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Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm's role in contemporary literary criticism, including debates about poetic form and genre.

Ecstasy in the Classroom analyzes the early thirteenth century theological discourse about Paul's rapture and other modes of cognizing God. It reconstructs the perceptions of transformation and self they imply, and demonstrate their role in establishing the peculiar professional identity of scholastic theologians compared with other seers of God.

Maurice Blanchot: a Critical Biography attempts a critical and theoretical biography by drawing on unpublished documents and interviews with those close to the writer. It tracks the life and work of one of the most important novelists and critics of the twentieth century, who influenced many writers, artists, and philosophers, not least those of French theory.

"Voices in the singular and plural compel Henk Rossouw's Xamissa with such ecstatic stride as to match the intensity of human spectacle advancing the procession of Cape Town's history. The collective effect of alternating scenes and incantations reflect an ethical imperative of uncertainty. With formal ambition and acoustic scales of mind, Rossouw confronts a past haunted by racial brutality, even as it imagines an eventual social unity and the durational "anyway" that poetry's historical imagination is able to contain."-Roberto Tejada"Both poetry and the capacity to recover history's untold cruelties find a home in Xamissa, the name 'crossed-out' beneath the one we know, 'Cape Town.' In Henk Rossouw's stunning collection of this name, crossed-out histories refuse their erasure, spill their liquid meaning, and reclaim the name that means 'place of sweet waters.' But because what you see when you look at this place is too easy at first, you might miss that its bright surfaces are like 'a beautiful wet bag over the mouth of.' Xamissa misses nothing."-Gabeba Baderoon, author of The Dream in the Next Body, A Hundred Silences, and The History of Intimacy"In Xamissa, Henk Rossouw's artistic vision isn't borne out of the tyranny of spontaneous epiphany, but rather is carefully fleshed out through a constructivist process of cultural excavation. Nimbly threading History's objects ('nation,' 'city,' 'self,' 'peoples'), Rossouw guides us into and out of Imperium's capture zones. The result is a lived-life global poetics where the harmonic modulation from nationalist myth-making to a newly invigorated drive for liberationist re-definition of 'citizenship,' makes for a dazzling music of our time."-Rodrigo Toscano Xamissa is a book-length poem that sounds out the city of Cape Town in a joyful elegy for the city of alternate takes. Xamissa adapts the mythical name for the springs and streams running from Table Mountain to the sea, under the city itself, since before the colonial Dutch ships came-the X of the title standing in for the multiple ways in the languages of the Cape, past and present, the reader may pronounce the first consonant. A work of documentary poetics that investigates the cost of whiteness in South Africa, Xamissa code-switches at times into Lontara, the subversive Indonesian script that undercuts the prevalence of Dutch in the colonial archive. Through serial questions around the ethics of its address, Xamissa probes the interrelation of language, sociality, and resistance, in its bid to interrogate the archive as a draft of the city's future. Henk Rossouw teaches at the University of Louisiana at Lafayette. His poems have appeared in The Paris Review, The Massachusetts Review, The Boston Review, and other publications.

Julia Bouwsma (Author) Julia Bouwsma is the author of Work by Bloodlight (Cider Press Review, 2017).

Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-Franois Bonhomme. But in Derrida's hands commentary always has a way of unfolding or, better, developing in several unexpected and mutually illuminating directions.

This book is a model of philosophical and Heideggerian scholarship. Avoiding the extremes of abject worship and facile refutation, it moves into the heart of the later Heideggers work. Not only is Caputo faithful to the texts, but he is reflective and critical, inviting the reader to philosophize with and against Heidegger.

This collection of essays addresses recent and historical changes in the ways in which listening has been conceived as a cultural agency and act. It argues that listening, by emancipating from an essentially implied, passive-receiving, and subjected position, has become an explicit factor in culture and the object of proactive collective and individual politics.

Earth, Life & System: Evolution and Ecology on a Gaian Planet explores the multiple themes of Lynn Margulis's science: microbial evolution, ecology and symbiosis, the coupled interactions of environment and life in Gaia theory, and the connections of these newer scientific ideas to cultural and creative productions.

This book brings together five encounters. They include the date or signature and its singularity; the notion of the trace; structures of futurity and the "to come"; language and questions of translation; such speech acts as testimony and promising; the possibility of the impossible; and the poem as addressed and destined beyond knowledge.

In 1964, a little noticed, albeit pioneering encounter in the Holy Land between the heads of the Roman Catholic Church and the Orthodox Church spawned numerous contacts and diverse openings between the two ¿sister churches,¿ which had not communicated with one another for centuries. This year, fifty years later, Pope Francis and Ecumenical Patriarch Bartholomew will meet again in Jerusalem to commemorate that historical event and celebrate the close relations that have developed through mutual exchanges of formal visits and an official theological dialogue that began in 1980.

This book brings together a group of Judith Butler's philosophical essays written over two decades that elaborate her reflections on the roles of the passions in subject-formation through an engagement with Hegel, Kierkegaard, Descartes, Spinoza, Malebranche, Merleau-Ponty, Freud, Irigaray and Fanon.

Hart Crane's long poem The Bridge has steadily grown in stature since it was published in 1930. At first branded a noble failure by a few influential critics¿ a charge that became conventional wisdom¿this panoramic work is now widely regarded as one of the finest achievements of twentieth-century American poetry. It unites mythology and modernity as a means of coming to terms with the promises, both kept and broken, of American experience.The Bridge is also very difficult. It is well loved but not well understood. Obscure and indirect allusions abound in it, some of them at surprisingly fine levels of detail. The many references to matters of everyday life in the 1920s may baffle or elude today¿s readers. The elaborate compound metaphors that distinguish Crane¿s style bring together diverse sources in ways that make it hard to say what, if anything, is ¿going on¿ in the text. The poem is replete with topical and geographical references that demand explication as well as identification. Many passages are simply incomprehensible without special knowledge, often special knowledge of a sort that is not readily available even today, when Google and Wikipedia are only a click away.Until now, there has been no single source to which a reader can go for help in understanding and enjoying Crane¿s vision. There has been no convenient guide to the poem¿s labyrinthine complexities and to its dense network of allusions¿the ¿thousands of strands¿ that, Crane boasted, ¿had to be sorted out, researched, and interwoven¿ to compose the work.This book is that guide. Its detailed and far-reaching annotations make The Bridge fully accessible, for the first time, to its readers, whether they are scholars, students, or simply lovers of poetry.

The essays collected in this volume represent an ecumenical and interdisciplinary engagement with the numerous factors that have come to comprise the multiple and often ambivalent contours of "Eastern" Christian attitudes towards an ambiguous, multiform, and ever-changing "West."

An account of modern ideas of selfhood that juxtaposes the relation between confessor and woman mystic in late medieval texts with examples from the early history of psychoanalysis (Freud/Breuer) to show the importance of taking into account human connectedness, gender and religious practices when studying the history of modern identity.

The most accessible of Ricoeur's early texts, Fallible Man offers an introduction to phenomenological method.

In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its three crowns: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social.

Providing a synthesis of Byzantine Christian thought, this book offers an understanding of the Byzantine view of man, his destiny of deification, the evolution of Byzantium and its ability to survive under diverse historical circumstances.

Phenomenology and the "Theological Turn" brings together the debate over Janicaud's critique of the "theological turn" represented by the works of Emmanuel Levinas, Paul Ric/ur, Jean-Luc Marion, Jean-Francois Courtine, Jean-Louis Chretien, and Michel Henry.

This study examines the response of the Greek clergy to the experience of enemy occupation during World War II. In particular, it evaluates how these men reacted to Axis brutality, the nationwide famine, the Holocaust, and the growth of national resistance movements during the period.

This volume designates a shift within posthumanistic media studies, that dissolves the concept of media into a network of operations, that reproduce, process and reflect the distinctions that are fundamental for a given culture, e.g. the anthropological difference, the distinctions between natural object and cultural sign, noise and information, eye and gaze.

First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. This edition of Fenollosa's important work is accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages.

Hans Urs von Balthasar (1905-1988) was one of the most prolific and influential theologians of the twentieth century. This study seeks to show the fruitfulness of his thought by drawing out its philosophical implications for the question of truth.

What does it mean to lead an ethical life under vexed social and linguistic conditions? In her first extended study of moral philosophy, Judith Butler offers a provocative outline for a new ethical practice -one responsive to the need for critical autonomy yet grounded in the opacity of the human subject.

"Part I ... is an economical recapitulation of mystical writing ... Part II explores the theological dialogue between East and West...Part III shares personal experience of the two traditions... an excellent primer for introduction to the wellsprings of spirituality."-Christian Century