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The Dark Lantern (1951) was the first of Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlightspanning the years from the late Victorian period to the Second World War. In it we meet Richard Maddison, a countryman working in London as a City clerk, struggling to make do on a few shillings a week. He falls for Hetty Turner, youngest daughter of a prosperous merchant, but her father rates Richard an unsuitable suitor.'There is magic in Henry Williamson's novel . . . which raises it right out of the family saga class. The magic is of the steam train age of South London which is so lovingly described.' John Betjeman, Daily Telegraph 'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

Killed at Arras in 1917, Edward Thomas left behind him a short, vivid history of his own early life, covering the period from his birth to his entry into St Paul's. Though a fragment, in many senses it is far more: in the words of its author 'no less than an autobiography . . . an attempt to put down on paper what [this author] sees when he thinks of himself from 1878 to about 1895'. The Childhood of Edward Thomas was not published until 1938, over two decades after Thomas originally showed the manuscript to a publisher. Those eventual publishers, Faber & Faber, were building on their release two years earlier of Thomas's Collected Poems, for which he was becoming best known.This edition includes Edward Thomas's 'War Diary,' a record of the last three months of his life when, as an elderly - at thirty-eight - subaltern he fought among the misery of the trenches. To witness Thomas's childhood memoir and wartime diaries in such close proximity is to have a moving incarnation of his distinctive voice, its clarity and - even in war - its unfailing attention to his fellow-creatures.

'Beautiful, lyrical, sensitive and meaningful . . . It deserves to be read and re-read.' Los Angeles Times Two deadly enemies - a young Arab rebel and a Jewish runaway - meet in a remote valley to begin a quest. Both have been taught since infancy to hate; to attack for self-defence. But something incredible is happening to them, something that not even the fierce shelling of the Six-Day War can intrude upon. For they are on a fantastic mission, a mission both believe has been set for them by God . . . Gripping, exciting and incredibly poignant, Smith's Gazelle is an intriguing thriller from a master of the genre.

Jaroslav Hasek is best known for his satirical masterpiece The Good Soldier Svejk. That has been described as 'Perhaps the funniest novel ever written.' Although his life was short and chaotic, Hasek did however write more as this volume tellingly reveals. In his preface, Cecil Parrott, translator and biographer of Hasek, crisply defines its purpose.. 'All the world has heard of Svejk, but few are familiar with the countless other characters Hasek created in his stories and sketches, which together with his feuilletons and articles are though to number some twelve hundred. The best of these deserve to be made available to the Western public and are included in this volume.' The range is wide. There is a selection from his Bugulma stories (Hasek as Bolshevik and Red Commissar), some early Svejk stories, reminiscences of Hasek's apprenticeship days, and the hilariously funny speeches made by Hasek when promoting his political 'Party of Moderate Progress within the bounds of the Law'.

A Test to Destruction (1960) was the eighth entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlight spanning the years from the late Victorian period to the Second World War. It begins in the final year of the Great War. After the harsh winter of 1917 everyone is nearing the limits of their endurance. Hetty, temporarily relieved to have Phillip safely home, hopes desperately that her son will not be posted to France again. Phillip, however, is determined to go back, and adds his name to a list of those available for service. After returning to the Front, however, he is injured and sent on convalescent leave in the West Country, where his post-war civilian life begins.'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

Love and the Loveless (1958) was the seventh entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlight spanning the years from the late Victorian period to the Second World War. The year covered by this novel, 1917, was perhaps the darkest of the Great War, with widespread mutinies in the French Army after the disastrous Nivelle offensive. Phillip Maddison is now a young transport officer, tending pack animals, surviving amid devastation and death. His courage, sustained by poetry, by comradeship, by the comfort of whisky and water, is perhaps unnatural; but amid the charnel house of battle he endures, in a way of life so alien to those at home that it might be the dark side of the moon. 'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

The Golden Virgin (1957) was the sixth entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlight spanning the years from the late Victorian period to the Second World War. Its action unfolds in 1916, the year of the Somme. As war destroys the countryside Phillip Maddison loves, turning it into an inferno of mud and terror, the damaged figure of the Mother of God with her Babe on a ruined church inspires the legend that war will end only when she, the Golden Virgin, topples into the ruins below. Invalided home once again Phillip re-crosses the narrow waters of the Channel to find life continuing as before, albeit with an ever-widening gulf between those at home and those who have 'returned.''Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

Horace Walpole, famous for his novel The Castle of Otranto and his gothick castle-villa, Strawberry Hill, has been oddly shielded by his previous admirers. The most famous of these was W. S. Lewis, a rich American scholar, who collected virtually all of Walpole's surviving letters and papers and edited them in forty-eight impressive volumes. He was however a conventional man of his times and could not bring himself to acknowledge Walpole's homosexuality and its implications. R. W. Ketton-Cremer, who wrote what was otherwise a very good biography of Walpole, was similarly evasive. Timothy Mowl's study of Horace Walpole is the first to give a complete and convincing picture of the whole man. It is the first to show that, despite his aristocratic connections (he was the youngest son of Sir Robert Walpole, Britain's first Prime Minister) Horace Walpole was a sexual and social outsider whose talents as a publicist were used to serve his own agenda. Also revealed for the first time is Walpole's passionate affair with the 9th Earl of Lincoln. The ending of that relationship, and Walpole's subsequent resentment of Lincoln's relatives, affected his judgment, friendships and emotions for the rest of his life.This book provides an honest and radical reassessment of one of the most influential men of taste of the eighteenth-century, and is reissued to coincide with a major Victoria and Albert Museum exhibition dedicated to Horace Walpole and Strawberry Hill.'This is a lively, provocative and hugely entertaining book. Whatever one makes of Dr Mowl's interpretation of Walpole's career, it is always intelligently argued, and presented with a polemical vigour and sense of style which are worthy of his subject's own.' John Adamson, Sunday Review'. . . he is lively and convincing on the gradual accretions to Strawberry Hill, and often shrewd on the character of his subject . . .' Pat Rogers, Times Literary Supplement'In general, Mowl writes delightfully, and there are witticisms that Horry (Horace Walpole) himself would relish.' Bevis Hillier, The Spectator'In this vivid and entertaining biography, Horace Walpole is properly outed.' Duncan Sprott, Gay Times'. . .he presents the most credible picture of the man and his achievement to date.' Martin Postle, Apollo'This wicked, enjoyable book should provoke wide debate.' David Watkin, Evening Standard

Lady Diana Cooper's autobiography covers the years from her earliest childhood (as Lady Diana Manners, youngest daughter of the eighth Duke of Rutland) to retirement at Chantilly and the death of her husband Duff Cooper, first Viscount Norwich, politician, writer and, at the end of the Second World War, British Ambassador in Paris. The three books which make up this single volume were published in 1958-60 and met with outstanding critical and public success. Reviewing the first of them, Evelyn Waugh wrote: 'This is not to be judged merely as the memoirs of an exceptionally brilliant social figure, but as a work of art. By that standard it has real distinction - poetic, idiosyncratic, poignant, funny, unflagging, scintillating, simple, stylish; not the book of the season, or of the bedside table; a book for the library, to be read and reread and loved for a lifetime'.

Reverend Septimus Treloar, retired as Chief Inspector of the CID after thirty years service, is now country parson of the seemingly sleepy St. Mary's Danedyke. But the rural calm of his and the villagers' lives are thrown into chaos when mysterious happenings cause them to suspect the haunting of a fabled ghost within the dark recesses of their church. But can this really be a case of supernatural spirits? Or are Septimus's suspicions of thieving mischief closer to the truth? If so, what could be the object of all this criminal plotting? Septimus must use his detective know-how to find the answers on a mission that will lead him to the secret of The Danedyke Cup, a silver gilt relic supposedly once belonging to Our Lady...The first in Stephen Chance's classic series about Reverend Septimus, 'the one and only beatified bobby,' Septimus and the Danedyke Mystery (1971) has everything: treasure hunts, ancient clues, rollicking humour and quick-witted suspense. It has been described by Philip Ardagh in the Guardian as 'truly marvellous.'

I'm done, Father,Keep your crown,I swear you'll never bring me down!I am not queen material!Once, in opposing kingdoms lived a princess and a prince who had lost their mothers. Althea, unable to cry, became light with grief and floated, and so was locked away. Digby, so heavy-hearted that he could never smile, one day declares war. Althea, forced out of hiding, escapes, only to encounter the solemn prince on contested land and the warring heirs begin a passionate affair. But for Althea to find real love, she must first face her own deepest fears.

Think 'Woodstock' and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs and rock 'n' roll. But Woodstock itself was over 60 miles from the site to which the fabled half a million flocked. So why the misnomer? Quite simply, Woodstock was already a key location in the Sixties rock landscape, the tiny Catskills town where Bob Dylan had holed up after his 1966 motorcycle accident.In Small Town Talk, Barney Hoskyns recreates Woodstock's community of brilliant dysfunctional musicians, opportunistic hippie capitalists and scheming dealers drawn to the area by Dylan and his sidekicks The Band. Central to the book's narrative is the broodingly powerful presence of Albert Grossman, manager of Dylan, The Band, Janis Joplin and Todd Rundgren - and Big Daddy of a personal fiefdom in Bearsville that encompassed studios, restaurants and his own record label. Intertwined in the story are the Woodstock experiences of artists as diverse as Van Morrison, Jimi Hendrix, Paul Butterfield, Tim Hardin, Karen Dalton and Bobby Charles.Drawing on first-hand interviews with the remaining key players in the scene, and on the period when he lived there himself in the 1990s, Hoskyns has produced an East Coast companion to his bestselling L.A. Canyon classic Hotel California - a richly absorbing study of a vital music scene in a revolutionary time and place.

'Here is a vivacious account of how in the 1950s, under Eden and Lloyd at the Foreign Office, some 5,000 young men doing national service were quietly siphoned off from their units, secluded in Cornwall and Fifeshire, or, more boldly, next door to the Guards depot at Coulsdon in Surrey, and put through crash courses in Russian till they could speak it fluently ...' M. R. D. Foot, SpectatorLambasted by the Soviets as a 'spy school', the Joint Services School for Linguists (JSSL) was a major Cold War initiative, which pushed 5000 young National Servicemen through intensive training as Russian translators and interpreters, primarily to meet the needs of Britain's signals intelligence operations. Its pupils included a remarkable cross-section of talented young men who went on to a diversity of glittering careers: professors of Russian, Chinese, ancient philosophy, economics; the historian Sir Martin Gilbert; authors such as Alan Bennett, Dennis Potter and Michael Frayn; screenwriter Jack Rosenthal; stage director Sir Peter Hall; and churchmen ranging from a bishop to a displaced Carmelite friar. Geoffrey Elliot and Harold Shukman, both of whom emerged from JSSL as interpreters, have drawn on many personal recollections and interviews with fellow students, as well as once highly classified documents in the Public Record Office, in order to reveal this fascinating story for the first time.'A highly entertaining read ... No one interested in late 20th century theatre or literature can afford to ignore this book.' Spectator'Elliott and Shukman write with style and wit ... They record something more than a byway in the history of the cold war, a true contribution to British history.' Michael Bourdeaux, Times Higher Education Supplement'An engaging, quirky account of this strange offshoot of the Cold War ... a kind of Virgin Soldiers for clever clogs.' Michael Leapman, Independent

Correlli Barnett described his Audit or War as an 'operational study' to 'uncover the causes of Britain's protracted decline as an industrial country since the Second World War.' First published in 1986, the book swiftly became one of the most controversial and influential historical works of its time.'[The Audit of War] argued that British industry during the Second World War was scandalously inefficient, a situation Barnett blamed on an establishment more concerned with welfare than with industry, technology or the capacity of the nation to fight a war... Alan Clark records approvingly that Mrs Thatcher herself read it...' David Edgerton, London Review of Books'A stimulating polemic.' Times Literary Supplement'A formidable book, essential reading.' Asa Briggs, Financial Times

A. E. Housman, romantic poet and classical scholar, is best-known as the author of A Shropshire Lad and the meticulous editor of Manilius, the Latin poet of astronomy.In this first full biography, Richard Perceval Graves convincingly reconciles the two apparently conflicting sides of Housman's personality, and reassesses the reputation of a man who was something of a mystery even to his closest friends.'This is bound to become the standard life.' John Carey, Sunday Times'Dispassionate and well-researched.' Philip Larkin, Guardian

'I have tried to write my life as if I were confessing to a priest, a philosopher, and a wise old woman. I have tried to write as if I were going to be executed when it was finished. I have tried to write it as if I were both God and Devil.' One is tempted to say only John Cowper Powys could have written that, and, beyond doubt, only John Cowper Powys could have written the idiosyncratic and spellbinding work we have here. Yes, he was influenced by Yeats and Rousseau, especially the latter's Confessions, but there is no other work quite like this. It seems almost too pedestrian to say it covers the first sixty years of his life (he lived for another thirty years) and to say anything about them, as J. B. Priestley memorably put it, 'would be like turning on a tap before introducing people to Niagara Falls.' J. B. Priestley also said 'It is a book which can be read, with pleasure and profit, over and over again. It is in fact one of the greatest autobiographies in the English language. Even if Powys had never written any novels, this one book alone would have proved him to be a writer of genius.'

Deeply unhappy at the recent divorce of her parents, Mary is sent away to live by the sea with her distant grandfather and the detestable Aunt Alice. Feeling abandoned, without even the company of her beloved pet cat Noakes, the summer looks set to become one long stretch of unendurable loneliness. But suddenly she is dragged, half unwittingly, into a situation that will force her to come to the aid of others more vulnerable than herself. So begins her runaway summer, as she sets about helping Simon, the son of a local policeman, and a young illegal immigrant boy arrived from Kenya, frightened and all alone.The Runaway Summer was first published in 1969 to typically universal acclaim. It is, in the words of the Times Educational Supplement, an 'unputdownable gem of a book. The tale is beautifully constructed in diamond-hard language.'

Erik Tawaststjerna embarked on his monumental and acclaimed study of Jean Sibelius's life and music in 1960 and it occupied him for over a quarter of a century. His study differs from other work on the composer in one important respect: he had unrestricted access to the composer's papers, diaries and letters as well as the advantage of numerous conversations with the composer's widow and other members of the family. Thus his researches can justifiably claim to have thrown entirely fresh light on the great Finnish composer. Far from the remote personality of the Sibelius legend, Sibelius emerges as a highly colourful figure. This second volume covers the crucial period from 1904 and the beginning of the Third Symphony through to the outbreak of the First World War ten years later. During this period Sibelius began keeping a diary which, together with his letters to his wife, Aino, and to his friend, Axel Carpelan, helped the author give us a day-by-day, intimate account of the turbulent years that saw the gestation and completion of many of his finest works, culminating in the Fourth Symphony. Translated by Robert Layton, himself a Sibelius specialist, this is a compelling and insightful account of the music of one of the twentieth century's greatest composers.

Norman Del Mar (1919-1994) was universally recognised as a leading authority on the music of Richard Strauss, and his masterly three-volume study of his life and works remains a classic.Volume I deals with the years from the composer's birth (1864) to Der Rosenkavalier (1912), discussing the early orchestral and chamber music, the tone poems and the operas Guntram, Feuersnot, Salome and Elektra.'Deploying a well-nigh encyclopaedic knowledge, Mr Del Mar acquits himself brilliantly of his task of disentangling and reassembling the numerous strands that make up the backcloth of poetry and philosophy which Strauss, while not always understanding every intricacy, yet needed as a constant reference map for his composing. The three volumes of this magnificent book should be studied by all lovers of the late-romantic music, amateurs and professionals alike...a monumental achievement.' Times Literary Supplement'A brilliant and copiously analytical study ... a constant fascination.' Guardian

R. F. Christian's editions of Tolstoy's Diaries and Letters, both in two volumes, are definitive. Volume 1 of the Diaries covers the years 1847-1894, and Volume 2 the years 1895-1910. Passages have been chosen to reflect Tolstoy's preoccupations as a writer - his views on his own work and that of others - and his development as a person and as a thinker. The passages also show his attitude to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions.R. F. Christian has grouped the diary entries chronologically, introducing each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is something much more than source material for Tolstoy's life and thought, though it could hardly be richer in that respect, it is a unique, direct and unhindered portrait of a great man and a very great writer in the variegation of his everyday existence.'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess'Professor Christian's work, a fitting companion to his two-volume edition of the Letters, is an important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday Times'What Professor R. F. Christian has done is to provide us with a huge two-volume digest, punctiliously edited and translated . . . It is a model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, The Spectator 'R. F. Christian's engagement for some fifteen years with (Tolstoy's) letters and diaries has been a notable service to the English-speaking public.' Henry Gifford, Times Literary Supplement

In Humphrey Carpenter's own words, 'This is the story of the longest-ever literary party, which went on in Montparnasse, on the Left Bank, throughout the 1920s.''This book', to continue to quote Carpenter himself, 'is chiefly a collage of Left-Bank expatriate life as it was experienced by the Hemingway generation - "e;The Lost Generation"e;, as Gertrude Stein named it in a famous remark to Hemingway.'There are brief portraits of Gertrude Stein, Natalie Clifford Barney and Sylvia Beach, who moved to Paris before the First World War and provided vital introductions for the exiles of the 1920s. The main narrative, however, concerns the years 1921 to 1928 because these saw the arrival and departure of Hemingway and most of his Paris associates.'He is a compelling guide, catching the kind of idiosyncratic detail or incident that holds the readers' attention and maintains a cracking pace. Anyone wanting an introduction to the constellation of talent that made the Left Bank in Paris during the Twenties a second Greenwich Village would find this a useful and inspiring book.' Times Educational Supplement

Zelda Fitzgerald, along with her husband F. Scott Fitzgerald, is remembered above all else as a personification of the style and glamour of the roaring twenties - an age of carefree affluence such as the world has not seen since. But along with the wealth and parties came a troubled mind, at a time when a woman exploiting her freedom of expression was likely to attract accusations of insanity. After 1934 Zelda spent most of her life in a mental institution; outliving her husband by few years, she died in a fire as she was awaiting electroconvulsive therapy in a sanatorium. Zelda's story has often been told by detractors, who would cast her as a parasite in the marriage - most famously, Ernest Hemingway accused her of taking pleasure in blunting her husband's genius; when she wrote her autobiographical novel, Fitzgerald himself complained she had used his material. But was this fair, when Fitzgerald's novels were based on their life together? Sally Cline's biography, first published in 2003, makes use of letters, journals, and doctor's records to detail the development of their marriage, and to show the collusion between husband and doctors in a misdirected attempt to 'cure' Zelda's illness. Their prescription - no dancing, no painting, and above all, no writing - left her creative urges with no outlet, and was bound to make matters worse for a woman who thrived on the expression of allure and wealth.

Written between the late 1930s and the late 1950s, Epoch and Artist represents those essays that David Jones wished to see preserved in his lifetime.Beginning with his most personal reflections upon Welsh culture, the selection turns next to Jones's thoughts on the position of art and the artist in the twentieth-century, concluding with writings on the nature of epoch and European culture and history.

'I am an outside child. That is what Plato Jones calls me.'Jane Tucker is thirteen years old when she discovers she has a half-brother and sister, a revelation which promises to bring both excitement and succour to her ordinary life.But obstacles lie in her path when, for unknown reasons, she is prevented from meeting them. Aided by her friend Plato, Jane tracks down her brother and sister to their home in the East End of London. There she finds still more surprises lie in store for her.Can Jane at last be part of a 'proper' family, or must she always remain the outside child?This is the story of a girl and her family and the secrets they keep from one another. Both funny and poignant, The Outside Child is a beautifully drawn study of adolescence from one of Britain's most skilled writers for children.

The description 'definitive' is too easily used, but Donald Rayfield's biography of Chekhov merits it unhesitatingly. To quote no less an authority than Michael Frayn:'With question the definitive biography of Chekhov, and likely to remain so for a very long time to come. Donald Rayfield starts with the huge advantage of much new material that was prudishly suppressed under the Soviet regime, or tactfully ignored by scholars. But his mastery of all the evidence, both old and new - a massive archive - is magisterial, his background knowledge of the period is huge; his Russian is sensitive to every colloquial nuance of the day, and his tone is sure. He captures a likeness of the notoriously elusive Chekhov which at last begins to seem recognisably human - and even more extraordinary.'Chekhov's life was short, he was only forty-four when he died, and dogged with ill-health but his plays and short stories assure him of his place in the literary pantheon. Here is a biography that does him full justice, in short, unapologetically to repeat that word 'definitive'.'I don't remember any monograph by a Western scholar on a Russian author having such success. . . Nikita Mikhalkov said that before this book came out we didn't know Chekhov. . . The author doesn't invent, add or embellish anything . . . Rayfield is motivated by the Westerner's urge not ot hold information back, however grim it may be.' Anatoli Smelianski, Director of Moscow Arts Theatre School 'It is hard to imagine another book about Chekhov after this one by Donald Rayfield.' Arthur Miller, Sunday Times 'Donald Rayfield's exemplary biography draws on a daunting array of material inacessible or ignored by his predecessors.' Nikolai Tolstoy, The Literary Review'Donald Rayfield, Chekhov's best and definitive biographer.' William Boyd, Guardian

'[The Brideshead Generation] has both style and substance, and is above all an enjoyable companion. It has a wildly amusing cast, here controlled by a skilful director.' Evening Standard'Jovial and entertaining, full of the sort of stories that your friends will tell you if you don't read it before them.' Independent'Carpenter has read widely and has collected an enormous fund of entertaining stories and facts.' Sunday Telegraph'Hauntingly sad and wonderfully funny and by far the best thing Humphrey Carpenter has done.' Fiona MacCarthy, The Times

On the face of it, bracketing Harold Nicolson and Vladimir Nabokov seems unexpected but the latter paid a remarkable tribute to Some People. When speaking to Harold Nicolson's son, Nigel, he confessed that all his life he had been fighting against the influence of Some People.' The style of that book is like a drug', he said. The critic and biographer, Stacy Schiff, has also admitted 'Some People has exerted more influence than I care to admit. I would reread it any day of the week.'Ever since first publication in 1927 it has been attracting this sort of praise. It is an unusual book comprising nine chapters each one being a sort of character sketch: Miss Plimsoll; J. D. Marstock; Lambert Orme; The Marquis de Chaumont; Jeanne de Henaut; Titty; Professor Malone; Arketall; Miriam Codd. The author himself writes, a little disingenuously, 'Many of the following sketches are purely imaginary. Such truths as they may contain are only half-truths.' In fact, it would be difficult to point to one, other than Miriam Codd, that was 'purely imaginary', some were composite portraits, others skilful amalgams of divers traits from a variety of different people, and others much more overtly drawn from one real-life figure, for example Lambert Orme clearly represents Ronald Firbank, and Arketall Lord Curzon's bibulous valet. There is nothing else quite like Some People and in its own playful way is beyond category. To be tedious for a moment, we have to call it fiction but are then immediately thrown by Virginia Woolf's deft summary, 'He lies in wait for his own absurdities as artfully as theirs. Indeed by the end of the book we realize that the figure which has been most completely and most subtly displayed is that of the author . . . It is thus, he would seem to say, in the mirrors of our friends that we chiefly live.' Fiction? Biography? Autobiography? - the category doesn't matter, the result is spellbinding however you choose to read it.

Splendid Isolation? is at once a portrait of British politics and diplomacy at the height of British power and a revisionist account of the First World War. John Charmley argues a powerful and challenging case, forcing a fresh look at a period long held to be part of the glorious British past.

Now a film starring Tina Fey and Paul Rudd'A book you can't put down.' O, The Oprah MagazineFor years, thirty-eight-year-old Portia Nathan has hidden behind her busy career as a Princeton admissions officer and her less than passionate relationship. Then the piece of her past that she has tried so hard to bury resurfaces, catapulting her on an extraordinary journey of the heart that challenges everything she ever thought she believed. Soon, just as Portia must decide on the fates of thousands of bright students regarding their admission to university, so too must she confront the life-altering decisions she made long ago.

The Odd Squad are back! After taming the school's biggest bully, Nick, Molly and Karl expect to bask in Safety Patrol glory. But without a bully to set straight, all they're left with is helping sixth graders cross the hall and reminding everyone that Jell-o meat stains.Enter new kid Simone, who shakes up the team. Soon Nick is facing trouble. Big trouble. Explusion-level trouble. Which would mean repeating seventh grade... He needs help, and fast, because if there's one thing worse than being the shortest seventh grader in the history of the world, it's having to go through it twice.