins to come apart at the seams.

The first volume of William Golding's Sea Trilogy.Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, sinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks. Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of degradation', where shame is a force deadlier than the sea itself.

This dramatic meeting of minds has us questioning who is the more delusional - doctor or patient: like other victims in this exhilarating new collection, Marguerite may initially appear vanquished, but a closer look reveals how little of herself she has really surrendered.

It is 00:00 and the full of the night yet to come. A man sits at a window through the dead hours of night, his sleep broken by troubling dreams of a figure in a white landscape. He is a man afflicted by personal loss, but also a man of his time, all too aware of the troubled world in which he lives.