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In his eleventh full-length collection, Paul Muldoon reminds us that he is a traditional poet who is steadfastly at odds with tradition. If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are 'sex and the dead', Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its 'subject' the urge to memorialize the scenes of fatal car accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title-sequence but many of the round-songs that characterize Maggot and has led Angela Leighton, writing in the TLS, to see these new poems (on their earlier appearance in Plan B, an interim volume which included several of the poems in Maggot) as giving readers 'a thrilling, wild, fairground ride, with few let-ups for the squeamish.'

Seamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present - the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, as lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems which stand at the crossroads of oral and written, and other 'hermit songs' which weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled 'Route 110' plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s adolescence to the birth of the poet's first grandchild. Other poems display a Virgilian pietas for the dead - friends, neighbours and family - which is yet wholly and movingly vernacular. Human Chain also adapts a poetic 'herbal' by the Breton poet Guillevic - lyrics as delicate as ferns, which puzzle briefly over the world of things which excludes human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included.Human Chain is Seamus Heaney's twelfth collection of poems.

Do you know how they get animals to breed in captivity? They put them in the same cage.One moment you're colleagues, and then it's Friday night drinks, a quick grope, and you're an item. When Tom and Amy get together, they find themselves living in each other's pockets. But all too soon the ghosts of relationships past begin to interfere with the here and now.A comedy about love, loss and laminating machines, My Romantic History premiered at the Traverse Theatre, Edinburgh, in August 2010 in a Bush Theatre and Sheffield Theatres production, in association with Birmingham Rep.

Since 2003, Iraq has rarely left the headlines. But less discussed is the fact that Iraq as we know it was created by the British, in one of the most dramatic interventions in recent history. A cautious strategic invasion by British forces led - within seven years - to imperial expansion on a dizzying scale, with fateful consequences for the Middle East and the world. In When God Made Hell, Charles Townshend charts Britain's path from one of its worst military disasters to extraordinary success with largely unintended consequences, through overconfidence, incompetence and dangerously vague policy. With monumental research and exceptionally vivid accounts of on-the-ground warfare, this a truly gripping account of the Mesopotamia campaign, and its place in the wider political and international context. For anyone seeking to understand the roots of British involvement in Iraq, it is essential reading.

January 1961, and the beaten, stabbed and strangled body of a nineteen year old Pearl Gambol is discovered, after a dance the previous night at the Newry Orange Hall. Returning from London to investigate the case, Detective Eddie McCrink soon suspects that their may be people wielding influence over affairs, and that the accused, the enigmatic Robert McGladdery, may struggle to get a fair hearing. Presiding over the case is Lord Justice Curran, a man who nine years previously had found his own family in the news, following the murder of his nineteen year old daughter, Patricia.In a spectacular return to the territory of his acclaimed, Booker longlisted The Blue Tango, Eoin McNamee's new novel explores and dissects this notorious murder case which led to the final hanging on Northern Irish soil.

'I'm no angel.' Bernie Ecclestone Born into poverty, Bernie Ecclestone has made himself a billionaire by developing the world's second most popular sport - Formula One racing. Private, mysterious and some say sinister, the eighty-year-old criss-crosses the globe in his private jet, mixing with celebrities, statesmen and sporting heroes. His success is not just in creating a multibillion-pound global business but in resisting repeated attempts to snatch the glittering prize from his control. Ecclestone has never before revealed how he graduated from selling second-hand cars in London's notorious Warren Street to become the major player he is today. He has finally decided to reveal his secrets: the deals, the marriages, the disasters and the successes in Formula One racing, in Downing Street, in casinos, on yachts and in the air. Surprisingly, he has granted access to his inner circle to Tom Bower, described by Ecclestone as 'The Undertaker' - the man who buries reputations - and has given him access to all his friends and enemies. All have been told by Ecclestone, 'Tell him the truth, good or bad.' No Angel is a classic rags-to-riches story, the unique portrayal of a unique man and an intriguing insight into Formula One racing, business and the human spirit. Tom Bower is the author of nineteen books, including biographies of Robert Maxwell, Mohamed Fayed, Gordon Brown, Richard Branson, Conrad Black and more recently, Simon Cowell.

Ian Hamilton wrote two books on J. D. Salinger. Only one, this one, was published. The first, called J. D. Salinger: A Writing Life, despite undergoing many changes to accommodate Salinger was still victim of a legal ban. Salinger objected to the use of his letters, in the end to any use of them. The first book had to be shelved. With great enterprise and determination however, Ian Hamilton set to and wrote this book which is more, much more, than an emasculated version of the first.For someone whose guarding of his privacy became so fanatical it is perhaps surprising how much Ian Hamilton was able to disinter about his earlier life. Until Salinger retreated completely into his bolt-hole outside Cornish in New Hampshire many aspects of his life, though it required assiduousness on the biographer's part, could be pieced together. A surprising portrait emerges; although there were early signs of renunciation, there were moments when his behaviour could almost be described as gregarious. The trail Hamilton follows is fascinating, and the story almost has the lineaments of a detective mystery with the denouement suitably being played out in Court.'As highly readable and as literate an account of Salinger's work from a biographical perspective as we are likely to receive' The Listener'A sophisticated exploration of Salinger's life and writing and a sustained debate about the nature of literary biography, its ethical legitimacy, its aesthetic relevance to a serious reading of a writer's books' Jonathan Raban, Observer'Hamilton's book is as devious, as compelling, and in a covert way, as violent, as a story by Chandler' Victoria Glendinning, The Times

Winner of a Betty Trask AwardShortlisted for the Dylan Thomas Prize and the Commonwealth Book PrizeLonglisted for the Desmond Elliot PrizeThe Spider King's Daughter is a modern-day Romeo and Juliet set against the backdrop of a changing Lagos, a city torn between tradition and modernity, corruption and truth, love and family loyalty. Seventeen-year-old Abike Johnson is the favourite child of her wealthy father. She lives in a She lives in a sprawling mansion in Lagos, protected by armed guards and ferried everywhere in a huge black jeep. But being her father's favourite comes with uncomfortable duties, and she is often lonely behind the high walls of her house. A world away from Abike's mansion, in the city's slums, lives a seventeen-year-old hawker struggling to make sense of the world. His family lost everything after his father's death and now he runs after cars on the roadside selling ice cream to support his mother and sister.When Abike buys ice cream from the hawker one day, they strike up an unlikely and tentative romance, defying the prejudices of Nigerian society. But as they grow closer, revelations from the past threaten their relationship and both Abike and the hawker must decide where their loyalties lie.

The Faber Pocket Guide to Handel offers a detailed but accessible exploration of George Frederick Handel, his composition, and his legacy. A larger-than-life figure in his time, Handel's reputation has been less than steady since his death in 1759. Was he (in the words of Berlioz) just 'a great barrel of pork and beer', or (as Handel himself claimed) truly 'the master of us all'? Now, more than 250 years after his death, there is more interest in Handel than ever before, with his operas (such as Rinaldo and Agrippina) experiencing fantastic renewed popularity. This lively new Pocket Guide goes in search of the composer who wrote the Messiah, Water Music - and much more.Handy for browsing and reference, key features include:- Handel's life: year by year- Handel's operas: a complete guide- Essential Handel- Picturing Handel- Handel on CD and DVD- Handel OnlineEdward Blakeman assesses how Handel's works - incredibly influential in their context of baroque music - have stood the test of time and why they can still speak thrillingly to us today. With recommendations throughout for listening, further reading, and web surfing, this is the ideal guide for music lovers who want to discover the great composer for themselves.

Joseph Haydn is one of the greatest and most innovative of all composers, yet in some ways he is still curiously misunderstood. This engaging new Pocket Guide assesses what Haydn's music means to us today, and challenges some of the myths that have grown up around the composer. With suggestions for further reading and recommended CD recordings, Richard Wigmore's crisp and concise guide presents you with all you need to listen to and enjoy Haydn's music. It explores each of his key works, from his symphonies to his quartets, from his choral works to his sonatas, and invites a new generation of listeners to discover the depth and dazzling ingenuity of this most humane and life-affirming of composers.

The eagerly awaited follow-up to the best-selling Why Beethoven Threw the Stew.What did Haydn's wife use for curling-paper for her hair?What did Schubert do with his old spectacles case?Why was Dvorak given a butcher's apron when he was a little boy?Why did Tchaikovsky spit on a map of Europe?Why did Faure find a plate of spinach on his face?And why did Handel waggle his wig?In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis set out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. In his new book he draws us irresistibly into the world of six more favourite composers, bringing them alive in a manner that cannot fail to catch the imagination of children encountering classical music for the first time. Once again the text is packed with facts, dates and anecdotes, interspersed with lively black-and-white line illustrations, making this an attractive and accessible read for children to enjoy on their own or share with an adult.'If Why Beethoven Threw the Stew does not turn your child into a music lover, the chances are nothing will.' Daily Mail

In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. Witty and informative at the same time, Isserlis introduces us to six of his favourite composers: the sublime genius Bach, the quicksilver Mozart, Beethoven with his gruff humour, the shy Schumann, the prickly Brahms and that extraordinary split personality, Stravinsky. Isserlis brings the composers alive in an irresistible manner that can't fail to catch the attention of any child whose ear has been caught by any of the music described, or anyone entering the world of classical music for the first time. The lively black and white line illustrations provide a perfect accompaniment to the text, and make this book attractive and accessible for children to enjoy on their own or share with an adult.

With hit TV shows picking the leads in productions of Oliver! and The Sound Of Music, and smash musicals like Hairspray and Wicked all the West End rage, musical theatre is as popular as it's ever been. James Inverne provides an indispensable guide to his top one hundred greatest shows of all time - and ten of the worst. Whether you know your Pal Joey from The Producers, your West Side Story from your Witch Witch, the Faber Pocket Guide To Musicals is packed with entertaining behind-the-scenes stories, essential songlists and comprehensive recording guides. Did you know, for instance, that one of the best recordings of Les Miserables is in Hebrew? Or that the Mel Brooks wasn't the first person to want to make a musical of The Producers? (That claim goes to Eric Idle.) Or the ridiculous story of the huge purpose-built theatre constructed in Holland to house a flop about Grace Kelly?Key features include:- The hundred greatest musicals- Numbers to listen for- Snapshot plot summaries- Ten terrible musicals- Recommended recordingsJames Inverne has been writing about musical theatre for years and brings copious knowledge, passion for the subject and a sense of fun to a genre that continues to entertain us all. Make the most of the musicals with this vital book.

Jo Shapcott's award-winning first three collections, gathered in Her Book: Poems 1988-1998, revealed her to be a writer of ingenuous, politically acute and provocative poetry, and rightly earned her a reputation as one of the most original and daring voices of her generation. In Of Mutability, Shapcott is found writing at her most memorable and bold. In a series of poems that explore the nature of change - in the body and the natural world, and in the shifting relationships between people - these poems look freshly but squarely at mortality. By turns grave and playful, arresting and witty, the poems in Of Mutability celebrate each waking moment as though it might be the last, and in so doing restore wonder to the to the smallest of encounters.

Knute is a twenty-four-year-old single mother who returns home to Algren with her daughter to look after her father Tom, who has suffered a heart attack. Meanwhile, Hosea Funk, a friend of Tom's and the mayor of Algren has a lot on his mind. The prime minister has promised to pay a visit to whichever town in Canada has the smallest population. Algren has held this position for some time but recent baby booms and returning families, like Knute, threaten to tip Algren over the magic 1500 . . .

Meet the Troutmans. Hattie is living in Paris, city of romance, but has just been dumped by her boyfriend. Min, her sister back in Canada, is going through a particularly dark period. And Min's two kids, Logan and Thebes, are not talking and talking way too much, respectively. When Hattie receives a phone call from eleven-year-old Thebes, begging her to return to Canada, she arrives home to find Min on her way to a psychiatric ward, and becomes responsible for her niece and nephew. Realising that she is way out of her league, Hattie hatches a plan to find the kids' long-lost father. With only the most tenuous lead to go on, she piles Logan and Thebes into the family van, and they head south . . .

A work of fierce originality and brilliance, Miriam Toews' novel explores the ties that bind families together and the forces that tear them apart. It is the world according to Nomi Nickel, a heartbreakingly bewildered and wry young woman trapped in a small Mennonite town that seeks to set her on the path to righteousness and smother her at the same time.'Half of our family, the better-looking half, is missing,' Nomi tells us at the beginning of A Complicated Kindness. Left alone with her father Ray, her days are spent piecing together the reasons her mother Trudie and her sister Tash have gone missing, and trying to figure out what she can do to avoid a career at Happy Family Farms, a chicken abattoir on the outskirts of East Village - not the neighbourhood in Manhattan where Nomi most wants to live but the small town in southern Manitoba. East Village is ministered by Hans, Nomi's pious uncle, otherwise known as The Mouth.As Nomi gets to the bottom of the truth behind her mother's and sister's disappearances, she finds herself on a direct collision course with her uncle and the only community she has ever known. In this funny, compassionate and moving novel, Miriam Toews has created a character who will stay in the hearts of readers long after they've put the book down.

1944. After the fall of Russia and the failed D-Day landings, half of Britain is occupied . . . Young farmer's wife Sarah Lewis wakes to find her husband has disappeared, along with all of the men from her remote Welsh village.A German patrol arrives in the valley, the purpose of their mission a mystery. Sarah begins a faltering acquaintance with the patrol's commanding officer, Albrecht, and it is to her that he reveals the purpose of his mission - to claim an extraordinary medieval art treasure that lies hidden in the valley. But as the pressure of the war beyond presses in on this isolated community, this fragile state of harmony is increasingly threatened.

Great Britain. 1984. The miners' strike. The government against the people.In a bloody and dramatic fictional portrait of the year that left an indelible mark on the nation's consciousness, David Peace brings Britain's social and political past shockingly to life.

The Sultan secretly commissions a great book: a celebration of his life and the Ottoman Empire, to be illuminated by the best artists of the day - in the European manner. In Istanbul at a time of violent fundamentalism, however, this is a dangerous proposition. Even the illustrious circle of artists are not allowed to know for whom they are working. But when one of the miniaturists is murdered, their Master has to seek outside help. Did the dead painter fall victim to professional rivalry, romantic jealousy or religious terror? With the Sultan demanding an answer within three days, perhaps the clue lies somewhere in the half-finished pictures . . . From Turkey's winner of the Nobel Prize and author of Istanbul and The Museum of Innocence, this novel is a thrilling murder mystery set amid the splendour of Istanbul and the Ottoman Empire. Part fantasy and part philosophical puzzle, My Name is Red is also a stunning meditation on love, artistic devotion and the tensions between East and West.

'I read a book one day, and my whole life was changed.' So begins The New Life, Orhan Pamuk's fabulous road novel about a young student who yearns for the life promised by a dangerously magical book. On his remarkable journey, he falls in love, abandons his studies, turns his back on home and family, and embarks on restless bus trips through the provinces, in pursuit of an elusive vision. This is a wondrous odyssey, laying bare the rage of an arid heartland, from the bestselling author of My Name is Red and Snow. In coffee houses with black-and-white TV sets, on buses where passengers ride watching B-movies on flickering screens, in wrecks along the highway, in paranoid fictions with spies as punctual as watches, the magic of Pamuk's creation comes alive. From a writer compared to Kafka, Nabakov, Calvino and Garcia Marquez, The New Life documents the spiritual journey of a young student, who leaves his family behind in the name of love, life and literature.

From a Turkish writer who has been compared with Joyce, Nabokov, and Gabriel Garcia Marquez comes a dazzling novel that is at once a captivating work of historical fiction and a sinuous treatise on the enigma of identity and the relations between East and West. In the 17th century, a young man sailing from Venice to Naples is taken prisoner by pirates and delivered to the Ottoman Empire in Constantinople. There he is forced into slavery and left in the custody of a brilliant Turkish inventor known as Hoja--"e;master"e;--a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities. Set in the Ottoman Empire, a world of pirates, slavery, magnificent scholarship and terrifying savagery, The White Castle is a colourful and intricately patterned triumph of the imagination.

Maria Tambini is a 13-year-old girl with an amazing singing voice. Growing up above her mother's chip shop on the Scottish island of Bute, living at the centre of her family's dream of fame, Maria is an extraordinary girl making ready to escape the ordinary life.We first meet her amidst the faded grandeur of the seaside resort of Rothesay, with the Argyll hills and the Eighties in front of her, and behind her a long shadow: the secret story of her Italian-immigrant family. When Maria wins a national TV talent show she is taken to London and becomes an instant star of what used to be called light entertainment; she sings with Dean Martin and tours America, can fill the London Palladium, yet all the while 'the girl with the giant voice' is losing herself in fame and begins a private war against her own body. Maria becomes a living exhibit in the modern drama of celebrity: is it possible that she can be saved by love? Or is she to be consumed by an obsessive culture, by family lies and her number one fan?The cast of characters is so vivid and complex that they seem to encompass within their enthralling stories a portrait of a whole society, its history and its spirit.

Hugh Provan was a Modernist hero. A dreamer, a Socialist, a man of the people, he led Scotland's towerblock programme after the war. Now he lies on a bed on the eighteenth floor. The times have changed. His flats are coming down. The idealism he learned from his mother is gone. And even as his breath goes out he clings to the old ways. His wife sings her Scots ballads to soothe him, yet his final months are plagued by memory and loss, by a bitter sense of his family and his country, who could not live up to the houses he built for them. Meanwhile the corruption hearings bring their hammer down on the past.Hugh's grandson, Jamie, comes home to watch over his dying mentor. The old man's final months bring Jamie to see what is best and worst in the past that haunts them all, and he sees the fears of his own life unravel in the land that bred him. He tells the story of his own family - a tale of pride and delusion, of nationality and strong drink, of Catholic faith and the end of the old Left. It is a tale of dark hearts and modern houses, of three men in search of Utopia. Andrew O'Hagan has written a story which is a poignant and powerful reclamation of the past and a clear sighted gaze at our relationship with history, personal and public.

When an English priest takes over a small Scottish parish, not everyone is ready to accept him. He makes friends with two local youths, Mark and Lisa, and clashes with a world he can barely understand. The town seems to grow darker each night. Fate comes calling and before the summer is out his quiet life is the focus of public hysteria. Meanwhile a religious war is unfolding on his doorstep . . .Be Near Me is a briliantly moving story of art and politics, love and change and the way we live now.

A frightening and impressive portrait of evil by one of Latin America's leading contemporary novelists.'A monumentally engrossing novel.' Los Angeles Times

A visitor from Peru, happening upon an exhibition of photographs from the Amazon jungle in an obscure Florentine picture gallery, finds his attention drawn to a picture of a tribal storyteller seated among a circle of Michiguenga Indians. There is something odd about the storyteller. He is too light-skinned to be an Indian. As the visitor stares at the photograph, it dawns on him that he knows this man. The storyteller is his long-lost friend, Saul Zuratas, his classmate from university who was thought to have disappeared in Israel.The Storyteller is a brilliant and compelling study of the world of the primitive and its place in our own modern lives.

In Who Killed Palomino Molero? Mario Vargas LLosa has turned to detective fiction. The setting is Peru in the 1950s. Near an air force base in the northern deserts, a young airman is found brutally tortured and murdered. Two local policemen, Lieutenant Silva and Officer Lituma, set out to investigate. But they are not glamorous detectives with modern resources at their disposal; they don't even have a squad car and have to hitch rides on chiken trucks and cajole a local cabdriver to take them out to the scene of the crime.Not that anyone seems eager for Silva and Lituma to capture Palomino Molero's killer. But the two policemen persevere, and the slow and haphazard pace of the investigation only serves to intensify the high-pitched narrative tension, as the novel comes to haltingly rest on the very question with which it began. Who killed Palomino Molero? is an entertaining and brilliantly plotted mystery. It is also serious fiction. Deftly, unobtrusively, the book takes up some of the great themes of all of Vargas Llosa's novels: guilt and innocence, the impossibility of justice in a society grounded in inequality and the eternally elusive nature of the truth.

This delightful farce opens as the prim and proper Captain Pantoja learns he is to be sent to Peru's Amazon frontier on a secret mission for the army-to provide females for the amorous recruits. Side-splitting complications arise as world of Captain Pantoja's remarkable achievements start to spread.

With meticulous observation and the seductive skill of a great storyteller, Vargas Llosa lures the reader into the shadow of perversion that, little by little, darkens the extraordinary happiness and harmony of his characters. The mysterious nature of happiness and above all, the corrupting power of innocence are the themes that underlie these pages, and the author has perfectly met the demands of the erotic novel, never dimming for an instant the fine poetic polish of his writing.