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Explore the world of Tyler Jacobson and find yourself lost in a fascinating culmination of cinematic moments frozen in time. The Art of Tyler Jacobson invites you to explore every aspect of this quintessential artist's career. This treasure trove covers everything from works created during Tyler's youth, to thesis work made during his college years and continues into every aspect of his professional life. Examples shown include paintings done for books, advertising and editorial purposes, and most notably for the gaming industry. Included are finished works done in digital and traditional methods while also revealing rare sketches and concept art. In addition, Tyler offers exclusive insight as he shares background stories to key pieces found in these pages.Immerse yourself in Tyler's world, where you can find cinematic moments frozen in time. He builds new worlds with the help of his science background and interest in how things work combined with his passion for fantasy. Tyler has a highly sought out ability to design and create everything from new cultures, environments, weapons and tapestry to clothes and more. He is also well known for his mood plates, as he establishes the overall feeling and tone of the world being built.Tyler loved playing Dungeons & Dragons when he was younger, which sparked his initial interests and career toward being an artist. With this book, Tyler hopes to share his thought processes and his love of storytelling.

Written in 1928, H.P. Lovecraft¿s The Call of Cthulhu defined the ancient gods as dark creatures who came from the stars and ruled the world before mankind. When these ancient ones awaken, humanity is plagued by a nightmare of terrors etched upon an epic backdrop. The author¿s concept deeply redefined the horror story with this thrilling, dense mystery that spawned a virtual genre.The artist Gary Gianni and designer Marcelo Anciano both felt that Lovecraft¿s short story presented an opportunity to visually expand the Cthulhu Mythos and push the boundaries of illustrated books. Intense and fast-paced, the tale enabled them to explore graphic storytelling and illustrate the text in a unique way. It was a personal project for Gianni, who drew upon his decades of experience in illustrating numerous books and graphic novels.The Call of Cthulhu, as illustrated by Gary Gianni, is a fusion of cinematic design, the graphic novel and illustrated books. Over a hundred finished pencil drawings with color pieces enhance and bring to life the work of two visionaries¿Lovecraft and Gianni¿in an extraordinary feat of storytelling and art.

Collecting each ElfQuest comic book cover from the entire 46-year run, with the inside scoop on each one!This book compiles every ElfQuest comic-book cover ever published. All 300-plus covers are showcased in an elegant design. This volume offers more than a simple collection of gorgeous images. Each cover pairs with a facing page that supplies behind-the-scenes commentary by Richard Pini about how that particular cover came to be, or other details you will find interesting, amusing and insightful.In addition to facts about the covers themselves, Richard Pini has selected artwork from each respective comic and shared additional insight into the history or theme of each issue. This deluxe edition is packed with revelations to thrill the newest and most seasoned ElfQuest fans alike. All your favorite covers are here for every ElfQuest series since its debut in Fantasy Quarterly #1 in 1978, followed by ElfQuest: The Original Quest and the ElfQuest Epic series reprints with new covers, continuing with Siege at Blue Mountain and all the way to the most recent series, Stargazer's Hunt. Covers are presented with their original titles/logos and full published treatment, to capture the historical look of each issue upon its original release.

Collecting 157 ElfQuest comic book covers released between 1993-2022, with the inside scoop on each one!This book showcases more than a simple collection of gorgeous images. Each cover pairs with a facing page that supplies behind-the-scenes commentary by Richard Pini about how that particular cover came to be, or other details you will find interesting, amusing and insightful. All your favorite covers are here for every ElfQuest series—from ElfQuest: Blood of Ten Chiefs in 1993 all the way up to ElfQuest: Stargazer’s Hunt in 2022. Covers are presented with their original titles/logos and full published treatment, to capture the historical look of each issue upon its original release.

Collecting the first 145 ElfQuest comic book covers released between 1978-1994, with the inside scoop on each one! This book showcases more than a simple collection of gorgeous images. Each cover pairs with a facing page that supplies behind-the-scenes commentary by Richard Pini about how that particular cover came to be, or other details you will find interesting, amusing and insightful. All your favorite covers are here for every ElfQuest series—from its debut in Fantasy Quarterly #1 in 1978 all the way up to ElfQuest: WaveDancers in 1994. Covers are presented with their original titles/logos and full published treatment, to capture the historical look of each issue upon its original release.

A compelling showcase spanning seventransformative years.During an impressive period—2005through  2012—Mark Schultz turned his attention to producing a body ofpersonal works and private commissions. The results, collected in the five VariousDrawings volumes, focused on subjects about which Schultz feels mostpassionate. Among them are characters and tableaux pulled from mythology,science-fantasy and pulp adventure, featuring steely warriors and femmefatales—his popular pulpette women included. Schultz's Xenozoic world isprofusely explored through a series of dynamic compositions with hisprotagonists, Jack and Hannah, placed in a variety of impossibly dangeroussituations. In addition to his self-generated pieces, there are many examplesof Schultz's commercial works done for comics, film and books, as well asrenderings of newly discovered dinosaurs and more.Portfolio compiles thedrawings found in the original five Various Drawings volumes as well asthe cover illustrations and special bookplates. Plus, an additional 160 pagesworth of material adds dozens of works not previously collected. Foundwithin are nearly 450 fully rendered drawings executed in brush-and-ink, carbonor graphite pencil. In addition, Schultz shows his process with a wealth ofpreliminary sketches done for a range of projects, including his Storms atSea illustrated novella. Add to this rare sketchbook material andSchultz’s increasing exploration of color-tinted imagery, and you have onefascinating and diverse portfolio!

The Art of Rachel and Terry Dodson features many highlights from this exceptional team's 25-year career and shows how their art was created, including almost forty of their favorite comic-book covers. The pair also share insights into how eight personal pieces were executed, and they break down the making of a two-page Red One sequential comic story.The Dodsons reveal the stages of their creative process--including Terry's pencils, Rachel's inks and Terry's colors for each piece. Supporting commentary offers further insight, and two dozen covers are supplemented by Terry's initial sketches. The Dodsons also offer details about the tools they use and other tips for the aspiring artist. This is a unique way to see the steps that went into pieces the pair completed over the years for major publishers, as well as creator-owned and personal projects.One highlight is a section about the artwork on the cover of this book, broken down in great detail in twenty-seven- stages that show its creation from concept to finish. All of the art in this collection was scanned or photographed from the originals, and there also are photos of the Dodsons at work in their studio. An introduction offers insight into how the pair became professionals and spans their full career to date. This book is a must for fans of Terry and Rachel Dodson as well as those interested in the creative process.

Pastoral is a romp through subject matter that makes Cooper supremely happy. Expect humor, expect sensuality, expect chickens, expect all three in one image. If that sounds like a damn good time to you we think you will get along famously with Cooper. Pastoral is filled with their energetic, expressive pencil and ink drawings of wildlife and their stewards. Gouache works from Cooper's travels and gallery paintings also appear.

Barren Lands is a humble love letter to the region, where the author and artist Brynn Metheney was born and raised. She shines light--and wonder--on those deserts, which continue to inspire and surprise her.Metheney has included notes and observations about these oddities and seasonal incidents from her personal experiences. They include encounters that hinge on disbelief--passed down to her by family members and reclusive locals, about creatures unknown by the public. This is a marvelous look at hidden wonders that only a desert rat with a long history in the region could share. Metheney's words and pictures will spark the imagination with secret revelations that blur the lines between fantasy and reality and are sure to entertain anyone with a curious mind. Barren Lands will alter your perception of this seemingly sterile landscape and help you see its rich abundance of life--or possibly warn you to stay in the city! Full-color paintings and drawings are featured throughout this heavily illustrated guide.

Come along on a tour through Mark Schultz¿s fantastic universe!Mark Schultz continues to amaze! This fifth volume in his Carbon art-book series features new drawings and paintings, all created within the last two years. It¿s a wide-ranging potpourri of commissions, book illustrations, concept designs, comics and personal work, brimming with the unique imagery and subject matter for which Mark is celebrated. His media include carbon and graphite pencils, brush and ink, watercolor and gouache. The images feature Jack and Hannah from his Xenozoic tales, two new Paleonauts funny-book stories, Stormforce 10 concept designs, preparatory work for his upcoming Storms at Sea sequel and an assortment of science-fantasy subjects drawn from the fictional worlds that inspired his career. Preliminaries are placed side-by-side with finished pieces to provide insight to the artist¿s working process. With two big gatefolds unfolding to reveal epic scenarios, Carbon 5 is a deep dive into Mark¿s ages-spanning imagination, showcasing his work as an illustrator, a cartoonist and a concept artist.

Lupenteshowcases five outstanding contemporary artists in an elegant and absorbingpackage. This volume‿the first in our ongoing Flesk Artist Showcase series‿featuresJulia Blattman, a premier visual-development artist working in theanimation industry; Stephanie Law, a fine artist who pulls fromdreams and reality to illuminate the boundary between those two worlds; KarlaOrtiz, a concept and fine artist who is renowned for her personal works andher designs for film; Virginie Ropars, one of the most-revereddollmakers today and  an inspiration tosculptors around the world; and Erica Williams, also known as“HookieDuke,â€? who has gained acclaim by mastering a unique, highly intricatestyle of lines and designs that centers on Nature as its inspiration.  Examples of the most highly regarded works by the five areaccompanied by biographical essays, interviews, quotes and captions that revealinsights into their creative processes. In addition, Flesk‿s personal access toeach artist has resulted in an insightful and engaging introduction to thesetalented creators, among the best working today.

Illustrations and rhyming text bring the creatures of the night to life.

Edwin Austin Abbey (1852-1911) was born just two years after the inaugural release of Harper's Monthly Magazine. Starting with his first published drawing in December 1870 at age 18, Abbey's life-long association with the publisher resulted in hundreds of drawings found within the pages of Harper's Monthly Magazine and Harper's Weekly as well as Harper & Brothers books. The resulting exposure throughout the U.S. and Europe secured an extensive level of recognition. Abbey had the rarefied appeal to everyone from the average reader to the most prestigious artists of the day. The inclusion of Abbey's illustrations in these periodicals helped to expand the reach of the poetry, stories and essays that they accompanied to a massive audience.This book focuses on Abbey's line art for the magazines and books published by Harper & Brothers, beginning with his earliest works as a new professional in the field. The collection contains over 350 drawings. These delineated the poetry of Robert Herrick and enhanced such books as The Deserted Village, Old Songs, She Stoops to Conquer and The Quiet Life. Drawings created for numerous short stories and poetry are displayed here as well. Also collected are Abbey's exquisite series of drawings done over the course of twenty years for The Comedies of William Shakespeare, followed by The Shakespeare Tragedies. His painstaking devotion to research while securing the appropriate costumes, props and models for his drawings was legendary. The results are some of the most revered illustrations ever created, which continue to astound aficionados and inspire artists generations after Abbey's last drawing was made.An extensive new essay by Alice A. Carter offers a fresh look at Edwin Austin Abbey, his life and career.

Covenant boasts the first collection of Allen's personal drawings and paintings. Each of his fantastical characters is accompanied by a line of text, a poem or a brief story that captures their essence. These visual narratives are pulled to the surface through Allen's renowned mastery of storytelling and his use of graphite, pencil and oils. The result is a fascinating journey into the mind of this intriguing artist. Allen's strength comes from his mystical connection to his work. He views himself as a guardian and creates artistic personas that serve the well-being of others. At first sight, his mythological characters may look odd, monstrous or grotesque. Yet they represent the good that can be found when you look below the surface of an individual. Allen has always liked the underside of things. He embraces the bits of mortality that poke out from under the skin. The artwork collected here addresses Allen's need to face the challenges that surround him while projecting himself into the art. He is driven by creating images based on the strength of an individual's actions, regardless of how they may be perceived for not conforming to society's semblance of beauty.