Bøker utgitt av Farrar, Straus and Giroux

Eight years ago, Christian Wiman, a well-known poet and the editor of Poetry magazine, wrote a now-famous essay about having faith in the face of death. My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith-responsive not only to modern thought and science but also to religious tradition-might look like. Joyful, sorrowful, and beautifully written, My Bright Abyss is destined to become a spiritual classic, useful not only to believers but to anyone whose experience of life and art seems at times to overbrim its boundaries. How do we answer this "burn of being"? Wiman asks. What might it mean for our lives-and for our deaths-if we acknowledge the "insistent, persistent ghost" that some of us call God? One of Publishers Weekly's Best Religion Books of 2013

"Sitting in an automobile was where I first remember understanding how drama works...Hidden in the back seat of a sedan, I quickly realized how deep the chasm or intense the claustrophobia could be inside your average family car." --Neil LaButeBe it the medium for clandestine couplings, arguments, shelter, or ultimately transportation, the automobile is perhaps the most authentically American of spaces. In Autobahn, Neil LaBute's provocative new collection of one-act plays set within the confines of the front seat, the playwright employs his signature plaintive insight to great effect, investigating the inchoate apprehension that surrounds the steering wheel. Each of these seven brief vignettes explore the ethos of perception and relationship--from a make-out session gone awry to a kidnapping thinly disguised as a road trip, a reconnaissance mission involving the rescue of a Nintendo 64 to a daughter's long ride home after her release from rehab. The result is an unsettling montage that gradually reveals the scabrous force of words left unsaid while illuminating the delicate interplay between intention and morality, capturing the essence of middle America and the myriad paths which cross its surface.

"As nearly perfect as any American fiction I know," is how Reynolds Price (The New York Times) described this classic that has been a favorite of readers, both here and in Europe, for almost forty years. Set in provincial France in the 1960s, James Salter's A Sport and a Pastime is the intensely carnal story-part shocking reality, part feverish dream -of a love affair between a footloose Yale dropout and a young French girl. There is the seen and the unseen-and pages that burn with a rare intensity.

Cow. Slob. Pig. How many insults can you hear before you have to stand up and defend the woman you love? Tom faces just that question when he falls for Helen, a bright, funny, sexy young woman who happens to be plus sized-and then some. Forced to explain his new relationship to his shallow (although shockingly funny) friends, finally he comes to terms with his own preconceptions of the importance of conventional good looks. Neil LaBute's sharply drawn play not only critiques our slavish adherence to Hollywood ideals of beauty but boldy questions our own ability to change what we dislike about ourselves.

The Assistant, Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.Like Malamud's best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the immigrant experience in a way that has proven vital for several generations of writers."His best novel . . . The Assistant is as tightly written as a prose poem." --Morris Dickstein in Leopards in the Temple: The Transformation of American Fiction 1945-1970

Girl, Edna O'Brien's hotly anticipated new novel, envisages the lives of the Boko Haram girls in a masterpiece of violence and tenderness. I was a girl once, but not anymore.So begins Girl, Edna O'Brien's harrowing portrayal of the young women abducted by Boko Haram. Set in the deep countryside of northeast Nigeria, this is a brutal story of incarceration, horror, and hunger; a hair-raising escape into the manifold terrors of the forest; and a descent into the labyrinthine bureaucracy and hostility awaiting a victim who returns home with a child blighted by enemy blood. From one of the century's greatest living authors, Girl is an unforgettable story of one victim's astonishing survival, and her unflinching faith in the redemption of the human heart.

A renowned journalist and one-time economics editor of The Economist presents an unconventionally accessible, story-driven look at how forgotten corners of the globe hold vital clues to the world's economic future.

An ordinary friendship between two extraordinary women

"e;This is the ultimate insider's view of perhaps the darkest chapter of the Forever Wars. Michael Gordon knows everyone, was seemingly everywhere, and brings a lifetime of brilliant reporting to telling this crucial story."e; -Retired U.S. Navy admiral James Stavridis, 16th Supreme Allied Commander of NATO and author of To Risk it All: Nine Crises and the Crucible of DecisionAn essential account of the struggle against ISIS-and of how Presidents Obama, Trump, and Biden have waged war.In the summer of 2014, President Barack Obama faced an unwelcome surprise: insurgents from the Islamic State had seized the Iraqi city of Mosul and proclaimed a new caliphate, which they were ruling with an iron fist and using to launch terrorist attacks abroad. After considerable deliberation, President Obama sent American troops back to Iraq. The new mission was to "e;degrade and ultimately destroy"e; ISIS, primarily by advising Iraqi and Syrian partners who would do the bulk of the fighting and by supporting them with airpower and artillery. More than four years later, the caliphate had been dismantled, the cities of Mosul and Raqqa lay in ruins, and several thousand U.S. troops remained to prevent ISIS from making a comeback. The "e;by, with, and through"e; strategy was hailed as a template for future campaigns. But how was the war actually fought? What were the key decisions, successes, and failures? And what was learned?In Degrade and Destroy, the bestselling author and Wall Street Journal national security correspondent Michael R. Gordon reveals the strategy debates, diplomatic gambits, and military operations that shaped the struggle against the Islamic State. With extraordinary access to top U.S. officials and military commanders and to the forces on the battlefield, Gordon offers a riveting narrative that ferrets out some of the war's most guarded secrets.Degrade and Destroy takes us inside National Security Council meetings at which Obama and his top aides grapple with early setbacks and discuss whether the war can be won. It also offers the most detailed account to date of how President Donald Trump waged war-delegating greater authority to the Pentagon but jeopardizing the outcome with a rush for the exit. Drawing on his reporting in Iraq and Syria, Gordon documents the closed-door deliberations of U.S. generals with their Iraqi and Syrian counterparts and describes some of the toughest urban battles since World War II. As Americans debate the future of using force abroad, Gordon's book offers vital insights into how our wars today are fought against militant foes, and the enduring lessons we can draw from them.

In The Twice-Born, Aatish Taseer embarks on a journey of self-discovery in an intoxicating, unsettling personal reckoning with modern India, where ancient customs collide with the contemporary politics of revivalism and revengeWhen Aatish Taseer first came to Benares, the spiritual capital of Hinduism, he was eighteen, the Westernized child of an Indian journalist and a Pakistani politician, raised among the intellectual and cultural elite of New Delhi. Nearly two decades later, Taseer leaves his life in Manhattan to go in search of the Brahmins, wanting to understand his own estrangement from India through their ties to tradition.Known as the twice-born-first into the flesh, and again when initiated into their vocation-the Brahmins are a caste devoted to sacred learning. But what Taseer finds in Benares, the holy city of death also known as Varanasi, is a window on an India as internally fractured as his own continent-bridging identity. At every turn, the seductive, homogenizing force of modernity collides with the insistent presence of the past. In a globalized world, to be modern is to renounce India-and yet the tide of nationalism is rising, heralded by cries of "Victory to Mother India!" and an outbreak of anti-Muslim violence.From the narrow streets of the temple town to a Modi rally in Delhi, among the blossoming cotton trees and the bathers and burning corpses of the Ganges, Taseer struggles to reconcile magic with reason, faith in tradition with hope for the future and the brutalities of the caste system, all the while challenging his own myths about himself, his past, and his countries old and new.

The Patch is the seventh collection of essays by the nonfiction master, all published by Farrar, Straus and Giroux. It is divided into two parts. Part 1, ΓÇ£The Sporting Scene,ΓÇ¥ consists of pieces on fishing, football, golf, and lacrosseΓÇöfrom fly casting for chain pickerel in fall in New Hampshire to walking the linksland of St. Andrews at an Open Championship. Part 2, called ΓÇ£An Album Quilt,ΓÇ¥ is a montage of fragments of varying length from pieces done across the years that have never appeared in book formΓÇöoccasional pieces, memorial pieces, reflections, reminiscences, and short items in various magazines including The New Yorker. They range from a visit to the Hershey chocolate factory to encounters with Oscar Hammerstein, Joan Baez, and Mount Denali. Emphatically, the authorΓÇÖs purpose was not merely to preserve things but to choose passages that might entertain contemporary readers. Starting with 250,000 words, he gradually threw out 75 percent of them, and randomly assembled the remaining fragments into ΓÇ£an album quilt.ΓÇ¥ Among other things, The Patch is a covert memoir.