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Sudden Traveller is Sarah Hall's third story collection. From Turkish forest and coastline to the gorges of the Pacific Northwest and the rain-drenched villages of Cumbria, Hall's characters walk, drive, dream, and fly, trying to reconcile themselves with their journeys through life, death, and love.

Offers a round tour - from Wordsworth to Hugo Williams and beyond - starting from the poetry of departures and brief encounters, but taking in the American Blues, the troop trains of two world wars, and the addiction to speed which characterised the European revolutions.

This absorbing, ironic, bitter-sweet collection of nine stories marked Lorrie Moore's talented debut. Sharp, cruel and funny, the stories are presented as a highly idiosyncratic guide to female existence: 'How to be an Other Woman', 'How to Talk to Your Mother (Notes)', 'How to Become a Writer', 'The Kid's Guide to Divorce'.

. . and Oisin, who followed his love to her city beneath the waves . . .Featuring beautiful colour illustrations by Irish Children's Laureate and twice Kate Greenaway winner P. Lynch, and a previously unpublished poem by Seamus Heaney, this is a stunning collection to cherish forever.

Konstantin Stanislavsky's reputation is founded on his theory of acting and its application in practice. This volume contains his posthumous work The System and Methods of Creative Art, together with an introductory essay by translator David Magarshack, giving a careful exposition and a critical analysis of his 'system'.

From time to time workers in bogs throughout Europe accidentally expose the sunken and preserved bodies of people who died 2000 or more years ago. This book seeks to cast light on these Iron Age people, their lives, their religion, and the rituals they performed in unfrequented wood and groves.

Translated from the Russian by Frank McGuinness, this play is part of the FABER STAGESCRIPTS series.

Moscow Stations, Venedikt Yerofeev's autobiographical novel, is in many ways the successor to Gogol's Dead Souls. The two works are comic historical bookends, with Gogol's novel portraying the sloth and corruption of feudal Russia and Yerofeev's novel portraying the sloth and corruption of feudal Communism. The truth is that while the streets of Moscow may be clogged with Volvos and Mercedes sedans these days - in keeping with the new capitalism - the anguish and dissipation of the late, coruscating empire are still the real fact of life for most people. Moscow Stations remains a lesson in the current events of the Russian soul.The novel is a mixture of high, drunken comedy - a portrait of a soul filled with wisdom and pickled in Hunter's vodka who spends his days traipsing around Moscow but has never once seen the Kremlin. With this cheerful admission we are off on a hallucinatory ride through the increasingly desperate mind of Venedikt Yerofeev. He once remarked that Moscow Stations was 'ninety pages of funny stuff and ten pages of sad stuff' but it is mostly about a clear-eyed man who can still say, no matter how much he has drunk: 'I, who have consumed so much that I've lost track of how much, and in what order - I'm the soberest man in the world.'

One of European theatre's major plays, Schiller's masterpiece hinges on a brilliantly imagined meeting between Mary, Queen of Scots - focus of simmering Catholic dissent and her cousin Elizabeth, Queen of England, who has imprisoned her. Isolated by their duplicitous male courtiers, the women collide headlong, each wrestling with the rank, ambition and destiny their births have bestowed, against a thrilling background of intrigue, plot and counter-plot.David Harrower's version of Mary Stuart premiered at the Citizen's Theatre, Glasgow, in October 2006.

'She turns her head and smiles. Something is wrong with her face. The bones have been recarved. Her lips are thin and her nose is a dark blade. Teeth small and yellow. The lashes of her hazel eyes have thickened and her brows are drawn together, an expression he has never seen, a look that is almost craven.'Mrs Fox is the story of a husband who is shocked out of his complacency when his wife undergoes a remarkable transformation. "e;The poetic use of language, the dexterity and originality of the prose made Sarah Hall's Mrs Fox utterly unique,"e; Mariella Frostrup

Only a year ago, the landowner Nikolai Ivanov was full of energy and optimism, in love with his wife and working hard. Now, for no reason he can understand, Ivanov is overcome with inertia and self-disgust. His wife is dying and he feels nothing. He is drowning in debt and despair, and he does nothing. Is it him? Is it Russia? And is the possibility of happiness with the young woman who loves him just a cruel illusion? Ivanov was the 27-year-old Chekhov's shot at despatching the 'superfluous man' of Russian literature, and in surrounding him with a brilliantly drawn set of provincial types he created some of the best comedy he was ever to write.

The King is missing, presumed dead. His warrior son is braced for inheritance but is betrayed by his heart. Phaedra, the tormented Queen, has a terrifying secret that will shake Athens to its core.Based on Euripides' Hippolytus, Racine's Phaedra reveals the devastating potential of love and the brutality of human nature.Phaedra, in this new version by Frank McGuinness, premiered at the Donmar Warehouse, London, in April 2006.

America is in crisis. In the space of a generation, it has become more than ever a country of winners and losers, as industries have failed, institutions have disappeared and the country's focus has shifted to idolise celebrity and wealth. George Packer narrates the story of America over the past three decades, bringing to the task his empathy with people facing difficult challenges, his sharp eye for detail and a gift for weaving together engaging narratives.The Unwinding moves deftly back and forth through the lives of its people, including Dean Price, the son of tobacco farmers who becomes an evangelist for a new economy in the rural South; Tammy Thomas, a factory worker in the industrial Midwest attempting to survive the collapse of her city; Jeff Connaughton, a political careerist in Washington; and Peter Thiel, a Silicon Valley billionaire. Their stories are interspersed with biographical sketches of the era's leading public figures, from Oprah Winfrey to Steve Jobs, to create a rich, wise and very human portrait of the USA in these hard times. The Unwinding portrays a superpower coming apart at the seams, its elites and institutions no longer working, leaving ordinary people to improvise their own schemes for salvation. George Packer is also the author of The Assassin's Gate, which was named one of the ten best books of 2005 by the New York Times and won the Helen Bernstein Book Award. 'A tour de force . . . A fascinating journey through an America that has largely remained hidden from view. There are echoes of Don DeLillo's Underworld in the scope of Packer's vision and his deft eye for language and detail.' Sunday Business Post

Nicolas Roeg is one of the most distinctive and influential film-makers of his generation. The generation of film-makers who define contemporary movie-making - Danny Boyle, Kevin Macdonald (The Last King of Scotland), Christopher Nolan (The Dark Knight), James Marsh (Man on Wire), and Guillermo Del Toro (Pan's Labyrinth), all acknowledge their debt to the work of Nicolas Roeg.Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance, established an approach to film-making that was unconventional and ever-changing, creating works such as Don't Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball.Having now reached eighty years of age, Roeg has decided to pass on to the next generations, the wealth of wisdom and experience he has garnered over fifty years of film-making.

Crow was Ted Hughes's fourth book of poems for adults and a pivotal moment in his writing career. In it, he found both a structure and a persona that gave his vision a new power and coherence. A deep engagement with history, mythology and the natural world combine to forge a work of impressive and unsettling force. 'English poetry has found a new hero and nobody will be able to read or write verse now without the black shape of Crow falling across the page.' Peter Porter

Provence, where Lawrence Durrell lived for thirty years, is the motif of this final work, published just before his death. It is a highly personal and unusual book, part travelogue, part writer's notebook, part autobiography. It preserves memories from his intimate experience of the Midi, and scattered through the evocative text are nineteen poems inspired by the genius of the place.'A richly characteristic bouillabaisse by our last great garlicky master of the vanishing Mediterranean, our old Prospero of the south; poet, travel writer, novelist and fumiste . . .' Richard Holmes, The Times

A GUARDIAN BOOK OF THE YEARAfter the publication of Outline, Transit and Kudos - in which Rachel Cusk redrew the boundaries of fiction - this writer of uncommon brilliance returns with a series of essays that offers new insights on the themes at the heart of her life's work.

In the summer of 1915, the violent death of a young girl brings grief and notoriety to Charleston Farmhouse on the Sussex Downs. Years later, Josephine Tey returns to the same house - now much changed - and remembers the two women with whom she once lodged as a young teacher during the Great War.

From P.D. James, one of the masters of British crime fiction comes the tenth novel to feature commander Adam Dalgliesh. A Certain Justice is a chilling murder mystery packed with forensic detail, set in the treacherous legal world of London. Venetia Aldridge QC is a distinguished barrister. When she agrees to defend Garry Ashe, accused of the brutal murder of his aunt, it is one more opportunity to triumph in her distinguished career as a criminal lawyer. But just four weeks later, Miss Aldridge is found dead at her desk. Commander Adam Dalgliesh, called in to investigate, finds motives for murder among the clients Venetia has defended, her professional colleagues, her family - even her lover. As Dalgliesh narrows the field of suspects, a second brutal murder draws them into greater complexities of intrigue and evil. P.D. James, the bestselling author of Death Comes to Pemberley, Children of Men and Death In Holy Orders, once again explores the mysterious and intense emotions responsible for the unique crime of murder, with authority and sensitivity. A Certain Justice is set in the legal world of London and possesses all of the qualities which distinguish P.D. James as a novelist.

Daddy, what is going on? Last night was just your hair. It also seems this dreadful curse has changed the clothes you wear. Dad usually looks fairly sensible, so it's a bit surprising when he starts appearing with outlandish new hairstyles! Then things get weirder when he turns up in odd and eccentric clothes!

As the story begins, Belacqua - a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba - 'wrestles with his lusts and learning across vocabularies and continents, before a final "relapse into Dublin"' (New Yorker).

Welcome to After Fame - an ambitious and resonant engagement with the epigrams of the Roman poet Martial, which completes the loose trilogy of Sam Riviere's process-derived works. It was Martial who first used the term 'plagiarism' in its modern sense as a kind of literary theft.

They are the stronger sex, the nosier, the more persevering, the most self-assertive sex.'The beautiful and innocent-seeming Lady Audley is uncovered in this stunning novel that combines a crime thriller with historical drama to create an unputdownable tale that has been perennially popular since its publication in 1862.

But she gets through the hard times remembering the lovely French woman Perrine - Pear - who looked after her when she was little. Even after Pear was sent away, she wrote to Nell every week, telling her about her new life, promising one day she'd come back. But the letters stopped, suddenly.

Consequently, hundreds of thousands had fled from the Pale of Settlement and the pogroms in the East and many found sanctuary in the crowded tenements of the old Jewish quarter, Leopoldstadt. Tom Stoppard's new play is a passionate drama of love and endurance, an intimate play with an epic sweep, the story of a family who made good.