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When There's Nowhere Left to Hide . . . When Rob Hale wakes up in hospital after a motorcycle crash he is told that Lena, the woman he claims was travelling with him, doesn't exist. The woman he describes bears a striking resemblance to his recently deceased sister, Laura, but has he really only imagined her? Rob sets out to find the answers to who Lena is and where she has gone. He is aided by Rebecca Lewis, a London-based PI, who has come to the Isle of Man at the behest of his parents to investigate his sister's suicide. But who is Rebecca really and how did she know his sister? Together Rob and Rebecca follow the clues to discover who took Lena. In doing so they discover that even on an island where most people know each other, everyone hides a secret, and that sometimes your best option isn't to hide but to stay and fight.

A man is banished in a soldier's hearing. His daughter is left to wander. In a rash moment, Beatriz offers to take the child back to her father, and so starts an unimaginable journey across continents and in and out of war zones. But in their need to survive, the woman and the child transform in ways that become irreversible.The Wheel by Zinnie Harris premiered at the Traverse Theatre, Edinburgh, in August 2011 in a production by the National Theatre of Scotland.Zinnie Harris is a playwright and screenwriter, her work includes the multi-award-winning play Further than the Furthest Thing, and Spooks.'A glorious luminosity of spirit...really rather special.'Financial Times on Further than the Furthest Thing

One wintry morning academic Prudencia Hart sets off to a conference in the Scottish Borders. Stranded there by snow, she is swept off on a dream-like journey of self discovery, complete with magical moments, devilish encounters and wittily wild music.'You shouldn't miss this for the world . . . Rambunctiously life-affirming and touchingly beautiful.' Herald'More vibrantly alive than any piece of theatre I've seen in Scotland for years.' ScotsmanInspired by the Border ballads, The Strange Undoing of Prudencia Hart toured throughout Scotland in 2011 in a production by the National Theatre of Scotland.

John Donne (1572-1631) forfeited his Parliamentary seat and was briefly imprisoned when his secret marriage to Ann More was uncovered in 1601. He spent the subsequent decade in poverty, trying to rehabilitate his reputation. He entered the Church in 1615, and become Dean of St Paul's. His first volume of poetry was published posthumously in 1633.In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.

Thomas Wyatt (1503?-1542) was the first modern voice in English poetry. 'Chieftain' of a 'new company of courtly makers', he brought the Italian poetic Renaissance to England, but he was also revered as prophet-poet of the Reformation. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer.This remarkably original biography is more - and less - than a Life, for Wyatt is so often elusive, in flight, like his Petrarchan lover, into the 'heart's forest'. Rather, it is an evocation of Wyatt among his friends, and his enemies, at princely courts in England, Italy, France and Spain, or alone in contemplative retreat. Following the sources - often new discoveries, from many archives - as far as they lead, Susan Brigden seeks Wyatt in his 'diverseness', and explores his seeming confessions of love and faith and politics. Supposed, at the time and since, to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. Aspiring to honesty, he was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power.Wyatt's life, lived so restlessly and intensely, provides a way to examine a deep questioning at the beginning of the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's dissonant voice and broken lyre, the paradox within him of inwardness and the will to 'make plain' his heart, all of which make him exceptionally difficult to know - and fascinating to explore.

The Alliterative Morte Arthure - the title given to a four-thousand line poem written sometime around 1400 - was part of a medieval Arthurian revival which produced such masterpieces as Sir Gawain and the Green Knight and Sir Thomas Malory's prose Morte D'Arthur.Like Gawain, the Alliterative Morte Arthure is a unique manuscript (held in the library of Lincoln Cathedral) by an anonymous author, and written in alliterating lines which harked back to Anglo-Saxon poetic composition. Unlike Gawain, whose plot hinges around one moment of jaw-dropping magic, The Death of King Arthur deals in the cut-and-thrust of warfare and politics: the ever-topical matter of Britain's relationship with continental Europe, and of its military interests overseas. Simon Armitage is already the master of this alliterative music, as his earlier version of Sir Gawain and the Green Knight (2006) so resourcefully and exuberantly showed. His new translation restores a neglected masterpiece of story-telling, by bringing vividly to life its entirely medieval mix of ruthlessness and restraint.

Baghdad 1917. Captain Jim Stringer, invalided from the Western Front, has been dispatched to investigate what looks like a nasty case of treason. He arrives to find a city on the point of insurrection, his cover apparently blown - and his only contact lying dead with flies in his eyes. As Baghdad swelters in a particularly torrid summer, the heat alone threatens the lives of the British soldiers who occupy the city. The recently ejected Turks are still a danger - and many of the local Arabs are none too friendly either.For Jim, who is not particularly good in warm weather, the situation grows pricklier by the day. Aside from his investigation, he is working on the railways around the city. His boss is the charming, enigmatic Lieutenant-Colonel Shepherd, who presides over the gracious dining society called The Baghdad Railway Club - and who may or may not be a Turkish agent. Jim's search for the truth brings him up against murderous violence in a heat-dazed, labyrinthine city where an enemy awaits around every corner.

Jarvis Cocker is widely regarded as one of the most original and memorable lyricists and performers of the last three decades. Here, for the first time, is a selection of sixty-six lyrics, presented with commentary and an introduction by the man himself.In this volume, readers (and Pulp fans) will find such classic Jarvis lyrics as 'Common People', 'Disco 2000', 'Babies', 'This is Hardcore' and 'Do You Remember the First Time?' The selection, assembled by the author, reveals a sensibility that is unmistakeably Jarvis: a sometimes visceral, sometimes everyday take on love, relationships and the things we do to each other when the lights get low.Mother, Brother, Lover takes the reader on a thirty-year tour into the life, art and preoccupations of one of the great British artists of the late twentieth century. Shocking, sharp, clever and funny, it is a beautiful collection of lyrics and commentary.

Ollie Ewing has forgotten the thing that tells him who he is. The hero of Dermott Healey's Sudden Times has returned to Sligo to recover from "e;a few experiences"e; in London by laying low and listening to "e;complaints and sermons, jibes and asides"e; in his own head. Men are after him. A crowd of them. Or maybe not. He's in hiding, mostly from his own shame. His brother Redmond and his best friend Marty are dead. It seems as though Marty died in a labouring accident but as snippets of Ollie's scatty recollections cohere, it becomes apparent that Marty was murdered, left in the back of a lorry, in a pile of charred bones. Redmond too, was flown home from Luton in a coffin and it isn't until much later in the novel that the details of his manslaughter are revealed. The deaths haunt Ollie and people in the town can see the danger in his eyes. His attempts to reintegrate socially and mentally are slack, confused, painful and absurdly funny. He shifts from job to job, finally getting routine and acceptance as a trolley check-out in Doyle's supermarket. "e;You have to break out before you can learn the laws of the tribe. And you have to break inside before you can learn your true nature."e; Ollie is often uncertain of time or place and dislocation overtakes him without warning, throwing the narrative back to London, forward to France, while Ollie is too frightened to move far at all.

In a wind-battered Mayo cottage, playwright Jack Ferris tries to salvage something from his broken love affair with Catherine Adams. Drink and despair drove her away; can his imagination call her back? But as he summons up her past, Jack finds he has also called up Catherine's RUC father and a whole dangerous world of opposed traditions.

Since his debut, Nil Nil, won the Forward Prize for Best First Collection in 1993, Don Paterson has lit up the poetry scene in the U.K. His dazzling, intensely lyric and luminous verse has delighted readers ever since, and won many awards along the way. God's Gift Women took the T. S. Eliot Prize in 1997, Landing Light won it again in 2003 and the Whitbread Award besides, and Rain (2009), his most recent collection, won the Queen's Gold Medal for Poetry. This selection, drawn from twenty years of work, is made by the author himself and includes not only those poems from his four single volumes, but his thrilling and original adaptations of the poems of Antonio Machado and Rainer Maria Rilke. For any readers unfamiliar with Don Paterson's work, this Selected Poems offers the perfect introduction to this most captivating of writers; and for fans, an essential gathering from a master craftsman.

Falling in love is one of the strangest things we can do - and one of the things that makes us uniquely human. But what happens to our brains when our eyes meet across a crowded room? Why do we kiss each other, forget our friends, seek a 'good sense of humour' in Lonely Hearts adverts and try (and fail) to be monogamous? How are our romantic relationships different from our relationships with friends, family or even God? Can science help us, or are we better off turning back to the poets?Basing his arguments on new and experimental scientific research, Robin Dunbar explores the psychology and ethology of romantic love and how our evolutionary programming still affects our behaviour. Fascinating and illuminating, witty and accessible, The Science of Love and Betrayal is essential reading for anyone who's ever wondered why we fall in love and what on earth is going on when we do.

Literary biography is an endlessly fascinating form, not least because of the fierce controversies that attend the question of how much of a writer's real life ought to be related to readers. Ian Hamilton, a first-rate biographer who encountering his share of adversity in writing the life of J.D. Salinger, is the perfect chronicler of such controversies in this brilliant study, first published in 1992, which charts the course of literary biography from Donne and Shakespeare to Plath and Larkin.'Such a compelling read.' Antonia Fraser, Times'Lively and informative, powerfully and humorously written.' Anthony Burgess, Observer'Surely the funniest book ever written on the doom-laden issue of posthumous literary fame.' Jonathan Keates, Independent

Conceived as a showcase for Britain's burgeoning manufacturing industries and the exotic products of its Empire, the Great Exhibition at the Crystal Palace was Britain's first truly national spectacle. Michael Leapman explores how the exhibition came into being; the key characters who made it happen (from Prince Albert, who was credited with the idea, to Thomas Cook, whose cheap railway trips ensured its accessibility to all); and the fascinating tales behind the exhibits that fired the imagination of the era. 'The best kind of popular history: exact, imaginative and full of fun.' Sunday Telegraph`Splendid... Michael Leapman brings a child's delight to the wonders of the Exhibition and his enthusiastic prose makes his readers feel they are almost walking down its aisles.' Mail on Sunday`Entertaining and engaging' Independent

'There is the puzzle which it is the purpose of this book to try to elucidate. On the one hand, we have the alleged deficiencies of suburban taste; on the other we have the appeal it holds for ninety out of a hundred Englishmen, an appeal which cannot be explained away as some strange instance of mass aberration...'Sir James Richards (1907-1992), editor of the Architectural Review for 34 years, was arguably the leading advocate in Britain for the modern movement in architecture. The Castles on the Ground (1946) constitutes Richards' argument for and appreciation of the virtues of the built environment and the architectural aesthetic of suburbia. Concise and elegantly phrased, the volume is further blessed with superb illustrations by John Piper.

As a boy in 1934 Paul Vaughan unwittingly became part of a social trend - a great mass migration to the outskirts of London - as his family moved from Brixton to booming New Malden, where their new semi was a mere stroll away from countryside. This was Suburbia, and its outlook was not entirely promising. But Vaughan was so fortunate as to find an inspirational headmaster - John Garrett - at his local grammar school, which boasted a school song composed by Garrett's friend W.H. Auden. In due course he would find his way to Oxford; but as this evocative account testifies, New Malden would never quite leave him.'Wonderfully readable, wonderfully wry.' Edward Blishen, TES'Recalled with a Betjemanesque affection and eye for detail.' Peter Parker, Telegraph

Marx and Engels invented it; Lenin volunteered Russia for the honour of trying it; the Soviet people had to live with it.. This tongue-in-cheek travel guide is a cherishably witty insight into the chaotic, bewildering and sometimes scary society that resulted from this heroically doomed effort to "e;build Communism"e;. It teaches you basic Soviet survival skills including how to queue for useless products, bribe your way into empty restaurants and contravene anti-alcohol measures.'The authors' pen is driven not only by a blind hatred of socialism but also a genuine pathological medical condition.' Young Communists' Pravda (1986).'In 1986 USSR was a prescient, hilarious and inspirational take on the evil empire. For Soviet totalitarianism ridicule was a deadly foe. To Polonsky and Taylor, the thanks of all those who were once captive and are now free.' Edward Lucas, International Editor, Economist

The Oracles was the twelfth novel published by Margaret Kennedy (1896-1967) and its titular subjects are the members of a group of provincial intellectuals who happen upon what seems to them a piece of stunningly advanced modern sculpture. Possibly they are not to be blamed for failing to see that it is, in fact, only a commonplace garden chair that has been struck by lightning and twisted radically out of shape. However, under a delusion, The Oracles endeavour to force their fellow townsmen to purchase the 'work' with public money. This comedy of suspense, tension and confusion presents yet another splendid demonstration of Margaret Kennedy's remarkable storytelling gift.

'I am hungry for your presence. I hanker for the great blaze of your glance which when you turn it on me, will burn out the husk of my body and draw my soul to you.'Julia O'Faolian's second novel, first published in 1973, offers a rich, vivid portrait of the political and religious turmoil of sixth-century Gaul, wherein we find Radegunda, wife of King Clotair having been seized by him as a prize of war. Radegunda builds a convent, a refuge for the Brides of Christ, and there becomes renowned for her austerity and mysticism. Her religion, however, is fanatical, and her quest for sainthood will serve to undermine the seeming calm of the retreat she has made.'Vibrant and strange... [a] journey into a darker, wilder moment of history.' Sarah Dunant, Guardian

In 1964, Mary Whitehouse launched a campaign to fight what she called the 'propaganda of disbelief, doubt and dirt' being poured into homes through the nation's radio and television sets. Whitehouse, senior mistress at a Shropshire secondary school, became the unlikely figurehead of a mass movement for censorship: the National Viewers' and Listeners' Association, now Mediawatch-uk.For almost forty years, she kept up the fight against the programme makers, politicians, pop stars and playwrights who she felt were dragging British culture into a sewer of blasphemy and obscenity. From Doctor Who ('Teatime brutality for tots') to Dennis Potter (whose mother sued her for libel and won) to the Beatles - whose Magical Mystery Tour escaped her intervention by the skin of its psychedelic teeth - the list of Mary Whitehouse's targets will read to some like a nostalgic roll of honour.Caricatured while she lived as a figure of middle-brow reaction, Mary Whitehouse was held in contempt by the country's intellectual elite. But were some of the dangers she warned of more real than they imagined? Ben Thompson's selection of material from her extraordinary archive shows Mary Whitehouse's legacy in a startling new light. From her exquisitely testy exchanges with successive BBC Directors General, to the anguished screeds penned by her television and radio vigilantes, these letters reveal a complex and combative individual, whose anxieties about culture and morality are often eerily relevant to the age of the internet. 'A fantastic read . . . I can't recommend it highly enough.' Lauren Laverne, BBC Radio 6 Music

A soldier returns from the frontline of battle to report that Pekkala's charred body has been found at the site of an ambush. But Stalin refuses to believe that the indomitable Pekkala is dead.On Stalin's orders, Pekkala's assistant Kirov travels deep into the forests of Western Russia, following a trail of clues to a wilderness where partisans wage a brutal campaign against the Nazi invaders.Unknown to Kirov, he is being led into a trap.A new enemy has emerged from the fog of war, more deadly than any Kirov or Pekkala have ever faced before. Pursuing the legend of a half-human creature, said to roam the landscape of this war within a war, each step brings Kirov closer to the truth about Pekkala's disappearance. Meanwhile, Pekkala's nemesis is also closing in for the kill.

Longlisted for the Man Booker Prize'Good God, thought Oliver, as he saw the smile. She thinks I'm him! And all at once he knew it was so. HewasDr Norman Wilfred.'On the sunlit Greek island of Skios, the Fred Toppler Foundation's annual lecture is to be given by Dr Norman Wilfred, the world-famous authority on the scientific organisation of science. He turns out to be surprisingly young and charming - not at all the intimidating figure they had been expecting. The Foundation's guests are soon eating out of his hand. So, even sooner, is Nikki, the attractive and efficient organiser.Meanwhile, in a remote villa at the other end of the island, Nikki's old school-friend Georgie waits for the notorious chancer she has rashly agreed to go on holiday with, and who has only too characteristically failed to turn up. Trapped in the villa with her, by an unfortunate chain of misadventure, is a balding old gent called Dr Norman Wilfred, who has lost his whereabouts, his luggage, his temper and increasingly all normal sense of reality - everything he possesses apart from the flyblown text of a well-travelled lecture on the scientific organisation of science...And as the time draws ever nearer for one or other Dr Wilfred - or possibly both - to give the eagerly awaited lecture, so Skios - Greece - Europe - career off their appointed track.Longlisted for the Man Booker Prize,Skiosis a story of mislaid identity, misdirected passion and miscalculated consequences. Michael Frayn is also the celebrated author of fifteen plays includingNoises Off,CopenhagenandAfterlife.His other bestsellingnovels includeHeadlong, which was shortlisted for the Man Booker Prize andSpies, which won the Whitbread Best Novel Award.

Unapologetic is a brief, witty, personal, sharp-tongued defence of Christianity, taking on Dawkins' The God Delusion and Christopher Hitchens' God is Not Great.Its argument is that Christianity is recognisable, drawing on the deep and deeply ordinary vocabulary of human feeling, satisfying those who believe by offering a ruthlessly realistic account of the bits of our lives advertising agencies prefer to ignore. It's a book for believers who are fed up with being patronised, for non-believers curious about how faith can possibly work in the twenty-first century, and for anyone who feels there is something indefinably wrong, literalistic, anti-imaginative and intolerant about the way the case for atheism is now being made.Fresh, provoking and unhampered by niceness, this is the long-awaited riposte to the smug emissaries of New Atheism.

What is behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Enterprises and Manchester United - along with such stars as Jay-Z and Lady Gaga? Which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals? Anita Elberse, Harvard Business School's expert on the entertainment industry, has done pioneering research on the worlds of media and sports for more than a decade. Now, in this groundbreaking book, she explains a powerful truth about the fiercely competitive world of entertainment: building a business around blockbuster products - the movies, television shows, songs and books that are hugely expensive to produce and market - is the surest path to long-term success. Along the way, she reveals why entertainment executives often spend outrageous amounts of money in search of the next blockbuster, why superstars are paid unimaginable sums and how digital technologies are transforming the entertainment landscape. Full of inside stories emerging from her unprecedented access to some of the world's most successful entertainment brands, Blockbusters is destined to become required reading for anyone seeking to understand how the entertainment industry really works - and how to navigate today's high-stakes business world at large. 'Convincing . . . Elberse's Blockbusters builds on her already impressive academic r,sum, to create an accessible and entertaining book.' Financial Times

There were two Norman Conquests. John Julius Norwich is the consummate historian of the 'other' one: the conquest of Sicily.When on Christmas Day 1130 Roger de Hauteville was crowned first King of Sicily, the island entered a golden age. Norman and Italian, Greek and Arab, Lombard, Englishman and Jew all contributed to a culture that was as brilliant as it was cosmopolitan; and to an atmosphere of racial and religious toleration unparalleled in Europe. But sixty-four years later, to the day, the sun set on the Sicilian Kingdom. In this second volume of his history (The Normans in the South 1016-1130 is also in Faber Finds) Norwich describes the reigns of the grotesquely misnamed William the Bad and the Good and the bastard Tancred. We read, too, of St Bernard, magnetic but insufferable; of Adrian IV, the only English Pope; of Richard the Lionheart (behaving abominably in Messina); and other notables.This scintillating narrative history is also a superb traveller's guide, listing every Norman building extant on Sicily.

Science and Human Values was originally a lecture by Jacob Bronowski at MIT in 1953. Published five years later, it opens unforgettably with Bronowski's description of Nagasaki in 1945: 'a bare waste of ashes', making him acutely aware of science's power both for good and for evil.After such knowledge, what forgiveness? With care and erudition Bronowski argues that scientific endeavour is an essentially creative act, part of a great shared human interest in ourselves and the world around us; and, routinely, a process of trial-and-error, the end of which is not - cannot be - preordained. 'Above all, Bronowski strove to make science and technology answerable to social progress, to 'human values.' He anticipated the deepening gap between the 'two cultures' and knew that the sciences must be restored to a place in political common sense.' George Steiner

'TWO NAKED NUNS AVAILABLE PHILADELPHIA' is the strangest cable ever to come to Flaxborough. Inspector Purbright, who has coped with a few odd things in his time, finds it opens a rich lode of skullduggery, deceit and sudden death. Flaxborough is a quiet market town in the east of England, discreetly prosperous, respectable and brimming with provincial virtues. However, beneath the bland surface, strange passions seethe. The little foibles of its citizens afford more than ample scope to the wisdom and pertinacity of Inspector Purbright.First published in 1975, The Naked Nuns is the eighth novel in the Flaxborough series and displays Watson's characteristic dry wit and striking observation.'Flaxborough, that olde-worlde town with Dada trimmings.' Sunday Times

An exploration of the strange poetry of Dickens's imagination by leading academic and critic John Carey.Setting aside the usual interpretations of Dickens's work, A Violent Effigy delves into the wonderful, terrible fantasy world it inhabited. It shows Dickens torn between the appeal of violence and a fanatical orderliness: he was attracted by characters who commit murder or burst into flame or want to eat one another, but also required people soaped and regimented. The children he created were either the pious gnomes beloved of Victorian readers or callous, sharp-nosed children who pick out adults by the odd personal atmospheres they carry around. Among his females are mythic women whose insidious miniature weapons - needles, scissors - threaten the dominant male. He created a shadow-land between life and death, peopled by effigies, walking coffins, waxworks, stuffed creatures and disturbingly animated corpses. John Carey skilfully shows how Dickens demolished Victorian shams, while keeping at bay the terrors of his fantasy. He celebrates, above all, Dickens' peculiar genius for renewing the world by the curious lights he saw in it.

F. R. Leavis was the chief editor of Scrutiny, which between 1932 and 1953 had some claim on being the most influential literary journal in the English-speaking world. The Common Pursuit is a selection of Leavis's essays from Scrutiny, including his robust defence of Milton against T. S. Eliot, his deeply-felt engagement with Shakespeare, and his severe strictures on attempts to import sociology and political activism into the study of literature. The title of the book comes from a passage in Eliot's 'The Function of Criticism', in which the poet argues that the critic must engage in 'the common pursuit of true judgment'. For Leavis, this meant a strenuous insistence on discriminatory criticism - clear statements about what is good and morally mature and admirable, and equally clear condemnation of what is trivial. The Common Pursuit, with its controversial judgments of Bunyan and Auden, Swift and Forster, remains as challenging now as it did in 1952, and it is easy to see why Leavis - who was never offered a professorship by Cambridge University - held such sway over the study of English literature in his time.

A panoramic novel that stretches from 1912 to 1967 No Laughing Matter is perhaps Angus Wilson's most autobiographical novel. The novel chronicles the end of the bourgeois way of life as seen through the lives of the six Matthews children and their dysfuntional middle-class family. Their parents - Billy Pop and the Countess - are objects of ridicule to their children who vow never to make their mistakes. Quentin, the eldest, is a socialist who adores women. His fervent views, however, become distilled over the years until he transforms into a cynical TV pundit. Gladys, plump and amenable, is unlucky in love and eventually falls for the charms of a crook. Rupert, the handsome actor, has a successful career until he fails to adapt to the changing theatre. Margaret is a brilliant and highly acclaimed novelist but she becomes bitter as her twin Sukey sinks into domestic bliss, while Marcus, the baby of the family, believes that his career is his life. An ambitious and enriching novel No Laughing Matter is an extraordinary work in its depictions of complex family relationships, where it is just as easy to hate as to love and where everyone struggles to be an individual.