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The formative work of the legendary poet who sought to write "not feelings but things I had felt"When Rainer Maria Rilke arrived in Paris for the first time in September 1902, commissioned by a German publisher to write a monograph on Rodin, he was twenty-seven and already the author of nine books of poems. His early work had been accomplished, but belonged tonally to the impressionistic, feeling-centered world of a late-nineteenth-century aesthetic.Paris was to change everything. Rilke's interest in Rodin deepened and his enthusiasm for the sculptor's "art of living surfaces" set the course for his own pursuit of an objective ideal. What was "new" about Rilke's New Poems, published in two independent volumes in 1907 and 1908, is a compression of statement and a movement away from "expression" and toward "making realities." Poems such as "The Panther" and "Archaic Torso of Apollo" are among the most successful and famous results of Rilke's impulse.This selection from both books unites the companion volumes in a torrent of brilliant work intoxicated with the materiality of the world. Edward Snow has now improved upon the translations for which he received the Harold Morton Landon Translation Award and with which he began his twenty-year project of translating Rilke.

In this original debut collection, Orozco leads the reader through the secret lives and moral philosophies of bridge painters, men housebound by obesity, office temps, and warehouse workers. Each story in the collection has a gut-punch impact, softened only by lyricism and black humor.

This landmark collection of essays by one of the world's greatest living authors makes Durs Grünbein's wide-ranging and multifaceted prose available in English for the first time, and is a welcome complement to Ashes for Breakfast, his first book-length collection of poetry in English. Covering two decades, The Bars of Atlantis unfurls the entire breadth and depth of Grünbein's essayistic genius. Memoiristic and autobiographical pieces that introduce Grünbein, the man and the author, and tell the story of the making of a poet and thinker toward the end of a century marked by global political strife, unprecedented human suffering, long decades of totalitarian rule, and, in its final quarter, the dawn of a new, post-Cold War world order; essays that focus on Grünbein's major philosophical and aesthetic concerns, such as the intersection of art and science, literature and biology; extended reflections on the existential, cultural, political, and ethical import of the poet's craft in the contemporary world; and, finally, explorations of the meaning of classical antiquity for the present--all contribute to making.

I sort of see you surrounded with fine-tooth combs, sandpaper, nail files, pots of varnish, etc.-with heaps of used commas and semicolons handy, and little useless phrases taken out of their contexts and dying all over the floor," Elizabeth Bishop said upon learning a friend landed a job at The New Yorker in the early 1950s. From 1933 until her death in 1979, Bishop published the vast majority of her poems in the magazine's pages. During those forty years, hundreds of letters passed between Bishop and her editors, Charles Pearce, Katharine White, and Howard Moss. In these letters Bishop discussed the ideas and inspiration for her poems and shared news about her travels, while her editors offered support, commentary, and friendship. Their correspondence provides an unparalleled look into Bishop's writing process, the relationship between a poet and her editors, the internal workings of The New Yorker, and the process of publishing a poem, giving us a rare glimpse into the artistic development of one of the twentieth century's greatest poets.

"The Pickle Index is full of life and everything else-it's rowdy and sweaty and heartbreaking, and by heartbreaking I mean funny, and by funny I mean laugh-until-you're-exhausted-and-leaking-and-hungry." -Miranda JulyZloty Kornblatt is the hapless ringmaster of an even more hapless circus troupe. But one fateful night, Zloty makes a mistake: he accidentally makes his audience laugh. Here on the outskirts of Burford-where both the cuisine and the economy, such as they are, are highly dependent on pickled vegetables-laughter is a rare occasion. It draws the immediate attention of the local bureaucracy, and by morning Zloty has been branded an instigator, conspirator, and fomentor sentenced to death or worse.His only hope lies with his dysfunctional troupe-a morose contortionist, a strongman who'd rather be miming, a lion tamer paired with an elderly dog-a ragged band of misfits and failures who must somehow spring Zloty from his cell at the top of the Confinement Needle. Their arcane skills become strangely useful, and unlikely success follows unlikely success. Until, suddenly, the successes end-leaving only Flora Bialy, Zloty's understudy and our shy narrator, to save the day.Punctuated with evocative woodcuts by Ian Huebert, Eli Horowitz's The Pickle Index is a fast-moving fable, full of deadpan humor and absurd twists-and an innovative, exhilarating storytelling experience.

A probing look at one of the most incendiary subjects of our time-the relationship between the United States and IsraelThere has been more than half a century of raging conflict between Jews and Arabs-a violent, costly struggle that has had catastrophic repercussions in a critical region of the world. In Genesis, John B. Judis argues that, while Israelis and Palestinians must shoulder much of the blame, the United States has been the principal power outside the region since the end of World War II and as such must account for its repeated failed diplomacy efforts to resolve this enduring strife.The fatal flaw in American policy, Judis shows, can be traced back to the Truman years. What happened between 1945 and 1949 sealed the fate of the Middle East for the remainder of the century. As a result, understanding that period holds the key to explaining almost everything that follows-right down to George W. Bush's unsuccessful and ill-conceived effort to win peace through holding elections among the Palestinians, and Barack Obama's failed attempt to bring both parties to the negotiating table. A provocative narrative history animated by a strong analytical and moral perspective, and peopled by colorful and outsized personalities and politics, Genesis offers a fresh look at these critical postwar years, arguing that if we can understand how this stalemate originated, we will be better positioned to help end it.

"Dreams and reality bleed into each other in this dangerous and edgy romance!" -Justine magazineFate has bound them together-and torn them apart. Now, in Horizon, Daire and Dace face one final fight that will seal their destiny forever.Daire Santos is the last of the Soul Seekers, and the only thing standing between the Richters and the destruction of everyone she loves. With her grandmother gone and Cade back in Enchantment, Daire must finally step into her destiny and lead the fight against the Richters. But what if that means sacrificing the person she loves most?Bound to the Richters by blood, Dace struggles against the darkness growing inside him that threatens to claim Daire too. Though Daire refuses to give up on him, the choice may not be hers. An epic battle is on the horizon and the end of the world looms near. With such insurmountable odds stacked against them, is their love really enough to conquer all? Also available: The Soul Seekers Books 1, 2 and 3 (Fated, Echo and Mystic) from bestselling author Alyson Noël.

The Spot is an old blacksmith shed in which three men tweeze apart the intricacies of a botched bank robbery. The Spot is a park on the Hudson River, where two lovers sense their affair is about to come to an end.The Spot is at the bottom of Niagara Falls, where the body of a young girl floats as if caught in the currents of her own tragic story. The Spot is in the ear of a Manhattan madman plagued by a noisy upstairs neighbor . The Spot is a suburban hospital room in which a young father confronts his son's potentially devastating diagnosis. The Spot is a dusty encampment in Nebraska where a gang of inept radicals plot a revolution.The Spot draws thirteen new stories together into a masterful collection that shows David Means at his finest: at once comically detached and wrenchingly affecting, expansive and concise, wildly inventive and firmly rooted in tradition. Means's work has earned him comparisons to Flannery O'Connor (London Review of Books), Alice Munro, Bob Dylan, Jack Kerouac (Newsday), Hemingway, Sherwood Anderson (Chicago Tribune/NPR), Denis Johnson (Entertainment Weekly), Poe, Chekhov, and Carver (Milwaukee Journal Sentinel), but the spot he has staked out in the American literary landscape is fully and originally his own.

WINNER OF THE NOBEL PRIZE IN LITERATURESpanning thirty years of writing, Making Waves traces the development of the Nobel Prize-winning author Mario Vargas Llosa's thinking on politics and culture, and shows the breadth of his interests and passions. Featured here are astute meditations on the Cuban Revolution, Latin American independence, and the terrorism of Peru's Shining Path; brilliant engagements with towering figures of literature such as Joyce, Faulkner, and Sartre; and observations about the dog cemetery where Rin Tin Tin is buried, Lorena Bobbitt's knife, and the failures of the English public-school system.

"Cox puts a human face on the struggle for equality in this thoughtful, well-written exploration of race relations in the South."-The Raleigh News & ObserverAt night, under the same roof, under the same moon, nothing divides the girls, Evie and Janey Louise. Talking in their beds, they discuss their strong mothers and their absent fathers, and they wonder about the paths their lives will take. Yet during the day, Evie is blind to their differences-that she is white and her best friend is black.In Night Talk, Elizabeth Cox tells a moving story about two girls who, though they grew up in the same house, reflect the alternate realities of white and black society. They are influenced by both the massive social changes sweeping the country during the Civil Rights years, and by our extraordinary human capacities for fear and hate and love. But in the end, it is the world they share under cover of darkness, through their candid nighttime conversations, that proves to be the strongest force of all.

A searing novel about two friends on opposite sides of the law, from the author of Rust and Bone, "a writer of immense power" (Peter Straub)On the Canadian side of Niagara Falls, life beyond the tourist trade isn't easy. Locals like Duncan Diggs and Owen Stuckey have few chances to leave. For Duncan, that means shift work on a production line. For Owen, it means pinning it all on a shot at college basketball. But they should know better; they've been unlucky before. As boys, they were abducted and abandoned in the woods. Though they made it out alive, the memory of that time won't fade. Over the years they drift apart, but when Duncan is drawn into a chaotic world of bare-knuckle fighting and other shady dealings, Owen, now a cop, can't look the other way any longer. Together, they'll be forced to survive the wilderness once more as their friendship is pushed to the limit in Cataract City, a white-hot novel by the rising star Craig Davidson.

Polish Wilno-now Vilnius, in Lithuania-was the city of Czeslaw Milosz's youth and adolescence. In this collection of essays and reminiscences, written over a span of three decades, the Nobel Prize-winning poet traces an informal autobiography against the street map of an extraordinary city-a crossroads of languages, cultures, and beliefs-that lies at the very heart of his internal geography.Beginning with My Streets, available for the first time in paperback, gathers portraits of the writers Aleksander Wat, Dwight MacDonald, and Fyodor Dostoevsky, as well as the great Swedish scientist Emanuel Swedenborg; an exchange of letters from the 1950s with the novelist and diarist Witold Gombrowicz; and a selection of speeches delivered between 1967 and 1987, including Milosz's Nobel Lecture. These diffuse reckonings, distinguished throughout by the flavor of personality and the aura of place, have a cumulative power-they are quintessential Milosz.

Winner of the 2008 Katharine Bakeless Nason Prize for Poetry, Nick Lantz's poems introduce a startling new voice.Taking its title from a dodging statement from former secretary of defense Donald Rumsfeld, We Don't Know We Don't Know assesses what it means to claim new knowledge within a culture that professes to know everything already. The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture-that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz's poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don't Know We Don't

Eileen Hughes, twenty years old and never before out of Northern Ireland, has arrived in London for a week's holiday with Bernard and Mona McAuley, who are not only her employers but also, she believes, her friends. In Brian Moore's masterful handling, this seemingly simple story darkens and expands, exploring the nature of obsession-both spiritual and erotic-with an elegance, anarchic playfulness, and imagination that recall Henry Green or Muriel Spark.

A classic examination of the roots of corporate culture, newly revised and updated for the twenty first centuryAlan Trachtenberg presents a balanced analysis of the expansion of capitalist power in the last third of the nineteenth century and the cultural changes it brought in its wake. In America's westward expansion, labor unrest, newly powerful cities, and newly mechanized industries, the ideals and ideas by which Americans lived were reshaped, and American society became more structured, with an entrenched middle class and a powerful business elite. Here, in an updated edition which includes a new introduction and a revised bibliographical essay, is a brilliant, essential work on the origins of America's corporate culture and the formation of the American social fabric after the Civil War.

A reissue of the book that first examined the future of reading and literature in the electronic age, now with a new introduction and AfterwordIn our zeal to embrace the wonders of the electronic age, are we sacrificing our literary culture? Renowned critic Sven Birkerts believes the answer is an alarming yes. In The Gutenberg Elegies, he explores the impact of technology on the experience of reading. Drawing on his own passionate, lifelong love of books, Birkerts examines how literature intimately shapes and nourishes the inner life. What does it mean to "hear" a book on audiotape or decipher its words in electronic form on a laptop screen? Can the world created by Henry James exist in an era defined by the work of Bill Gates? Are books as we know them-volumes printed in ink on paper, with pages to be turned as the reading of each page is completed-dead?At once a celebration of the complex pleasures of reading and a bold challenge to the information technologies of today and tomorrow, The Gutenberg Elegies is an essential volume for anyone who cares about the past and the future of books.

Selected Poems includes over 200 works culled from Robert Lowell's books of verse-Lord Weary's Castle, The Mills of the Kavanaughs, Life Studies, For the Union Dead, Near the Ocean, History, For Lizzie and Harriet, and The Dolphin. Edited and with a foreword by the poet Frank Bidart, who also edited Collected Poems of Robert Lowell, this volume is a perfectly chosen representation of "the greatest American poet of the mid-century" (Richard Poirier, Book Week).

"A book that translates, and transcends, the eternal question of home, belonging, family, identity." -Star Tribune (Minneapolis)My name is Jeong Kyong-Ah. My ancestry includes landowners, scholars, and government officials. I have six siblings. I am a citizen of the Republic of Korea. I come from a land of pear fields and streams, where people laugh loudly and honor their dead. Halfway around the world, I am someone else.Jane Jeong Trenka and her sister Carol were adopted by Frederick and Margaret Brauer and raised in the small, homogeneous town of Harlow, Minnesota-a place "where the sky touches the earth in uninterrupted horizon . . . where stoicism is stamped into the bones of each generation." They were loved as American children without a past.With inventive and radiant prose that includes real and imagined letters, a fairy tale, a one-act play, crossword puzzles, and child-welfare manuals, Trenka recounts a childhood of insecurity, a battle with a stalker that escalates to a plot for her murder, and an extraordinary trip to Seoul to meet her birth mother and siblings. Lost between two cultures for the majority of her life, it is in Korea that she begins to understand her past and the power of the unspoken language of blood.

As renowned historian Roger Daniels shows in this brilliant new work, America's inconsistent, often illogical, and always cumbersome immigration policy has profoundly affected our recent past.The federal government's efforts to pick and choose among the multitude of immigrants seeking to enter the United States began with the Chinese Exclusion Act of 1882. Conceived in ignorance and falsely presented to the public, it had undreamt of consequences, and this pattern has been rarely deviated from since. Immigration policy in Daniels' skilled hands shows Americans at their best and worst, from the nativist violence that forced Theodore Roosevelt's 1907 "gentlemen's agreement" with Japan to the generous refugee policies adopted after World War Two and throughout the Cold War. And in a conclusion drawn from today's headlines, Daniels makes clear how far ignorance, partisan politics, and unintended consequences have overtaken immigration policy during the current administration's War on Terror.Irreverent, deeply informed, and authoritative, Guarding the Golden Door presents an unforgettable interpretation of modern American history.

"David Young's version of Petrarch will refresh our images of the West's crucial lyric poet. We are given a Petrarch in our own vernacular, with echoes of Wyatt, Shakespeare, and many who come after." --Harold BloomIneffable sweetness, bold, uncanny sweetnessthat came to my eyes from her lovely face; from that day on I'd willingly have closed them, never to gaze again at lesser beauties.--from Sonnet 116Petrarch was born in Tuscany and grew up in the south of France. He lived his life in the service of the church, traveled widely, and during his lifetime was a revered, model man of letters. Petrarch's greatest gift to posterity was his Rime in vita e morta di Madonna Laura, the cycle of poems popularly known as his songbook. By turns full of wit, languor, and fawning, endlessly inventive, in a tightly composed yet ornate form they record their speaker's unrequited obsession with the woman named Laura. In the centuries after it was designed, the "Petrarchan sonnet," as it would be known, inspired the greatest love poets of the English language-from the times of Spenser and Shakespeare to our own.David Young's fresh, idiomatic version of Petrarch's poetry is the most readable and approachable that we have. In his skillful hands, Petrarch almost sounds like a poet out of our own tradition bringing the wheel of influence full circle.