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The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. This inaugural volume provides readers with articles on topics such as soccer, travel, music, and social policy. These articles highlight the movement of ideas, people, policies, and practices across various cultures and societies and explore the relations and connections, and spaces created by these movements. These articles make clear that historical phenomena from travel to music cannot be contained and explained within just one national setting. The volume offers, further, a number of theoretical and methodological articles that provide insights into the concept of transnational history and the approach of intercultural transfer studies. Last but not least, the volume also includes a number of review articles. These review articles provide an examination of books central to teaching transnational history as well as a historiographical exploration of the impact of transnational history on the field of sports history.

This book introduces the framework of aesthetic ecology to communication studies as well as the study of communication ethics underlining the importance of the interplay between our sensuous and interpretive engagements in/with the world.

This book provides readers with a critical study of the challenges that confronted Namibian activists who tried to sue Germany for genocidal acts that were committed during the German South West Africa (GSWA) years.

Cosmopolitanism and the Development of the International Criminal Court examines a set of prominent discourses and events that emerged in the context of the development and establishment of the International Criminal Court (ICC). The analysis shows state and nonstate actors' competing commitments to cosmopolitanism and national identity.

This collection examines a wide variety of literature-travel, memoir, and fiction-and explores the ways travel and ideas of "culture" have evolved since the heyday of the Grand Tour. The sites of the Grand Tour remain a powerful cultural draw, and they continue to define ideas of taste and learning for those who visit them.

An American Art Colony studies three generations of a New Jersey art colony, setting a new model for the analysis of artistic biography and broadening the social context of artistic production. Its contribution rests on the historical value of colony changes over time from informal gatherings to self-conscious purposeful assemblages.

Lawrence Durrell's Poetry offers an in-depth analysis of Lawrence Durrell's entire poetic opus, from his early collections in the 1940s up to his last one published in 1973. Thirty years of Durrellian poetry are brought together in order to unveil the genesis of Durrell's writing, both poetic and fictional.

Shakespeare in the Light convenes an accomplished group of scholars, actors, and teachers to celebrate the legacy of American Shakespeare Center's founder, Ralph Alan Cohen. Each essay pivots off a production at the ASC's Blackfriars Playhouse to explore the performance of Shakespeare's plays under their original theatrical conditions.

Utopia and Dystopia in the Age of Trump focuses on utopias and dystopias that either prefigure or suggest alternatives to the rise of individuals such as Donald J. Trump and the changing conditions of America we now see around us. These topical studies provide compelling reading for both the general reader and the specialist.

Illyria in Shakespeare's England studies the eastern Adriatic region known as "Illyria" in five plays by Shakespeare and other early modern English writing. It examines the origins and features of past discourses on the area, expanding our knowledge of the ways in which England and other polities negotiated their position in the early modern world.

New Approaches to Religion and the Enlightenment examines religious belief and practice during the age of Enlightenment from a range of disciplinary perspectives, including theology, the natural sciences, politics, the law, art, philosophy, and literature.

Carl Theodor Dreyer was a visionary director whose films were based less on his screenplays than on his preconceptions, his complete formal, aesthetic cinematic projections of the films he deputized actors, cinematographers, and crew to produce. Cinematography of Carl Theodor Dreyer examines the life and work of a brilliant director and visionary.

This volume of essays and speeches by noted international higher education leaders from the 50th Annual Meeting of IAUP, and explores the critical role of higher education both as an active part of global civil society and as a foundation for the realization of a just, peaceful, and prosperous global future.

In Italy and the Cultural Politics of World War I, well-known scholars of history, political science, film, literature, and cultural studies explore the impact that the Great War had on twentieth-century culture and the enduring legacy of the cultural products that it engendered.

Enter the Undead Author explores the points of tension between the idea of authorship and the realities of theatrical production and other performance practices from the 1960s to the present with special focus on those moments when authorship helps to reappropriate revolutionary practices into traditional modes of production.

The book is a handbook of cultural discourse analysis, a theory developed by Donal Carbaugh, and celebration of his work. The book features an explanation of the theory and sixteen chapters using the theory to examine communication issues across the globe

Expressivity in Modern Poetry examines the radical address to reality in twentieth-century modernism. This legacy is foundational for contemporary poetry. New constructions of subjectivity and a turn toward language now characterize both poetic composition and critical theory.

Writing for Inclusion examines four nineteenth-century Afro-Cuban and African American writers-Juan Francisco Manzano, Frederick Douglass, Martin Morua Delgado, and Charles W. Chesnutt-whose works provide examples of self-emancipation, interrogate the terms of exclusion from the nation, and argue for inclusive visions of national identity.

Victorian Literary Cultures: Studies in Textual Subversion is an anthology featuring leading critical voices, including such figures as Nancy Henry, Julian Wolfreys, Ira Nadel, Joseph Wiesenfarth, and William Baker, among others, as they address ideas of subversion in nineteenth-century literature.

This is the inaugural volume of the Yearbook of Transnational History-the worldwide only periodical dedicated to the publication of research in the field of transnational history.

Thomas Carlyle and the Idea of Influence positions Carlyle as an ideal representative figure through which to study that complex interplay between past and present most commonly referred to as influence.

This book details Richard Nixon's years as a lawyer on Wall Street as a time of rebirth and reinvention, and how his firm served as a springboard to his successful comeback in 1968.

This collection of essays charts the shifting representation of World War II in Italian literature and film from 1943 to the present. The essays examine film genre, cultural history, gender, the Holocaust, emotion studies, shame theory, and environmental studies.

This collection features nine essays that explore how the material conditions of the early modern English stage shaped the theater. Topics range from the simulation of pregnant bodies by boy actors (and the effects of those simulations) to how bruises created by make-up might have been used on stage

The volume is divided into three sections: cultural transmissions, fractured memories, and nostalgia, to individuate through cultural products-films, poetry, fiction, architectural buildings, autobiographical writing, and social media-the dynamics of memory within Italian culture from World War II to the contemporary times.

Mormon Women's History: Beyond Biography demonstrates that the history and experience of Mormon women is central to the history of Mormonism and to histories of American religion, politics, and culture.

This book focuses on legends and images of the apocalypse and post-apocalypse in film and graphic arts, literature and lore from early to modern times and from cultures around the world. It reflects an increasingly popular leitmotif in literature and visual arts of the modern century: humanity's fear of extinction and quest for survival--in revenant, supernatural, or living human form. The collected essays examine the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture.

This collection examines the multifaceted opus of Pier Paolo Pasolini through a contemporary critical lens. It offers new interpretations to some classic works such as Salo or the 120 Days of Sodom and Decameron while considering some lesser studied pieces, for example Orestiade and his Friulian verse.

Filming Forster focuses upon the challenges of producing film adaptations of five of E. M. Forster's novels. Rather than follow the older comparative approach, which typically damned the film for not being ';faithful' to the novel, this project explores the interactive relationship between film and novel. That relationship is implicit in the title ';Filming' Forster, rather than ';Forster Filmed,' which would suggest a completed process. A film adaptation forever changes the novel from which it was adapted, just as a return to the novel changes the viewer's perceptions of the film. Adapting Forster's novels for the screen was postponed until well after the author's death in 1970 because the trustees of the author's estate fulfilled his wish that his work not be filmed. Following the appearance of David Lean's film A Passage to India in 1984, four other film adaptations were released within seven years. Perhaps the most important was the Merchant Ivory production of Maurice, based upon Forster's ';gay' novel, published a year after his death. That film was among the first to approach same-sex relationships between men in a serious, respectful, and generally optimistic manner.

Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe argues that the vibrant, transformative history of Shakespeare's play-within-a-play from A Midsummer Night's Dream across four centuries allows us to see the way in which Shakespeare is used to both create and critique emergent cultural trends. Because of its careful distinction between ';good' and ';bad' art, Pyramus and Thisbe's playful meditation on the foolishness of over-reaching theatrical ambition is repeatedly appropriated by artists seeking to parody contemporary aesthetics, resulting in an ongoing assessment of Shakespeare's value to the time. Beginning with the play's own creation as an appropriation of Ovid, designed to keep the rowdy clown in check, Appropriating Shakespeare is a wide-ranging study that charts Pyramus and Thisbe's own metamorphosis through opera, novel, television, and, of course, theatre. This unique history illustrates Pyramus and Thisbe's ability to attract like-minded, experimental, genre-bending artists who use the text as a means of exploring the value of their own individual craft. Ultimately, what this history reveals is that, in excerpt, Pyramus and Thisbe affirms the place of artist as both consumer and producer of Shakespeare.