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The letters between Eliot and his associates, family and friends - his correspondents range from the Archbishop of York and the American philosopher Paul Elmer More to the writers Virginia Woolf, Herbert Read and Ralph Hodgson - serve to illuminate the ways in which his Anglo-Catholic convictions could, at times, prove a self-chastising and even alienating force. 'Anyone who has been moving among intellectual circles and comes to the Church, may experience an odd and rather exhilarating feeling of isolation,' he remarks. Notwithstanding, he becomes fully involved in doctrinal controversy: he espouses the Church as an arena of discipline and order.Eliot's relationship with his wife, Vivien, continues to be turbulent, and at times desperate, as her mental health deteriorates and the communication between husband and wife threatens, at the coming end of the year, to break down completely. At the close of this volume Eliot will accept a visiting professorship at Harvard University, which will take him away from England and Vivien for the academic year 1932-33.

A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURYA Sunday Times, Observer, Financial Times and Sunday Express Book of the YearWhen a man who calls himself a faith healer arrives in a small, west-coast Irish village, the community is soon under the spell of this charismatic stranger from the Balkans. One woman in particular, Fidelma McBride, becomes enthralled in a fatal attraction that leads to unimaginable consequences.The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.This ebook features the first chapter of Edna O'Brien's stunning new novel, Girl, published by Faber in September 2019 and available to pre-order now.

Paul Muldoon's new book, his twelfth collection of poems, is wide-ranging in its subject matter yet is everywhere concerned with watchfulness. Heedful, hard won, head-turning, heartfelt, these poems attempt to bring scrutiny to bear on everything, including scrutiny itself. One Thousand Things Worth Knowing confirms Nick Laird's assessment, in the New York Review of Books, that Paul Muldoon is 'the most formally ambitious and technically innovative of modern poets, [who] writes poems like no one else.'

I've read the studies. No one has been able to draw a conclusive correlation between virtual behaviour and behaviour in-world.The Nether is a virtual wonderland that provides total sensory immersion. Just log in, choose an identity and indulge your every desire. But when a young detective uncovers a disturbing brand of entertainment, she triggers an interrogation into the darkest corners of the imagination.Winner of the 2012 Susan Smith Blackburn Prize, The Nether is both a serpentine crime drama and haunting sci-fi thriller that explores the consequences of living out our private dreams.Jennifer Haley's The Nether received its UK premiere in July 2014 at the Royal Court Theatre, London, in a co-production with Headlong.

Name one certainty . . . one sure thing . . . one thing you truly believe . . .Two families are flung together on a night of cataclysmic weather. Bruised, tired and seduced by the flow of alcohol, they wrestle with their differences until, suddenly, the unthinkable happens. Something unbelievable. As their versions of what happened begin to fall apart and their perspectives become clouded by suspicion, they turn on each other in a desperate fight to understand the truth.Frantic Assembly and Bryony Lavery follow the success of their previous collaborations (Stockholm and Beautiful Burnout) with this thrilling and highly visceral exploration of love and loss.Bryony Lavery's The Believers premiered at The Drum Theatre in February 2014, before touring the UK in a co-production between Frantic Assembly and Theatre Royal Plymouth, in association with Curve Theatre, Leicester.

Well, that's one down, isn't it. Nine to go. Next! Thou shalt not kill. What about that then? Let's have a crack at that one next, shall we?Jack McCracken: a man of principle in a corrupt world. But not for long. Moments after taking over his father-in-law's business he's approached by a private detective armed with some compromising information.Jack's integrity fades away as he discovers his extended family to be thieves and adulterers, looting the business from their suburban homes. Rampant self-interest takes over and comic hysteria builds to a macabre climax.A riotous exposure of entrepreneurial greed, Alan Ayckbourn's A Small Family Business, premiered at the National Theatre in 1987 and returned there in April 2014.

The Valley of the Fox (1980) was the final entry in Joseph Hone's quartet of 'Peter Marlow' spy novels, all now reissued as Faber Finds.Marlow believes he is done with the insane world of espionage, having found a haven in the Cotswolds with his wife and step-daughter. Then gunfire shatters the night and he is forced to run for cover into the nearby woodland. Marlow finds himself in a landscape that has become suddenly, venomously hostile. And when sinister vengeance from Africa reaches deep into rural England, he must turn savage to rescue his terrified step-daughter and make good his escape. 'A beguiling yarn... that harks back to an older romantic tradition with Buchanesque notions of honour and decency.' Sunday Independent 'A carefully thought-out psychological novel . . . the writing is of such strength' Daily Telegraph

The Flowers of the Forest (1980) was the second of Joseph Hone's quartet of 'Peter Marlow' spy novels, all now reissued as Faber Finds.It is an idyllic setting: the sunlit forest sweeping down to the valley, the heather loud with bees. But one hive stands dismantled and a man has vanished - Lindsay Phillips, section head in the Secret Service. Marlow thinks he has left the world of espionage behind, but unexpected pressures lead him to take up the search for Phillips - whereupon he is caught up in a web of violence and intrigue.'This is the best thriller I've found in years, perhaps the best I remember... The weaving of the story is so close, so tight, that no image, no hint is ever wasted.' Isabel Quigly, Financial Times'A pleasure to read.' Times Literary Supplement

Young Phillip Maddison (1953) was the third entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlight spanning the years from the late Victorian period to the Second World War. It carries forward the story of Phillip as he grows towards manhood in the years immediately preceding the Great War. Unpredictable and wayward, Phillip nevertheless possesses a keen love of nature, which he indulges as best he can in the nearby countryside. But as his schooldays draw to a close he seems destined to follow his father by working in the Moon Fire Office, in the smoky heart of the greatest metropolis the world has ever seen.'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

Marseilles, 1891: as Arthur Rimbaud lies dying in hospital, his mind wanders fitfully - taking him back to Commune-era Paris, and the scandalous life he led with Verlaine. But, above all, he is transported to Harar, Abyssinia, where he ventured in 1880 to seek his fortune, having chucking in the disreputable game of writing poetry...Paul Strathern's second novel, published in 1972, won a Somerset Maugham Award both for its superb evocation of the colour, squalor and hurlyburly of Harar and for its inspired 'impersonation' of Rimbaud - restless, ragged self-overcomer, would-be explorer-imperialist, and genius poet repulsed by his past literary life. In a new preface to this edition Strathern discusses the mercurial personality of Rimbaud, his novel's bold shifts between first and third person, and his own travels in East Africa that informed the book.

Joseph Hone's The Paris Trap, first published in 1977, saw him step aside from his sequence of 'Peter Marlow' novels to offer a different kind of political thriller.Jim Hackett and Harry Tyson first met in Paris, in days of hope - Hackett a promising actor, Tyson a budding writer. Twenty years later, their dreams soured, they are reunited in Paris for a substantive project: Hackett, now a movie actor, has been cast in a major film derived from a spy novel authored by Tyson, who now works for British intelligence. But the plot of the film, concerning a Palestinian terrorist cell, is about to be overtaken in the dramatic stakes by real events.'A fine example of a vastly popular genre - the thinking man's thriller.' Irish Times'Through a distorting filter of betrayals, private and public, Joseph Hone conducts us to a final scene so dire that Hamlet by comparison leaves the stage tidy.' Guardian

When five siblings - Cyril, Anthea, Robert, Jane and their baby brother, the Lamb - discover a sand-fairy in their gravel pit, they are jolly surprised and a little delighted. Even better, the Psammead is able to grant them wishes, although the magic wears off at the day's end. Unfortunately, all of the wishes the children make go hilariously wrong and they soon learn that their foolish desires are more likely to get them into trouble than get them what they want!Five Children and It has been loved by children - and their parents - for over a hundred years. And Cyril, Anthea, Robert, Jane and Lamb will continue to be loved, with the appearance of Kate Saunders' Five Children on the Western Front, an epic, heart-wrenching follow on from Five Children and It and the Psammead trilogy.

From the Orange Prize winning author of HomeAcclaimed on publication as a contemporary classic, Housekeeping is the story of Ruth and Lucille, orphansgrowing up in the small desolate town of Fingerbone in the vast northwest of America.Abandoned by a succession of relatives, the sisters find themselves in the care of Sylvie, the remote and enigmatic sister of their dead mother. Steeped in imagery of the bleak wintry landscape around them, the sisters' struggle towards adulthood is powerfully portrayed in a novel about loss, loneliness and transience.'I love and have lived with this book . . . it holds a unique and quiet place among the masterpieces of 20th century American fiction.' Paul Bailey'I found myself reading slowly, than more slowly--this is not a novel to be hurried through, for every sentence is a delight.' Doris Lessing

Ram Karan, a corrupt official in the Delhi school system, lives in one of the city's slums with his widowed daughter and his eight-year-old granddaughter. Bumbling, ironical, sad, Ram is also a man tortured by a terrible guilty secret. When Rajiv Gandhi, the soon-to-be Prime Minister, is murdered, the country is plunged into confusion and Ram, as his department's resident bribe-collector, is trapped in a series of escalating, potentially deadly political betrayals. While he tries to protect himself and his family, his daughter reveals a crime that he had hoped would be buried forever. An Obedient Father takes the reader to an India that is both far away and real - into the mind of a character as tormented, funny, and morally ambiguous as one of Dostoevsky's anti-heroes. This is a subtly rendered tragicomedy of contemporary India by an enormously gifted young writer.

Ajay, eight years old, spends his afternoons playing cricket in the streets of Delhi with his brother Birju, four years older. They are about to leave for shiny new life in America. Ajay anticipates, breathlessly, a world of jet-packs and chewing-gum. This promised land of impossible riches and dazzling new technology is also a land that views Ajay with suspicion and hostility; one where he must rely on his big brother to tackle classroom bullies. Birju, confident, popular, is the repository of the family's hopes, and he spends every waking minute studying for the exams that will mean entry to the Bronx High School of Science, and reflected glory for them all.When a terrible accident makes a mockery of that dream, the family splinters. The boys' mother restlessly seeks the help of pundits from the temple, while their father retreats into silent despair - and the bottle. Now Ajay must find the strength of character to navigate this brave new American world, and the sorrows at home, on his own terms.By turns blackly funny, touching, raw and devastating, Family Life is a vivid and wrenching portrait of sibling relationships and the impact of tragedy on one family from a boy's eye view.

Come home, if you can...For fans of LEE CHILD's Jack Reacher and DENNIS LEHANE's Kenzie and Gennaro, an unputdownable series debut, from a thrilling new voice in American crime writing'A zipline ride of a thriller, plummeting through the back alleys of Seattle ... Hamilton has crafted a compelling new hero in Van Shaw.' Gregg Hurwitz, New York Times bestsellerIf my grandfather's letter had stopped at the comma, I would have tossed it in the trash... only the last three words mattered. If you can. That passed for please, in the old man's way of talking... If you canscared me a little.Meet Van Shaw - soldier, ex-con - as he returns to his native Seattle after a decade's self-imposed exile. Answering voices from his past, he finds a whole heap of trouble, and himself the prime suspect in the brutal attack on his grandfather. Drawn back into the violent, high-stakes life he tried to leave behind, he has to try and see right from wrong amid the secrets and resentments of those he was once closest to.Think Boston crime think Dennis Lehane, think Washington DC think George Pelecanos, think LAthink Michael Connelly - and now, think Seattle think Glen Erik Hamilton

Stephen Ward charts the rise and fall from grace of the man at the centre of the Profumo Scandal. Friend to film stars, spies, models, government ministers and aristocrats, his rise and ultimate disgrace coincided with the increasingly permissive lifestyle of London's elite in the early 1960s. Andrew Lloyd Webber's musical, with book and lyrics by Christopher Hampton and Don Black, centres on Ward's involvement with the young and beautiful Christine Keeler, which led to one of the biggest political scandals and most famous trials of the twentieth century. Stephen Ward premiered at the Aldwych Theatre, London, in December 2013.

For the second half of his long life, Christopher Logue (1926-2011) - political rebel, inventor of the poster poem, pioneer of poetry and jazz - was at work on a very different project: a rewriting of Homer's Iliad. The volumes that appeared from War Music (1981) onwards were distinct from translations, in that they set out to be a radical reimagining and reconfiguration of Homer's tale of warfare, human folly and the power of the gods, in a language and style of verse that were emphatically modern. As each instalment, from Kings to Cold Calls, was published, it became clear that this was to be Logue's masterpiece.Sadly, illness prevented him from finishing it. Enough, however, of his projected final volume, Big Men Falling a Long Way, survives in notebook drafts to give a clear sense of its shape, as well as some of its dramatic high points. These have been gathered into an appendix by Logue's friend and one-time editor, Christopher Reid. The result comes as near as possible to representing the poet's complete vision, and confirms what his admirers have long known, that Logue's Homer is one of the great poems of our time.

Hope in a Ballet Shoe tells the story of Michaela DePrince. Growing up in war-torn Sierra Leone, she witnesses atrocities that no child ever should. Her father is killed by rebels and her mother dies of famine. Sent to an orphanage, Michaela is mistreated and she sees the brutal murder of her favourite teacher.Michaela and her best friend are adopted by an American couple and Michaela begins to take dance lessons. But life in the States isn't without difficulties. Unfortunately, tragedy can find its way to Michaela in America, too, and her past can feel like it's haunting her. The world of ballet is a racist one, and Michaela has to fight for a place amongst the ballet elite, hearing the words 'America's not ready for a black girl ballerina.'And yet . . . Today, Michaela DePrince is an international ballet star, dancing for The Dutch National Ballet at the age of nineteen. This is a heart-breaking, inspiring autobiography by a teenager who shows us that, beyond everything, there is always hope for a better future.

The political thriller of the year - UPDATED WITH A DEVASTATING NEW CHAPTER ON THE CHILCOT INQUIRY'Excellent' Sunday Times'Devastating' Daily MailWhen Tony Blair became prime minister in 1997, he was, at forty-three, the youngest to hold that office since 1812. With a landslide majority, his approval rating was 93 per cent and he went on to become Labour's longest-serving premier. So what went wrong? With unprecedented access to more than 180 Whitehall officials, military officers and politicians, Tom Bower has uncovered the full story of Blair's decade in power. He has followed Blair's trail from his resignation, since which he has built a remarkable empire advising tycoons and tyrants. The result is the political thriller of the year, illuminating the mystery of an extraordinary politician who continues to fascinate to this day.

Tornado Pratt is the last of the old-style American tycoons, one who has lived his life with ferocious vigour through the vacillating fortunes of the twentieth-century USA. Paul Ableman's novel finds him in a hotel room at the end of his days, as he recounts via a dying monologue the events of his turbulent life. What is revealed, in a testimony full of jokes and surprises, is a brash, lustful, comic, profane, naive and sentimental man who, driven on by remorse, displays a wry and perceptive honesty about himself, even as his memories begin to merge with imaginings. Often funny and sometimes moving, Tornado Pratt's voice is an unforgettable one in which he confronts his own mortality, and in which Paul Ableman gives us an astonishing, affecting and life-affirming story. Auberon Waugh called Tornado Pratt 'a magnificent and memorable novel'.

The hero of Paul Ableman's Vilp (1962) is Clive Witt, a novelist in search of a hero for his new novel. He advertises for suitable applicants, and from seventy-three replies he selects three: Professor Guthrie Pidge, a zoologist; Pad Dee Murphy, an Irish-Burmese peasant; and Harry Glebe, the inventor of the renowned earth-borer.Clive's novel, though, progresses slowly. His three heroes refuse to mix their very disparate elements into a harmonious whole. Eventually, Clive scraps it and harnesses his team of heroes to a new work, an exciting science fiction tale called The Silver Spores. In this, mankind meets the Vilp! The novel ends with the 5,000 strong Vilp Galactic Council communing in space at an incredibly high telepathic level.'Excellent... vital, taut, brilliantly imaginative' Anthony Burgess

'This book seems to be about us. Within a day or two of starting it I devised a title: VAC... The subtle idea was to fuse the suggestion of holiday or vacation with that of vacuum...'Paul Ableman's third novel, first published in 1968, is - through the voice of its narrator Billy Soodernim, libidinous and regretful by turns - a meditation on love and carnality, monogamy and promiscuity, childbirth, separation and indeed the whole of the fraught relations between the sexes: 'male and female, citizens with distinct personalities, flesh inwraught in flesh.' 'Paul Ableman's novels were praised for their inventive language, bawdy high spirits, and originality of form by Anthony Burgess, Philip Toynbee, Robert Nye and other friends of the avant-garde. They are witty, original, and full of good humour, and I am delighted Faber Finds are reissuing them.' Margaret Drabble

First published in 1962 As Near as I Can Get was Paul Ableman's follow up to his critically acclaimed debut I Hear Voices. Following Alan Peebles, a young man struggling to become a poet, As Near as I Can depicts a mid-twentieth century London of offices, pubs and lodgings. Fuelled by drink through these desperate years, the narrator charts his encounters with women and fellow artists, as he seeks to glimpse a wonder in life barely discernible beneath the routine of every day. 'Paul Ableman's novels were praised for their inventive language, bawdy high spirits, and originality of form by Anthony Burgess, Philip Toynbee, Robert Nye and other friends of the avant-garde. They are witty, original, and full of good humour, and I am delighted Faber Finds are reissuing them.' Margaret Drabble

Paul Ableman's modern masterpiece was first published by the Olympia Press of Paris in 1958, to instant acclaim. The narrator of I Hear Voices is a young schizophrenic who transports himself, and the reader, through a wondrously transfigured city where the real and the fantastic blend together in a seamless enchantment. The continual stream and buzz of events is often comical, occasionally wrenching, and always unpredictable. Encounters with Miss Carpet, The Commissioner, Merkitt and Mrs Oil, among others, are filled with poignant satire and disquieting honesty in this vision of the fragmentation of contemporary life. This Faber Finds edition of I Hear Voices includes a preface by Margaret Drabble: her obituary for Paul Ableman, who died in 2006.'The book, not excluding Lolita, which gave me the greatest pride and pleasure to publish.' Maurice Girodias'A strikingly fresh and original work of art... The writing is brilliant; both terrifying and hilariously funny.' Philip Toynbee, Observer'Subtle, humorous, clinically authentic.' Times Literary Supplement

With an exhaustive knowledge of popular culture and an effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, breakfast cereal, serial killers, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). Sex, Drugs and Coca Puffs is ostensibly about movies, sport, television, music, books, video games and kittens, but really it's about us. All of us.

In a high-end hotel room, rising football stars Jason and Ade are living the dream. Goals, girls and glory. Tomorrow they make their first-team debut. But the game starts before you've even walked out the tunnel.Twelve years. Three hotel rooms. One last gamble.An agile new story about sex, fame and how much you're willing to lose in order to win, The Pass premiered at the Royal Court Theatre, London, in January 2014.

The perfect gift for children aged 8+, this stunning classic collection of poetry will delight a new generation of readers of the Faber Children's Classics list.Peacock Pie contains the finest of Walter de la Mare's poems for children, accompanied by exquisite original illustrations from Edward Ardizzone. This beautiful new edition of a classic anthology is an essential part of any child's bookshelf.

'He gives us more than himself or 'a world'; he gives us a sense of infinity embodied in the language.' Alongside Joseph Brodsky's words of praise one might mention the more concrete honours that the renowned poet Derek Walcott has received: a MacArthur Fellowship; the Queen's Gold Medal for Poetry; the Nobel Prize in Literature. The Poetry of Derek Walcott 1948-2013 draws from every stage of the poet's storied career. Here are examples of his very earliest work, like 'In My Eighteenth Year,' published when the poet himself was still a teenager; his first widely celebrated verse, like 'A Far Cry from Africa,' which speaks of violence, of loyalties divided in one's very blood; his mature work, like 'The Schooner Flight' from The Star-Apple Kingdom; and his late masterpieces, like the tender 'Sixty Years After,' from the 2010 collection White Egrets. Across sixty-five years, Walcott has grappled with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St. Lucia; the mysteries of faith and love and the natural world; the Western canon, celebrated and problematic; the trauma of growing old, of losing friends, family, one's own memory. This collection, selected by Walcott's friend the English poet Glyn Maxwell, will prove as enduring as the questions, the passions, that have driven Walcott to write for more than half a century.

Happiness is the long-anticipated debut collection from the award-winning Jack Underwood. With the sort of smart, persuasive voice associated with Simon Armitage and Michael Donaghy, these poems worry at the world in search of consolation, or else meet life's absurdity and strangeness half-way; whether sitting proudly atop an unexploded bomb, or injecting blood under the skin of a banana, playfulness and imagination are vehicles for confronting 'the fearful and forgotten things I've lied to myself about'. Here are poems which address anxiety about fatherhood, remorse for lost lovers and friends, or mourn for a miscarried sibling. Happiness is a collection preoccupied with the ephemerality of happiness itself, at the ever-present possibility of its departure, and the ways we try to grasp and keep hold of it. 'Every single thought I'm having is about LOVE', here meaning both the pleasure and panic of love, its peculiarity; love as a feeling of risk, love for one's own body, familiar yet estranged, of 'cack-handed LOVE at his console', love like 'pausing to move a snail somewhere safer in the rain'.