Bøker utgitt av Faber & Faber

You'll laugh until you die! Adam Meltzer, the world's most neurotic teenager, who just happens to be a zombie, is back! After solving the mystery of the zombees, Adam and his friends Corina (a vegan vampire) and Ernesto (a reluctant chupacubra) head off to summer camp for a well-earned break from detective work. But the countryside in their hometown of Croxton is just as weird and wonderful and soon they are investigating something deadly dangerous in the deep, dark woods...

'The cat himself knows and will never confess...'To celebrate Old Possum's 75th anniversary we have commissioned lively new illustrations from Rebecca Ashdown for T.S. Eliot's original book of Practical Cats. Featuring Macavity, the Mystery Cat; Mr Mistofelees, the Original Conjuring Cat; Mungojerrie and Rumpelteazer and all the gang, this is a must for every child's bookshelf and is a great companion to the Andrew Lloyd Webber stage show.

'Echo's Bones' was intended by Samuel Beckett to form the 'recessional' or end-piece of his early collection of interrelated stories, More Pricks Than Kicks, published in 1934. The story was written at the request of the publisher, but was held back from inclusion in the published volume. 'Echo's Bones' has remained unpublished to this day, and the present edition will situate the work in terms of its biographical context, its Joycean influences, and as a vital link in the evolution of Beckett's early work.The editor, Mark Nixon, is director of the Beckett International Foundation at the University of Reading.

In The Missionary's Wife (1996) - his return to historical fiction - Tim Jeal expertly evoked Africa in the 1890s: a continent in turmoil as a horde of prospecters, hunters and missionaries scramble after gold, ivory, and converts. Young Englishwoman Clara Musson, though, travels with a different purpose. Jilted in love, doubting her Christian faith, she hoped to find renewed meaning as the wife of charismatic missionary Robert Haslam. What she finds is an obsessive zeal that will provoke a civil war.'A powerful love story fleshed out with vivid historical detail, narrative tension and subtle post-colonial awareness... remarkably engaging and skilfully told.' Guardian'Jeal brilliantly evokes the sights and sounds and smells of 1890s Africa.' Sunday Times'Brilliantly plotted... a book of deep moral intelligence.' Lynn Barber, Literary Review'Gripping... moving and convincing.' Allan Massie, Scotsman

Timothy Hart is getting used to the good life with his new imagination box. Anything he can imagine, he can create! There's only one rule - the box mustn't leave Tim's room.But Tim has never been good at following rules - especially when there's the opportunity to 'imagine' his homework into being without actually having to do it. Tim is feeling rather pleased with himself...Until he notices the strange people following him, and then chasing him, and then his beloved imagination box being ripped from his hands.He'll need the help of a top secret scientific institution if he's going to save the imagination box from corruption of the worst possible kind.Sequel to the critically acclaimed debut, The Imagination Box.

This is the story of Adebisi, a brave African huntress who sets out for the Jungle of the Pigmies to rescue her four brothers. Along the way, she conquers a giant, serves as the barber to a king and endures the horrors of the pigmies' prison. Yet she will not give up. By employing her strength and intelligence, she finds a way to release her brothers and returns home to a hero's welcome.

In Feather Woman of the Jungle, the people of a Yoruba village gather on ten memorable nights to hear the stories and wisdom of their chief. They learn of his adventures, among them his encounter with the Jungle Witch and her ostrich, his visit to the town of the water people and his imprisonment by the Goddess of Diamonds. Each night the people return, eager to discover if there is a happy ending.Amos Tutuola was born in Abeokuta, Nigeria, in 1920. His first novel, The Palm-Wine Drinkard, was acquired by T. S. Eliot and published by Faber in 1952.

Yoruba legend and culture were the source of much of Amos Tutuola's writing and the stories collected here are no exception. They feature characters from folklore, archetypal figures from Yoruba society, supernatural or magical happenings, acute human observation and often a moral point. Their very titles - from 'The Duckling Brothers and their Disobedient Sister' to 'Don't Pay Bad for Bad' - are evocative of a unique blend of tradition and imagination, which belongs to the same universal culture as Aesop and the Brothers Grimm.

High up in the Conrad Flats that loom bleakly over Acton, two future stars of the literary scene - or so they assume - are hard at work, tapping out words of wit and brilliance between ill-paid jobs writing captions for the Cat Calendar 1985 and blurbs for trashy novels with titles like Brothel of the Vampire. Just twenty-one but already well entrenched in a life eked out on dole payments, pints and dollops of porridge and pasta, Llewellyn and Cunningham don't have it too bad: a pub on the corner, a misdirected parental allowance, and the delightful company of Aoife, Llewellyn's model fiancee, mother of his young baby - and the woman of Cunningham's increasingly vivid dreams.Alan Warner's superb new novel sees the author of Morvern Callar at the top of his game.

In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

When Gaby Bailleux released the Angel Worm into Australia's prison system, allowing hundreds of asylum seekers to walk free, she also let the cat out of the bag. The Americans ran the prisons, like so many parts of her country, and so the doors of some 5000 American places of incarceration also opened. Both countries' secrets threatened to pour out.Was this a mistake, or had Gaby declared cyberwar on the US? Felix Moore - known to himself as 'Australia's last serving left wing journalist' - has no doubt. Her act was part of the covert conflict between Australia and America. That conflict dates back to the largely forgotten Battle of Brisbane in 1943, stretches forward to America's security interests in Pine Gap and commercial interests everywhere, and has as its most outrageous act the coup of 1975. Funded by his property-developer mate Woody Townes, Felix is going to write Gaby's biography, to save her, and himself, and maybe his country.But how to get Gaby to co-operate? What role does her film-star mother have to play? And what, after all, does Woody really want?

The extraordinary group of Russian composers who came together in St Petersburg in the 1860s - long known as 'The Mighty Handful', but, as the moguchaya kuchka, better translated as 'the great little heap' - gave rise to one of the most fascinating and colourful stories in all musical history. Stephen Walsh, author of a major biography of their direct successor, Stravinsky, has written an absorbing account of Musorgsky and his circle - Borodin, Cui, Balakirev and Rimsky-Korsakov. With little or no musical education they created works of lasting significance - Musorgsky's Boris Godunov, Borodin's Prince Igor and Rimsky-Korsakov's Sheherazade. Written with deep understanding and panache, The Kuchka, is highly engaging and a significant contribution to cultural history.

'I'm taking your eyes', he'd say, 'and keeping them safe.''I'm taking your ears and keeping them safe.'Ciara's father Mick kept her as his hidden treasure, making sure his only daughter was shielded from what he did and the men and women with whom he associated. Now Mick is dead and his legacy, so bound up in the landscape of Glasgow, that infamous no mean city, must be faced. As Ciara seeks to further the reputation of her art gallery, her world starts to fragment. Marked by the deep contradictions of her father, the art world and the place that made them all, she stands on a threshold. By confronting the past, her future blows wide open. Ciara by David Harrower premiered at the Traverse Theatre, Edinburgh, in August 2013.

All Over Ireland, edited by Deirdre Madden (Molly Fox's Birthday, Time Present and Time Past), continues the tradition of featuring the work of both new and established writers, including Colm Toibin, Mary Morrissy and Eoin McNamee. These diverse and accomplished stories, by turns dazzling, thoughtful and startling, bring new ideas and energy to the form and richly enhance the tradition of Irish fiction.

Fleeing a violent marriage, Olivia returns to her childhood home with her two young children and a broken arm. The house is imposing, surrounded by high walls and yew trees clipped into fantastical shapes, and her mother's rules create an atmosphere of brittle control. By coincidence, another couple are expected at the house at the same time: Olivia's brother Marcus and his wife Sophie are coming back from the hospital with their newborn. But Marcus and Sophie also bring along with them a tragic secret, a secret that will push the whole family towards breaking point...'Julia Leigh is one of the greatest living writers.' Simon Schama, Guardian Books of the Year'I loved it . . . A modern gothic classic.' Sarah Hall

Had an accident at work? Tripped on a paving slab? Cut yourself shaving? You could be entitled to compensation. Andrew and Barry at Scorpion Claims, Luton's finest personal injury lawyers, are the men for you. When Kevin, Andrew's high school nemesis, appears in his office the opportunity for a quick win arises. But just how fast does a lie have to spin before it gets out of control?Nick Payne's The Same Deep Water As Me premiered at the Donmar Warehouse, London, in August 2013.

Best known for his provocative take on cultural issues in The Intellectuals and the Masses and What Good Are the Arts?, John Carey describes in this warm and funny memoir the events that formed him - an escape from the London blitz to an idyllic rural village, army service in Egypt, an open scholarship to Oxford and an academic career that saw him elected, age 40, to Oxford's oldest English Literature professorship.He frankly portrays the snobberies and rituals of 1950s Oxford, but also his inspiring meetings with writers and poets - Auden, Graves, Larkin, Heaney - and his forty-year stint as a lead book-reviewer for the Sunday Times.This is a book about the joys of reading - in effect, an informal introduction to the great works of English literature. But it is also about war and family, and how an unexpected background can give you the insight and the courage to say the unexpected thing.

This new collection from Don Paterson, his first since the Forward prize-winning Rain in 2009, is a series of forty sonnets. Some take a more traditional form, some are highly experimental, but what these poems share is a lyrical intelligence and musical gift that has been visible in his work since his first book of poems, Nil Nil, in 2009. Addressed to children, friends and enemies, the living and the dead, musicians, poets and dogs, these poems display an ambition in their scope and tonal range matched by the breadth of their concerns. Here, voices call home from the blackout and the airlock, the storm cave and the seance, the coalshed, the war, the ringroad, the forest and the sea. These are voices frustrated by distance, by shot glass and bar rail, by the dark, leaving the 'sound that fades up from the hiss, / like a glass some random downdraught had set ringing, / now full of its only note, its lonely call . . .'In 40 Poems Paterson returns to some of his central themes - contradiction and strangeness, tension and transformation, the dream world, and the divided self - in some of the most powerful and formally assured poems he has written to date. This is a rich and accomplished new work from one of the foremost poets writing in English today.

March 1880, Limehouse. Kitty Peck, a spirited but vulnerable seventeen-year-old, is the reluctant heiress to Paradise, the criminal empire previously overseen by the formidable Lady Ginger. Far from the colour and camaraderie of the music hall where Kitty had been working, this newfound power brings with it isolation and uncertainty. Desperate to reconnect with Joey, her estranged brother, Kitty travels to Paris. Reunited at last, she is unable to refuse his request to take a child back to London. Within days of her return it's clear that someone has followed them... and this someone is determined to kill the child... and anyone who stands in their way.Kitty Peck and the Child of Ill-Fortune is a fast-paced historical mystery with breath-taking twists and turns that takes us from the decadent, bohemian world of late 19th-Century Paris to a deadly secret at the heart of the British empire.

Felicito Yanaque has raised himself from poverty to ownership of a trucking business. His two sons work for him. He receives a threatening letter demanding protection money. The police don't take him seriously, Felicito refuses to pay up and gets sucked into a nightmare. He becomes a reluctant public hero. Then his mistress is kidnapped, and matters become seriously complicated. And he finds that his troubles have begun very close to home. His fate is interwoven with the story of Rigoberto, a wealthy Lima insurance executive. His boss and old friend, Ismael, suddenly announces that he is marrying his housekeeper, a chola from Piura, to the consternation of his twin sons, a pair of brutal wasters. Ismael escapes to Europe with his new bride, leaving Rigoberto to face the twins' threats, and their claims that he connived with a scheming woman to rob an old man of his fortune. Rigoberto is hounded by the press and TV. Meanwhile, his only son is having visions of a mysterious stranger who may or may not be the devil...

Originally published in 1985, four years after its author's untimely death, Love and Freedom is the unforgettable story of Rosemary Kavan, an Englishwoman whose marriage to a Czech led her to experience life in post-war Prague, from early optimistic years, through the nightmare of the Stalinist purges, up to the 'Prague Spring' and its aftermath. Her husband Pavel, a devoted communist, fell victim to the show-trials of the early 1950s and spent years in prison, dying soon after his release. Branded 'a traitor's wife', Rosemary struggled to support herself and her two sons. In the mid-1960s she became involved in the student reform movement, but the Russian invasion of 1968 came as a further cataclysm.'An outstanding memoir.' George Steiner'The story of a tragic disillusionment, political and personal, told with invincible humour.' Graham Greene'The overwhelming impression left by this book is one of warmth, true comradeship, courage and hope.' Timothy Garton Ash

Donkey Boy (1952) was the second entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlightspanning the years from the late Victorian period to the Second World War. It tells of Richard Maddison's first-born Phillip, nicknamed 'donkey boy' because his life was saved in infancy by being fed with ass's milk. The boy grows up in the Edwardian era, something of a misfit, at odds with his father. 'With extraordinary skill and precision [Williamson] rebuilds the scenery of the past... [he] seems to be engaged in a thriller whose instalments can be relied on to animate a whole section of social history.' Spectator'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

'Entertaining and rich in comedy . . . gripping and moving.' William TrevorSister Judith Clancy is told that she must leave the protection of her convent and return to her family. So begins the unravelling of community ties which form this brilliant and devastating story of human and political relations in twentieth-century Ireland. Past and present, memory, madness and buried trauma shift in a disturbing kaleidoscope as four generations of the O'Malleys and Clanceys attempt to come to terms with the after-effects of the Irish Civil War.No Country for Young Men was nominated for the Booker Prize.'One of the very best books of its kind that it has ever been my pain and pleasure to read.' Guardian'A book to be bought and read and thought about.' Irish Times

This atmospheric and heartfelt story is one of Betsy Byars' best-loved classics.'And then, this afternoon,' Uncle Fred said to me, 'you and I'll go after the fox.'Tom, a town boy, is horrified when his parents tell him he has to stay on Aunt Millie's farm while they are away. He finds country life every bit as strange and uncomfortable as he feared. But soon, he discovers a rare black fox with green eyes, living with her cubs in the forest. Suddenly, the aummer is full of excitement. That is, until Uncle Fred decides to go after the fox - will Tom save her and her family in time?

Through a selection of letters to friends and literary peers, Dai Greatcoat presents a rare insight into the life of the poet and artist David Jones and in so doing offers an autobiographical portrait of the author in his own words.

'The only remarkable thing people can tell of their doings these days is that they have stayed at home', declared George Eliot in 1869. In Victorian and Edwardian Britain travel became the rage. The middle classes and the aristocracy seemed in a constant flux of arrival and departure, their luggage festooned with foreign labels. The revolution in transport made this possible. The Mediterranean Passion describes how the British travelled to the South and where they went. Drawing on what these travellers wrote, and what was written for them, it enriches our understanding of the Victorians and Edwardians by exploring the medical, religious, sexual and aesthetic dimensions of their journeys and illuminates an important but neglected aspect of British social and cultural history.'... combines scholarship with charm ... It could easily be taken to the Mediterranean on a holiday and read with pleasure on a sunny beach or in the shade of a church.' Asa Briggs, Financial Times 'I was impressed not merely by the range of his erudition - historical, cultural, literary, topographical, medical et al. - and by the depth of his enquiries into his subject but by the subtlety and refinement of his prose. He deals with very elusive, complex and culturally contradictory matters, upon which few, if any, could arrive at persuasive generalisations; yet he does so throughout the book, while his conclusion is a marvel of judgment, excelling even what his preceded.' David Selbourne (author of The Principle of Duty) The Mediterranean Passion was the joint winner of the 1987 Wolfson Literary Award for History.

In this, the sequel to Slow Boats to China (also reissued in Faber Finds), Gavin Young tells, with equal panache, of his return voyage from the China Seas to England, via the South Seas, Cape Horn and West Africa.'I am decidedly envious of Gavin Young and his Slow Boats Home, successor to his highly entertaining Slow Boats to China . . . a fascinating, memorable book.' Eric Newby, Guardian 'Like Slow Boats to China this is likely to become a classic of travel.' Francis King, Spectator

How Dear is Life (1954) was the fourth entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlight spanning the years from the late Victorian period to the Second World War. It finds Phillip Maddison in the portentous months leading to the outbreak of war in 1914.Now a clerk in the Moon Fire Office, Phillip decides to join the territorials - attracted by the money, the camp near the sea, and the prospect of a new suit of clothes. As a glorious summer slips away war seems unreal; but the old world is in peril, and before long the British Expeditionary Force is setting sail for France.'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

"e;This is an unpretentious book, but it brings out with unusual clearness the dilemma that faces every official in an empire like our own."e; George OrwellTrials in Burma recounts Maurice Collis' experiences as a district magistrate in Rangoon in the late 1920s. The book recounts his gradual realisation that far from administering an impartial system of justice, he is expected to protect British interests. In a cool dispassionate style, Collis describes how, by choosing integrity over career, he eventually loses his job."e;A brilliant, direct and extraordinarily vivid account of this troubled period...a masterly survey of the Burmese scene."e; Daily Mail

Set in a near future (the novel was first published in 1961 and is set in the period 1970-73), this is Angus Wilson's most allegorical novel, about a doomed attempt to set up a reserve for wild animals. Simon Carter, secretary of the London Zoo, has accepted responsibility and power to the prejudice of his gifts as a naturalist. But power is more than just the complicated game played by the old men at the zoo in the satirical first half of this novel: it lies very near to violence, and in the second half real life inexorably turns to fantasy - the fantasy of war.This tense and at times brutal story offers the healing relationship between man and the natural world as a solution for the power dilemma.