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Artist's book with twenty-one color illustrations of German artist Maximilian Kirmse's paintings, as well as several drawings. The book includes a prose poem by Jan Koslowski and an essay by Fid. Fischer, which situates Kiirmse's work within contemporary painting.
Writers Barbara Casavecchia, Elisa R. Linn, and Vivien Trommer offer critical contributions on the work of Australian-born artist Andy Boot, whose practice spans painting, weaving, and sculpture. Their essays constitute a significant contribution to the art-historical significance of Boot's practice with a focus on the materiality of his works.
An accompaniment to artist Catherine Biocca's exhibition Bonsai Feeling at the Kunstverein Nürnberg. Featuring an essay by Simone Neuenschwander and an interview with Biocca, this publication investigates the artist's dealings with digitization and the Schadenfreude that permeates contemporary capitalist society.
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