Bøker utgitt av Farrar, Straus and Giroux

In the last year of his life, Ted Hughes completed translations of three major dramatic works: Racine's Phedre, Euripedes' Alcestis, and the trilogy of plays known as at The Oresteia, a family story of astonishing power and the background or inspiration for much subsequent drama, fiction, and poetry.The Oresteia--Agamemnon, Choephori, and the Eumenides--tell the story of the house of Atreus: After King Agamemnon is murdered by his wife, Clytemnestra, their son, Orestes, is commanded by Apollo to avenge the crime by killing his mother, and he returns from exile to do so, bringing on himself the wrath of the Furies and the judgment of the court of Athens. Hughes's "acting version" of the trilogy is faithful to its nature as a dramatic work, and his translation is itself a great performance; while artfully inflected with the contemporary, it has a classical beauty and authority. Hughes's Oresteia is quickly becoming the standard edition for English-language readers and for the stage, too.

As selected by the author, Opened Ground includes the essential work from Heaney's twelve previous books of poetry, as well as new sequences drawn from two of his landmark translations, The Cure at Troy and Sweeney Astray, and several previously uncollected poems. Heaney's voice is like no other--"e;by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive"e; (Helen Vendler, The New Yorker)--and this is a one-volume testament to the musicality and precision of that voice. The book closes with Heaney's Nobel Lecture: "e;Crediting Poetry."e;

Few American readers seem to be aware that Hermann Hesse, author of the epic novels Steppenwolf and Siddhartha, among many others, also wrote poetry, the best of which the poet James Wright has translated and included in this book. This is a special volume-filled with short, direct poems about love, death, loneliness, the seasons-that is imbued with some of the imagery and feeling of Hesse's novels but that has a clarity and resonance all its own, a sense of longing for love and for home that is both deceptively simple and deeply moving.

Levels of the Game is John McPhee's astonishing account of a tennis match played by Arthur Ashe against Clark Graebner at Forest Hills in 1968.It begins with the ball rising into the air for the initial serve and ends with the final point. McPhee provides a brilliant, stroke-by-stroke description while examining the backgrounds and attitudes which have molded the players' games."This may be the high point of American sports journalism"- Robert Lipsyte, The New York Times

An engaging and accessible collection that includes some of the Nobel Prize winner's own favorite poems, with the English translations and original Spanish presented on facing pages."The Sea"A single entity, but no blood.A single caress, death or a rose.The sea comes in and puts our lives togetherand attacks alone and spreads itself and singsin nights and days and men and living creatures.Its essence-fire and cold; movement, movement.Pablo Neruda himself regarded Fully Empowered -- which first appeared in Spanish in 1962 under the title Plenos Poderes -- as a particular favorite, in part because it came out of a most fruitful period in his life. These thirty-six poems vary from short, intense lyrics to characteristic Neruda odes to magnificent meditations on the office of poet, including poems that would undoubtedly claim a place in any selection of Neruda's greatest work. "The People" ("El Pueblo"), about the state of the working man in Chile's past and present, and the most celebrated of Neruda's later poems, completes this reflective, graceful collection.

Man Is Not Alone is a profound, beautifully written examination of the ingredients of piety: how man senses God's presence, explores it, accepts it, and builds life upon it. Abraham Joshua Heschel's philosophy of religion is not a philosophy of doctrine or the interpretation of a dogma. He erects his carefully built structure of thought upon foundations which are universally valid but almost generally ignored. It was Man Is Not Alone which led Reinhold Niebuhr accurately to predict that Heschel would "e;become a commanding and authoritative voice not only in the Jewish community but in the religious life of America."e; With its companion volume, God in Search of Man, it is revered as a classic of modern theology.

The classical novel (and basis for the acclaimed film starring Robert Redford) now in a new editionIntroduction by Kevin BakerThe Natural, Bernard Malamud's first novel, published in 1952, is also the first-and some would say still the best-novel ever written about baseball. In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material-the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era-and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which-now that he has done it!-looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."

First published in 1977, Roland Barthes by Roland Barthes is the great literary theorist's most original work-a brilliant and playful text, gracefully combining the personal and the theoretical to reveal Roland Barthes's tastes, his childhood, his education, his passions and regrets.

Written while Hans Keilson was in hiding during World War II, The Death of the Adversary is the self-portrait of a young man helplessly fascinated by an unnamed "adversary" whom he watches rise to power in 1930s Germany. It is a tale of horror, not only in its evocation of Hitler's gathering menace but also in its hero's desperate attempt to discover logic where none exists. A psychological fable as wry and haunting as Badenheim 1939, The Death of the Adversary is a lost classic of modern fiction.

A brilliant and faithful rendering of the Anglo-Saxon epic from the Nobel laureate.Composed toward the end of the first millennium of our era, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the end of the twentieth century, Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface.Drawn to what he has called the "four-squareness of the utterance" in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.

A daring novella about the loss of innocence in pre-war Germany.Reunion is the story of intense and innocent devotion between two young men growing up in "the soft, serene, bluish hills of Swabia," and the sinister (but all too mundane) forces that end both their friendship and their childhood.The year is 1932. Hans Schwartz is Jewish, the son of a Stuttgart doctor who asserts that the rise of the Nazis is "a temporary illness, something like measles which will pass off as soon as the economic situation improves." The Holocaust would be unthinkable for these characters, but of course it looms over the story: Hans's friend, the young Count Konradin von Hohenfels, has a mother who keeps a portrait of Hitler on her dresser. The two boys share their most private thoughts and trips to the countryside of southwest Germany, discuss poetry and the past and present of their country, and argue the existence of a benevolent God.The eventual disintegration of this cherished relationship foreshadows the fate of Europe's Jews-- but Uhlman doesn't end his story with neat polarities. Years later, exiled in America, Hans comes upon a revelation about von Hohenfels which provides a stunning denouement and leaves the reader recalling Uhlman's haunting, lyrical descriptions of the vineyards, opera houses, and dark forests of Württemberg."Hundreds of bulky tomes have now been written about the age when corpses were melted into soap to keep the master race clean; yet I sincerely believe that this slim volume will find its lasting place on the shelves."--Arthur Koestler, from the Introduction

Newly repackaged, three plays by Federico García LorcaIn these three plays, Federico García Lorca's acknowledged masterpieces, he searched for a contemporary mode of tragedy and reminded his audience that dramatic poetry-or poetic drama-depends less on formal convention that on an elemental, radical outlook on human life. His images are beautiful and exact, but until now no translator had ever been able to make his characters speak unaffectedly on the American stage. Michael Dewell of the National Repertory Theatre and Carmen Zapata of the Bilingual Foundation of the Arts have created these versions expressly for the stage. The results, both performable and readable, have been thoroughly revised for this edition, which has an introduction by Christopher Maurer, the general editor of the Complete Poetical Works of García Lorca.

In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians who lived and worked there scored dozens of landmark hits, from "e;California Dreamin'"e; to "e;Suite: Judy Blue Eyes"e; to "e;It's Too Late,"e; selling tens of millions of records and resetting the thermostat of pop culture.In Laurel Canyon, veteran journalist Michael Walker tells the inside story of this unprecedented gathering of some of the baby boom's leading musical lights-including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few-who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed.

Prada stores carry a few obscenely expensive items in order to boost sales for everything else (which look like bargains in comparison). People used to download music for free, then Steve Jobs convinced them to pay. How? By charging 99 cents. That price has a hypnotic effect: the profit margin of the 99 Cents Only store is twice that of Wal-Mart. Why do text messages cost money, while e-mails are free? Why do jars of peanut butter keep getting smaller in order to keep the price the "same"? The answer is simple: prices are a collective hallucination.In Priceless, the bestselling author William Poundstone reveals the hidden psychology of value. In psychological experiments, people are unable to estimate "fair" prices accurately and are strongly influenced by the unconscious, irrational, and politically incorrect. It hasn't taken long for marketers to apply these findings. "Price consultants" advise retailers on how to convince consumers to pay more for less, and negotiation coaches offer similar advice for businesspeople cutting deals. The new psychology of price dictates the design of price tags, menus, rebates, "sale" ads, cell phone plans, supermarket aisles, real estate offers, wage packages, tort demands, and corporate buyouts. Prices are the most pervasive hidden persuaders of all. Rooted in the emerging field of behavioral decision theory, Priceless should prove indispensable to anyone who negotiates.

In Lose Your Mother, Saidiya Hartman journeys along a slave route in Ghana, following the trail of captives from the hinterland to the Atlantic coast. She retraces the history of the Atlantic slave trade from the fifteenth to the twentieth century and reckons with the blank slate of her own genealogy.There were no survivors of Hartman's lineage, nor far-flung relatives in Ghana of whom she had come in search. She traveled to Ghana in search of strangers. The most universal definition of the slave is a stranger-torn from kin and country. To lose your mother is to suffer the loss of kin, to forget your past, and to inhabit the world as a stranger. As both the offspring of slaves and an American in Africa, Hartman, too, was a stranger. Her reflections on history and memory unfold as an intimate encounter with places-a holding cell, a slave market, a walled town built to repel slave raiders-and with people: an Akan prince who granted the Portuguese permission to build the first permanent trading fort in West Africa; an adolescent boy who was kidnapped while playing; a fourteen-year-old girl who was murdered aboard a slave ship.Eloquent, thoughtful, and deeply affecting, Lose Your Mother is a powerful meditation on history, memory, and the Atlantic slave trade.