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Evie's shattered ribs have been a secret for the last four years. Now she has found the strength to tell her adoptive parents, and the physical traces of her past are fixed - the only remaining signs a scar on her side and a fragment of bone taken home from the hospital, which her uncle Ben helps her to carve into a dragon as a sign of her strength. Soon this ivory talisman begins to come to life at night, offering wisdom and encouragement in roaming dreams of smoke and moonlight that come to feel ever more real.As Evie grows stronger there remains one problem her new parents can't fix for her: a revenge that must be taken. And it seems that the Dragon is the one to take it. This subtly unsettling novel is told from the viewpoint of a fourteen-year-old girl damaged by a past she can't talk about, in a hypnotic narrative that, while giving increasing insight, also becomes increasingly unreliable. A blend of psychological thriller and fairy tale, The Bone Dragon explores the fragile boundaries between real life and fantasy, and the darkest corners of the human mind.

My name is Benjamin Tooth. This is my journal.One day I will be remembered as the greatest scientist that the world has ever known and so it is my duty to mankind to record my thoughts that future generations are able to study the progress of a genius.I am eleven years old.These are the recently discovered journals of Benjamin Tooth: alchemist, inventor and discoverer of the Windvale sprites. They chronicle his journey of scientific discovery from pompous boy to mad old man in his pursuit of the sprites on Windvale Moor. The sprites hold the key to eternal life, and Tooth is determined to capture it. A companion volume to The Windvale Sprites, The Lost Journals will be published with an exciting treasure hunt campaign to find Benjamin Tooth's lost statue. With clues ingeniously placed throughout the book, readers will love to follow the adventure beyond the written page.Monday 18th April 1768

The gates to Frost Hollow Hall loomed before us. They were great tall things, the ironwork all twisted leaves and queer-looking flowers. And they were very definitely shut.Tilly's heart sinks. Will's at the door of their cottage, daring her to come ice-skating up at Frost Hollow Hall. No one goes near the place these days. Rumour has it that the house is haunted . . . Ten years ago the young heir, Kit Barrington, drowned there in the lake. But Tilly never turns down a dare. Then it goes horribly wrong. The ice breaks, Tilly falls through and almost drowns. At the point of death, a beautiful angel appears in the water and saves her. Kit Barrington's ghost. Kit needs Tilly to solve the mystery of his death, so that his spirit can rest in peace. In order to discover all she can, Tilly gets work as a maid at Frost Hollow Hall. But the place makes her flesh crawl. It's all about the dead here, she's told, and in the heart of the house she soon discovers all manner of dark secrets . . .Frost Hollow Hall is a thrilling historical fiction debut. Told in Tilly's unique voice, it is a tale of love and loss, and how forgiveness is the key to recovery.

It is 1985, and Greta Wells wishes she lived in any time but this one: she has lost her brother to AIDS, her lover Nathan to another woman, and can not seem to go on alone. To ease her sadness, her doctor suggest an unusual procedure, one that opens doors of insight into the relationships in her life, her conflicting affections, and the limitations put on a woman's life. Throughout, Greta glimpses versions of war, history, herself, and the people she loves, and as the procedures come to an end, she realizes she must make a choice: one which will close every door but one, forever.

Prior to the First World War T.E. Hulme was one of the most original and striking creative personalities in England, strongly admired by both Pound and Eliot. Yet he died in 1917, virtually unknown. A key figure in the genesis of Modernism, Hulme mixed among a great range of gifted artists and was never shy of courting controversy. Unusually among poets of his generation, he was convinced of the rightness of Britain's role in the war (and criticised Bertrand Russell for his pacifism.) Robert Ferguson offers the first modern biography of Hulme, drawing upon access to Hulme's papers and later interviews with his associates.'A humane, comprehensive biography... By the end, Ferguson's final judgment of his subject - 'the conservative character at its best' - seems justified.' Jeremy Noel-Todd, Observer

'Mary Lavin's stories... are subtle without making a palaver about it, beautifully told, no pat endings, no slickness; and as in life, nothing is resolved.' William TrevorFirst published in 1943, Tales from Bective Bridge is a collection of ten stories that memorably depict the rural mid-lands of Ireland and their people. Mary Lavin, though American-born, grew up in Athenry; and though the Irish short story was a dauntingly well-established form she succeeded in reinventing it with this, her debut collection, winner of the James Tait Black Memorial Prize, which exhibits a Chekhovian gift for the meaning of small things, contrary behaviours and emotions. This 2012 edition, reissued for the centenary of Mary Lavin's birth, includes an introduction by Evelyn Conlon. 'One of modern Irish fiction's most subversive voices... [Lavin's] art explored often brutal tensions, disappointments and frustrations dictating the relationships within so-called 'normal' families.' Eileen Battersby, Irish Times

'Essential reading... A horrifying account of the worst that human beings can do to each other. Neil Belton's synthesis of biography and history is masterly.' Anthony Storr, Sunday TimesHelen Bamber went to Belson in 1945 to work with survivors of the camp. She was just twenty. Since then her life has been involved with the worst side of the last half-century. In 1985, at the age of sixty, she set up an organisation devoted to helping victims of torture and to bearing witness against the fact of torture. This is her story. It is also a haunting unusual narrative of the post-war world. This 2012 edition offers a new introduction by the author.'The story of Bamber's life acts as a framework or prism through which some of the worst events of this century of horrors are addressed.' Times Literary Supplement'[Belton] writes beautifully about an ugly subject... with compassion but also with clarity.' Scotsman

'This book should be regarded as rescue work. It salvages from pre-Victorian periodicals from the limbo of forgotten publications, and exhumes from long undisturbed sources a curious collection of women who, at a time when it was considered humiliating for a gentlewoman to earn money, contrived to support themselves by writing, editing, or publishing... sometimes even supporting husbands and children as well...The women who emerge make a motley gallery; but over the years that I have been getting to know them, they have won my respectful affection. More, indeed. To me they are all heroines...'Alison Adburgham, from her ForewordMagazines addressed to women have a long history in English, and have been subject to condescension for just as long. Alison Adburgham's groundbreaking volume, first published in 1972, rescues the so-called 'scribbling female' from such scorn, not least by documenting just how hard was the struggle for women writers to live by the pen.

'A hilarious book of bad times, bedtimes and benders. It is a kind of cool parody of On the Road.' New StatesmanNo Particular Place to Go (first published in 1981) relates Hugo Williams's journey across the USA on a three-month poetry-reading tour wherein he also hoped to discover some of the America he had imagined for so long on the strength of its all-consuming popular culture.'No Particular Place to Go isn't a book that you'd take on a visitor's itinerary of the States . . . But the journey it describes is a potent one . . . It offered a poet's eye on modern culture, a cool, sideways perspective on its consumers and an enviable traveller's voice - not just unafraid of meeting the locals but positively keen to jump in and grab whatever was on offer.' John Walsh, Independent

'Owls call now in the hazy afternoon, and curlews get up in the night and join their voices with the plovers' lost cries. Small birds, distracted by the fury of mating, fly hedge-high in flight and pursuit and brush past one's ear, indifferent to human presence.There is a common belief that when sight diminishes hearing is intensified - an observation made, I would say, by onlookers. I doubt whether I hear more acutely than before, but every trifle heard passes under expert scrutiny in some formerly idle workshop in my mind...' Elizabeth Clarke's The Darkening Green (first published in 1964) portrays the gradual loss of sight endured by a farmer's daughter, and bursts with lyrical observation of rural life. It was inspired by Clarke's personal experience of supporting her husband, a farmer near the Elan Valley in mid-Wales, as his own vision began to fade.

'A book which goes on a special shelf in my library.' P.G. WodehouseWhat the Butler Saw (1962) is one of E.S. Turner's most pertinent and illuminating 'social histories', an exploration of the 'upstairs/downstairs' relationship across three centuries of English life. Drawing on literature, contemporary accounts and household manuals, Turner describes in fascinating detail how it came to be that the upper classes felt a need for an ever larger household staff, engaged in every imaginable form of drudgery; and, accordingly, how those in service - from high to low, butler to footman, housemaid to au pair - had to give satisfaction to their masters and mistresses while also, on occasions, contending with physical blows, tantrums, and (in the cases of some unfortunate servant girls) threats to their virtue.

Philip Larkin's second collection, The Less Deceived was published by The Marvell Press in 1955, and now appears for the first time in Faber covers.The eye can hardly pick them out From the cold shade they shelter in, Till wind distresses tail and mane; Then one crops grass, and moves about - The other seeming to look on - And stands anonymous again. from 'At Grass'

The appearance of Philip Larkin's second prose collection - reviews and critical assessments of writers and writing; pieces on jazz, mostly uncollected; some long, revealing and often highly entertaining interviews given on various occasions - was a considerable literary event. Stamped by wit, originality and intelligence, it was vintage Larkin throughout:'Deprivation is for me what daffodils were for Wordsworth.''I see life more as an affair of solitude diversified by company than as an affair of company diversified by solitude.'Q. 'How did you arrive upon the image of a toad for work or labour?'A. 'Sheer genius.'

Philip Larkin's Required Writing, a selection from his miscellaneous prose from 1953-82, was highly praised and enjoyed when it appeared in 1983. Further Requirements gathers together many other interviews, broadcasts, statements and reviews. Some of them date from the period after he had chosen the contents of Required Writing; others come from obscure publications, including some early pieces. This second edition of Further Requirements includes two more essays by Larkin: 'Operation Manuscript' and his Introduction to Earth Memories by Llewelyn Powys.

Attributed to Valmiki, thought to be India's first poet, the Ramayana's origins date back thousands of years when it was first committed to Sanskrit. Since then, generations of children the world over have grown up with its story of Rama's quest to recover his wife Sita from her abduction by Raavana, the Lord of the Underworld. The tale has been celebrated in many languages and has spread to many other countries including Nepal, Tibet, Thailand, Burma, Laos, Cambodia, Malaysia and Indonesia. It is used as a Hindu, Jain, Buddhist, Islamic, Sikh as well as a secular text, and lives in in many art forms too: in drama and dance, in sculpture and painting, in prose and in poetry. Daljit Nagra was captivated by the versions his grandparents regaled him with as a child. Now an award-winning poet of dazzling gifts, he has chosen to bring the story to life in a vivid and enthralling version of his own. Accessible and engaging, and bursting with energy, Nagra's Ramayana is a distillation and an animation for readers of all ages, whether familiar with or entirely new to this remarkable tale.

'I believe I shall be writing home about this trip for the rest of my life... years from now, still recollecting, like an old white hunter, shadowy images to an empty fireplace, far into the night...' All the Time in the World, a first work of prose by the poet Hugo Williams, was originally published in 1966 and commemorates Williams' effort at age 21 to 'travel the world': the Middle East, India, South-East Asia, Japan and Australia. Rich with striking and vivid perceptions of people and places and perilous forms of transport, the account also finds Williams acquiring precious life-experience, even as the setting moves from the self-evident 'poem' of India's landscape to barren, petrified Northern Australia. In Calcutta Williams looks up the great Satyajit Ray through the telephone book. In Thailand he meets a girl at a dance-hall, moves into her sunny flat, contemplates staying. But to England he will return, albeit by the most unexpectedly arduous leg of his amazing journey.

The journal of Benjamin Haydon was, Max Beerbohm reported to Siegfried Sassoon, the best diary Beerbohm had ever read. Harold Acton declared Haydon 'a more exciting figure than Ruskin.' H.H. Asquith compared him favourably with Rousseau, while Aldous Huxley declared that 'Never was anyone more clearly cut out to be an author.' Today Haydon's portraits and monumental historical paintings hang in almost all Britain's major collections. However in his own time (1786-1846) his reputation was less secure. Although an intimate of Wordsworth and Walter Scott, on friendly terms with lords and politicians, Haydon was also well acquainted with debtor's prison. Still he remained throughout a witty, brilliant diarist, vividly evidenced by this volume, expertly edited by John Jolliffe, which gathers opinions on everything from the Elgin Marbles and Turner's landscapes to Napoleon's digestion and Queen Victoria's complexion.

'Christopher's house stood out on its cliff like stages of lunar madness. It was the night of the first storm, not of winter, but of that week before winter which is the last warning to all creatures to dig themselves in...' Christopher Barocco is a self-made man of considerable means who decrees the building of a house in his image, to be carved out of a wild and treacherous Californian hillside in the Sierra Nevada valleys. However, as those who are drawn into his grand design soon discover, Barocco is also a man with a shadowy past; and the house is not destined to be a place where he will find peace but, rather, a catalyst for passion, violence, and death. First published in 1956, The Self-Enchanted was David Stacton's third novel. 'A Gothic extravaganza... [Stacton] seems to participate with so much fervour in the fantasies he describes.' Times Literary Supplement

'The Sophomore by Barry Spacks is that rare beast: a clever, sophisticated novel that is very, very funny. It's like an American Lucky Jim - at once hilarious, shrewd and very true. A complete delight.' William Boyd Harry Zissel is 22 years old, a college sophomore who plans to be a major writer. He just can't seem to finish anything. Then his girlfriend Miriam announces she's pregnant. Harry fears he'll end up a married wage-slave, just like his old buddy Arthur Thompson. Leaving his apartment to get breakfast, Harry decides instead to hit the road. Can he live the American dream of 'starting afresh'? Or does he need to buck up, straighten out, do some work for a change...? The question is not for him alone in Barry Spacks' brilliant debut novel from 1968, reissued here with a new introductory Q&A with the author. 'No synopsis can do justice to Spacks's technical skill and comic inventiveness.' Saturday Review

On a cold Northern Californian evening, high on a cliff in the lagoon township of Bolinas, a woman is running, barefoot, toward her open convertible. Behind her in the dark is the forbidding summer house where her reclusive husband now lies dead. She will drive to San Francisco, there to break the news to her domineering mother, since she has nowhere else to go. A scandal is in the offing - and even if it can be averted, a horde of family secrets are about to hauled into light. First published in 1955, A Fox Inside was David Stacton's third novel. 'Mysterious and absorbing... as a mystery story with marked psychological perceptions this one grips and pleases.' V.S. Pritchett, Bookman 'The concentration of a Mauriac applied to the fringes of San Francisco.' Sunday Times 'A taut well-planned thriller.' Books and Bookmen

Peter Straub called Robert Aickman 'this century's most profound writer of what we call horror stories'. Aickman's 'strange stories' (his preferred term for them) are a subtle exploration of psychological displacement and paranoia. His characters are ordinary people that are gradually drawn into the darker recesses of their own minds. First published in the USA in 1988 and in the UK in 1990 "e;The Wine-Dark Sea"e; contains eight stories that will leave the reader unsettled as the protagonists' fears and desires, at once illogical and terrifying, culminate in a disturbing yet enigmatic ending. For fans of the horror genre Robert Aickman is a must read. As Peter Straub notes in his introduction 'Aickman's originality was rooted in need - he had to write these stories, and that is why they are worth reading and rereading'. "e;Superb tales of suspenseful unease ...a contemporary master of the genre"e;. ("e;Publishers Weekly"e;). "e;Aickman's effects are so concentrated you'll be well advised not to read more than one story at a time"e;. ("e;Books"e;).

Robert Aickman, the supreme master of the supernatural, brings together eight stories where strange things happen that the reader is unable to predict. His characters are often lonely and middle-aged but all have the same thing in common - they are all brought to the brink of an abyss that shows how terrifyingly fragile our piece of mind actually is. "e;The Next Glade"e;, "e;Bind Your Hair"e; and "e;The Stains"e; appeared together in "e;The Wine-Dark Sea"e; in 1988 while "e;The Unsettled Dust"e;, "e;The House of the Russians"e;, "e;No Stronger Than a Flower"e;, "e;The Cicerones"e; and "e;Ravissante"e; first appeared in "e;Sub Rosa"e; in 1968. The stories were published together as "e;The Unsettled Dust"e; in 1990. Aickman received the British Fantasy Award in 1981 for "e;The Stains"e;, which had first appeared in the anthology "e;New Terrors"e; (1980), before appearing in the last original posthumous collection of Aickman's short stories, "e;Night Voices"e; (1985). "e;We are all potential victims of the powers Aickman so skilfully conjures and commands."e; (Robert Bloch).

A young lawyer's involvement in her first case leads her through a criminal justice system - police, courts and prisons - which is cracking at the seams.Murmuring Judges is the second play in David Hare's highly acclaimed trilogy about British institutions. Racing Demon, which won four awards as Play of the Year in 1990, was the first part of the trilogy and examined the Church. The Absence of War, a play about the Labour Party, completed the trilogy.

When, in 2000, the National Theatre published its poll of the hundred best plays of the 20th century, David Hare had written five of them. Yet he was born in 1947 into an anonymous suburban street in Hastings. It is a world he believes to be as completely vanished as Victorian England.Now in his first panoramic work of memoir, ending as Margaret Thatcher comes to power in 1979, David Hare describes his childhood, his Anglo-Catholic education and his painful apprenticeship to the trade of dramatist. He sets the progress of his own life against the history of a time in which faith in hierarchy, deference, religion, the empire and finally politics all withered away. Only belief in private virtue remains.In his customarily dazzling prose and with great warmth and humour, David Hare explores how so radical a shift could have occurred, and how it is reflected in his own lifelong engagement with two disparate art forms - film and theatre. In The Blue Touch Paper David Hare describes a life of trial and error: both how he became a writer and the high price he and those around him paid for that decision.

Lord Salisbury dominated the late Victorian political scene. He was Prime Minister for much of the time and also Foreign Secretary, very often holding down the two positions concurrently. In achievement and ability he was at least the equal of Disraeli and Gladstone though less well remembered. In part that was the result of his own aloof and laodicean temperament but it was also the fault of there being no faintly adequate modern biography (his daughter, Lady Gwendolen Cecil wrote a magnificent biography early in the twentieth-century but although in four volumes it only got as far as 1892). At last, in 1999 with the publication of Andrew Roberts' biography this desideratum was filled. Here was the biography of sufficient stature to do justice to the Victorian Titan. Most aptly it went on to win the Wolfson History Prize and the James Stern Silver Pen Award for Non-Fiction. The uniformly outstanding reviews prove why.'Andrew Roberts has filled one of the great gaps in Victorian historiography. This is the first authoritative life of the statesman who dominated politics from 1885 to 1902 . . . A brilliant biography that will long replace anything which has appeared before.' Robert Blake, Daily Telegraph 'This is a biography of quite unusual quality and insight, tautly organized yet flowing easily, with years of research behind it to reinforce its authority. While not seeking to diminish either Gladstone or Disraeli, it restores Salisbury to the commanding position he rightfully occupied in Victorian politics.' Peter Clarke, Sunday Times'An outstanding achievement . . . seldom has such an important study been such splendid entertainment.' Piers Brendon, Independent'This is a book to put on one's shelf alongside Ehrman's Younger Pitt, Gash's volumes on Peel and Blake's Disraeli . . . Andrew Roberts' book has the balance, insight all-roundedness and intellectual elegance of Lord Salisbury himself.' A. D. Harvey, Salisbury Review'(Salisbury) deserves, and has found, a fine biographer, who has left no stone unturned in his researches, has written cogently and well about his subject, and provided not just a history of Lord Salisbury, but one of the best histories yet of Victorian Britain and her place in the world.' Simon Heffer, Daily Mail'Salisbury is a great biography, magisterially proportioned and fit to take its place with Gash on Peel and Blake on Disraeli, if not with Morley's Gladstone. Moreover, although constructed on a massive scale, it is so beautifully written that one could not want it a page shorter. It is unlikely ever to be superseded.' Vernon Bogdanor, Times Higher Educational Supplement 'Roberts triumphantly retrieves Salisbury from unmerited obscurity with a book as delightful to read as it is informative.' Niall Ferguson, Mail on Sunday'A terrific piece of biography; I really enjoyed it.' Jeremy Paxman, Start the Week'Andrew Roberts' Salisbury fills a most remarkable gap in British historiography with a study that that is not only learned and comprehensive but startlingly well-written.' Michael Howard, Times Literary Supplement Books of the Year'It captures the essence of Salisbury in a way that nothing has has ever done for me before.' Roy Jenkins, Financial Times

Esther - if yer have yer head screw on right - No matter where yer go - One night - some time - Yer reach up - yer touch that moon. For the teeming populace of Old Mack's cacophonous yard in Port-of-Spain, Trinidad, it's a cheek by jowl existence lived out on a sweltering public stage. Snatches of calypso compete with hymn tunes, drums and street cries as neighbours drink, brawl, pass judgment, make love, look out for each other and crave a better life. But Ephraim is no dreamer and nothing, not even the seductive Rosa, is going to stop him escaping his dead-end job for a fresh start in England.Set as returning troops from the Second World War fill the town with their raucous celebrations, Erroll John's Moon on a Rainbow Shawl depicts a vibrant, cosmopolitan world that is as harsh as it is filled with colour and warmth.'A brawling, laughing, bitter sense of life courses through Moon on a Rainbow Shawl. Errol John fills the stage with people of flesh and blood; he communicates the harshness and tension in this steaming, crowded corner of Port-of-Spain. He writes with such warmth and understanding that the problems and characters of a mean backyard in Trinidad assume a validity for a multitude of teeming, troubled places on this planet.' New York Times

Sex, work, pregnancy, parents, weird neighbours, cleaning the fridge and dancing: Play House tells - in thirteen fleeting scenes - the story of a young couple's attempts to set up home.In Definitely the Bahamas, Frank and Milly relish the visits of Michael, their charming and successful only child. But what exactly is his relationship to the young student living in their house?Martin Crimp's Definitely the Bahamas was first staged at the Orange Tree Theatre, Richmond, in 1987. It was revived there with Play House, a new play, in March 2012.

Fintan Buckley is a pleasant, rather conventional and unimaginative man, who works as a legal adviser in an import/export firm in Dublin. He lives in Howth and is married to Colette. They have two sons who are at university, and a small daughter. As he goes about his life, working and spending time with his family, Fintan begins to experience states of altered consciousness and auditory hallucinations, which seem to take him out of a linear experience of time. He becomes interested in how we remember or imagine the past, an interest trigged by becoming aware of early photography, particularly early colour photography. He also finds himself thinking more about his own past, including time spent holidaying in the north of Ireland as a child with his father's family. Over the years he has become distanced from them, and in the course of the novel this link is re-established and helps to bring him understanding and peace, although in a most unexpected way. Time Present and Time Past, Deirdre Madden's eighth novel for adults, is about time: about how not just daily life and one's own, or one's family's past, intersect with each other.

"e;The flames now appeared to lift from individual treetops in showers of orange sparks, exploding the way a pine log does in a campfire when it is poked. The sparks spiralled upward in swirls like funnel clouds. Twisters of brightness against grey sky."e;On the Appalachian Mountains above her home, a young mother discovers a beautiful and terrible marvel of nature: the monarch butterflies have not migrated south for the winter this year. Is this a miraculous message from God, or a spectacular sign of climate change. Entomology expert, Ovid Byron, certainly believes it is the latter. He ropes in Dellarobia to help him decode the mystery of the monarch butterflies.Flight Behaviour has featured on the NY Times bestseller list and is Barbara Kingsolver's most accessible novel yet.

John Bridcut, author of the acclaimed 'Britten's Children', has included significant fresh material which will make the book indispensable for Britten aficionados as well as for those who are discovering the composer's music for the first time. This guide is all about finding a way into Britten's music. An outline of planned chapters:- The Top Ten Britten pieces- Critics' First Impressions- Britten's Life- Britten and Pears- The things they said- The Music (stage works, choral works, songs, chamber music, orchestral works)- The Interpreters of Britten's work- Britten as Performer- The Impresario (English Opera Group and Aldeburgh Festival)- Britten's Homes- Trivial Pursuits