Bøker utgitt av Faber & Faber

The pioneering oral historian, George Ewart Evans, began to record the farming ways of East Anglia in the 1950s by listening to old men and women whose memories went back more than fifty or sixty years. Many were agricultural labourers, born before the turn of the century, who had worked on farms before the arrival of mechanisation. It was assumed at that time that horses would soon disappear from the farms, and that this was the last chance of recording the part they had played for centuries. It later became clear that this forecast was too pessimistic and in Horse Power and Magic (Faber, 1979) Ewart Evans describes in fascinating detail some important farms where horses continued to be beneficially used more than thirty years later. He discovered that the traditions of the older horsemen had not died out but had been passed on, in only slightly attenuated form, to a younger generation keen to farm with horses, proving that the day of the heavy horse was by no means over. He also describes vividly the ways of horse-tamers whose skills had a touch of 'magic' about them.'Taking his works a whole, there is no doubt that George Ewart Evans will survive as a fascinating pioneer of the extra-academic recording of human history...he has found a dimension all his own. This is indeed the very stuff of history.' Sunday Times

Camille Saint-Sa,ns began as a child prodigy and was acclaimed in his lifetime as the incarnation of French genius. His was one of the longest careers in musical history, stretching from the traditions of Beethoven to the innovations of the twentieth century, including one of the earliest film scores. As a virtuoso pianist he achieved international fame, while Liszt proclaimed him the world's greatest organist. A prolific composer, there is much more to him than his best-known work, the witty Carnival of the Animals, of which he forbade performances in his lifetime. Among his most notable achievements are the opera Samson et Delila and the Organ Symphony, while the Danse Macabre, second piano concerto and first cello concerto remain much loved.As a young man, he supported the 'new music' of Liszt, Wagner and Berlioz and introduced the symphonic poem into French music. He championed an up-and-coming generation of French composers, most notably Faur,, and played a unique part in transforming French taste from grand opera and operetta to the classical forms of symphony and chamber music, at the same time reviving interest in the music of Bach and Rameau.His personal life was combative, tragic and surrounded by rumour: as a boy during the Revolution of 1848, serving as a National Guard in the war of 1870, and eventually becoming something of an icon of the Third Republic, used in diplomacy as a symbol of French culture.This fascinating book (Chatto & Windus 1999) places his long and controversial career in a turbulent period when music, no less than politics, was undergoing sensational and often stormy change.

'Beyond question the book of the year.' SpectatorChaim Weizmann was a great man, one of the founders of modern Israel. He was also a chemist of international repute. His work in the thirties led him to a cheap way of synthesising oil. But politics took over and it seemed Weizmann had died without passing on his revolutionary knowledge. In the oil-starved seventies, it falls to Igor Druyanov to reconstruct that magic formula. And the chase is on, for the news will overturn the Middle East . . .Tense, intelligent and stylish, The Sun Chemist is gripping spy thriller from a true master of the genre.

Others came before and after him but no person is more strongly associated with the revival of English folk song and dance at the turn of the twentieth-century than Cecil Sharp (1859-1924). He collected about 5000 folk songs and nearly 500 dances. This prodigious achievement is told by someone who perhaps knew him better than anyone else. Maud Karpeles was his assistant for many years and accompanied him on his expeditions to the Southern Appalachian Mountains. This remains the definitive biography of the greatest figure in the English folk song and dance movement.

Casper Laing, the young, fiery and brilliant Professor of Semitic Languages, is asked to decipher an ancient parchment found in Israel. Piecing together its mysterious fragments, his translation soon reveals directions to a shrouded location. Believed to be the secret hiding place of the True Menorah, an ancient and priceless Jewish candelabrum, the Jordanians and Israelis begin a frantic race to claim the prize. Surrounded by violent and treacherous rivals, Casper is enjoined on a deadly adventure deep into the burning Negev desert.A Long Way to Shiloh (1966), Lionel Davidson's third novel, was a Book Society Choice and won the Crime Writers' Association Gold Dagger Award as well as the Crime Critics' Award for Best Thriller of the Year. Published in the USA as The Menorah Men, it was a no. 1 bestseller on both sides of the Atlantic. It further cemented his reputation as one of the pre-eminent genre writers of his generation, and was described by the Guardian as 'first-rate' and by the New York Times as 'a supple delight in which learning, wit and style are beautifully integrated.'

In this panoramic novel of Friar Roger Bacon, John Cowper Powys displays his genius at its most fecund. First published in 1956, this novel, set in thirteenth-century Wessex, is an amalgam of all the qualities that make John Cowper Powys unique. The love-story of Lil-Umbra and Raymond de Laon, and the quest of the Mongolian giant, Peleg, for Ghosta, the girl seen, loved, and lost on the battlefield, are intermingled with the historical, theological and magical threads which form the brocade of this novel. Dominating all is the mysterious creation of Roger Bacon one of the boldest as well as most intricate of Powys' world-changing inventions. Professor G. Wilson Knight called this 'A book of wisdom and wonders'.

Published in 1954, John Cowper Powys called this novel, a 'long romance about Odysseus in his extreme old age, hoisting sail once more from Ithaca'. As usual there is a large cast of human characters but Powys also gives life and speech to inanimates such as a stone pillar, a wooden club,and an olive shoot. The descent to the drowned world of Atlantis towards the end of the novel is memorably described, indeed, Powys himself called it 'the best part of the book'.Many of Powys's themes, such as the benefits of matriarchy, the wickedness of priests and the evils of modern science which condones vivisection are given full rein in this odd but compelling work.

Ducdame was John Cowper Powys' fourth novel published in 1925. It is set in Dorset. The protagonist, Rook Ashover (a wonderfully Powysian name) is an introverted young squire with a dilemma: to go on loving his mistress, Netta Page, or, make a respectable marriage and produce an heir.Of his early novels (pre- Wolf Solent) this one is often considered to be the most carefully constructed and best organized. Like them all it contains a gallery of rich, complex characters and glorious writing.

Rodmoor is, unusually for a John Cowper Powys novel, set in East Anglia, Rodmoor itself being a coastal village.The protagonist, Adrian Sorio, is a typically Powys-like hero, highly-strung with only precarious mental stability. He is in love with two women - Nance Herrick and the more unconventional Phillipa Renshaw. This was Powys second novel, published in 1916. It deploys a rich and memorable cast of characters.

Wood and Stone was John Cowper Powys' first novel published in 1915. It is no prentice-work however - the author was already in his forties. The novel is set in the area of south Somerset that John Cowper Powys grew up in. The village of Nevilton is based on Montacute where his father was vicar for many years. When he wrote it Powys was living in the USA and it is perhaps this absence that accounts for the heightened vividness of the descriptive writing. Powys deploys a large and wonderfully delineated cast of characters. They are loosely divided between 'the well-constituted' and 'the ill-constituted'. Characteristically Powys favours the latter.

The Haunted Study, a rare example of a work of literary history that is genuinely interdisciplinary, explores how the leading novelists of the late Victorian and Edwardian periods came to develop so many of the attitudes that are now generally accepted as characteristically modern. The writing of fiction is not treated as though it exists in some kind of isolation, but is shown to be intimately related to other forms of social activity. Conrad, James, Meredith, and their immediate modernist successors Joyce, Lawrence, and Woolf, may now seem to be set apart in a variety of crucial ways from, say, Ouida and Marie Corelli, or even Gissing, Wells, and Bennett, but all of them worked within the same rapidly changing society and were unavoidably influenced by its dominant economic, political, and cultural concerns. These influences were not peripheral, but central and formative. They profoundly affected the creation of a commercially fragmented culture as well as the nature of fiction within that culture. The Haunted Study covers an exceptionally large number of authors, from the critically despised to the critically admired, and examines the impact on their work of such factors as the professionalisation of literature, the earning power of authors, the emergence of new kinds of readers, and, disturbingly present throughout the whole period, fundamental democratic change.

'The most remarkable phenomenon of the English poetic scene during the last ten years or so has been the advent, or perhaps I should say the irruption, of Gavin Ewart' wrote Philip Larkin. Larkin was one among many poets and critics who admired Gavin Ewart's work; Stephen Spender, Anthony Thwaite and Peter Porter were also fans. Influenced by T. S. Eliot and Ezra Pound, but especially by W. H. Auden, Ewart was a prolific poet and his verse reflected a bawdy wit and an irrepressible sense of humour. He was largely known for his irreverence to sexual convention and is the second most prolific contributor to Making Love to Marilyn Monroe: The Faber Book of Blue Verse. The poems in the Selected Poems were chosen by Ewart before his death in 1995 and were published for the first time in 1996. They are a selection of the best work from a writer of poetry for both adults and children who had a long and productive career.

Bronowski was fascinated by William Blake for much of his life. His first book about him, A Man Without a Mask, was published in 1944. In 1958 his famous Penguin selection of Blake's poems and letters was published. As further testimony to Bronowski's enthusiasm it should be noted that the final plate in the book of his great TV series The Ascent of Man is Blake's frontispiece to Songs of Experience.William Blake and the Age of Revolution, first published in 1965, is, in some ways, a revised edition of A Man Without a Mask, in others, a new book. In it Bronowski gives a stimulating interpretation of Blake's art and poetry in the context of the revolutionary period in which he was working. Like all of Bronowski's writings it dazzles with wide-ranging erudition, making this work far removed from conventional literary criticism.

Jacob Bronowski was, with Kenneth Clarke, the greatest popularizer of serious ideas in Britain between the mid 1950s and the early 1970s. Trained as a mathematician, he was equally at home with painting and physics, and wrote a series of brilliant books that tried to break down the barriers between 'the two cultures'. He denounced 'the destructive modern prejudice that art and science are different and somehow incompatible interests'. He wrote a fine book on William Blake while running the National Coal Board's research establishment. The Common Sense of Science, first published in 1951, is a vivid attempt to explain in ordinary language how science is done and how scientists think. He isolates three creative ideas that have been central to science: the idea of order, the idea of causes and the idea of chance. For Bronowski, these were common-sense ideas that became immensely powerful and productive when applied to a vision of the world that broke with the medieval notion of a world of things ordered according to their ideal natures. Instead, Galileo, Huyghens and Newton and their contemporaries imagined 'a world of events running in a steady mechanism of before and after'. We are still living with the consequences of this search for order and causality within the facts that the world presents to us.

'Oh prams on concrete balconies, what will your children see? Oh white and antiseptic life in school and home and clinic, oh soul-destroying job with handy pension, oh loveless life of safe monotony, why were you created?'First and Last Loves is a collection of Betjeman's essays on architecture, first published to coincide with an exhibition at the Soane Museum, and a worthwhile volume in its own right. Introduced with a lively tirade against mediocrity entitled 'Love is Dead', Betjeman discusses a range of topics including conservation battles, modern architecture and his passion for railways.

'My own interest started in seeking out what was old. When the guide told me that this was the bed in which Queen Elizabeth slept, I believed him. When owners of country cottages in Suffolk told me their cottage was a thousand years old, I believed them too. I thought that this or that church was the smallest in England, and that secret passages ran under ruined monasteries, so that monks could get to the nearest convent without being seen. The older anything was the lovelier I thought it.'Most famous for his poetry, John Betjeman was also passionate about architecture, 'preferring all centuries to my own'. In his first prose work, Ghastly Good Taste (1933), he vigorously defends his love of Victorian and Edwardian architecture, considered deeply unfashionable at the time. With the savage humour of his famous satire 'Slough', he attacks notions of Modernism and (at the other extreme) unthinking antiquarianism.

'Brian Aldiss seems to have always had a more oceanic sense of time than most science fiction writers, an almost measured vision of what will transpire in the long run, a time-sense which is reflected both in his fiction and in the pace and course of his career.' Norman SpinradThese nine stories from 1960, early in Brian Aldiss's long and productive career, were originally conceived as a single entity, and form a chronicle of the next forty million years. They are arranged sequentially, beginning with the near-future and ending, with 'The Ultimate Millennia', hundreds of thousands, or even millions of years later.'One cannot help being struck by the variety of concepts, the mastery of style, the sureness of the dialogue, the depth of characterization, the fertility of ideas, and the urbanity of the wit ... here is a major talent at work.' Science Fiction Writers

Autobiography was first published in 1947 and was described by J. B. Priestley as 'one of the best pieces of writing that ever found a way to our Book Society. He is a writer who has learned how to write and the result is glorious.' Sir Neville Cardus is best remembered as a writer on both cricket and music and during his lifetime achieved an unparalleled reputation as one of England's greatest journalists on these two very different subjects. Born in Rusholme in Manchester Cardus carved out an international reputation for himself by his own ability, efforts and imagination and created, as his biographer Christopher Brookes put it, 'a beguiling personal legend in the course of a career which extended over fifty years.' 'This is a very, very good book. Cricket and music - how he makes both these worlds pulsate, life comic as well as life magnificent.' Robert Lynd'A superb work by a master of English.' Wilfred Pickles

The Suffolk Punch - that sturdy, compact draft horse of noble ancestry - was, until mechanisation, the powerhouse of the East Anglian farming community. In The Horse in the Furrow (1960), renowned social historian George Ewart Evans explores this potent symbol of a bygone era, and the complex network - farmer, horseman, groom, smith, harness-maker and tailor - which surrounded it. Evans charts a fascinating course, demonstrating the connectedness of husbandry, custom and dialect, and arguing for an organic, inclusive study of these aspects of rural life. In particular, the section on folklore sheds light on some of the most obscure practices, with the Punch standing proudly at its centre.With beautiful illustrations by Charles Tunnicliffe, The Horse in the Furrow is an engaging and subtle portrait of an animal at the heart of its community

Following his two classics, Ask the Fellows Who Cut the Hay and The Horse in the Furrow, renowned oral historian George Ewart Evans continues his study of the vanishing customs, working habits and rich language of the farming communities of East Anglia with The Pattern Under the Plough (Faber, 1966). Although based on East Anglia, this book was and remains of wider interest, for - as the author pointed out at the time - similar changes were occurring in North America, and also happening with remarkable speed in Africa.In chronicling the old culture George Ewart Evans has taken its two chief aspects, the home and the farm. He describes the house with its fascinating constructional details, the magic invoked for its protection, the mystique of the hearth, the link of the bees with the people of the house, and some of their fears and pre-occupations. Among the chapters on the farm is one of Evans's most original pieces of research: the description of the secret horse societies. Beautifully illustrated by David Gentleman, this book is important not only for the material it reveals about the past but for the implications for present-day society.'As real (and as valuable) as the evidence unearthed by the spadework of archaeology.' Observer

In The Fifth Monarchy Men (Faber, 1972), Professor Capp places the movement in the context of the rise of millenarian thought in Europe from the Reformation and its rapid spread in England during the Civil Wars. For many radicals, the execution of King Charles cleared the way for King Jesus, and heralded the establishment of a revolutionary millennium. The apparent apostasy of the Rump Parliament and Oliver Cromwell channelled part of the wave of millenarian feeling into the formation of a specific sect. This first comprehensive study of the Fifth Monarchists movement traces its history and examines its social, political, legal and religious proposals. Although it had the support of some gentry and army officers, it was essentially an urban movement of artisans, apprentices, and even labourers, reaching lower down the social scale than any contemporary radical movement, with the possible exception of the Diggers. Professor Capp discusses its structure, and its relationship to other revolutionary sects, notably the Levellers and Quakers. He analyses the social, political and economic programmes of the self-styled saints which, though revolutionary, were elitist rather than equalitarian. The Fifth Monarchists' militant foreign policy was shaped by the twofold consideration of exporting the revolution and of strengthening the position of English trade. Their much-derided call for the re-establishment of the Mosaic Code is the culmination of a long tradition of such thinking amongst Puritan and earlier writers.Appendices provide biographies of almost 280 Fifth Monarchists and the location of all known Fifth Monarchist groups.

"e;He is a very clever fellow, but he will never be a bishop"e;. (George III). "e;A more profligate parson I never met"e;. (George IV). "e;I sat next to Sydney Smith, who was delightful...I don't remember a more agreeable party"e;. (Benjamin Disraeli). "e;I wish you would tell Mr Sydney Smith that of all the men I ever heard of and never saw, I have the greatest curiosity to see ...and to know him"e;. (Charles Dickens). How one agrees with Dickens. Without doubt, Sydney Smith was the most famous wit of his generation. But there was more to him than that, he was an outstanding representative of the English liberal tradition. Starting as an impoverished village curate he went to Edinburgh as a tutor, and co-founded the Edinburgh Review, the first major nineteenth-century periodical. Happily married, he moved in 1803 to London, where he was introduced into the Holland House circle - of which he quickly became an admired and popular member - but at the age of thirty-eight a Tory government banished him to a village parsonage. There he became 'one of the best country vicars of whom there is a record', and after his two chief causes - the Catholic Emancipation Act of 1829 and the Reform Bill of 1832 - triumphed, he was rewarded by a canonry of St. Paul's. This generous selection of his writings gives the full flavour of his mind and intellectual personality. In a characteristically stimulating introduction in which he discusses Sydney Smith both as an individual and as a shining exemplar of the liberal mind, W. H. Auden places him with Jonathan Swift and Bernard Shaw among the few polemic authors 'who must be ranked very high by any literary standard.' As Macaulay said he was "e;The Smith of Smiths"e;.

Meg Eliot is the wife of a successful barrister and with that comes a lovely home in Westminster, cocktail parties and a round of charity committees. She is the model wife and her life is one of ease, contentment and privilege.All that changes though when she is suddenly left widowed after a senseless tragedy. Totally alone she is thrust into a struggle to reconstruct her life as she realises that she doesn't really know who she is anymore or who she is supposed to be. The Middle Age of Mrs Eliot follows Meg as she tries to make sense of the realities of life, of living and contemplates the future and its possibilites. What she finds is the ability to survive and, also, the joys of new friendships, new opportunities and perhaps even the idea of a new love. Described by the Daily Telegraph as 'one of fiction's great female creatures', Meg Eliot is a powerful heroine who inspired readers when she first appeared in 1958.

The Wars of the Roses turned England upside down. Between 1455 and 1485 four kings, including Richard III, lost their thrones, more than forty noblemen lost their lives on the battlefield or their heads on the block, and thousands of the men who followed them met violent deaths. As they made their way in a disintegrating world, the Paston family in Norfolk family were writing letters - about politics, about business, about shopping, about love and about each other, including the first valentine.Using these letters - the oldest surviving family correspondence in English - Helen Castor traces the extraordinary history of the Paston family across three generations. Blood & Roses tells the dramatic, moving and intensely human story of how one family survived one of the most tempestuous periods in English history.Longlisted for the Samuel Johnson Prize in 2005 and winner of the English Association's Beatrice White Prize in 2006.

Julia Copus's poems bring humanity and light to some of our most intimate and solitary moments, repeatedly breathing life into loss. In two previous collections, she has been feted as among the most compelling poets to have emerged in recent years; now, in The World's Two Smallest Humans, she is writing at her most captivating yet. These finely tuned poems are the fruit of her upbringing in a musical family, an affinity with the Classics, a fascination with the arc of time, and an unflinching scrutiny of love and personal relationships. Born out of a powerful sense of place, the poems navigate through a beguiling sequence of interior and exterior landscapes, whether revisiting Ovid, negotiating the perils of one composer's attempt to step into the shoes of another or describing, from shifting perspectives, a young girl's escape from suburban ennui. The book concludes with a moving arrangement of pieces that explore the author's experience of IVF: poems written with wry humour and with grace, which celebrate the mysteries of conception alongside the sometimes surreal business of medical intervention. The World's Two Smallest Humans is an unforgettable read.

When Chaucer composed Troilus and Criseyde he gave us, some say, his finest poem, and with it one of the most captivating love stories ever written. A Double Sorrow, Lavinia Greenlaw's new work, takes its title from the opening line of that poem in a fresh telling of this most tortured of love affairs. Set against the Siege of Troy, A Double Sorrow is the story of Trojan hero Troilus and his beloved Criseyde, whose traitorous father has defected to the Greeks and has persuaded them to ask for his daughter in an exchange of prisoners. In an attempt to save her, Troilus suggests that Criseyde flees the besieged city with him, but she knows that she will be universally condemned and looks instead to a temporary measure: pretending to submit to the exchange, while promising Troilus that she will return to him within ten days. But once in the company of the Greeks she soon realises the impossibility of her promise to Troilus, and in despair succumbs to another. Lavinia Greenlaw's pinpoint retelling of this heart-wrenching tale is neither a translation nor strictly a 'version' of Chaucer's work, but instead creates something new: a sequence of glimpses from the medieval poem that refine the psychological drama of the classical story through a process of detonation or amplification of image and phrase into original poems. In a series of skillfully crafted seven-line vignettes, the author creates a zoetrope that serves to illuminate the intensity with which these characters argue each other and themselves into and out of love. The result is a breathtaking and shattering read -contemporary and timeless - that builds into an unforgettable telling of this most heartbreaking of love stories.

Everyone's favourite classroom hamster is back! Dear Friends, At last, spring has come! Lucky for Room 26 where I'm class hamster because they've got a Family Fun Night planned at Longfellow School. It'll be great to get to know my classmates' families. I might even start thinking about what family means to me - especially as families come in all sorts of shapes and sizes. Happy-happy-happy reading! Humphrey

North East India, 1923. On the broiling Night Mail from Calcutta to Jamalpur, a man is shot dead in a first class compartment. Detective Inspector Jim Stringer was sleeping in the next compartment along. Was he the intended target? Jim should have known that his secondment to the East Indian Railway, with a roving brief to inspect security arrangements, would not be the working holiday he had hoped for. The country seethes with political and racial tension. Aside from the Jamalpur shooting, someone is placing venomous snakes - including giant king cobras - in the first class compartments of the railway. Jim also has worries on the home front: his daughter has formed a connection with a Maharajah's son, who may in turn have a connection to Jim's incredibly rude colleague, the bristling Major Fisher. Jim must do everything he can to keep his family safe from harm, as he unravels the intrigues that surround him...

In summer 2010 Simon Armitage decided to walk the Pennine Way. The challenging 256-mile route is usually approached from south to north, from Edale in the Peak District to Kirk Yetholm, the other side of the Scottish border. He resolved to tackle it the other way round: through beautiful and bleak terrain, across lonely fells and into the howling wind, he would be walking home, towards theYorkshire village where he was born.Travelling as a 'modern troubadour' without a penny in his pocket, he stopped along the way to give poetry readings in village halls, churches, pubs and living rooms. His audiences varied from the passionate to the indifferent, and his readings were accompanied by the clacking of pool balls, the drumming of rain and the bleating of sheep. WALKING HOME describes this extraordinary, yet ordinary, journey. It's a story about Britain's remote and overlooked interior - the wildness of its landscape and the generosity of the locals who sustained him on his journey. It's about facing emotional and physical challenges, and sometimes overcoming them. It's nature writing, but with people at its heart. Contemplative, moving and droll, it is a unique narrative from one of our most beloved writers.

Meet John Cromer, one of the most unusual heroes in modern fiction. If the minority is always right then John is practically infallible. Growing up disabled and gay in the 1950's, circumstances force John from an early age to develop an intense and vivid internal world. As his character develops, this ability to transcend external circumstance through his own strength of character proves an invaluable asset. Extremely funny and incredibly poignant, this is a major new novel from a writer at the height of his powers.