Bøker utgitt av Farrar, Straus and Giroux

His wasn't a world war. It was one of the smaller wars, but just as deadly as any other. "Wars are like snakes," his first commanding officer said to him. "Some of the little ones can be even worse than the monsters." --from "Veterans"Franklin fears his family is in danger from a fellow veteran he saved during the war. A young boy entranced by opera despite being born into the rock-and-roll generation finds himself playing the lead role in a present-day tragedy. Travel agents happily lost in the paperwork of other people's adventures break away for an impromptu trip without -- to their horror -- a destination. Pitch-perfect and unpredictable, these stories cover a wide terrain of voices, plot, and imagery. Rachel Ingalls's richly drawn characters slip from the ordinary into the surreal with an elegance that can only come from a master of the form. Mostly set in the United States, the stories in Times Like These are available for the first time to American readers.

Prisoners Without Trail is part of Hill and Wang's Critical Issues Series and well established on college reading lists.This book presents a concise introduction to a shameful chapter in American history: the incarceration of nearly 120,000 Japanese Americans during World War II. With a revised final chapter and expanded recommended readings, Roger Daniels's updated edition examines a tragic event in our nation's past and thoughtfully asks if it could happen again.

How partisan politics lead to the Civil War What brought about the Civil War? Leading historian Michael F. Holt convincingly offers a disturbingly contemporary answer: partisan politics. In this brilliant and succinct book, Holt distills a lifetime of scholarship to demonstrate that secession and war did not arise from two irreconcilable economies any more than from moral objections to slavery. Short-sighted politicians were to blame. Rarely looking beyond the next election, the two dominant political parties used the emotionally charged and largely chimerical issue of slavery's extension westward to pursue reelection and settle political scores, all the while inexorably dragging the nation towards disunion.Despite the majority opinion (held in both the North and South) that slavery could never flourish in the areas that sparked the most contention from 1845 to 1861-the Mexican Cession, Oregon, and Kansas-politicians in Washington, especially members of Congress, realized the partisan value of the issue and acted on short-term political calculations with minimal regard for sectional comity. War was the result.Including select speeches by Lincoln and others, The Fate of Their Country openly challenges us to rethink a seminal moment in America's history.

Set in Chicago during the late 1970s, Record Palace is an eccentric debut novel about jazz, art, race, and identity. In hazed heat, mid-September, walking north from Chicago's Loop, telling myself I was exploring the new life, I dogged as much for tonic, gin. A sign swung beside a basement door, in, out, mirage: Record Palace: J ZZ. Inside I found Acie.Cindy, a lean, lonely white girl, has come to Chicago to study art history, to be anywhere but where she came from-tract housing in Thousand Oaks, California; mock-stucco buildings; "incessant sun and incessant sunniness of every blonde girl."Record Palace, littered with cans of malt liquor and remnants of past meals, also has boxes upon boxes of records-all jazz. And it has Acie, "big on all sides, top included. A hairnet, the hair below the net long and limp with oil. Green stretch pants, flip-flops, a thin black U-tank taut across Sumo folds." Cindy knows she doesn't belong, and this is why she stays.Cindy's determination leads to a tentative friendship with Acie, and she becomes a familiar, if not fully understood, presence in the store. But it is through her chance meeting with Acie's son that she becomes embroiled in an unusual crime.With prose that resembles the syncopated rhythms of jazz, Susan Wheeler offers a stunning portrait of a woman searching for an identity.

"Stump makes you feel that you are reading on the edge of a life in a fierce gale, vulnerable, excited, alive." -The Guardian (London)Wet an spectacular wreckage leads to "powerful forgetting" which leads to "periodics" which lead to the "dry drunks" which go to "immersion" an "enabler" an "therapeutic alliance" an any alternative, any fuckin alternative atropine aversion therapy or Antabuse or ECT or acufuckinpuncture or snakepits or swimming with dolphins an all of that all of it comes completely back to this one pure irreducible phenomenon: a booming heart that burns to drink.It has taken the loss of a limb and a death threat from the Mob to make one Liverpudlian dry out and move to a small seaside town in Wales. But his past life is a recurring nightmare-filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

"The Star of Algiers powerfully depicts youth in distress, caught between the lure of the West and the mosque." -BIBA "We share his stage fright before each new gig. We are fired with his boundless energy. And once we've taken off, we come crashing down with him . . . Everything is human, alive and transparent." -Elle, France Moussa Massy's ambitions extend far beyond the three-room apartment he shares with the other thirteen members of his family in Algiers. A gifted performer of modern Kabyle song, he is as inspired by Prince and Michael Jackson as he is by Arab and Algerian traditional music. His first taste of fame, however, is brief, as the conflict between the fundamental Islamic group FIS and the more progressive FLN grows more violent and the city comes to a standstill amid corruption and scandal. As his music career begins to disintegrate, like the city itself, Massy's driving passion for music turns to unforgiving rage.In energetic, urgent prose, Aziz Chouaki vividly portrays the harsh realities of a country in constant turmoil and brilliantly shows the capacity for despair and hatred of those who have nothing left to lose. Available for the first time in English, The Star of Algiers, a novel of great passion and originality, touches on the most contentious issues of our time.A Lannan Translation Series Selection

"Compelling and complex . . . Strange and wonderful." -The New York Times Book Review, in praise of McIlvoy's previous fictionI am going to write about the state of New Mexico and put in some maps and stuff from the encyclopedia. My theme is the Don Juan Onate trail and the Jornada Del Muerto. But I might write some other important things which as it turns out my stepmother got angry about and said she wouldn't type this until my Dad said "Dammit now it is history" and told her maybe there weren't commas in those days."The Complete History of New Mexico" is no ordinary research paper, and this is no ordinary collection of short stories. Eleven-year-old Chum's "history" unfolds over three distinctive and increasingly disturbing sections. He writes that "Coronado explored around and found Santa Fe in 1610"; that "William Becknell was tracking wagons over everyplace in 1821"; and that every day his best friend, Daniel, is afraid to go home.Kevin McIlvoy intersperses the title novella with equally distinctive stories set in New Mexico. Laura, a plain, overweight nurse, encounters a terrified young man on his way to the Vietnam War and takes matters into her own hands. Zach spends time with his "white-trash" relatives and finds love's terrible and true face. The Complete History of New Mexico is a stunningly original collection that will further McIlvoy's growing reputation.

A spiritually resonant and politically urgent new collection by the winner of the Lenore Marshall poetry prizeMy father was a soldierwho was smaller than my sonwhen he returned as a ghost.I begged him to stay with usbut he said: "Not until you come to life."-from "[Untitled]"Fanny Howe's bold new collection responds to the contrast between American imperialist goals and the realities of life lived "on the ground." While our minds are preoccupied with the war games on television, we go on living among our ordinary joys and appetites. How can we live under these dissonant conditions and reconcile our existence with our longings?

Illuminating the dark side of the American century, The Monster Show uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

Two volumes of Colette's most beloved works, with a new Introduction by Judith Thurman.Perhaps Colette's best-known work, Gigi is the story of a young girl being raised in a household more concerned with success and money than with the desires of the heart. But Gigi is uninterested in the dishonest society life she observes all around her and remains exasperatingly Gigi. The tale of Gigi's success in spite of her anxious family is Colette at her liveliest and most entertaining. Written during the same period as Gigi, Julie de Carneilhan, based on Colette's last years with her second husband, focuses on a contest of wills between Julie, an elegant woman of forty, and her ex-husband. Chance Acquaintances, a novella, involves an invalid wife, her philandering husband, and a music-hall dancer whose odd meeting at a French spa affects and indelibly marks each one of their lives.

A reissue of a now classic American drama.If the law is of such a nature that it requires you to be an agent of injustice to another, then I say, break the law." So wrote the young Henry David Thoreau in 1849. Three years earlier, Thoreau had put his belief into action and refused to pay taxes because of the United States government's involvement in the Mexican War, which Thoreau firmly believed was unjust. For his daring and unprecedented act of protest, he was thrown in jail. The Night Thoreau Spent in Jail is a celebrated dramatic presentation of this famous act of civil disobedience and its consequences. Its poignant, lively, and accessible scenes offer a compelling exploration of Thoreau's philosophy and life.

Who, if I cried out, would hear me among the angelicorders? and even if one of them pressed mesuddenly to his heart: I'd be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we can just barely endure,and we stand in awe of it as it coolly disdainsto destroy us. Every angel is terrifying.-from "The First Elegy"Over the last fifteen years, in his two volumes of New Poems as well as in The Book of Images and Uncollected Poems, Edward Snow has emerged as one of Rainer Maria Rilke's most able English-language interpreters. In his translations, Snow adheres faithfully to the intent of Rilke's German while constructing nuanced, colloquial poems in English. Written in a period of spiritual crisis between 1912 and 1922, the poems that compose the Duino Elegies are the ones most frequently identified with the Rilkean sensibility. With their symbolic landscapes, prophetic proclamations, and unsettling intensity, these complex and haunting poems rank among the outstanding visionary works of the century.

Body Language: Writers on Sport, the second book in the Graywolf Forum Series, gathers thirteen contemporary creative writers who offer personal reflections on our public obsession: from the pool hustler to the closet baseball fan; from late-night rodeo on cable TV to tennis games on the weathered fields of Illinois; from the aging basketball player to the anxious young girl determining whether to strike out the boy who is her friend. Through these individual narratives we begin to recognize the universal themes that galvanize both sport and literature: conflict and sacrifice, ritual and passion, humiliation and heroism.Gerald Early (editor) is the author of The Culture of Bruising: Essays on Prize Fighting, which won the National Book Critics Circle Award.Contributors:Gerald EarlyJonis AgeeTeri BostianCecil BrownWayne FieldsLorraine KeePhillip LopateJames A. McPhersonVijay SeshadriKris VervaeckeLoïc WacquantAnthony WaltonDavid Foster Wallace

With its depictions of the downtrodden prostitutes, bootleggers, and hustlers of Perdido Street in the old French Quarter of 1930s New Orleans, Nelson Algren's A Walk in the Wild Side has found a place in the imaginations of all generations since it first appeared. As Algren admitted, the book "wasn't written until long after it had been walked . . . I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called 'Walking the Wild Side of Life.' I've stayed pretty much on that side of the curb ever since."Perhaps the author's own words describe this classic work best: "The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind."