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Straight Outta Compton is about living large, living in the fast lane. It raps to its readers about being black, being born and raised in the L.A. ghetto, being so-called "Niggaz 4-Life", being sweet on black life (for those in it, the beat goes on). It focuses on the lives of two black men, Rooster and Clive-nem, who grow up together in Compton. Clive starts out like a big brother to Rooster, but Rooster changes. After Clive's daddy dies of a drug overdose, the story shifts. Rooster, the main character living large, becomes obsessed with women. Meanwhile, Clive wants to break from Compton. He and Rooster split up, fall into rival gangs - the Bloods and the Crips - and begin to hate each other. Clive has other problems besides Rooster - namely, Compton. He thinks that he's made a girl pregnant. He's involved with gangs. Straight Outta Compton samples from all aspects of black life in its search to have its characters find what rapper Heavy D. would call a "Peaceful Journey". It wasn't just written; it was mixed by a DJ, and the result is hyped!
Not only the story of a colossus of a woman living in Kansas, Fat Girl, Terrestrial is also a meditation on God, treachery, and blind love.
While working at a sleep lab in Germany, Rosemarie Ramee, a 38-year-old American neurologist, falls in love with Aslan, a 11-year-old Turkish Cypriot. To get closer to the boy, RR undertakes a 'marriage of convenience' to the boy's uncle. But when the uncle suddenly disappears, Ramee, alone with Aslan, must take the boy to his relatives in Cyprus.
Damned Right is a visceral new incarnation of the American road novel that blasts full-throttle toward enlightenment. Its twentysomething protagonist practices the yoga of speed and motion toward a peculiarly American nirvana at 200 mph. The freeways beyond a mountain community in the Pacific Northwest promise a non-Euclidean geometry of right and wrong, and without fully understanding his mission he is compelled to head south. The bleak sprawl of Los Angeles lies ahead of him, as it lies ahead of us all. In the city of tomorrow he meets a succession of fossilized idealists imprisoned by their dreams. They draw him into a series of adventures and ordeals that reveal an apocalyptic vision of the future.
Missing: seventeen-year-old Kai Dionne and his dog Talia. The search for these two spans a single day, morning twilight to late evening, from the time Kai leaps in a half-frozen river to save the dog to the hour he and Talia are recovered.
This is an audacious transformation in prose of fourteen modernist films. From film to film, Jeffrey DeShell follows a forty-something failed film studies academic - The Professor. While The Professor is reinvented with each new chapter (or film), what remains is DeShell's inventive deconstruction and representation of modern cinema.
Presents the tale of a young woman, raised in foster homes, juvenile halls, and a mental hospital, on a quest to reunite her disparate family and track down her missing mother.
Explores the relationship between style and substance, self and sexuality, and identity and difference
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