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In this acclaimed memoir from the award-winning author of Fragrant Harbour and Capital, John Lanchester pieces together his family's past and uncovers their extraordinary secrets - from his grandparents' life in colonial Rhodesia to his mother's time as a nun - with clear-eyed compassion. A true story of family intrigues, of secrets and lies, as they unfold across three generations.

Detective Superintendent George Quinn - Mayfair resident and dandy with a razor-sharp brain - has set up a new police unit, dedicated to investigating the super-rich. When he is shot in mysterious circumstances, DI Blake Reynolds is charged with taking over. But Reynolds hadn't bargained for Quinn's personal assistant - the flinty Victoria Clifford - who knows more than she's prepared to reveal...The trail left by Quinn leads to a jewellery theft, a murderous conspiracy among some of the most glamorous (and richest) Russians in London - and the beautiful Anna, who challenges Reynolds' professional integrity. Reynolds and Clifford must learn to work together fast - or risk Quinn's fate.Set in the heart of twenty-first-century Mayfair, a world of champagne, Lamborghinis and Savile Row suits, The Yellow Diamond is a brilliant new venture from one of our best loved crime authors - meticulously plotted, wonderfully humane and hugely enjoyable.

To a Fault, Nick Laird's debut collection, won the Rooney Prize for Irish Literature and the Jerwood Aldeburgh First Collection Prize; On Purpose, his follow up, won a Somerset Maugham award for travel writing. In Go Giants, his third and most ambitious volume, Nick Laird's poetry travels yet further afield, connecting the shores of his native Northern Ireland with those of the American east coast where he spends increasing time. The result is an almost trans-Atlantic fusion, an inventive melding of Ulster lyricism with proto-Beat rhythms and phrase. The author's gaze is longer and more penetrative than before, casting back across the ocean to find a fresh perspective on older questions while vividly capturing the vibrancy of the new. Nick Laird writes with wit and candour, with polemic and persuasion, with no subject seemingly too large or too small: weapons of mass destruction, sectarian violence, religious faith, Jonah and the Whale, marriage, fatherhood, a daughter. A profoundly versatile collection, equally capable of public crescendo and a more personal hum, Go Giants is a daring and a thrilling endeavour by a writer described by Colm Toibin as 'an assured and brilliant voice in Irish poetry'.

Sandstorm is the best kind of reportage: humane, historically-informed and full of details that only a writer close to the action could have noticed. The overthrow of Muammar Gaddafi has been one of the twenty-first century's defining moments: the Arab world's most bizarre dictator brought down by his own people with the aid of NATO aircraft. Lindsey Hilsum was in Libya when Gaddafi met his squalid end. She traces the history of his strange regime from its beginnings - when Gaddafi had looks, charisma and popular appeal - to its paranoid, corrupt final state. At the heart of her book, however, is a brilliant narrative of Libyan people overcoming fear and disillusionment and finding the strength to rebel. Hilsum follows five of them through months of terror and tragedy. This is the Libyan revolution as it was made and lived. Sandstorm will take its place in a library of classic books about turning points of history.

Some people love goodbyes...23-year-old Catherine is mainly interested in Facebook and flirting, but she reluctantly takes a job at a local care home after her mother puts her foot down - and soon discovers that her new workplace contains many secrets.One of the residents at the home, 82-year-old Rose, is convinced that something sinister is going on in Room 7 and that her own life is under threat. But Rose has dementia - so what does she actually know, and who would believe her anyway?As Catherine starts investigating Rose's allegations, terrible revelations surface about everyone involved. Can Catherine find out what's really going on before it's too late?

E.S. Turner's first book, published in 1948, is a wholly original, richly researched and uncommonly insightful study of a somewhat disreputable genre: the 'Boys' Weekly' papers commonly known as 'penny dreadfuls.''A classic of its kind... [Turner] ploughed through back numbers of the old blood-and-thunder adventure magazines specialising in cliffhanger serials; the young hero would be left hanging over a cliff in a totally impossible situation, which would be easily resolved in the next issue: 'With one bound Jack was free.' Social history had never been as much fun or, with three extra printings in its first week - such was the demand - as profitable.' Jonathan Sale, Guardian 'Some people felt that E.S. Turner may have invented a new kind of book - the popular social history, very British, very funny, but written with a glistening elegance.'Andrew O'Hagan, London Review of Books

'There have been large magazines with tiny circulations and there have been diminutive sheets which have reached thousands of readers. But all 'little magazines' have been small in one or another of these ways, and usually in both... And yet most of them have had arrestingly large-scale ambitions...' From Ian Hamilton (1938-2001), himself the founder of the Review and New Review, comes this matchless survey (first published in 1976) of the literary magazine from 1912-1950: concentrating on those periodicals that enjoyed dominant editorial personalities (the likes of Pound, Eliot, Cyril Connolly) and which, ultimately, proved central to their cultural epoch. 'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force. He helped to shape our generation and at this rate may well do the same for the next as well.' Clive James

The common perception of Britain's Victorian era as one of strict and strait-laced conformity has long been subject to rebuttal, and Robert Bernard Martin's Enter Rumour (1962) was an early and distinguished endeavour in this line. Herein Martin weighs the evidence of four scandalous incidents that aroused great public interest during the first dozen years of Victoria's reign, each of them emanating from 'what the Victorians might have called the higher orders of society.' Martin recounts the sorry tale of Lady Flora Hastings, victim of Court gossip; Lord Eglinton, who tried and failed to revive the medieval tournament; the strange case of the St Cross Hospital Charity; and George Hudson, 'Railway King', whose rise and fall remains a story for our times. Martin examines sources expertly and further explores how three of these scandals were transformed into fiction - by none less than Dickens, Disraeli and Trollope.

'Inspector John Joseph Lintott of Scotland Yard... Quiet of dress and manner, his respectability could not be doubted, but he was no gentleman... He had risen from the ranks slowly, and knew the dark side of London... One might kill Lintott, but one would never deter him.' Pursuing villainy amid the fog and gaslight of an immaculately drawn Victorian London, Lintott was the lynchpin of three novels by Jean Stubbs: Dear Laura (nominated in 1973 for the prestigious Edgar Allan Poe Mystery Award) being the first.When Theodore Crozier is found dead the neighbourhood hopes the cause may be suicide, if only to spare further pain for both his dutiful wife Laura and beloved brother Titus. However there is more to the matter - a whisper of murder. Lintott is assigned to investigate, and gradually drags all manner of hidden secrets into light.

NOW A MAJOR NEW BBC ONE DRAMAThe Cry was longlisted for the Theakstons Old Peculier Crime Novel of the Year Award. When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world. Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other. Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right? Perfect for fans of Julia Crouch, Sophie Hannah and Laura Lippman, The Cry was widely acclaimed as one of the best psychological thrillers of the year. There's a gripping moral dilemma at its heart and characters who will keep you guessing on every page.

On its appearance in 1952 the Times Literary Supplement called Hemlock and After 'a novel of remarkable power and literary skill which deserves to be judged by the highest standards'. Angus Wilson's first novel is concerned with the hypocrisies of middle-class society. The protagonist, Bernard Sands, is a novelist and an intellectual who tries to found a centre for young writers. However, Sands is a secret homosexual and in the post-war Britain of the time his liberal ideas cause much anxiety to those in charge. Surrounded by false friends and scheming enemies Sands has to come to terms with his emotions and is forced to decide where his loyalties lie.A compassionately written novel Hemlock and After explores the conflict of duty and love in one man's life and the consequences of our choices. Written at a time when homosexuality was still an offence Hemlock and After is a brilliantly handled novel from a writer who was described by John Betjeman as 'mercilessly accurate and never dull.'

'By far the best study of Britain and the First World War that has yet been written.' London Review of BooksThe Myriad Faces of War, first published in 1987, is a unique and compelling study of the First World War from the standpoint of British involvement. It explores the reasons for Britain's entry into the war, the nature and course of Britain's participation, and the far-reaching repercussions of the war on British society. The result is a rich and comprehensive chronicle of the social, political, diplomatic and military aspects of the 'Great War.''Professor Trevor Wilson's mighty work on the first world war... is a truly significant contribution to our understanding of what the war meant to the British people... a disciplined, unsentimental and thoughtful book - and it also retains strongly the human touch.' Spectator'Wilson ranges impressively over all major aspects of the conflict... a judicious, readable overview of a monster subject.' New York Times

Mr Tasker's Gods was T. F. Powys's first novel. Written during the First World War it wasn't published until 1925. It is an unsettling work constantly showing the brutal reality behind the facades. Mr Tasker himself, on the surface, a respectable farmer and God abiding churchwarden is, in fact, 'a brute beast of the most foul nature' Many of the initial reviews were hostile, but that was largely because of the author's treatment of the church. It is under constant attack with the services being described as 'a sort of roll-call to enable authority to retain a proper hold upon the people'. Faber Finds are reissuing six works by T. F. Powys: Mr Tasker's Gods, Mark Only, Mockery Gap, Innocent Birds, Fables and God's Eyes A-Twinkle.

But for Swallows and Amazons, some of Arthur Ransome's earlier writings would be better known. The extraordinary success Ransome achieved as a children's writer, from the 1930's until his death in 1967, perhaps inevitably eclipsed his earlier work, but in the case of his two books and pamphlet on the Russian revolutions of 1917 and the tumultuous events that followed that is a great loss: it can be said unequivocally that these writings are on a par, perhaps even exceeding, such classics as John Reed's Ten Days that Shook the World.Arthur Ransome knew Russia. He lived there from 1914 to 1918 almost all the time. He taught himself Russian and became a foreign correspondent for the liberal Daily News and Manchester Guardian. More than that, he came to know many of the Bolshevik leaders like Lenin, Trotsky and Checherin almost as personal friends, and, indeed, married Trotsky's secretary, Evgenia Petrovna Shelepina. Arthur Ransome as a commentator on the Russian scene at the most convulsive moment in its history is unique. Unlike famous visitors like H. G. Wells (though his marvellous book, Russia in the Shadows shouldn't be overlooked) and Bertrand Russell, his was no brief journalistic inspection: and unlike other reporters such as John Reed, Victor Serge and Alfred Rosmer there was no tendentiousness in what he wrote - they were convinced revolutionaries, Ransome, although not unsympathetic to the Bolshevik cause, was a more objective recorder.Six Weeks in Russia, The Crisis in Russia and the pamphlet, The Truth about Russia constitute the best contemporary writing about Russia at the time of the Bolshevik takeover. They were reissued in the early 1990s, with an introduction by Paul Foot which has been retained for the Faber Finds reissue of Six Weeks in Russia; otherwise they have been out of print since first published

There was no more appropriate person to write this book. Robert Blake was the doyen of Tory historians being most famous for his unsurpassed biography of Disraeli (to be reissued in Faber Finds). His history of the Conservative Party was first published in 1970. It then went as far as Churchill. A subsequent edition took it up to Thatcher and the final edition, the one being reissued by Faber Finds, to Major. For the span it covers, it remains the definitive one-volume history.'His consummate insight into the whole of the political scene, and his power to communicate the enjoyment of it, makes this exciting reading for anyone remotely interested in British political and social history, or even in the English character.' Sunday Times'This book is full of insights and enriched throughout by sparkling commentary' Evening Standard'An up-to-date history of the Party was wanted. Mr Blake supplies it with lucidity, scholarship and serene worldliness' Guardian

J. D. Bernal's monumental work, Science in History, was the first full attempt to analyse the reciprocal relations of science and society throughout history, from the perfection of the flint hand-axe to the hydrogen bomb. In this remarkable study he illustrates the impetus given to (and the limitations placed upon) discovery and invention by pastoral, agricultural, feudal, capitalist, and socialist systems, and conversely the ways in which science has altered economic, social, and political beliefs and practices. In this first volume Bernal discusses the nature and method of science before describing its emergence in the Stone Age, its full formation by the Greeks and its continuing growth (probably influenced from China) under Christendom and Islam in the Middle Ages. Andrew Brown, Bernal's biographer, with a nice sense of paradox, has said of him, he 'was steeped in history, in part because he was always thinking about the future.' He goes on to say, 'Science in History is an encyclopaedic, yet individual and colourful account of the emergence of science from pre-historic times. There is detailed coverage of the scientific revolution of the Enlightenment, the Industrial Age and the first two-thirds of the twentieth century. . . The writing flows and is devoid of the tortured idioms that mar so many academic histories of science. After reading it, it is easy to agree with C. P. Snow's orotund observation that Bernal was the last man to know science.Faber Finds are reissuing the illustrated four volume edition first published by Penguin in 1969. The four volumes are: Volume 1: The Emergence of Science, Volume 2: The Scientific and Industrial Revolutions, Volume 3: The Natural Sciences in Our Time, Volume 4: The Social Sciences: Conclusion.'This stupendous work . . . is a magnificent synoptic view of the rise of science and its impact on society which leaves the reader awe-struck by Professor Bernal's encyclopaedic knowledge and historical sweep.' Times Literary Supplement

'They were hanged at dead of night on October 16 - hanged, that is with the exception of Goring. He, mocking to the end, took cyanide of potassium in his cell as the hour approached and was dead by the time the doctors were called. The finding of the board of inquiry that he had it all the time fit in well enough with the little ironical smile that we saw in the dock. For a day he made sport of Nuremberg, above all of American security and its year of pin-pricks. But Goring is dead and the others with him. It could hardly have been more sordid - the grimy prison gymnasium in which soldiers played their ball games, with its row of blazing lights, its three scaffolds, the ugly scrawled inscription on one of the wall ''V. D. walks the streets.'' Hollywood to the end. And one after another the monstrous leaders of the Third Reich fell with the name of the Fatherland on their lips. Have we after all created a grotesque legend?'This is how Robert Cooper's book ends. The book itself has the distinction of being the very first to have been published about the Nuremberg Trial. Its business was finished in October 1946: this book was published in January 1947. Penguin was its publisher, and it is worth quoting from the original blurb, 'This popular but full account of the epoch-making trial of the War criminals at Nuremberg, specially written for Penguin Books by The Times special correspondent who covered the process, is intended as a permanent summary and record of the first attempt to bring to justice the authors and begetters of international crime against humanity.'The author admits to there being 'many gaps and other deficiencies in this necessarily hurried summary of the Nuremberg Trial' and pleads with History to bring about a perspective, but it is the very immediacy of the account that makes it so compelling and still worth reading.

First published in 1989 Philip Larkin, the Marvell Press, and Me is the story of how this small publishing company became a chapter in literary history when, in 1955, the then novice publishers, of which Jean Hartley was one, were entrusted with the manuscript of Larkin's The Less Deceived. The Less Deceived, Larkin's second collection, contained the mature Philip Larkin style - that of a detached observer of what Jean Hartley referred to as 'ordinary people doing ordinary things' - the virtues of which came to be associated with The Movement, the post-war generation of poets that used plain language and traditional forms to address everyday life in Britain. The themes of The Less Deceived resonated with readers and it became one of the most outstanding collections of 1955. Philip Larkin, the Marvell Press, and Me charts that progress and introduces the reader to the real Philip Larkin. 'Jean Hartley's story is a vital piece of evidence for anyone curious about Larkin's life.' Andrew Motion, Observer.

Empress Elisabeth of Austria, known to her family as 'Sisi', belongs to a famous love story of European royalty. In 1853 the Emperor Franz Josef, the most eligible bachelor in Europe, fell in love with her at first sight when she was 15. They were married the next year. On the surface, it was a fairy-tale marriage, all the more poignant, with hindsight, because her tragic death augured the twilight years of the Habsburg Empire.First published in 1988, Brigitte Hamann's definitive biography tells Elisabeth's story from her birth into Bavarian nobility to her assassination at the hands of an Italian anarchist. In her lifetime she was idolised solely for her grace and beauty; but Hamann shows us a stronger character, bitter at her marriage, seeking independence, and struggling against the powerful influence of her mother-in-law, the Archduchess Sophie.

First published in 1966, Robert Blake's biography of Disraeli is one of the supreme political biographies of the last hundred years.An outsider, a nationalist, a European, a Romantic and a Tory - Disraeli's story is an extraordinary one. Born in 1804, the grandson of an immigrant Italian Jew, he became leader of the Conservative Party and was twice Prime Minister. Famous for the 1867 Reform Act, his purchasing of the Suez Canal and his diplomatic triumphs at the Congress of Berlin, he was also the creator of the political novel and, in Sybil, wrote the major 'Condition of England' work of fiction.'An outstandingly successful biography . . . Disraeli has never been brought so vividly to life.' Sir Philip Magnus, Daily Telegraph'A huge, scholarly and remarkably readable work which makes us revise vast tracts of our assumptions about nineteenth-century politics.' Sir Michael Howard, Sunday Times'A book that people will still be reading in fifty years' time and long after.' Times Literary Supplement

If ever a book had an unusual genesis. It belongs to that hybrid category 'faction', but the choice wasn't a literary contrivance, it was dictated by life-threatening circumstances. In the author's own words:'I know what will happen to me if I fall into the hands of the Nazis with these records. I didn't write at all this week. I came to close to burning everything. The difficulties just seemed too great. I have been trying to find another place to live where I can write, but it would have to be with comrades, and they are just as involved in underground work as I am. There could be a sudden a house search at their homes too. The place where I keep the written page is not absolutely safe either. But during this last week when I didn't write I couldn't find inner peace either. I was weighed down by a spiritual urgency that has compelled me to go on writing now. I must write all this down! We must manage to get this manuscript abroad. It must help to shake people's consciences awake.'Our Street is an account of left-wing resistance to Nazism in the Charlottenburg district of Berlin between January 1933 and June 1934, in other words, from just before Hitler became Chancellor to the early days of Nazi government. The street in question is Wallstrasse. It suffered particular brutality in revenge for the killing of a Stormtrooper. At the beginning of the book the names of eighteen victims are printed, 'The Charlottenburg Death List'. These names are real but they don't tell the whole story. As the translator, Betty Rensen, says in her foreword, 'But many more murders and executions have taken place: they could not all be recounted here, because of the possible repercussions on relatives and friends. The author had, therefore, to be content with the names in the death-list. These names are all well known in Berlin-Charlottenburg, and in some cases the families have emigrated beyond the reach of Nazi ''justice''.'The story of how the manuscript was smuggled out of the country is almost one of tragi-comedy. The author dressed as if going for a ski-ing holiday. The customs examination was thorough until, that is, it came to checking the rucksack. It appeared to contain two enormous cakes. Feigning embarrassment, Jan Petersen, explained, 'Well, you know what women are, don't you? I told my wife I was only going away for three days, but she would go and bake me two whopping big cakes. It'll take me a week to eat one. Just look at the size of them.' The official was all smiling complaisance, his wife being just the same, he said. Inside the cakes the manuscript had been baked!The English translation of Our Street was published in 1938 in Gollancz's Left Book Club. Victor Gollancz himself called it 'vivid and exciting'. It still is.

A Fox under My Cloak (1954) was the fifth entry in Henry Williamson's fifteen-volume A Chronicle of Ancient Sunlight spanning the years from the late Victorian period to the Second World War. It follows Phillip Maddison into the Great War, surviving in the face of terror, from the famous Christmas Truce of 1914 to the gas attacks of the Battle of Loos the following year. While home in England on sick leave Phillip obtains his commission into a fashionable regiment in which his social inadequacies make him the butt of his fellow officers' scorn. Yet, alone among them, Phillip has tasted the bleak reality of life, and death, on the Western Front. 'Williamson's style is romantic, though rarely sentimental, and his sensuous response to nature is fresh and surprising.' Anthony Burgess, Ninety-Nine Novels: The Best in English since 1939

There is nothing like Keith Vaughan's Journals. They represent one of the greatest pieces of confessional writing of the twentieth-century. Keith Vaughan was a painter and belonged to the Neo-Romantic group, other members including Graham Sutherland, John Minton, Michael Ayrton, Ceri Richards, John Piper and John Craxton. He was also gay and much troubled by his sexuality. 'Faced at the age of 27 with what then seemed the likelihood of imminent extinction before I had properly got started', he began the Journals in 1939 and only finished them at the very moment of his suicide in 1977.The Journals are edited by Alan Ross, and in his words they are 'a self-portrait of astonishing honesty: devoid of disguise in any shape or form, or hypocrisy. It is difficult to think of anything in literature they resemble.' The earlier Journals, covering his war and his period of greatest creativity in the late 1940s and 1950s, 'are revealing for the light they shed on a painter's character and, to a lesser extent, working methods.' The last Journals chronicle 'a descent into hell . . . redeemed by their frankness, spleen and dry humour.' First published in 1966 and then reissued in amplified form in 1989, it is the latter version Faber Finds is reissuing. The fuller edition itself has been out of print for a long time, so its renewed availability will be welcome.

The Wet Flanders Plain was first published in 1929 - also the year of, inter alia, Remarque's All Quiet on the Western Front, Graves's Goodbye to All That, and Hemingway's A Farewell to Arms. Henry Williamson's book stands alongside those works as a classic of the Great War.In 1928 Williamson revisited the battlefields of Flanders and Northern France in the company of a fellow veteran. He wanted to 'return to my old comrades... to the brown, the treeless, the flat and grave-set plain of Flanders - to the rolling, heat-miraged downlands of the Somme - for I am dead with them, and they live in me again.' He hoped to rid himself of the 'wraiths' of the war. Whether or not he succeeded, he produced an unforgettable testament.'The Wet Flanders Plain emerges from the mass of War books as the most beautiful and the most terrible.' Outlook

Without exaggeration this can be said to be two books in one: it is both a biography of Harold Nicolson's father and a history of British diplomacy from the late nineteenth-century until the middle of the First World War. Described as 'the quintessential diplomat' Sir Arthur's various postings took in Berlin, Peking, Athens, Teheran, Budapest, Constantinople, Madrid and St Petersburg. During his career his instincts mutated from pro-German and hating France and Russia, into a stage of wanting to make friends with those two countries and hating Germany. Harold Nicolson has an interesting and brave hypothesis regarding the First World War making a distinction between its origin and its causes. Regarding the former, in the words of his biographer James Lees-Milne, 'Harold maintained that from the years 1900 to 1914 we, compared to the Germans, had a clean sheet, whereas regarding the latter, say from the year 1500 to 1900 our sheet was very black indeed. Our Elizabethans behaved worse than the Kaiser's imperialists. And when the Kaiser's imperialists in the last two decades of the nineteenth-century developed predatory instincts in Africa, they met from us ''pained and patronising surprise.'' Harold with justice and a good deal of courage blamed Great Britain for the causes and Germany for the origin of the great conflict.' Harold Nicolson always considered this to be his best book and its universally favourable reception supports that with the Times Literary Supplement observing that as a biography it was composed in the new intimate fashion introduced by Lytton Strachey. As has been said though, it was more than a biography, it was a history, and a most fascinating one, of the period leading up to the Great War.

The Sixth Directorate (1975) was the second of Joseph Hone's quartet of 'Peter Marlow' spy novels, all now reissued as Faber Finds. In prison his name had been Marlow. When British Intelligence released him to impersonate a dangerous KGB agent, he became George Graham, a man with an incredible past and a highly questionable future. But even the British didn't know everything about Graham, as Marlow discovered. Then he came face-to-face with Graham's mistress and thought the game was up. But it was just beginning..."e;Intelligent, sharp and deviously plotted...Here is a new force in the field of spy stories"e;. (Daily Telegraph). "e;One of the best suspense novels of the last ten years. It has elegance, wit, sympathy, irony, surprise, action, a rueful love affair and a melancholy 'Decline of the West' mood"e;. (New York Times).

'Arnold Bennett was born in a street called Hope Street. A street less hopeful it would be hard to imagine.' Thus begins Margaret Drabble's biography of a man whose most famous achievement was to re-create, in such novels as The Old Wives' Tale and Clayhanger, the life, atmosphere and character of the 'Five Towns' region in which he was born and grew up.Arnold Bennett is a very personal book. 'What interests me', writes the author, 'is Bennett's background, his childhood and origins, for they are very similar to my own. My mother's family came from the Potteries, and the Bennett novels seem to me to portray a way of life that still existed when I was a child, and indeed persists in certain areas. So like all books this has been partly an act of self-exploration.'Of Bennett as a writer Drabble says 'The best books I think are very fine indeed, on the highest level, deeply moving, original and dealing with material that I had never before encountered in fiction, but only in life: I feel they have been underrated, and my response to them is so constant, even after years of work on them and constant re-readings, that I want to communicate enthusiasm.'Of Bennett as a man she paints an affectionate portrait, not glossing over the irritability, dyspepsia and rigidity which at times made him so difficult a companion but reminding us too of his honesty, kindliness and sensitivity. 'Many a time,' she writes at the end of the book, 're-reading a novel, reading a letter or a piece of his Journal, I have wanted to shake his hand, or to thank him, to say well done. I have written this instead.'

In the spring of 1902, when the back-to-the-land movement was at its height, an exodus began to Chipping Campden in the Cotswolds. East End London workmen - jewellers, silversmiths, enamellers, cavers, modellers, blacksmiths, cabinet-makers, book-binders and printers - fled from the rushed and crowded life of the big city to a rural idyll of craftsmanship and husbandry which was, at the time, all good socialists' dream. This extraordinary idealistic movement was to have a lasting impact not only on the lives of the 150 London immigrants and their leader, the architect, Charles Robert Ashbee, but also on the nature of the little town they occupied. The Guild of Handicraft had been formed in Whitechapel in 1888. It blended an attitude to art, design and manufacture with a view of how society might be changed for the better. This book traces its fortunes and misfortunes, hilarious and grave, and the many eccentrics, idealists and men of letters and the arts who were involved, including William Morris, Roger Fry, Mrs Patrick Campbell, Edward Carpenter, Holman Hunt, Frank Lloyd Wright, Lowes Dickinson and Sidney and Beatrice Webb. Set in the heart of the Cotswolds, Fiona MacCarthy's account of this attempt to resolve the dilemma faced by artists and craftsmen working in a mass-produced society, documents one delightful and intriguing experiment in utopian social history.

The appreciation of antique objects is not perhaps Detective Sergeant Sidney Love's forte, yet his critical appraisal of Lot Thirty-Four - comprising two golf balls, an LMS railway tumbler, an old meat mincer, two decanter stoppers, a soap dish and a moulded relief of a cottage entitled 'At the End of Life's Lane' - at an antiques auction which sets events in motion. The sale of Lot Thirty-Four at the handsome price of ,400, together with further curious developments, leads Inspector Purbright to the heart of a chilling but decidedly genteel murder mystery...First published in 1980, Plaster Sinners is the eleventh novel in the Flaxborough series and displays Watson's characteristic dry wit and striking observation.'Flaxborough is Colin Watson's quiet English town whose outward respectability masks a seething pottage of greed, crime and vice...Mr Watson wields a delightfully witty pen dripped in acid.' Daily Telegraph'Arguably the best, and certainly the most consistent of comic crime writers, delicately treading the line between wit and farce...Funny, stylish and good mysteries to boot.' TIME OUT'One of the best. As always with Watson, the writing is sharp and stylish and wickedly funny!' Literary Review

'One of the most consistently busy of Britain's home industries during the past fifty years has been the manufacture of crime fiction. Some three hundred writers now contribute, more or less regularly, to the satisfaction of the public's appetite for books about murder, theft, fraud, espionage, arson, blackmail and kindred activities. . . This book is not an attempt to catalogue them . . . Its purpose is to explore some of the crime and mystery fiction of the past half century for clues to the convictions and attitudes of the large section of British society for which it was written.' In Snobbery with Violence: English Crime Stories and Their Audience, Colin Watson explores the social attitudes that are reflected in the detective story and the thriller. From Conan Doyle and Edgar Wallace to Agatha Christie and Ian Fleming, Watson takes the reader on an entertaining and informative investigation into the world of crime fiction. First published in 1971 Snobbery with Violence has become a minor classic of literary and social history and should grace the bookshelves of every crime aficionado.