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As snowflakes slowly come down, one by one, people in the city ignore them and only a boy and his dog think that the snowfall will amount to anything. A Caldecott Honor Book.
In the wake of Sassy and as an alternative to the more staid reporting of Ms., Bitch was launched in the mid-nineties as a Xerox-and-staple zine covering the landscape of popular culture from a feminist perspective. Both unabashed in its love for the guilty pleasures of consumer culture and deeply thoughtful about the way the pop landscape reflects and impacts women's lives, Bitch grew to be a popular, full-scale magazine with a readership that stretched worldwide. Today it stands as a touchstone of hip, young feminist thought, looking with both wit and irreverence at the way pop culture informs feminism-and vice versa-and encouraging readers to think critically about the messages lurking behind our favorite television shows, movies, music, books, blogs, and the like. BITCHFest offers an assortment of the most provocative essays, reporting, rants, and raves from the magazine's first ten years, along with new pieces written especially for the collection. Smart, nuanced, cranky, outrageous, and clear-eyed, the anthology covers everything from a 1996 celebration of pre-scandal Martha Stewart to a more recent critical look at the "gayby boom"; from a time line of black women on sitcoms to an analysis of fat suits as the new blackface; from an attempt to fashion a feminist vulgarity to a reclamation of female virginity. It's a recent history of feminist pop-culture critique and an arrow toward feminism's future.
Is graduate school right for you? Should you get a master's or a Ph.D.? How can you choose the best possible school? This classic guide helps students answer these vital questions and much more. It will also help graduate students finish in less time, for less money, and with less trouble. Based on interviews with career counselors, graduate students, and professors, Getting What You Came For is packed with real-life experiences. It has all the advice a student will need not only to survive but to thrive in graduate school, including: instructions on applying to school and for financial aid; how to excel on qualifying exams; how to manage academic politics-including hostile professors; and how to write and defend a top-notch thesis. Most important, it shows you how to land a job when you graduate.
An ALA Notable Book and winner of the National Book Award for Children's Books, Isaac Bashevis Singer's A Day of Pleasure shares his memories as a boy growing up in Warsaw, Poland prior to World War II--featuring striking black and white photographs by Roman Vishniac.In this series of short stories, the Pulitzer Prize-winning author reveals his childhood as part of Warsaw's Hasidic Jewish community in the early years of the twentieth century, through the First World War and into the 1930s before the Nazi Holocaust destroyed their culture. From his school days when his parents struggled with poverty in the ghetto through the divide between traditionalists and those determined to modernize their lives to the wars and fascist regimes that made them flee their home, Singer's stories and Vishniac's photographs recreate a world long gone but never forgotten.
From the creator of the bestseller Humans of New York, based on the wildly popular blog, comes a picture book featuring the littlest humans.
A Caldecott Honor BookNew York Times Book Review Notable Children's Book of the YearNew York Times Outstanding Book of the YearA beautifully illustrated retelling of the classic Grimm's fairy tale about a beautiful princess whose lips were red as blood, skin was white as snow, and hair was as black as ebony.
Pablo Neruda's most famous long poem, with the English translations and original Spanish presented side by side.The Heights of Macchu Picchu is the finest and most famous of Neruda's longer poems and provides the key to his earlier work. It was inspired by his journey to Macchu Picchu, the Peruvian Inca city high in the Andes. Neruda's journey takes on all the symbolic qualities of a personal "venture into the interior" as the poem progresses, exploring both the roots of the poet's identity and the history of Latin America. This translation has been rendered by the distinguished poet Nathaniel Tarn and is presented in a bilingual edition, with the Spanish and English texts on facing pages.
The Poet Laureate's clear and entertaining account of how poetry works."Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing."As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud. He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart.This ideal introductory volume belongs in the library of every poet and student of poetry.
A classic, allegorical fairy tale from one of the forefathers of modern fantasy literature, The Golden Key--first published as part of George MacDonald's story collection Dealings with the Fairies--is presented in this special edition featuring the author's complete text and lavish illustrations by Maurice Sendak, the Caldecott Medal-winning creator of Where the Wild Things Are. The young boy Mossy embarks on a quest through the woods, seeking the keyhole which fits the magical golden key he discovered at the end of the rainbow. Along the way, he meets the girl Tangle, and each must undertake a journey through shadowy valleys and mountains, guided by the Old Men of the Sea, Earth, and Fire, before reaching their final destination.With an Afterword by Pulitzer Prize-winning poet, W. H. Auden"The magical, the fairy story...may be made a vehicle of Mystery. This at least is what George MacDonald attempted, achieving stories of power and beauty when he succeeded, as in The Golden Key."--J. R. R. Tolkien
Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.
Thomas Merton was recognized as one of those rare Western minds that are entirely at home with the Zen experience. In this collection, he discusses diverse religious concepts-early monasticism, Russian Orthodox spirituality, the Shakers, and Zen Buddhism-with characteristic Western directness. Merton not only studied these religions from the outside but grasped them by empathy and living participation from within. "All these studies," wrote Merton, "are united by one central concern: to understand various ways in which men of different traditions have conceived the meaning and method of the 'way' which leads to the highest levels of religious or of metaphysical awareness."
Listen, Little Man! is a great physician's quiet talk to each one of us, the average human being, the Little Man. Written in 1946 in answer to the gossip and defamation that plagued his remarkable career, it tells how Reich watched, at first naively, then with amazement, and finally with horror, at what the Little Man does to himself; how he suffers and rebels; how he esteems his enemies and murders his friends; how, wherever he gains power as a "representative of the people," he misuses this power and makes it crueler than the power it has supplanted.Reich has us to look honestly at ourselves and to assume responsibility for our lives and for the great untapped potential that lies in the depth of human nature.
A "lush nightmare" (Paul Tremblay) of a supernatural thriller about a young woman facing down ancient forces in the depths of the bayou
A remarkably candid biography of the remarkably candid-and brilliant-Carrie FisherIn her 2008 bestseller, Girls Like Us, Sheila Weller-with heart and a profound feeling for the times-gave us a surprisingly intimate portrait of three icons: Carole King, Joni Mitchell, and Carly Simon. Now she turns her focus to one of the most loved, brilliant, and iconoclastic women of our time: the actress, writer, daughter, and mother Carrie Fisher.Weller traces Fisher's life from her Hollywood royalty roots to her untimely and shattering death after Christmas 2016. Her mother was the spunky and adorable Debbie Reynolds; her father, the heartthrob crooner Eddie Fisher. When Eddie ran off with Elizabeth Taylor, the scandal thrust little Carrie Frances into a bizarre spotlight, gifting her with an irony and an aplomb that would resonate throughout her life. We follow Fisher's acting career, from her debut in Shampoo, the hit movie that defined mid-1970s Hollywood, to her seizing of the plum female role in Star Wars, which catapulted her to instant fame. We explore her long, complex relationship with Paul Simon and her relatively peaceful years with the talent agent Bryan Lourd. We witness her startling leap-on the heels of a near-fatal overdose-from actress to highly praised, bestselling author, the Dorothy Parker of her place and time.Weller sympathetically reveals the conditions that Fisher lived with: serious bipolar disorder and an inherited drug addiction. Still, despite crises and overdoses, her life's work-as an actor, a novelist and memoirist, a script doctor, a hostess, and a friend-was prodigious and unique. As one of her best friends said, "I almost wish the expression 'one of a kind' didn't exist, because it applies to Carrie in a deeper way than it applies to others."Sourced by friends, colleagues, and witnesses to all stages of Fisher's life, Carrie Fisher: A Life on the Edge is an empathic and even-handed portrayal of a woman who-as Princess Leia, but mostly as herself-was a feminist heroine, one who died at a time when we need her blazing, healing honesty more than ever.
A touching picture book about lending a hand and the gift of friendship, from debut author-illustrator Charlie Mylie, whom Brian Selznick has heralded as "a major new talent in children's books."
A chemistry student falls for his teacher and uncovers a centuries-old quest for the Elixir of Life.
A picture book biography about activism, this is the story of Velma Johnston, a trailblasing woman who mobilised children in her crusade to save wild mustangs.
From "one of the most perceptive, compassionate writers of fiction in America...immensely talented and brave" (Michael Schaub, NPR), a historical saga about love, class, and the past we never escape.The Peacock Feast opens on a June day in 1916 when Louis C. Tiffany, the eccentric glass genius, dynamites the breakwater at Laurelton Hall-his fantastical Oyster Bay mansion, with columns capped by brilliant ceramic blossoms and a smokestack hidden in a blue-banded minaret-so as to foil the town from reclaiming the beach for public use. The explosion shakes both the apple crate where Prudence, the daughter of Tiffany's prized gardener, is sleeping and the rocks where Randall, her seven-year-old brother, is playing.Nearly a century later, Prudence receives an unexpected visit at her New York apartment from Grace, a hospice nurse and the granddaughter of Randall, who Prudence never saw again after he left at age fourteen for California. The mementos Grace carries from her grandfather's house stir Prudence's long-repressed memories and bring her to a new understanding of the choices she made in work and love, and what she faces now in her final days.Spanning the twentieth century and three continents, The Peacock Feast ricochets from Manhattan to San Francisco, from the decadent mansions of the Tiffany family to the death row of a Texas prison, and from the London consultation room of Anna Freud to a Mendocino commune. With psychological acuity and aching eloquence, Lisa Gornick has written a sweeping family drama, an exploration of the meaning of art and the art of dying, and an illuminating portrait of how our decisions reverberate across time and space.
Existential noir meets absurd comedy when a young man reluctantly enlists as source material for an art project.
A young interracial couple escapes from Maryland to France in 1892, living first among artists in the vibrant Latin Quarter of Paris, and then beginning a new life as winemakers in the rugged countryside of the Languedoc.
A powerful, inventive collection from one of America's most critically admired poets.
This darkly comic debut novel by an award-winning playwright is like Mean Girls meets Heathers with a splash of Bring it On.
In her first standalone middle-grade novel, the beloved author of the Keena Ford chapter book series delivers a funny yet moving story about fathers, sons, and criminal justice.
When Cristobal Balenciaga died in 1972, the news hit the front page of The New York Times. One of the most innovative and admired figures in the history of haute couture, Balenciaga was, as Elsa Schiaparelli said, "the only designer who dares do what he likes." He was, said Christian Dior, "the master of us all."
The last rock-and-roll novel: a dark valentine to small-town music scenes everywhere.
When Kristi Coulter quit drinking, she started noticing things.
Winner of the National Book AwardThe publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death-is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.
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