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First published in 1966, Robert Bernard Martin's The Accents of Persuasion is a consummate critical study of Charlotte Bront,'s four novels: The Professor, Jane Eyre, Shirley and Villette. 'The bare facts are so literally improbable as to tease one into considering the lives of the Brontes themselves as some wild metaphorical statement of the Romantic conception of the world...Even the best of biography, however, may tend to serve history rather than literature, and one may be forgiven for wishing to return from their lives to the works of the sisters Bronte... The following study, then, is an attempt to search out the themes that occupied [Charlotte] Bronte in her novels and to demonstrate how they are given artistic life; in short, to show how Charlotte Bront, attempted to speak 'the language of conviction' in the 'accents of persuasion'.' (Robert Bernard Martin, from his Introduction.)

'What [Wilson] Harris is doing is to extend the boundaries of our very conception of fiction.' Robert Nye. First published in 1982, The Angel at the Gate is offered to readers as Wilson Harris's analysis and interpretation of the 'automatic writing' of 'Mary Stella Holiday': an assumed name for the secretary and patient of the late Father Joseph Marsden. 'Mary suffered from a physical and nervous malaise as The Angel at the Gate makes clear. Through Marsden - the medical care he arranged for her and the sessions he provided in Angel Inn which gave scope to her 'automatic talents' - that illness became a catalyst of compassion through which she penetrated layers of social and psychical deprivation to create a remarkable fictional life for 'Stella' (apart from 'Mary') in order to unravel the thread that runs through a diversity of association in past and present 'fictional lives.'' (From Harris's introductory 'Note.')

"e;This book is invaluable!"e; Alexander ArmstrongChildren ask the funniest questions: Why does sweetcorn come out the same as when I ate it? Do spiders speak? Why does Daddy never win the lottery? Which is faster, a Velociraptor or a cheetah? How does the lady in the satnav know where to go? Does my goldfish know who I am? (Do you think fish have two-second memories? Find out the truth on page 94!)This book takes real children's questions gathered from primary schools across the UK and asks some of the greatest thinkers and experts of our time to give short and accessible answers. Brian Cox explores the edge of the universe, Sir David Attenborough tells us whether monkeys could ever turn into men, and Miranda Hart ponders why it's funny when someone farts.Other contributors include Bear Grylls, Sir Paul McCartney, Sir Quentin Blake, Heston Blumenthal, Kate Humble, John Lanchester, A. C. Grayling, Jeremy Paxman, Dan Snow, Jojo Moyes and Tony Robinson.Does My Goldfish Know Who I Am? is a treasury of surprising facts and insights inspired by the curiosity of children. It is the perfect family gift - because sometimes grown-ups need help with the answers too.At least 33% of the publisher's advance payments and 67% of net royalty income in respect of sales of this book is donated to the NSPCC (Registered Charity Numbers 216401 & SC037717).

George Foss never thought he'd see her again, but on a late-August night in Boston, there she is, in his local bar, Jack's Tavern. When George first met her, she was an eighteen-year-old college freshman from Sweetgum, Florida. She and George became inseparable in their first fall semester, so George was devastated when he got the news that she had committed suicide over Christmas break. But, as he stood in the living room of the girl's grieving parents, he realized the girl in the photo on their mantelpiece - the one who had committed suicide - was not his girlfriend. Later, he discovered the true identity of the girl he had loved - and of the things she may have done to escape her past.Now, twenty years later, she's back, and she's telling George that he's the only one who can help her...

'The Brussels Commission has just suspended its senior economist, Bernard Connolly, for writing a book savaging the prospects for a common currency. There are many who now believe he should be lauded as a prophet.' Observer, Editorial, 1 October 1995'Mr. Connolly's longstanding proposition that the foisting of a common currency upon so many disparate nations would end in ruin is getting a much wider hearing...' New York Times, 17 November 2011When first published in 1995, The Rotten Heart of Europe caused outrage and delight - here was a Brussels insider, a senior EU economist, daring to talk openly about the likely pitfalls of European monetary union. Bernard Connolly lost his job at the Commission, but his book was greeted as a profound and persuasive expose of the would-be 'monetary masters of the world.' His brave act of defiance became headline news - and his book a major international bestseller. In a substantial new introduction, Connolly returns to his prophetic account of the double-talk surrounding the efforts of politicians, bankers and bureaucrats to force Europe into a crippling monetary straitjacket. Hidden agendas are laid bare, skulduggery exposed and economic fallacies are skewered, producing a horrifying conclusion. No one who wants to understand the workings of the EU, past, present and future can afford to miss this enthralling and deeply disturbing book.

A liff is a familiar object or experience that English has no word for. Afterliff, its long-awaited sequel, corrects this disgraceful oversight by recycling the names found on signposts.This brilliant successor to Douglas Adams' and John Lloyd's 1983 classic The Meaning of Liff features over 900 essential new definitions, including:Anglesey n.Hypothetical object at which a lazy eye is looking.Badlesmeare n.One who dishonestly ticks the 'I have read and agree to the Terms and Conditions' box.Caterham n.An overwhelming desire to use the Pope's hat as an oven glove.Clavering ptcpl v.Pretending to text when alone and feeling vulnerable in public.Eworthy adj.Of a person: worth emailing but not worth phoning or meeting.Kanumbra n.The sense that someone is standing behind you.Ljubljana interj.What people say to the dentist on the way out.Loughborough n.The false gusto with which children eat vegetables in adverts.Sorrento n.The thing that goes round and round as a YouTube video loads.Uralla n.A towel used as a bathmat. In 1983, John Lloyd and Douglas Adams authored The Meaning of Liff, a bestselling humour classic which went on to sell hundreds of thousands of copies. John Lloyd's other books include 1,411 QI Facts To Knock You Sideways and The Book of General Ignorance.

A captivating adventure story with huge heart and dazzling imaginative power, from the bestselling author of An Instance of the Fingerpost.Three interlocking worlds. Four people looking for answers. But who controls the future - or the past?In a professor's house in Oxford, fifteen-year-old Rosie goes in search of a missing cat - and instead finds herself in a different world.Anterwold is a sun-drenched land of storytellers, prophecies and ritual. But is this world real - and what happens if she decides to stay?Meanwhile, in a sterile laboratory, a rebellious scientist is trying to prove that time does not even exist - with potentially devastating consequences.

Originally the medieval bestiary or book of animals set out to establish safe distinctions - between them and us - but Hughes's poetry works always in a contrary direction: showing what man and beast have in common, the reservoir from which we all draw. Alice Oswald's selection is arranged chronologically, with an eye to different books and styles, but equally to those poems that embody animals, rather than just describe them. Some poems are here because, although not strictly speaking animal, they become so in the process of writing; and in keeping with the bestiary tradition there are plenty of imaginary animals - all concentratedly coming about their business.The resulting selection is subtly responsive to a central aspect of Hughes's achievement, while offering room to some wonderful overlooked poems, and to 'those that have the wildest tunes.'

This revised third volume of Harold Pinter's work includes The Homecoming, Old Times, No Man's Land, four shorter plays, six revue sketches and a short story. It also contains the speech given by Pinter in 1970 on being awarded the German Shakespeare Prize. The Homecoming 'Of all Harold Pinter's major plays, The Homecoming has the most powerful narrative line... You are fascinated, lured on, sucked into the vortex.' Sunday Telegraph 'The most intense expression of compressed violence to be found anywhere in Pinter's plays.' The Times Old Times 'A rare quality of high tension is evident, revealing in Old Times a beautifully controlled and expressive formality that has seldom been achieved since the plays of Racine.' Financial Times 'Harold Pinter's poetic, Proustian Old Times has the inscrutability of a mysterious picture, and the tension of a good thriller.' Independent No Man's Land 'The work of our best living playwright in its command of the language and its power to erect a coherent structure in a twilight zone of confusion and dismay.' The Times

Chancellor Rieger is leaving office. But does leaving office necessarily mean that he, his mistress and his extended family have to leave the state villa, which has been their home for years?While his former secretary, and the former secretary to his former secretary, grapple with the mechanics of change and his family prepare to vace an uncertain future, the chancellor himself considers his legacy amid visits from journalists, an infatuated student and his arch-rival and possible successor, Patrick Klein.With echoes of both King Lear and The Cherry Orchard, Vaclav Havel's Leaving addresses the themes of change, dispossession and the transfer of power from one generation to the next. The play received its English-language world premiere at the Orange Tree Theatre, Richmond, in September 2008.Leaving is Vaclav Havel's first play since he was propelled to political office in 1989.

This is a new collection of some of David Hare's finest work, including Skylight (Winner of the Laurence Olivier Award for Best New Play, 1996), Amy's View, The Judas Kiss and My Zinc Bed.

Stuff happens... And it's untidy, and freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things.'The famous response of Donald Rumsfeld, American Secretary of Defense, to the looting of Baghdad, at a press conference on 11 April 2003, provides the title for a new play, specially written for the Olivier Theatre, about the extraordinary process leading up to the invasion of Iraq.How does the world settle its differences, now there is only one superpower? What happens to leaders risking their credibility with sceptical publics? From events which have dominated international headlines for the last two years David Hare has fashioned both a historical narrative and a human drama about the frustrations of power and the limits of diplomacy.Stuff Happens premiered at the National Theatre, London, in 2004 season and has subsequently been performed around the world. In April 2006, it was given its New York premiere at the Public Theater in this new, slightly updated text.

The McKenna family convenes at their remote West Ireland holiday home to mark the 21st birthday of their late son Gene. Eccentric cousin Bridget appears along the causeway, inviting herself for birthday cake and conversation, and ready to expose a family secret. Even Margaret, the unstoppable mother, and Leo, the ever-calm father, can't hold things together in the face of an unexpected visit from the past.There Came a Gypsy Riding premiered at the Almeida Theatre, London, in January 2007.

One must strive a little for the epic, old boy.It's 1959 and Philippe, Gustave and Henri, three veterans from the first world war, dream of making their escape from the soldiers' home, if not to Indochina then at least as far as the poplar trees on the hill...Gerald Sibleyras's Le Vent des Peupliers premiered at the Wyndham's Theatre, London, in October 2005 as Heroes, an English-language version by Tom Stoppard. It received the Laurence Olivier Award for Best New Comedy in 2006.

'Believe me, my young friend, there is absolutely nothing half so much worth doing as simply messing about in boats. In them or out of them, it doesn't matter. Whether you get away or you don't, whether you arrive at your destination or whether you never get anywhere at all, you're always busy.'Ever since the publication of Kenneth Grahame's novel in 1908, the characters of Ratty, Mole, Toad and Badger have delighted generations of readers. Now Alan Bennett has written an adaptation for the stage, a version which is both true to the original and yet carries that distinctive Bennett hallmark.Alan Bennett introduces this edition, writing about the history of the project and the staging of the production.'Bennett is even able to inject the odd sly joke for the adult without bewildering the tots... the result is a delightful evening, a treat for anyone.' The Times

'My whole life, it's been assumed, Western civilisation is an old bitch gone in the teeth. And so people say, go to Israel. Because in Israel at least people are fighting. In Israel, they're fighting for something they believe in.' Via DolorosaIn 1997, after many invitations, the 50-year-old British playwright resolved finally to visit the 50-year-old State of Israel. The resulting play, written to be performed by the author himself, offers a meditation on an extraordinary trip to both Israel and the Palestinian territory, which leaves Hare questioning his own values as searchingly as the powerful beliefs of those he met. Accompanying Via Dolorosa is the 1996 lecture When Shall We Live?, which also addresses questions of art and faith. Originally given in Westminster Abbey as the Eric Symes Memorial Lecture, it attracted record correspondence when an abridged version was published in the Daily Telegraph.

'Travesties is a superb comedy, a work of thought and imagination.' Stage and Television'It is a champagne cocktail, compounded of a balletic nimbleness of invention, a bewildering intricacy of design which reaches the sublime heights where mathematics merge with poetry, and the audacious juggling of ideas of a master conjuror.' Sunday Telegraph'A dazzling pyrotechnical feat that combines Wildean pastiche, political history, artistic debate, spoof reminiscence, and song-and-dance in marvellously judicious proportions. The text itself is a Joycean web of literary allusions; yet it also radiates sheer intellectual joie de vivre, as if Stoppard were delightedly communicating the fruits of his own researches.' Guardian

This third collection of plays by Tom Stoppard contains his television plays, written between 1965 and 1984. They show that Stoppard's writing for the small screen is comparable to his more celebrated stage work, as the masterly Professional Foul demonstrates. In his introduction the author briefly describes how the individual pieces came to be written and the circumstances of their original production.

The plays in this collection reveal in combination the 'frivolous' and 'serious' aspects of Tom Stoppard's talent: his sense of fun, his sense of theatre, his sense of the absurd, and his gifts for parody and satire. The author rounds off his brief introduction, giving the genesis of each piece, with the comment: 'The role of the theatre is much debated (by almost nobody, of course), but the thing defines itself in practice first and foremost as a recreation. This seems satisfactory'.Leading off is The Real Inspector Hound, the ultimate country-house whodunnit; Dirty Linen moves a Whitehall farce to Parliament Square; Dogg's Hamlet, Cahoot's Macbeth subverts Shakespeare; and After Magritte explains the inexplicable.

This fourth volume of Tom Stoppard's work for the stage brings together five of his most celebrated translations and adaptations of plays by Arthur Schnitzler (Dalliance and Undiscovered Country), Ferenc Molnar (Rough Crossing), Johann Nestroy (On the Razzle) and Anton Chekhov (The Seagull).

This volume contains a selection of early works by Harold Pinter. In the title play, everything in Flora's garden is lovely, and would be for Edward too, if it were not for the slight ache in his eyes and the mysterious matchseller at the gate. This edition also includes A Night Out, The Dwarfs and several revue sketches.

The year is 1878. The widowed Christopher Gore, his son David and their housekeeper Margaret, the woman with whom they are both in love, live at The Lodge in Ballybeg. But in this era of unrest at the dawn of Home Rule, their seemingly serene life is threatened by the arrival of Christopher's English cousin, who unwittingly ignites deep animosity among the villagers of Ballybeg. The Home Place premiered at the Gate Theatre, Dublin, in February 2005.

This enthralling play considers the relationship between the private life and public work of the composer Leos Janacek, the passion he felt for a married woman nearly forty years his junior, and his final surge of creative energy.Performances premiered at the Gate Theatre, Dublin, in 2003.

Old Times was first presented by the Royal Shakespeare Company at the Aldwych Theatre, London, on 1 June 1971. It was revived at the Donmar Warehouse, London, in July 2004.'Old Times is a joyous, wonderful play that people will talk about as long as we have a theatre.' New York Times'What am I writing about? Not the weasel under the cocktail cabinet . . . I can sum up none of my plays. I can describe none of them, except to say: that is what happened. This is what they said. That is what they did.' Harold Pinter

This first volume of David Hare's plays contains his work from the 1970s, including his landmark play of that decade, Plenty, charting the development of 'one of the great post-war British playwrights' (Independent on Sunday).The volume also includes the plays Slag, Teeth 'n' Smiles, Knuckle and Licking Hitler, and is introduced by the author.

This volume contains Harold Pinter's first six plays, including The Birthday Party.The Birthday Party Stanley Webber is visited in his boarding house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare. 'Mr Pinter's terrifying blend of pathos and hatred fuses unforgettably into the stuff of art.' Sunday Times The Room and The Dumb Waiter In these two early one-act plays, Harold Pinter reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character. 'Harold Pinter is the most original writer to have emerged from the "e;new wave"e; of dramatists who gave fresh life to the British theatre in the fifties and early sixties.' The Times The Hothouse The Hothouse was first produced in 1980, though Harold Pinter wrote the play in 1958, just before commencing work on The Caretaker. In this compelling study of bureaucratic power, we can see the full emergence of a great and original dramatic talent. 'The Hothouse is at once sinister and hilarious, suggesting an unholy alliance of Kafka and Feydeau.' Spectator

Fed up with the dreary round of life in Ballybeg, with his uncommunicative father and the humiliating job in his father's grocery shop, with his frustrated love for Kathy Doogan who married a richer, more successful young man and with the total absence of prospect and opportunity in his life at home, Gareth O'Donnell has accepted his aunt's invitation to come to Philadelphia. Now, on the eve of his departure, he is not happy to be leaving Ballybeg.With this play Brian Friel made his reputation and it is now an acknowledged classic of modern drama.

'This powerful and subtle play . . . follows the experience of eight men who volunteer to serve in the 36th (Ulster) Division at the beginning of the First World War. It reaches a climax at the start of the terrible battle of the Somme on July 1, 1916, the actual anniversary of the battle of the Boyne in 1690. The Somme, where the Ulster Division suffered heavy casualties, has, like the Boyne, come to have a sacred place in the Loyalist Protestant mind. It marks the Union sealed with blood. It stands for the ultimate test of Ulster's loyalty; a blood-sacrifice to match any made by Irish nationalists.' Times Literary SupplementObserve the Sons of Ulster Marching Towards the Somme was revived by the Abbey Theatre, Dublin, in 1994 as part of an acknowledgement of the peace process. The production was subsequently taken to the Edinburgh Festival in 1995 and opened at the Royal Shakespeare Company's Barbican Theatre, London, in March 1996.

Set in Ireland in the sixteenth century, Mutabilitie explores the area where myth meets and transforms reality and where the harshness of life is transmuted into hope by the chance meeting of a poet and a playwright.

Murder in the Cathedral, written for the Canterbury Festival on 1935, was the first high point on T. S. Eliot's dramatic achievement. It remains one of the great plays of the century. Like Greek drama, its theme and form are rooted in religion and ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage.