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A gripping, funny, joyful account of how the books you read shape your own life in surprising and profound ways.Bookworms know what scholars of literature are trained to forget: that when they devour a work of literary fiction, whatever else they may be doing, they are reading about themselves. Read Shakespeare, and you become Cleopatra, Hamlet, or Bottom. Or at the very least, you experience the plays as if you are in a small room alone with them, and they are speaking to your life, your sensibility.Drawing on fifty years as a Shakespearean, Leonard Barkan has produced a captivating book that asks us to reconsider what it means to read. Barkan violates the rule of distance he was taught and has always taught his students. He asks: Where does this brilliantly contrived fiction actually touch me? Where is Shakespeare in effect telling the story of my life?King Lear, for Barkan, raises unanswerable questions about what exactly a father does after planting the seed. Mothers from Gertrude to Lady Macbeth are reconsidered in the light of the author's experience as a son of a former flapper. The sonnets and comedies are seen through the eyes of a gay man who nevertheless weeps with joy when all the heterosexual couples are united at the end. A Midsummer Night's Dream is interpreted through the author's joyous experience of performing the role of Bottom and finding his aesthetic faith in the pantheon of antiquity. And the exquisitely poetical history play Richard II intersects with, of all things, Ru Paul's Drag Race.Full of engrossing stories, from family secrets to the world of the theater, and written with humor and genuine excitement about literary experiences worthy of our attention and our love, Reading Shakespeare Reading Me makes Shakespeare's plays come alive in new ways.

The diary of radio correspondent James Cassidy presents a unique view of World War II as this reporter followed the Allied armies into Nazi Germany.James Joseph Cassidy was one of 362 American journalists accredited to cover the European Theater of Operations between June 7, 1944, and the war's end. Radio was relatively new, and World War II was its first war. Among the difficulties facing historians examining radio reporters during that period is that many potential primary documents-their live broadcasts-were not recorded. In NBC Goes to War, Cassidy's censored scripts alongside his personal diary capture a front-line view during some of the nastiest fighting in World War II as told by a seasoned NBC reporter.James Cassidy was ambitious and young, and his coverage of World War II for the NBC radio network notched some notable firsts, including being the first to broadcast live from German soil and arranging the broadcast of a live Jewish religious service from inside Nazi Germany while incoming mortar and artillery shells fell 200 yards away. His diary describes how he gathered news, how it was censored, and how it was sent from the battle zone to the United States. As radio had no pictures, reporters quickly developed a descriptive visual style to augment dry facts. All of Cassidy's stories, from the panic he felt while being targeted by German planes to his shock at the deaths of colleagues, he told with grace and a reporter's lean and engaging prose.Providing valuable eyewitness material not previously available to historians, NBC Goes to War tells a "e;bottom-up"e; narrative that provides insight into war as fought and chronicled by ordinary men and women. Cassidy skillfully placed listeners alongside him in the ruins of Aachen, on icy back roads crawling with spies, and in a Belgian bar where a little girl wailed "e;Les Amricains partent!"e; when Allied troops retreated to safety, leaving the town open to German re-occupation. With a journalistic eye for detail, NBC Goes to War unforgettably portrays life in the press corps. This newly uncovered perspective also helps balance the CBS-heavy radio scholarship about the war, which has always focused heavily on Edward R. Murrow and his "e;Murrow's Boys."e;

This volume examines the historical connections between the United States¿ Reconstruction and the country¿s emergence as a geopolitical power a few decades later. It shows how the processes at work during the postbellum decade variously foreshadowed, inhibited, and conditioned the development of the United States as an overseas empire and regional hegemon. In doing so, it links the diverse topics of abolition, diplomacy, Jim Crow, humanitarianism, and imperialism.In 1935, the great African American intellectual W. E. B. Du Bois argued in his Black Reconstruction in America that these two historical moments were intimately related. In particular, Du Bois averred that the nation¿s betrayal of the South¿s fledgling interracial democracy in the 1870s put reactionaries in charge of a country on the verge of global power, with world-historical implications. Working with the same chronological and geographical parameters, the contributors here take up targeted case studies, tracing the biographical, ideological, and thematic linkages that stretch across the postbellum and imperial moments. With an Introduction, eleven chapters, and an Afterword, this volume offers multiple perspectives based on original primary source research. The resulting composite picture points to a host of countervailing continuities and changes. The contributors examine topics as diverse as diplomatic relations with Spain, the changing views of radical abolitionists, African American missionaries in the Caribbean, and the ambiguities of turn-of-the century political cartoons.Collectively, the volume unsettles familiar assumptions about how we should understand the late nineteenth-century United States, conventionally framed as the Gilded Age and Progressive Era. It also advances transnational approaches to understanding Americäs Reconstruction and the search for the ideological currents shaping American power abroad.

This volume examines the historical connections between the United States¿ Reconstruction and the country¿s emergence as a geopolitical power a few decades later. It shows how the processes at work during the postbellum decade variously foreshadowed, inhibited, and conditioned the development of the United States as an overseas empire and regional hegemon. In doing so, it links the diverse topics of abolition, diplomacy, Jim Crow, humanitarianism, and imperialism.In 1935, the great African American intellectual W. E. B. Du Bois argued in his Black Reconstruction in America that these two historical moments were intimately related. In particular, Du Bois averred that the nation¿s betrayal of the South¿s fledgling interracial democracy in the 1870s put reactionaries in charge of a country on the verge of global power, with world-historical implications. Working with the same chronological and geographical parameters, the contributors here take up targeted case studies, tracing the biographical, ideological, and thematic linkages that stretch across the postbellum and imperial moments. With an Introduction, eleven chapters, and an Afterword, this volume offers multiple perspectives based on original primary source research. The resulting composite picture points to a host of countervailing continuities and changes. The contributors examine topics as diverse as diplomatic relations with Spain, the changing views of radical abolitionists, African American missionaries in the Caribbean, and the ambiguities of turn-of-the century political cartoons.Collectively, the volume unsettles familiar assumptions about how we should understand the late nineteenth-century United States, conventionally framed as the Gilded Age and Progressive Era. It also advances transnational approaches to understanding Americäs Reconstruction and the search for the ideological currents shaping American power abroad.

Recounts the story of America's last great newspaper war between the New York Daily News and the New York Post, as both papers' long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or "runners," and photographers who fought the war on the ground in cities across America.

The book argues for deconstruction's ongoing relevance, showing how Jacques Derrida's deep engagement with Freud across the full trajectory of his work, in particular his engagement with Freud's notion of life and death drives, supplies the key way into Derrida's recasting of life as life death and, in turn, survival.

However divergent their analyses may be in other ways, some prominent anti-capitalist critics have remained critical of contemporary debates over reparative justice for groups historically oppressed and marginalized on the basis of race, gender, sexual identity, sexual preference, and/or ability, arguing that the most these struggles can hope to produce is a more diversity-friendly capital. Meanwhile, scholars of gender and sexuality as well as race and ethnic studies maintain that, by elevating the socioeconomic above other logics of domination, anti-capitalist thought fails to acknowledge specific forms and experiences of subjugation.The thinkers and activists who appear in Totality Inside Out reject this divisive logic altogether. Instead, they aim for a more expansive analysis of our contemporary moment to uncover connected sites of political struggle over racial and economic justice, materialist feminist and queer critique, climate change, and aesthetic value. The re-imagined account of capitalist totality that appears in this volume illuminates the material interlinkages between discrepant social phenomena, forms of oppression, and group histories, offering multiple entry points for readers who are interested in exploring how capitalism shapes integral relations within the social whole.Contributors: Brent Ryan Bellamy, Sarah Brouillette, Sarika Chandra, Chris Chen,Joshua Clover, Tim Kreiner, Arthur Scarritt, Zoe Sutherland, Marina Vishmidt

The central Christian belief in salvation through the suffering, death, and resurrection of Jesus Christ remains one of the most intractable mysteries of Christian faith. Throughout history, it has given rise to various theories of atonement, many of which have been subject to critique as they no longer speak to contemporary notions of evil and sin or to current conceptions of justice. One of the important challenges for contemporary Christian theology thus involves exploring new ways of understanding the salvific meaning of the cross.In Atonement and Comparative Theology, Christian theologians with expertise in Judaism, Islam, Hinduism, Buddhism, Daoism, and African Religions reflect on how engagement with these traditions sheds new light on the Christian understanding of atonement by pointing to analogous structures of sin and salvation, drawing attention to the scandal of the cross as seen by the religious other, and re-interpreting aspects of the Christian understanding of atonement. Together, they illustrate the possibilities for comparative theology to deepen and enrich Christian theological reflection.

Reconstruction is one of the most complex, overlooked, and misunderstood periods of American history. The thirteen essays in this volume address the multiple struggles to make good on President Abraham Lincoln¿s promise of a ¿new birth of freedom¿ in the years following the Civil War, as well as the counter-efforts including historiographical ones¿to undermine those struggles. The forms these struggles took varied enormously, extended geographically beyond the former Confederacy, influenced political and racial thought internationally, and remain open to contestation even today. The fight to establish and maintain meaningful freedoms for Americäs Black population led to the apparently concrete and permanent legal form of the three key Reconstruction Amendments to the U.S. Constitution, as well as the revised state constitutions, but almost all of the latter were overturned by the end of the century, and even the former are not necessarily out of jeopardy. And it was not just the formerly enslaved who were gaining and losing freedoms. Struggles over freedom, citizenship, and rights can be seen in a variety of venues. At times, gaining one freedom might endanger another. How we remember Reconstruction and what we do with that memory continues to influence politics, especially the politics of race, in the contemporary United States. Offering analysis of educational and professional expansion, legal history, armed resistance, the fate of Black soldiers, international diplomacy post-1865 and much more, the essays collected here draw attention to some of the vital achievements of the Reconstruction period while reminding us that freedoms can be won, but they can also be lost.

Reconstruction is one of the most complex, overlooked, and misunderstood periods of American history. The thirteen essays in this volume address the multiple struggles to make good on President Abraham Lincoln¿s promise of a ¿new birth of freedom¿ in the years following the Civil War, as well as the counter-efforts including historiographical ones¿to undermine those struggles. The forms these struggles took varied enormously, extended geographically beyond the former Confederacy, influenced political and racial thought internationally, and remain open to contestation even today. The fight to establish and maintain meaningful freedoms for Americäs Black population led to the apparently concrete and permanent legal form of the three key Reconstruction Amendments to the U.S. Constitution, as well as the revised state constitutions, but almost all of the latter were overturned by the end of the century, and even the former are not necessarily out of jeopardy. And it was not just the formerly enslaved who were gaining and losing freedoms. Struggles over freedom, citizenship, and rights can be seen in a variety of venues. At times, gaining one freedom might endanger another. How we remember Reconstruction and what we do with that memory continues to influence politics, especially the politics of race, in the contemporary United States. Offering analysis of educational and professional expansion, legal history, armed resistance, the fate of Black soldiers, international diplomacy post-1865 and much more, the essays collected here draw attention to some of the vital achievements of the Reconstruction period while reminding us that freedoms can be won, but they can also be lost.

In Political Theology on Edge, the discourse of political theology is seen as situated on an edge¿that is, on the edge of a world that is grappling with global warming, a brutal form of neoliberal capitalism, protests against racism and police brutality, and the COVID-19 pandemic. This edge is also a form of eschatology that forces us to imagine new ways of being religious and political in our cohabitation of a fragile and shared planet. Each of the essays in this volume attends to how climate change and our ecological crises intersect and interact with more traditional themes of political theology.While the tradition of political theology is often associated with philosophical responses to the work of Carl Schmitt¿and the critical attempts to disengage religion from his rightwing politics¿the contributors to this volume are informed by Schmitt but not limited to his perspectives. They engage and transform political theology from the standpoint of climate change, the politics of race, and non-Christian political theologies including Islam and Sikhism. Important themes include the Anthropocene, ecology, capitalism, sovereignty, Black Lives Matter, affect theory, continental philosophy, destruction, and suicide. This book features world renowned scholars and emerging voices that together open up the tradition of political theology to new ideas and new ways of thinking.Contributors: Gil Anidjar, Balbinder Singh Bhogal, J. Kameron Carter, William E. Connolly, Kelly Brown Douglas, Seth Gaiters, Lisa Gasson-Gardner, Winfred Goodwin, Lawrence Hillis, Mehmet Karabela, Michael Northcott, Austin Roberts, Noëlle Vahanian, Larry L. Welborn

Reading philosophy through the lens of Alfred Hitchcock's Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. In doing so, Cavalletti brings out the vertiginous nature of identity.

Since publication of The Black Loyalist Directory in 1996, the primary component, The Book of Negroes, has become one of the most-cited of American Revolutionary primary sources. This new edition salutes The Book of Negroes by using the original title of this famous accounting of Black freedom. On the surface, The Book of Negroes is a laconic, ledger-style enumeration of 3,000 self-emancipated and free Blacks who departed as part of the British evacuation of Loyalists from New York City in the summer and fall of 1783 for Nova Scotia, England, Germany, and other parts of the world. Created under orders from Sir Guy Carleton (Lord Dorchester), Commander-in-Chief of British forces in North America, to placate an angry George Washington, Commander-in-Chief of the Continental Army (USA), who regarded the Black Loyalists as fugitive slaves, The Book of Negroes is, as Alan Gilbert has observed, a ¿roll of honor.¿

This volume engages women¿s lifeworlds, practices, and experiences in relation to Orthodox Christianity in multiple, varied localities, discussing both contemporary and pre-1989 developments. It critically engages the pluralist and changing character of Orthodox forms of institutional and social life in relation to gender by using feminist epistemologies and drawing on original ethnographic research.

Living in Death descends into the ordinary life of people who execute hundreds every day, the same way others go to the office. Bringing philosophical sophistication to the ordinary, the book constitutes both an anthropology of mass killers and a challenge to the conditions that make genocide possible.

This volume engages women¿s lifeworlds, practices, and experiences in relation to Orthodox Christianity in multiple, varied localities, discussing both contemporary and pre-1989 developments. It critically engages the pluralist and changing character of Orthodox forms of institutional and social life in relation to gender by using feminist epistemologies and drawing on original ethnographic research.

An electrifying feminist poetics combining language and visual collage to explore gender, landscape, taxidermy, and the idea of a ¿natural body¿An innovative book-length poem that delves into the intricacies of natural history dioramas, taxidermy, landscape, and women naturalists, Her Wilderness Will Be Her Manners is an experience of looking for ¿Woman¿s Work¿ in American natural history museums. Why, for instance, have the contributions of taxidermist and naturalist Martha Maxwell, the first person to create a ¿habitat group¿ display in the United States, and Delia Akeley, the wife of the ¿father of modern taxidermy,¿ been largely erased?Sarah Mangold mines language from natural history texts and taxidermy manuals from the 1800s to explore the perception and the reception of women in male-dominated scientific pursuits, as well as the doctrine of nature as pure, unpopulated, and outside historical and political time. A stunning work of visual and textual collage, Her Wilderness Will Be Her Manners creates a vibrant textual ecology that utilizes language as landscape while reshaping notions of nature and the natural.

Failures to listen or mishearings can be a matter of life and death. Shattering Biopolitics elaborates the intimate and complex relation between life and sound in philosophy, political theory, and sound-art.

Class Acts looks at two often neglected aspects of Derrida's work as a philosopher, his public lectures and his teaching, along with the question of the "speech act" that links them, that is, the question of what one is doing when one speaks in public in these ways.

This book elaborates the political and intimate possibilities of going beyond the tendency toward destruction that Freud identified in human nature. Martinez argues that Eros is the force that can help us resist this destructive drive, and that resistance must take the form of unceasing ethical vigilance and political action.

Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction)The first collection of essays to address Satan¿s ubiquitous and popular appearances in filmLucifer and cinema have been intertwined since the origins of the medium. As humankind¿s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers¿ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the ¿prince of darkness¿ merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system.From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary¿s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation.Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe.Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O¿Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock

An interdisciplinary collaboration that explores what it means to live with concepts, rather than think of them as mere tools for analysis.