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Mass Observation was founded in 1937 with the aim of researching the everyday lives of ordinary people in Britain. One of its best-loved publications is The Pub and the People (1943), a unique study of one of Britain's best-loved pastimes, describing how people behaved in pubs, what and how much they drank, and the decor and layout of the average pre-war alehouse. Alongside sociological interest it offers amusing insights into an era when supping pints was only for the roughest customers, and beer was considered helpful not only to general health ('There is no bad ale, so Grandma said') but also (contra the porter in Macbeth) to the act of love. 'The authors of this book have unearthed much curious information.' George Orwell, Listener'Anyone with an interest in the history of beer and pubs in Britain ought to read it.' Boak and Bailey's Beer Blog

Michael Foot's two-volume biography of Aneurin 'Nye' Bevan (1897-1960) - arguably Britain's greatest socialist, indelibly associated with the founding of the National Health Service, - is one of the major political biographies of the last century. It is the life of an inspirational politician, written by one who knew and unabashedly admired him. Volume I, first published in 1962, describes Bevan's life from his birth in Tredegar in the South Wales Valleys, through his abortive schooling, his employment at a colliery and the subsequent embrace of socialism that would make him a leader among South Wales miners. It follows his path to the House of Commons as a Labour MP with a fast-rising reputation as a defender of the working class; and his marriage in 1934 to fellow firebrand MP Jennie Lee. The volume closes with Labour's landslide election victory of 1945, and Bevan's appointment as Minister of Health.

Arthur Seymour John Tessimond - Jack to his family, John in later life - was born in Birkenhead in 1902 and made his living as an advertising copywriter, but his true writing life was in poetry, three volumes of which he published in his lifetime: The Walls of Glass (1934), Voices in a Giant City (1947), and Selection (1958). Tessimond died in May 1962, two months shy of his sixtieth birthday, and it would fall to Hubert Nicholson, his friend and executor, to make a posthumous selection of his work including a number of uncollected and unpublished poems. Not Love Perhaps (1978) has at its heart the memorable title piece which contrasts the idea of romantic love 'that many waters cannot quench' with the notion of a mutual companionship that enables two people to 'walk more firmly through dark narrow places'.

'Donne is perhaps the most intellectual of English poets, and John Carey is perhaps the most intelligent of contemporary English literary critics. The encounter, as one might expect, is fierce and enthralling... This book is sensitive, searching, powerful, exciting, provocative and witty. It is a superb achievement.' Christopher Hill, TLSJohn Donne: Life, Mind and Art is a unique attempt to see Donne whole. Beginning with an account of his life, it takes as its domain not only the whole range of the poetry, but also the sermons, the letters, the spiritual and controversial works, and such highly personal documents as the treatise on suicide. The result is a clearer picture than has hitherto emerged of one of the most intricate and compelling of literary personalities.'The one book we have needed all along... A magnificent exercise in reappraisal. I have never read a critical work which reaches as deeply inside the mind of its subject.' Jonathan Raban, Sunday Times'Carey's book is itself alive with the kind of energy it attributes to Donne.' Christopher Ricks, London Review of Books

'I go in my bedroom and lie on my bed and soon as I set eyes on Nick it's like magic...' (Alison, 14)Starlust is a stunning oral history of pop music fandom in all its glorious, unexpurgated ecstasies and deliriums. Through first-hand accounts collected from interviews, diaries, letters and confessions Fred Vermorel presents an unprecedented, multi-faceted portrait of 1980s-era pop adoration and obsession - from lonely teens love-struck by Nick Heyward, to the androgynous disciples who claim psychic connections with David Bowie, to the housewife-devotees who share 'lashings of Manilust' for Barry Manilow. 'This book, at first glance full of the fantasies of maniacs, is really full of the wonderful dreams of people just like you and me.' Pete Townshend Faber Finds is devoted to restoring to readers a wealth of lost/neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog https://faberfinds.wordpress.com/

Greg is overheard admitting that his girlfriend Steph is no beauty, but that he wouldn't change her for the world. She is devastated; he can't see what he's done wrong. Meanwhile, Greg's friend Kent alternates between boasting about how gorgeous his wife Carlyis and chasing after a hot new colleague.The final part of Neil LaBute's 'beauty trilogy' (following The Shape of Things and Fat Pig) about society's obsession with looks, Reasons to Be Pretty premiered in the UK at the Almeida Theatre, London, in November 2011.'[The Shape of Things] is LaBute's thesis on extreme feminine wiles, as well as a disquisition on how far an artist can go in the name of art . . . Like a chiropractor for the soul, LaBute is looking for realignment, listening for the crack.' Elle'A heart-warming tale from America's master misanthrope.' Independent on Fat Pig

'Other folks get so well known,And nobody knows about my own,'Have you met my sister Jane? She's a great big crow! My Grandpa is an owler and Grandma knits jerseys for wasps! And my other Granny is an octopus...Meet Aunt Flo, Brother Bert and more extraordinary family members in Ted Hughes' irresistible Meet My Folks, his first book for children, illustrated beautifully by George Adamson.

The news that a government inspector is due to arrive in a small Russian town sends its bureaucrats into a panicked frenzy. A simple case of mistaken identity exposes the hypocrisy and corruption at the heart of the town in this biting moral satire.David Harrower's version of Nikolai Gogol's Government Inspector premiered at the Warwick Arts Centre in May 2011 and transferred to Young Vic, London in June.

The residents of Pepys Road, London - a banker and his shopaholic wife, an elderly woman dying of a brain tumour, the Pakistani family who run the local shop, the young football star from Senegal and his minder - all receive anonymous postcards with a simple message: We Want What You Have. Who is behind it? What do they want? As the mystery of the postcards deepens, the world around Pepys Road is turned upside down by the financial crash and all of its residents' lives change beyond recognition over the course of the next year. From the bestselling author of Whoops! and How to Speak Money comes a post-financial crisis, state-of-the-nation novel told with compassion, humour and unflinching truth.

The story of the French Resistance is central to French identity, but it is a story built on myths. 'La R,sistance fran,aise' was not simply a national effort to free the country from German occupation, but a wider struggle, filled with conflicts and division. It included Spanish republicans, Italian and even German anti-Nazis. The defence against the Holocaust brought in Jewish resisters and Christian rescuers. It involved a civil war for the French Empire in Africa and the Near East. The movement itself was split between those on the far right and the far left, fighting for very different visions of the world.Robert Gildea returns to the testimonies of the resisters themselves, asking who they were, what they believed in and what compelled them to take the terrible risks they did. He brings to the fore the woman resisters, who history neglected. By looking again at the constructions and interplay of the myths surrounding the resistance, Gildea builds a vivid, gripping and entirely new account of one of the most compelling narratives of the Second World War.

'Barcelona is colour, noise, heat, dust, violent traffic and quick-moving people. Many of the men carry rifles slung on their backs...'Tom Wintringham (1898-1949) was a pioneer of the International Brigades in the Spanish Civil War, and commander of the British Battalion in the bloody Battle of Jarama in February 1937, at which he was wounded. English Captain is Wintringham's own startling account of his service to the cause of the Spanish republic.'[Wintringham] was a remarkable man of ideas; the foremost Marxist expert on warfare, a published poet, a brilliant propagandist... He was also a man of action who believed that few things in life could be achieved unless you were prepared to fight for them.' Hugh Purcell, History Today

Two imprisoned young women, one African American and the other white, form a perilous bond. As they serve time they forge a plan for survival. They practice hard. If they don't get it right they'll lose everything: the outside world is even more dangerous to their friendship than the jail itself.Exploring the fierce dreams of youth and the brutal reality of adulthood in 1950's segregated America, Naomi Wallace's And I and Silence premiered at the Finborough Theatre, London, in May 2011.

'I had arrived at the Greek view of nature. In wood and river and plant and animal and bird and insect it had seemed to me there was a spirit which was the same as my spirit...'Born in Belfast in 1875, Forrest Reid would earn a reputation as 'the first Ulster novelist of European stature.' He studied at Cambridge, but it was Belfast where Reid returned to make his home, and where his questing mind seemed to find all that it required of inspiration. As he writes in Apostate (1926), the first of two volumes of autobiography - 'The landscape was the landscape I loved best, a landscape proclaiming the vicinity of man, a landscape imbued with a human spirit that was yet somehow divine.'

By 1914 the Liberal Party had been governing Britain ever since its stunning general election victory of 1906. Four years later the Party was out of office, and so enfeebled it would never again form a government. What prompted the Liberal decline in the years of The Great War, and why did this decline then accelerate? Trevor Wilson's classic study analyses the strains exerted on Liberal principles by war, and the leadership crisis induced in 1916 by Lloyd George's ousting of Asquith.'A good political mystery, and Mr Wilson has told it in fine dramatic style.' A.J.P. Taylor'Offers portraits of those rivals, Asquith and Lloyd George, that are among the best - the most plausible and the most temperate - available.' New Yorker

'This is a fan's eye-view of Paul Gascoigne - and fans, as we know, are expert at reassembling dashed hopes...'In 1987 Ian Hamilton - acclaimed poet, biographer and Tottenham fan - was smitten from afar by the impish skills of Newcastle United's Paul Gascoigne. When 'Gazza' duly signed for Spurs, Hamilton was sure that he and English football had found their new hero. But Gascoigne was destined to be brought low by tragic flaws, and Hamilton was ideally positioned to tell the tale in this, a peerless piece of football literature.'By the final whistle Hamilton has sketched a compelling figure: reckless, cocky, twitchy, hyperactive and half bonkers... but with flashes of implausible grace that connect with the dreams of his audience.' Independent

'You can't imagine what it's like when your youth comes back - and beauty, and more... I found out that if I took the pills I could turn - just like that - into the person I had been. Yes, into me! Eliza! Where had I gone? Who had I been?'Emma Tennant's brilliant re-imagining of Robert Louis Stevenson tells of an impoverished single mother at the bitter end of her tether, who finds dark pharmaceutical means to revive her looks and career ambitions. This splitting of personality, however, leads to disintegration and murder.'Fascinating.' Financial Times'Brilliant... Wittily worked out, perceptive of modern mores and values.' Times Literary Supplement'Reminiscent of Muriel Spark at her very darkest and very best.' Scotland on Sunday

'...I met the sad menopausee and offered her, at the flick of a switch, a return of beauty, youth, and desire. And - after all, I'm no stinge-merchant - power and money as well. Why not? If a man, such as Dr Faustus, was offered such commodities by myself... why not a woman, in this age of equality?'Emma Tennant's ingenious modern-day reworking of the Faust legend describes a young woman's dark discovery of just what befell her kindly long-lost grandmother.'Brilliant'. Penelope Fitzgerald, Evening Standard'An elegant and bitter story... an angry diagnosis of consumerism, pollution, wealth, poverty and war...' Times Literary Supplement'It is a masterpiece. Or, as the Devil himself might say, one hell of a book.' Daily Mail

The third volume of the annotated selected letters of composer Benjamin Britten covers the years 1946-51, during which he wrote many of his best-known works, founded and developed the English Opera Group and the Aldeburgh Festival, and toured widely in Europe and the United States as a pianist and conductor.Correspondents include librettists Ronald Duncan (The Rape of Lucretia), Eric Crozier (Albert Herring, Saint Nicolas, The Little Sweep) and E. M. Forster (Billy Budd); conductor Ernest Ansermet and composer Lennox Berkeley; publishers Ralph Hawkes and Erwin Stein of Boosey & Hawkes; and the celebrated tenor Peter Pears, Britten's partner. Among friends in the United States are Christopher Isherwood, Elizabeth Mayer and Aaron Copland, and there is a significant meeting with Igor Stravinsky.This often startling and innovative period is vividly evoked by the comprehensive and scholarly annotations, which offer a wide range of detailed information fascinating for both the Britten specialist and the general reader.Donald Mitchell contributes a challenging introduction exploring the interaction of life and work in Britten's creativity, and an essay examining for the first time, through their correspondence, the complex relationship between the composer and the writer Edward Sackville-West.

'The Calder valley, west of Halifax, was the last ditch of Elmet, the last British Celtic kingdom to fall tothe Angles. For centuries it was considered a more or less uninhabitable wilderness, a notorious refuge forcriminals, a hide-out for refugees. Then in the early 1800s it became the cradle for the Industrial Revolution intextiles, and the upper Calder became "e;the hardest-worked river in England"e;. Throughout my lifetime, since1930, I have watched the mills of the region and their attendant chapels die. Within the last fifteen years the endhas come. They are now virtually dead, and the population of the valley and the hillsides, so rooted for so long,is changing rapidly.' Ted Hughes, Preface to Remains of Elmet (1979)Ted Hughes's remarkable 'pennine sequence' celebrates the area where he spent his early childhood. It mixessocial, political, religious and historical matter - a tapestry rich in the personal and poetic investment of alandscape that both creates and is inured to its people, whose moors 'Are a stage for the performance of heaven./ Any audience is incidental.' Remains of Elmet is one of Hughes's most personal and enduring achievements.

In 1996, in the middle of watching an ill-tempered football match between England and Germany, Philip Oltermann's parents tell him that they are going to leave their home city Hamburg behind and move to London.Inspired by his own experience of both countries, Philip Oltermann looks at eight historical encounters between English and German people from the last two hundred years: Helmut Kohl tries to explain German cuisine to the Iron Lady, the Mini plays catch-up with the Volkswagen Beetle, and Joe Strummer has an unlikely brush with the Baader-Meinhof gang.Keeping Up with the Germans is a witty look at the lighter-side of Anglo-German relations over the last 100 years.

Matthew Bourne and His Adventures in Dance is an intimate and in-depth conversation between the prize-winning pioneer of ballet and contemporary dance Matthew Bourne and the New York Times dance critic Alastair Macaulay.In 1987, a small, aspirant dance group with a striking name made its debut on the London fringe. In 1996, Adventures in Motion Pictures made history as the first modern dance company to open a production in London's West End. From this achievement, AMP sailed triumphantly to Broadway - winning three Tony Awards - guided by Artistic Director Matthew Bourne.Even before the inception of AMP, Bourne was fascinated by theatre, by characterization, and by the history of dance. In his early works - Spitfire, Town & Country and Deadly Serious - Bourne brought a novel approach to dance. And in his reworkings of the classics of the ballet canon - Nutcracker, Swan Lake, Cinderella - Bourne created witty, vivid, poignant productions that received great acclaim.In the first decade of the new millennium, the company name was changed to New Adventures, and Bourne's 'classics', as well as Bourne's new works - The Car Man, Play Without Words, Edward Scissorhands and Dorian Gray - achieved levels of box-office popularity that have seldom, if ever, been matched in dance. In addition, his choreography for various musicals - My Fair Lady, Mary Poppins and Oliver! - have run for years in the West End and on Broadway.The detail in which Bourne discusses his work with Alastair Macaulay is unprecedented. The two explore Bourne's upbringing, his training and influences, and his distinctive creative methods. Bourne's notebooks, his sources and his collaboration with dancers all form part of the discussion in this book.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.Music, when soft voices die,Vibrates in the memory --Odours, when sweet violets sicken,Live within the sense they quicken.-- To

Following his hugely acclaimed TV come-back Comedy Vehicle, Lee finds himself in search of ideas for a new Edinburgh show. On a long walk across London, he endures a coffee shop humiliation involving a loyalty card which suggests itself as a framing device. Later that month, thanks to Jeremy Clarkson's casual slur against Gordon Brown and the appearance of a well-meaning young comedian in an advert, a show is born. Featuring a transcript of the show fully annotated with footnotes, the If You Prefer A Milder Comedian EP confirms Stewart Lee as the most original, daring and brilliant comedian of his generation.

By mid-nineteenth century, Meyer Amschel Rothschild's five sons controlled one of the most massive fortunes in Europe. The Rothschild name had become synonymous with the enormous political and social power that often accompanied that wealth, the amassing of which is remarkable considering the painfully modest beginnings of its founder.Born in the unimaginable squalor of Frankfurt's Jewish ghetto (where he chose to spend his entire life), Meyer Rothschild established a small trading and banking business that - despite political, legal, and social constrictions segregating Jews from the outside world -evolved into an empire that included the financial centers of the world.Founder is the story of Meyer Rothschild's times, of the condition of the Jews, of the city-states before they were overrun by Napoleon's troops. It is about the threshold of the modern era, when the world of aristocrats and gentlemen was profoundly influenced by a shrewd, dedicated, loyal father and his family. Amos Elon's rich and evocative depiction of life in mid-eighteenth-century Europe provides a vivid background against which we come to understand and marvel at the strength and perseverance driving this obviously extraordinary, humble man. 'Elon... has written a terrifically readable biography that does more than illuminate the formerly shadowy figure who served princes in what is now Germany. Through the prism of Mayer Rothschild's life, Mr. Elon gives us a fascinating glimpse into how Europe - and by implication, the New World - made the journey from mercantilism to modern entrepreneurship....Mr. Elon's feat is in chronicling all this with clarity and drama. Founder skillfully weaves history into this story of human endeavour to create a memorable narrative of Mayer Rothschild's time.'Deborah Stead, New York Times Book Review

Elizabeth David was born into a upper-class family and pursued a rebellious and bohemian life as a student of art and then an actress in Paris, before running off with a married man to Greece and then settling in Cairo, where she worked for the British government. After the Second World War, she returned to England, where she was shocked by poor food into writing first articles, then books on Meditteranean cooking. A Book of Mediterranean Food was published in 1950, inspiring a cookery revolution, bringing new flavours and ingredients to the drab, post-war British diet. Over the next few years, David was to become a major influence on British cooking, yet her classic cookery books show little of the colourful personality behind the public persona. Artermis Cooper, in this refreshing biography, reveals an adventurous and uncompromising personality - a woman with a passion for food, life and men. This is the whole story: of her strong friendships, her failed marriage, tempestuous affairs and the greatest love of her life, told with extensive refererence to David's private papers and letters.'In this wonderful and creative book, Cooper has brought David to life... she not only writes like an angel, but has done her research with great skill and obvious enjoyment.' Derek Cooper, Sunday Times'Engagingly well-written, thoroughly researched and documented. One of the delights of Artemis Cooper's book is that it makes you go back, time and again, to the source. And suddenly I will find that I have whiled away the afternoon re-reading, for the sheer pleasure of it, half of Spices or An Omlette and a Glass of Wine.' Frances Bissell, The Times'Fluent, engaging and astonishingly readable.' Clarissa Dickson Wright, Mail on Sunday'Artemis Cooper is skilled and wise enough to handle the contradictory sides of David's character without being either censorious or sensational.' Arabella Boxer, The Times Literary Supplement

Writer of The Times Diary, Michael Leapman, became a tenant of an allotment next to Brixton Prison for 35p a year in 1974 when food and energy shortages inspired many people to attempt self-sufficiency. This book tells the story of the plot and the author's first year of cultivating it, written with humour and wit while providing a wealth of information for the would-be urban horticulturalist."e;It is splendid stuff and if your husband is a gardening bore and you want to shut him up for an hour or three, this is the answer.' The Guardian'It makes fine bedside reading, laced with plenty of anecdotes, good gardening information, plus an Idle Gardener's Almanac.' Good Housekeeping

Politician, poet and diplomat, Lord Norwich - better known as Duff Cooper - compiled his autobiography with the aid of his detailed and frank diaries. The many entries he quotes in these pages lend immediacy and humour to some of the most important events for twentieth-century Britain. During his twenty years in the House of Commons, Cooper held the offices of Financial Secretary to the War Office and Treasury, Secretary of State for War, First Lord of the Admiralty (famously resigning in protest at Chamberlain's disastrous Munich Agreement with Hitler, and only returning to government after Churchill became Prime Minister), Minister of Information, Chancellor of the Duchy of Lancaster, and was the British Ambassador in Paris between 1944 and 1947. Old Men Forget was first published in 1953, the year before his death.

Lady Diana Cooper was in her prime widely regarded as the most beautiful woman in England and the idol of her generation. She was witty, outrageous, generous and loyal. Famous as a member of the aristocratic and intellectual group 'The Cotorie', she later edited the magazine Femina before starting a career as an actress on the stage and then in films during the 1920s. Her husband, Duff Cooper, was parliament in 1924 and Diana continued as a society hostess until his retirement in 1947. Diana wrote three volumes of memoirs in the 1950s which are also published by Faber Finds, and she died in 1986 aged 93. Philip Ziegler's biography is a compulsive read, telling the story of a remarkable woman and her passionate life.'For nine decades a symbol of all that is dashing and daring, a synonym for courage and wit and inspired friendship.' Sunday Telegraph'Combines total honesty with total affection... A portrait which you can laugh over, cry over and think over as well.' Punch'No wonder Evelyn Waugh loved her.' Scotsman

'Will surely rank as one of the foremost literary biographies of our time.'John Carey, Sunday Times In his lifetime Gerard Manley Hopkins (1844-1889) published just a single poem - only a few close friends were aware he wrote. Much of his work was burnt by fellow Jesuits on his death. And yet Hopkins is today a huge figure in English literature. Homosexual but terribly repressed, he channeled his emotions toward nature and God, with profound results. Princeton emeritus professor Martin, the only biographer to have unrestricted use of Hopkins' private papers, tells this extraordinary story from Hopkins' early life and studies at Oxford, through his tortuous conversion from Anglicanism to Catholicism, to his struggle in later years to retain his very sanity. 'In Martin, the unhappy and tormented genius has found the most sympathetic and intelligent interpreter... [The book] goes to the heart of Hopkins, and plants him firmly before us as a Victorian, and a great one.' Allan Massie, Sunday Telegraph 'Martin follows Hopkins through his toils with sympathy and a great unshowy command of the facts. In this magnificently solicitous biography he has re-established the contours of the story definitively and made the homosexual drama integral to the better-known drama of conversion and poetics.' Seamus Heaney, Independent on Sunday 'The triumph of this learned, scrupulously detailed and persuasive biography is that it brings the reader as near as it is perhaps possible to come to living Hopkins' life, to sensing the mysterious crushing pressures that were for him intimately bound up with the richness and complexity of his writing.'Hilary Spurling, Daily Telegraph

'William Sansom [1912-1976] was once described as London's closest equivalent to Franz Kafka. He wrote in hallucinatory detail, bringing every image into pin-sharp focus... Sansom writes of head-aching hatreds and hopeless ecstasies, of malevolent objects and wasted lives... Sansom's publisher described his work as "e;modern fables"e;, but what makes them so ripe for rediscovery is their freshness and currency.' Christopher Fowler, Independent 'The worlds William Sansom surprises into life are populated with gentle stranglers and murderous lovers, with beasts that think like men and men who dream themselves into beasts. Their environs are often menacing and unfailingly strange...'Time This stunning collection, introduced by Elizabeth Bowen, offers a gleaming array of Sansom's finest fables, among them 'The Wall', 'A Contest of Ladies', 'Displaced Persons', 'Various Temptations', 'A Saving Grace', 'A Woman Seldom Found', and 'The Vertical Ladder.' ''The Vertical Ladder'... a short story about a man climbing a very high ladder and becoming more and more afraid... is a masterpiece, at once pure thought and pure action, [one] of the best short stories of the twentieth century.'B.R. Myers, Atlantic 'A Sansom story is a tour de force... Here is a writer whose faculties not only suit the short story but are suited by it - suited and, one may feel, enhanced... In the narration there must be an element of conjury, and of that William Sansom is an evident master.'Elizabeth Bowen (from her 'Introduction')