Bøker utgitt av Farrar, Straus and Giroux (BYR)

The fourth installment in the beloved, internationally celebrated My Struggle series from Karl Ove Knausgaard.My Struggle: Book 4 finds an eighteen-year-old Karl Ove Knausgaard in a tiny fishing village in northern Norway, where he has been hired as a schoolteacher and is living on his own for the first time. When the ferocious winter takes hold, Karl Ove--in the company of the Håfjord locals, a warm and earthy group who have spent their lives working, drinking, and joking together in close quarters--confronts private demons, reels from humiliations, and is elated by small victories. We are immersed, along with Karl Ove, in this world--sometimes claustrophobic, sometimes serenely beautiful--where memories and physical obsessions burn throughout the endless Arctic winter. In Book 4, Karl Ove must weigh the realities of his new life as a writer against everything he had believed it would be."My Struggle: Book Four is an elegiac kind of comic novel, and it is pure Karl Ove Knausgaard. This is to say, it comprises intimate descriptions of daily life, descriptions that build to something improbably greater than the sum of their parts." --Dwight Garner, The New York Times

Tractor Mac is used to driving across the fields-after all, what good are wheels if you can't use them? So he's disappointed when Farmer Bill parks him to run a saw mill and he sees that all of the other animals and machines around him are very busy with their chores on the farm. But when Farmer Bill finally unhooks him from the sawmill, Tractor Mac turns to see what work he has done-and he finds out that he helped raise a whole barn!

Praise for author Seamus Heaney"Perhaps the best descriptions of Seamus Heaney's extraordinarily rich and varied oeuvre come from the poet's own work. Mr. Heaney has created a remarkable series of poems that stay 'true to the impact of external reality' while at the same time remaining 'sensitive to the inner laws of the poet's being.'" -Michiko Kakutani, The New York Times"Having just reread most of his poems, I find myself more, not less, interested, and convinced that I have only begun to plumb their bracing depths . . . The poems stay in the mind, which is the one essential feature of major poetry." -Jay Parini, The Nation"Heaney's commitment to the independence of his art, to the pursuit of shape and richness and abundant ambiguity, is also a profound commitment to the quality of public life . . . In a dark time, Heaney . . . has turned borders and dividing lines into rich frontiers." -Fintan O'Toole, The New York Review of Books"Arguably the finest poet now writing in English." -James Shapiro, The New York Times Book Review

Pete and Paul the pigs love food, especially snacks and sweets. But Tractor Mac knows there is a better way to eat, and that it can even be fun, too: buying food from the farmers' market! So Tractor Mac and friends visit the local farmers' market, pick out a variety of fresh fruits and vegetables, and cook up a big, healthy feast.

Tractor Mac loves that he is the only tractor in his farm family. Then one day, his friend Iron Dave the train brings him to a tractor dealership and shows him a whole lot full of big red tractors that look just like him. Are these tractors his real family? Tractor Mac is excited to find a place with so many familiar faces, but sad that he might have to leave the farm to be with them. Then all of the big red tractors in the lot help him to understand that his real home is with the family he's found with the animals and machines at the farm.

An indispensable memoir by one of the most prominent writers of his generationOriginally published in 1976, Christopher and His Kind covers the most memorable ten years in the writer's life-from 1928, when Christopher Isherwood left England to spend a week in Berlin and decided to stay there indefinitely, to 1939, when he arrived in America. His friends and colleagues during this time included W. H. Auden, Stephen Spender, and E. M. Forster, as well as colorful figures he met in Germany and later fictionalized in his two Berlin novels-and who appeared again, fictionalized to an even greater degree, in I Am a Camera and Cabaret.What most impressed the first readers of this memoir, however, was the candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, a German man named Heinz, from the Nazis. An engrossing and dramatic story and a fascinating glimpse into a little-known world, Christopher and His Kind remains one of Isherwood's greatest achievements.

Short, sharp musings on things profound and mundane (and sometimes both) from the Pulitzer Prize winning poetC. K. Williams has never been afraid to push the boundaries of poetic form-in fact, he's known for it, with long, lyrical lines that compel, enthrall, and ensnare. In All at Once, Williams again embodies this spirit of experimentation, carving out fresh spaces for himself and surprising his readers once more with inventions both formal and lyrical. Somewhere between prose poems, short stories, and personal essays, the musings in this collection are profound, personal, witty, and inventive-sometimes all at once. Here are the starkly beautiful images that also pepper his poems: a neighbor's white butane tank in March "glares in the sunlight, raw and unseemly, like a breast inappropriately unclothed in the painful chill." Here are the tender, masterful sketches of characters Williams has encountered: a sign painter and skid-row denizen who makes an impression on the young soon-to-be poet with his "terrific focus, an intensity I'd never seen in an adult before." And here are a husband's hymns to his beloved wife, to her laughter, which "always has something keen and sweet to it, an edge of something like song." This is a book that provokes pathos and thought, that inspires sympathy and contemplation. It is both fiercely representative of Williams's work and like nothing he's written before-a collection to be admired, celebrated, and above all read again and again.

Critically acclaimed when it was first published, Tuck Everlasting has become a much-loved, well-studied modern-day classic. This anniversary edition features an in-depth interview conducted by Betsy Hearne in which Natalie Babbitt takes a look at Tuck Everlasting twenty-five years later. What if you could live forever?Is eternal life a blessing or a curse? That is what young Winnie Foster must decide when she discovers a spring on her family's property whose waters grant immortality. Members of the Tuck family, having drunk from the spring, tell Winnie of their experiences watching life go by and never growing older.But then Winnie must decide whether or not to keep the Tucks' secret-and whether or not to join them on their never-ending journey.Praise for Tuck Everlasting by Natalie Babbitt:"e;A fearsome and beautifully written book that can't be put down or forgotten."e; -The New York Times"e;Exciting and excellently written."e; -The New York Times Book Review"e;With its serious intentions and light touch the story is, like the Tucks, timeless."e; -Chicago Sun-Times"e;Probably the best work of our best children's novelist."e; -Harper's"e;Natalie Babbitt's great skill is spinning fantasy with the lilt and sense of timeless wisdom of the old fairy tales. . . . It lingers on, haunting your waking hours, making you ponder."e; -The Boston Globe"e;This book is as shapely, crisp, sweet, and tangy as a summer-ripe pear."e; -Entertainment WeeklyThis title has Common Core connections.

A memorable book about the path food travels from garden to tableA celebration of life together, a tribute to an utterly unique garden, a wonderfully idiosyncratic guide for cooks and gardeners interested in exploring the possibilities of farm-to-table living-To Eat is all of these things and more. In 1974, Joe Eck and Wayne Winterrowd moved from Boston to southern Vermont, where they became the proprietors of a twenty-eight-acre patch of wilderness. The land was forested, overgrown, and wild, complete with a stream. Today, North Hill's seven carefully cultivated acres-open to visitors during the warmer months-are an internationally renowned garden. In the intervening years, both the garden and the gardening books (A Year at North Hill, Living Seasonally, Our Life in Gardens) Eck and Winterrowd created together have been acclaimed in many forms, including in the pages of The New York Times. They were at work on To Eat-which also includes recipes from the renowned chef and restaurateur Beatrice Tosti di Valminuta and beautiful illustrations from their long-time collaborator Bobbi Angell-when Winterrowd passed away, in 2010. Informative, funny, and moving, the delights within-a runaway bull; a recipe for crisp, fatty chicarrones; a personal history of the Egyptian onion; a hymn to the magic of lettuce-are sure to make To Eat a book readers return to again and again.

It's a child's first day of kindergarten, but who is worried about all the new people and the different things he'll meet--the child? No! The mother. In a refreshing reversal of roles, the child takes it upon himself to comfort and reassure his mother that everything will be fine, she'll get used to him going to big-kid school, and yes, he is ready for the first day of kindergarten. Utterly charming in its simplicity, Yum playfully uses size and color to reveal emotions of this milestone beginning.Mom, It's My First Day of Kindergarten! is a Kirkus Reviews Best Children's Book of 2012

A comprehensive, multi-lingual anthology of 20th-century Latin American Poetry in both Spanish and Portuguese.During a century of extraordinary change, poets became the chroniclers of deep polarizations. From Rubén Darío's quest to renew the Spanish language to César Vallejo's linking of religion and politics, from Jorge Luis Borges's cosmopolitanism to Pablo Neruda's placement of poetry as uncompromising speaker for the downtrodden, and from Alejandra Pizarnik's agonies of the self to Humberto Ak'abal's examination of all things indigenous, it is through verse that the hemisphere's cantankerous collective soul in an age of overhaul might best be understood. A brilliant, moving, and thought-provoking summation of these forking paths, The FSG Book of Twentieth-Century Latin American Poetry invites us to look at an illustrious literary tradition with fresh eyes. Ilan Stavans, one of the foremost scholars of Hispanic culture and a distinguished translator, goes beyond easy geographical and linguistic categorizations. This bilingual anthology features eighty-four authors from sixteen different countries writing in Spanish, Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, and Spanglish. The poems are rendered into English in inspired fashion by first-rate translators such as Elizabeth Bishop, Galway Kinnell, W. S. Merwin, Alastair Reid, Mark Strand, and Richard Wilbur. In these pages the reader will experience the power of poetry to account for a hundred years in the life of a restless continent.