Bøker utgitt av Faber & Faber

Sex, work, pregnancy, parents, weird neighbours, cleaning the fridge and dancing: Play House tells - in thirteen fleeting scenes - the story of a young couple's attempts to set up home.In Definitely the Bahamas, Frank and Milly relish the visits of Michael, their charming and successful only child. But what exactly is his relationship to the young student living in their house?Martin Crimp's Definitely the Bahamas was first staged at the Orange Tree Theatre, Richmond, in 1987. It was revived there with Play House, a new play, in March 2012.

Fintan Buckley is a pleasant, rather conventional and unimaginative man, who works as a legal adviser in an import/export firm in Dublin. He lives in Howth and is married to Colette. They have two sons who are at university, and a small daughter. As he goes about his life, working and spending time with his family, Fintan begins to experience states of altered consciousness and auditory hallucinations, which seem to take him out of a linear experience of time. He becomes interested in how we remember or imagine the past, an interest trigged by becoming aware of early photography, particularly early colour photography. He also finds himself thinking more about his own past, including time spent holidaying in the north of Ireland as a child with his father's family. Over the years he has become distanced from them, and in the course of the novel this link is re-established and helps to bring him understanding and peace, although in a most unexpected way. Time Present and Time Past, Deirdre Madden's eighth novel for adults, is about time: about how not just daily life and one's own, or one's family's past, intersect with each other.

"e;The flames now appeared to lift from individual treetops in showers of orange sparks, exploding the way a pine log does in a campfire when it is poked. The sparks spiralled upward in swirls like funnel clouds. Twisters of brightness against grey sky."e;On the Appalachian Mountains above her home, a young mother discovers a beautiful and terrible marvel of nature: the monarch butterflies have not migrated south for the winter this year. Is this a miraculous message from God, or a spectacular sign of climate change. Entomology expert, Ovid Byron, certainly believes it is the latter. He ropes in Dellarobia to help him decode the mystery of the monarch butterflies.Flight Behaviour has featured on the NY Times bestseller list and is Barbara Kingsolver's most accessible novel yet.

John Bridcut, author of the acclaimed 'Britten's Children', has included significant fresh material which will make the book indispensable for Britten aficionados as well as for those who are discovering the composer's music for the first time. This guide is all about finding a way into Britten's music. An outline of planned chapters:- The Top Ten Britten pieces- Critics' First Impressions- Britten's Life- Britten and Pears- The things they said- The Music (stage works, choral works, songs, chamber music, orchestral works)- The Interpreters of Britten's work- Britten as Performer- The Impresario (English Opera Group and Aldeburgh Festival)- Britten's Homes- Trivial Pursuits

On April 2 1982 Argentine forces seized the British-dependent Falkland Islands. Within 48 hours a British task force was sailing for the South Atlantic. One in five Britons opposed this war; but Argentina's surrender 74 days later set Margaret Thatcher on course for her second election victory. Anthony Barnett's Iron Britannia, first published in 1982, turned down the din of war and diagnosed something rotten in the British state. This new edition offers a new extended preface by Barnett, addressing UK foreign policy post-Falklands; plus additional texts Barnett wrote at the time.'A furious, sometimes gleeful and often witty polemic against the decaying British political system which the conflict revealed.' Neal Ascherson, London Review of Books'Anthony Barnett makes a variety of telling points... Most tellingly of all, the concept he puts forward of 'Churchillism', the rhetoric of national unity which overrides party and class considerations.' Geoffrey Wheatcroft, Times Literary Supplement'Done with almost Swiftian vigour. I warmly recommend it.' John Fowles, Guardian

There can be no question that the contents of this book will prove extremely controversial. Many people will be deeply shocked by the nature of Watson's statement. Many will no doubt prefer to reject it rather than surrender the beliefs of a lifetime. Others will at least regret that two of the great mysteries of crime are finally solved...An extraordinary document comes to light which for fifty years had been held on deposit by the bankers of the deceased John Herbert Watson MD - better known as Dr Watson.The document, written by Dr Watson himself, opens in the East End of London in 1888. Three women have been savagely murdered. To calm the public outcry, Scotland Yard approaches London's most eminent detective, Sherlock Holmes, and asks him to investigate the killer.Can Holmes solve the mystery of Jack the Ripper? And why has this story been suppressed for so long?

In the village of Wreay, near Carlisle, stands the strangest and most magical church in Victorian England. This vivid, original book tells the story of its builder, Sarah Losh, strong-willed and passionate and unusual in every way. Born into an old Cumbrian family, heiress to an industrial fortune, Sarah combined a zest for progress with a love of the past. In the church, her masterpiece, she let her imagination flower - there are carvings of ammonites, scarabs and poppies; an arrow pierces the wall as if shot from a bow; a tortoise-gargoyle launches itself into the air. And everywhere there are pinecones, her signature in stone. The church is a dramatic rendering of the power of myth and the great natural cycles of life and death and rebirth.Sarah's story is also that of her radical family - friends of Wordsworth and Coleridge; of the love between sisters and the life of a village; of the struggle of the weavers, the coming of the railways, the findings of geology and the fate of a young northern soldier in the Afghan war. Above all, though, it is about the joy of making and the skill of local, unsung craftsmen.

'I wanted to reveal the soil, milieu, or social sphere and situation, from which the contributions of Vienna to European civilisation have sprung... I hope it is not my incurable love for my native city which makes me believe that Vienna is still important in the world of today, through all that is alive in its past, present and future...' Ilsa Barea, from her Preface (1966)This fascinating, learned yet highly personal survey explores the legend of Vienna, from frontier fortress and melting pot to the culturally rich centrepiece of the Hapsburg Empire, through two world wars and the grave damage inflicted by Hitler.'A fascinating account, so rich in texture, a book in which history and landscape, personalities and politics and culture combine to produce a living picture.' C.V. Wedgwood'Neither the treacly legend, nor the acid anti-legend, but a delicate and scholarly panorama.' Arthur Koestler

HMS Conqueror is Britain's most famous submarine. It is the only sub since World War Two to have sunk an enemy ship. Conqueror's sinking of the Argentine cruiser Belgrano made inevitable an all-out war over the future of the Falkland Islands, and sparked off one of the most controversial episodes of twentieth century politics. The controversy was fuelled by a war-diary kept by an officer on board HMS Conqueror, and as a young TV producer in the 1980s Stuart Prebble scooped the world by locating the diary's author and getting his story on the record. But in the course of uncovering his Falklands story, Stuart Prebble also learned a military secret which could have come straight out of a Cold War thriller. It involved the Top Secret activities of the Conqueror in the months before and after the Falklands War.Prebble has waited for thirty years to tell his story. It is a story of incredible courage and derring-do, of men who put their lives on the line and were never allowed to tell what they had done. This story, buried under layers of official secrecy for three decades, is one of Britain's great military success stories and can now finally be told.

Based on unrestricted access to private papers, Grand Dukes and Diamonds charts the history of one of the most influential and extraordinary families of our time: the Wernhers of Luton Hoo.The family's fortune was made by Sir Julius Wernher, financier, mining magnate, and one of the creators of modern South Africa. Luton Hoo, a country house in Bedfordshire, became the site of Wernher's magnificent collection and was duly inherited by Sir Harold Wernher and his wife Lady Zia, daughter of Grand Duke Michael of Russia and a direct descendant of Pushkin. At Luton Hoo the couple displayed her priceless collection of Faberg,, and together they ran a racing stud at Newmarket. Three of their racehorses, Brown Jack, Meld and Charlottown, became legends in their time. Sir Harold also played a crucial role at D-Day, the story of which has its definitive telling within Raleigh Trevelyan's fascinating narrative.

'It is a salutary thing to look back at some of the reforms which have long been an accepted part of our life, and to examine the opposition, usually bitter and often bizarre, sometimes dishonest but all too often honest, which had to be countered by the restless advocates of 'grandmotherly' legislation...'Contemporary readers of a progressive bent may like to think it elementary that certain inhumane practices in which Britons indulged pre-1800 came to be abolished. But as E.S. Turner reveals, our history is littered with Colonel Blimp figures, of a mind that 'reforms are all right as long as they don't change anything.''Roads to Ruin still entertains and appals. It chronicles the disgraceful rearguard action of the upper classes against the introduction of the Plimsoll line, the abolition of child chimney sweeps and the repeal of laws under which convicted criminals could be hung, drawn and quartered...' Jonathan Sale, Guardian

By the early eighteenth century botanists were inching towards the shocking truth that plants had male and female organs and reproduced sexually. The first person to realize the practical implications of this was London nurseryman and author Thomas Fairchild. By transferring the pollen of a sweet William into the pistil of a carnation, he created a new plant that became known as 'Fairchild's Mule': the first man-made hybrid in Europe. But this primitive form of genetic engineering aroused a scientific and religious furore.Michael Leapman offers fascinating and colourful detail about the life and times of Fairchild, a troubled, gentle soul whose pioneering work changed the course of horticulture and paved the way for the growth of gardening as a cultural obsession.'A beguiling perambulation around the Georgian nursery trade.' Sir Roy Strong, Daily Mail

The Chronicles of Jean Froissart (1337-1410) are universally acknowledged as the most vivid and faithful account of 14th century events and ideas. This medieval collector of intelligence travelled widely from Scotland and Wales to France, Italy and the Netherlands, conversing with gentlemen of rank everywhere and developing a tremendous skill for persuading those about him to divulge their secrets. These Chronicles offer an unrivalled picture of the age of chivalry, drawn by a contemporary, with a verve that recalls Chaucer. Fresh, vivid, immediate and laced with a certain disrespect for the Establishment, they tell of acts of gallantry, tournaments, feasts and wars that make for fascinating reading, abetted by John Jolliffe's translation that renders Froissart into highly accessible modem English.

In a suburb of a mid-sized American city, Ben and Mary welcome to the neighbourhood Sharon and Kenny who have moved in to the long-empty house next door. Fuelled by alcohol and backyard barbecues, their new friendship veers rapidly out of control as inhibitions are obliterated, laying bare the fragility of Ben and Mary's off-the-shelf lifestyle. Originally produced by Chicago's Steppenwolf Theatre, Lisa D'Amour's Detroit made its UK premiere at the National Theatre, London, in May 2012.

Dan Billany's The Trap, first published in 1950, still stands - in the opinion of M.R.D. Foot - as 'one of the most powerful English novels to come out of the [Second World War].' It echoes the wartime experiences of its author, who is believed to have died in 1943 while on the run from an Italian POW camp, but not before entrusting the manuscripts of The Trap to safekeeping.The book's narrator, army lieutenant Michael Carr, tells of his early years in Cornwall, of the girl he met and loved there, and of the hard times her family endured between the wars. These troubles and joys give way to the tragedy of war, and the book's narrative becomes one of comradeship, suspense and fighting in the North African desert. 'The Trap is an outstanding novel by a writer of natural genius... written with great force and honesty... profoundly impressive.' Times Literary Supplement

Thomas Bernhard (1931-1989) has been hailed by Gabriel Josipovici as 'Austria's finest postwar writer' and by George Steiner as 'one of the masters of contemporary European fiction.' Faber Finds is proud to reissue a selection of four of Bernhard's finest novels.The Loser centres on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other - the obsessive, witty, and self-mocking narrator - has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, The Loser is a brilliant meditation on success, failure, genius, and fame.

Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the 'local row' and to the fierce specificity of the play's time and place, The Burial at Thebes honours the separate and irreconcilable claims of its opposed voices, as they enact the ancient but perennial conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.

All three-dimensional objects can be experienced in two dimensions: it just takes some careful unpicking of the seams. Witty, comic, plaintive, touching, acerbic, droll, cavalier, caffeinated, irreverent, stringent: Austerities, the mind-altering substantial debut from Sam Riviere, seems to achieve the impossible in being all things at once. Initially conceived as a response to the 'austerity measures' implemented by the coalition government in 2011, the poems quickly began taking on a life in kind: 'cutting' themselves on levels of sentiment, structure and even subject matter. Not content to merely build a series of freethinking poems, these remarkable pieces seem eagerly and mischievously to analyze their moment of creation, then weigh their worth, then consign their excess to the recycling bin thereafter. Experience is speedy, the poems seem to say, so dizzyingly fast that the poetry will inevitably be running to catch up - often arriving at a scene the moment after the moment has gone. The effect is as funny and it is startling, beguiling as it is surprising, and makes Austerities a vivid reminder that deprivation, as Leonard Cohen put it, can be the mother of poetry.

The action takes place in late August 1833 at a hedge-school in the townland of Baile Beag, an Irish-speaking community in County Donegal. In a nearby field camps a recently arrived detachment of the Royal Engineers, making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names have to be recorded and rendered into English. In examining the effects of this operation on the lives of a small group, Brian Friel skillfully reveals the far-reaching personal and cultural effects of an action which is at first sight purely administrative. "e;Translations"e; is a modern classic. It engages the intellect as well as the heart, and achieves a profound political and philosophical resonance through the detailed examination of individual lives, of particular people in particular place and time."e; Daily Telegraph"e;This is Brian Friel's finest play, his most deeply thought and felt, the most deeply involved with Ireland but also the most universal: haunting and hard, lyrical and erudite, bitter and forgiving, both praise and lament."e; Sunday Times

Epic and engrossing, this extravagant true story covers 200 years in the life of an English family dynasty in Sicily. Benjamin Ingham, possibly the greatest tycoon England has ever known, was attracted to Sicily from his humble beginnings in Yorkshire by the burgeoning trade in marsala wine. This is the story of the English Croesus, who made the money, and his beneficiaries, the Whitaker family, who spent it - intertwined with two hundred years of enthralling Sicilian history.'Most entertaining and readable.' Anthony Powell, Telegraph'Deeply researched and wholly fascinating.' Washington Post'An original and entertaining contribution to Anglo-Italian history.' Times

The four Hanoverian King Georges may have become fixed in history as 'faintly absurd, certainly unattractive, figures' but in this colourful account of their lives and times, families and courts, Christopher Sinclair-Stevenson restores a sprinkling of credit where it has been due. His account does not neglect the marital discords of George I, the towering paternal disdain of George II or the tragically misunderstood 'madness' of George III. But the reader is also encouraged to consider how the Hanoverian monarchs reacted to the climate of art and fashion in their times, from George II's espousal of Handel to George IV's patronage of Beau Brummell. By its own admission not a comprehensive history, Blood Royal is nevertheless an elegant and shining string of linked vignettes and short studies.

Ian Hamilton's last book, published posthumously in 2002, is a typically brilliant revisiting of the concept of Samuel Johnson's classic Lives of the English Poets, wherein Hamilton considers 45 deceased poets of the twentieth century, offering his personal estimation of what claims they will have on posterity and 'against oblivion.' Examples of each poet's verse accompany Hamilton's text, making the book both a provocative primer and a kind of critical anthology. 'The affective power of this book... lies in its understatement and its understanding of what we might care about. From a century of Manifestoes and Movements, Hamilton works as a corrective for the local and particular... his idea of poetry, of what made greatness in poetry, emerges intact from each measured sentence. His criticism always pointed you towards all that he could find that was true in a piece of writing.' Tim Adams, Observer

Tragedy at Law follows a rather self-important High Court judge, Mr Justice Barber, as he moves from town to town presiding over cases in the Southern England circuit. When an anonymous letter arrives for Barber, warning of imminent revenge, he dismisses it as the work of a harmless lunatic. But then a second letter appears, followed by a poisoned box of the judge's favourite chocolates, and he begins to fear for his life. Enter barrister and amateur detective Francis Pettigrew, a man who was once in love with Barber's wife and has never quite succeeded in his profession - can he find out who is threatening Barber before it is too late?

Famous solo violinist Lucy Carless is making a guest appearance with the provincial Markshire Orchestra, only to be found strangled with a silk stocking part-way through the concert. Everyone in the orchestra had access to the scene of the crime, and the police officer in charge, Inspector Trimble, has no idea where to start. Luckily retired barrister and amateur detective Francis Pettigrew has been acting as an honorary treasurer to the Markshire Orchestral Society, and he is soon on his way to finding the murderer.

Francis Pettigrew travels to Exmoor for a holiday with his wife - an area in which as a young boy he was traumatised by coming across a dead body on the moor. In an attempt to exorcise this trauma, Pettigrew walks across the moor to the place where the incident occurred - only to find another dead body. Moreover when he returns to the scene with the police, the body is gone. Did he really see a body - or is it a hallucination conjured up by his return to the scene of the crime that has haunted him since childhood? In Untimely Death, Cyril Hare conjures up an intriguing puzzle whose twists and turns will keep the reader turning the pages until the final surprising resolution.

In 1811 John Williams was buried with a stake in his heart. Was he the notorious East End killer or his eighth victim in the bizarre and shocking Ratcliffe Highway Murders? In this vivid and gripping reconstruction P. D. James and police historian T. A. Critchley draw on forensics, public records, newspaper clippings and hitherto unpublished sources, expertly sifting the evidence to shed new light on this infamous Wapping mystery. This true crime novel begins amid the horror of a dark, wintry London in the year 1811. Using elegant historical detection P.D. James and police historian T.A. Critchley piece together new and unpublished sources in an original portrayal of the Ratcliffe Highway Murders. P.D. James, the bestselling author of Death Comes to Pemberley and Children of Men, here explores the mysterious and intense emotions responsible for the unique crime of murder, with authority and sensitivity. Her only work of true crime, this novel uses forensics, unpublished sources and forgotten documents to create a vivid image of early-nineteenth century London and a gripping reconstruction of the Ratcliffe Highway Murders.

'Already hailed as a Cold War classic.' Boyd Tonkin, Independent Books of the Year 'Utterly absorbing, funny and humane. A romp through a twisted century in the heart of Europe.' Anna Funder, author of StasilandInternational bestseller and Winner of the German Book PrizeA sweeping story of one family over four generations in East Germany: the intertwining of love, life and politics under the GDR regime.

'This book for me is a warning as well as a reminder. May you never experience what I have experienced.'In April 1993, Stephen Lawrence was murdered by a group of young white men on a street in south-east London. From the first police investigation onwards, the case was badly mishandled. In the end, long after the case against the five suspects had been dropped, the government had to give in to mounting pressure and hold a public inquiry, which became the most explosive in British legal history.These facts leave the reader unprepared for Doreen Lawrence's own story of her son's murder. In this raw, honest book, she writes frankly about her childhood, about her struggle for a decent life for herself and her children and her hopes for her bright, motivated son. Her account of the murder and the botched and insensitive investigation by the Metropolitan Police is deeply moving. She recreates the pain, frustration and bafflement she experienced as she realised that there might never be a moment when she could say to herself that justice had been done.A cold case review led to the discovery of DNA evidence in 2009. In November 2011, two of the alleged members of the gang that killed Stephen were finally brought to trial at the Old Bailey. A guilty verdict was pronounced on 3 January 2012. 'To be put alongside Nelson Mandela's Long Walk to Freedom or the works of Maya Angelou.' Andrew Billen, The Times

Thomas Bernhard (1931-1989) has been hailed by Gabriel Josipovici as 'Austria's finest postwar writer' and by George Steiner as 'one of the masters of contemporary European fiction.' Faber Finds is proud to reissue a selection of four of Bernhard's finest novels.Wittgenstein's Nephew (1982) opens in 1967 as two men lie bedridden in separate wings of a Viennese hospital. The narrator, Thomas Bernhard, is stricken with a lung ailment; his friend Paul, nephew of Ludwig Wittgenstein, is suffering from one of his periodic bouts of madness. As their once-casual friendship quickens, these eccentric men begin to see in each other a possible antidote to their feelings of hopelessness and mortality, on the unexpected strength of what they hold in common.'Furious, obsessive, scathing, absolutely hilarious and oddly beautiful.' Claire Messud, Salon'A memento mori that approaches genius.' Richard Locke, Wall Street Journal

'This handsomely produced and interestingly illustrated volume is two works in one. The first part offers a survey of Jewish history and literature. The second part presents what the preface describes as 'a thematic analysis of the teachings and practices of Judaism.'' Israel Finestein, Jewish Chronicle 'Fluently written, with an admirable fair-mindedness in surveying both history and belief.' A.J. Shermann, Times Literary Supplement 'The intelligent non-expert gets a clear picture of Jewish life, letters and history and it will be an endlessly useful reference book.' Julia Neuberger, Times Educational Supplement 'A wide-ranging account of things Jewish that one can truly recommend to intellectually curious Gentiles, as well as to the majority of modern secularized Jews who know relatively little about their complex tradition.' Louis Marcus, Irish Times